In the beginning of Shutter Island, by Dennis Lehane, Teddy Daniels believes he is a U.S. Marshal sent to Shutter Island with his partner, Chuck, to investigate the case of an escaped patient, Rachel Solando. Rachel Solando is said to be a very dangerous patient who murdered her three children. She had somehow escaped her cell in the mental ward and is somewhere on the island. As soon as Teddy and Chuck hop of the ferry and onto the desolate island, they’re greeted with aloofness and suspicion. None of the employees seem to give them any real evidence of the missing patient and their answers seem scripted. The guards, warden and doctors always seem to be keeping an eye out for them. When they meet with the head psychologist, Dr. Cawley, seems congenial but holds back most information he knows about Rachel Solando. Teddy believes that the information Dr. Cawley is holding back is crucial to the investigation. He speaks in psychobabble and allusively. All the patients they interview, seem to treat the marshals quite hostile and play around with them. One patient scribbles on Teddy’s notebook to run away from this mental hospital. While searching Rachel’s room they find a clue she left behind, the Law of Four. Teddy later learns that all the numbers in the Law of Four suggest that there are sixty-seven patients on Shutter Island, rather than the sixty-six everyone presumed there were. A quick camaraderie develops between Teddy and Chuck as they search around the island. Despite the monster hurricane bearing down on the island, Teddy remains determined and strong. His character is brave and he is quite clever. He is able to depict meanings of clues quickly. . Teddy finds cryptic clues in odd locations along the island. Teddy begins ...
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...ion. Symbols of water and fire play a huge symbol in the novel. They are the border between real and fake for Andrew, or “Teddy”. Whenever there is fire, such as in the cave with Dr. Rachel Solando, the matches he lights in Ward C, the fire in the cave with “Dr. Solando” and when he blows up Dr. Cawley’s car near the end, Andrew is in his fantasy world. Whenever he is around fire, Andrew is hallucinating events. Water, however, symbolizes his reality. Water makes him fall back into reality. His wife, Rachel, drowned their children in water which makes him feel uneasy, sick and tense. Like he was in the beginning, seasick while on the ferry. Whenever Andrew floats into his memories of his wife, a droplet of water would fall upon him and he would wake up. Everyone Andrew talks to on the island constantly refers to him as “marshal” to keep Teddy remembering who he is.
The novel One Flew Over the Cuckoo’s Nest by Ken Kesey tells a story of Nurse Ratched, the head nurse of a mental institution, and the way her patients respond to her harsh treatment. The story is told from the perspective of a large, Native-American patient named Bromden; he immediately introduces Randle McMurphy, a recently admitted patient, who is disturbed by the controlling and abusive way Ratched runs her ward. Through these feelings, McMurphy makes it his goal to undermine Ratched’s authority, while convincing the other patients to do the same. McMurphy becomes a symbol of rebellion through talking behind Ratched’s back, illegally playing cards, calling for votes, and leaving the ward for a fishing trip. His shenanigans cause his identity to be completely stolen through a lobotomy that puts him in a vegetative state. Bromden sees McMurphy in this condition and decides that the patients need to remember him as a symbol of individuality, not as a husk of a man destroyed by the
Earth, fire, air and water play significant symbolic roles throughout the novel. They constantly change from the ordinary and life bearing to the unnatural and life threatening depending on if they are associated with the domestic life and the terrifying world of the wars.
The Outsiders is a novel by S.E Hinton, that follows a young boy named Ponyboy who grows up in a gang. Johnny, Sodapop and Darry help him find how he fits into the world and without them he would have a hard time finding his own identity. Without having a close group of friends he would have a tough way of life, especially with the Socs. Being in a group that you associate with, that have different values to yourself can lead you to disregard your own ethics and do things you wouldn’t normally do, but at the same time this can assist and reinforce your own values…
Much has been written about the ways in which Canada's state as a nation is, as Peter Harcourt writes, "described" and hence, "imagined" (Harcourt, "The Canadian Nation -- An Unfinished Text", 6) through the cultural products that it produces. Harcourt's terms are justifiably elusive. The familiar concept of "Canadian culture", and hence Canadian cinema, within critical terminology is essentially based on the principle that the ideology of a national identity, supposedly limited by such tangible parameters as lines on a map, emerges from a common geographical and mythological experience among its people. The concept that cultural products produced in Canada will be somehow innately "Canadian" in form and content first presupposes the existence of such things as inherently Canadian qualities that can be observed. Second, it presupposes a certain commonality to all Canadian artists and posits them as vessels through which these said "inherently Canadian qualities" can naturally flow. Third, it also assumes the loosely Lacanian principle that Canadian consumers of culture are predisposed to identify and enjoy the semiotic and mythological systems of their nation, and further connotes that Canadians have fair access to their own cultural products. Since these assumptions are indeed flawed but not altogether false, this paper will deal with the general relationship between the concept of Canada, its cultural texts, and its mythological and critical discourse as an unresolved problematic that should be left "open" in order to maximize the "meaning potential" of films as cultural texts within the context of "national identity," an ideological construct that remains constantly in flux.
...voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft, close embrace.” The sea mimics not only Edna’s agitation, but also the sensual touch of Edna’s illicit lover, Robert. However, Chopin’s sea also has a power all its own, mysterious and dangerous. “…the stretch of water behind her assumed the aspect of a barrier which her unaided strength would never be able to overcome.” (Chopin 28) The lure of water, of nature, is also echoed by Mark Twain in his classic novel, “Huckleberry Finn.” For the child, the woman in strict society, the runway slave, both Chopin and Twain suggest that water provides a passageway to another way of life, physically, emotionally, and mentally. Water is the force of nature powerful enough to break the chains from Edna’s imprisonment, from which, once awakened, Edna can never return.
Identity; the meaning of which can represent a number, a name, or an origin. It can be concrete and documented on a social security card or birth certificate. Quite the opposite is the quality of fluidity it offers. Simply from how one presents themselves, their identity can be interpreted and assumed from a passerby’s glance. Femininity characterized by long hair and makeup. A smile projecting happiness, while a scrunched brow displays distress. “Self-Portrait” by Robert Mapplethorpe sets out to illustrate how varying traits, even while on the same subject matter, can change how one perceives another’s gender. However, without the obvious attributes that are stereotypical for one gender, the harsh line dividing masculinity and femininity
Guilt is a strong emotion that affects many people around the world. It can either lead people into a deep and dark abyss that can slowly deteriorate people or it can inspire them to achieve redemption. Guilt and redemption are two interrelated subjects that can show the development of the character throughout a novel. The Scarlet Letter, by Nathaniel Hawthorne, and The Kite Runner, by Khaled Hosseini, are two literary works that convey the connections between guilt and redemption and show the development of the character by using theme and symbolism that are present in the novels.
One’s identity is established at birth when given a name. Often times, one’s identity can change throughout one’s lifetime. During adolescence, identity can be linked to playing a sport, an instrument, being involved in art, acting, singing, or some other hobby. As adulthood approaches, identity can be described as, but not limited to, the career path someone has chosen, or the family they may or may not have. In the novel Fight Club, written by Chuck Palahniuk, the narrator has a difficult time finding his true identity. In the novel the theme identity is discussed as the narrator discovers the truth about himself and who the real Tyler Durden is.
Discovering one’s identity is part of life. An identity is unique in that it is what sets us apart, yet can bring us together. Throughout Angels in America the characters were searching for their identity, which I will express to be the “spine”. Every character had faced some method of change during the play. These elements helped us define the theme of the play.
The themes of the loss of innocence and redemption is used throughout the novel The Kite Runner to make a point that one can lose innocence but never redeem it. Once innocence is lost it takes a part of oneself that can never be brought back from oblivion. One can try an entire life to redeem oneself but the part that is loss is permanently gone although the ache of it can be dampened with the passing of time and acts of attempted redemption. Khaled Hosseini uses characters, situations, and many different archetypes to make this point.
Another thing that was symbolized in the book is the conch shell. The conch is what Ralph blew into to get the boys to come together. At first they established rules, one of them being the person holding the conch is the only person who can speak. The conch symbolizes order among the boys. As time past the boys acted more and more uncivil, and they didn't pay much attention to the conch. At this point, order stated to disintegrate. Towards the end of the novel, when the conch was shattered, all civilization of the boys shattered along with it. There was complete chaos on the island.
Ernest Hemingway uses water as a metaphor that foreshadows events in A Farewell to Arms. He distributes water through the entire story. Escape, or a cleansing effect, of Frederic Henry takes place in a river. Rain predicts unfortunate events, such as the death of Catherine, which causes Frederic to sadly begin a new life. However, this time he does not have a companion - he must learn to survive alone. Hemingway uses a lot of water to show many symbols and affect the story.
Identity-“Ones personal qualities.”Identiy is something only he or she can fully define. My uncle says I am affectionate,cheerful, and calm. My grandmother sees me as slim, pretty and sweet. My dad described me as perky, cheerful and happy, my mom says beautiful, gentle, and self-conscious. These adjectives describe me accurately, yet they are only abstract versions of me. Adjectives cannot begin to describe me and I aknowlege these descriptions for what they are, a condensed translation from my outward self to the world. It is impossible for anyone to understand me completely because nobody has experienced the things I have. My mother has never cherished a raggedy doll named Katie and my father never spent hours upon hours making collages and scrap books for his future children. My uncle never hid in the back of a pick-up-truck and traveled four hours to New York and my grandmother has never walked hours in the rain looking for the Queen of England. My identity is something only I can define.
Throughout world society, racism in others has caused them to become “blind” or ignorant. Racism has been around since anyone can remember. In racism in America, the struggle of African Americans seems to stand out the most. In Ralph Ellison’s, The Invisible Man, the narrator struggles to find his own identity despite of what he accomplishes throughout the book because he’s a black man living in a racist American society.
In Jack Kerouac’s ‘On The Road’, the protagonists embark upon a long, arduous quest for human identity. Their aim is to uncover who they truly are, where they fit in the ‘scheme of things’ and what the meaning of life is. They articulate this desire by speaking, during the novel, of the search for ‘IT’, ‘IT’ being human identity. This ‘IT’ is an intangible thing; something that holds a different meaning for every individual. It encompasses all the things humans yearn for – life answers, the meaning of the universe, happiness, enlightenment, self-fulfilment, ‘beatification’ (as articulated by Kerouac). ‘On the Road’ is the story of a desperate search for ‘IT’, in which the protagonists finally come to realise that ‘IT’ is unattainable and time cannot be defied.