Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Psychoanalysis of a streetcar named desire
A streetcar named desire blanche character study
The theme of gender in a streetcar named desire
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Psychoanalysis of a streetcar named desire
In Tennessee Williams’ play A Streetcar Named Desire, he evaluates Blanche’s struggle to accept reality. Williams brings to the attention of the audience that Blanche has psychological issues; therefore, she cannot decipher between fact and fiction, or is it her choice to deny reality? Blanche DuBois, Williams’ most famous Southern belle finally resolves a lifetime of psychological conflicts (Rusinko 2738). Blanche tries to live a life of both desire and decorum (Riddel 17), thus driving her to insanity. Sigmund Freud would characterize Blanche’s psychological problem as id v. ego and superego (Riddel 17). The id is the primitive and instinctive component of personality. The ego develops in order to mediate between the unrealistic id and the external real world. The superego incorporates the values and morals of society which are learned from one's parents and others (McLeod). Williams psychological approach to his characters is most evident in the character of Blanche DuBois. Blanche is both a representative and victim of a tradition that taught her attractiveness, virtue, and gentility lead to happiness (Corrigan 56). The time period that Blanche grew up in forced her to think that she was to have a sense of poise and grace. She should never let anyone think that she was anything less than a lady. Blanche represents the Southern traditions; therefore, she was expected to be a woman of eloquence (Bigsby 45). However, once Blanche leaves Belle Reve her image is completely destroyed. Williams portrays Blanche as a Southern woman who cannot find herself or grip reality due to this illusion she has created. Blanche needs reassurance that she is beautiful to due her insecure nature brought on by the passing of her husband. She tries... ... middle of paper ... ... Alvin B. "Truth and Dramatic Mode in A Streetcar Named Desire." Modern Critical Views Tennessee Williams. By Harold Bloom. New York: Chelsea House, 1987. 9-11. Print. McLeod, Saul. "Id Ego and Superego." Simply Psychology. Simply Psychology, 2008. Web. 26 Jan. 2014. O'Connor, Jacqueline. "Babbling Lunatics: Language and Madness." Bloom's Modern Critical Views: Tennessee Williams. By Harold Bloom. New York: Infobase, 2007. 11-26. Print. Riddel, Joseph N. "A Streetcar Named Desire-Nietzche Descending." Modern Critical Views Tennessee Williams. Ed. Harold Bloom. New York: Chelsea House, 1987. 13-22. Print. Rusinko, Susan. “A Streetcar Named Desire.” Magill’s Survey of American Literature. Ed. Steven G. Kellman. rev. ed. Vol.6. Pasadena, Ca.: Salem Press, Inc., 2007. 2734-2739. Print. Williams, Tennessee. A Streetcar Named Desire. New York: New Directions, 1947. Print.
Tennessee Williams. Boston: Twayne Publishers, 1978. 1. See Section 167. Heilman, Robert.
Williams, Tennessee. "A Streetcar Named Desire." The Norton Anthology of American Literature. New York: W.W. Norton & Company, 2007. 2337-2398.
In Tennessee Williams’ play A Streetcar Named Desire, main character Blanche Dubois to begin with seems to be a nearly perfect model of a classy woman whose social interaction, life and behavior are based upon her sophistication. The play revolves around her, therefore the main theme of drama concerns her directly. In Blanche is seen the misfortune of a person caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present.
In Williams’ A Streetcar Named Desire, its form of a Southern Gothic enables the playwright to base the play on sexual identity and judgement and the female characters all experience their struggle to liberate from their current position. For example, Blanche is notably known for her situation – The ‘polka dot’ which recurs throughout the play as a testimony to Blanche’s past. The playwright presents these situations using the play’s structure of a recurring cycle of a daily life of the characters. Unlike Alfieri in A View from the Bridge, A Streetcar Named Desire has no narrator and mostly focuses on the characters to establish Williams’ point of view. Perhaps, t...
Written in 1947, A Streetcar Named Desire has always been considered one of Tennessee William’s most successful plays. One way for this can be found is the way Williams makes major use of symbols and colours as a dramatic technique.
Early in Blanche’s life before she arrived at the Kowalski’s residence, Blanche already led a life of promiscuity and alcoholism, which is exhibited when “she pours a half tumbler of whiskey and tosses it down.” Additionally, Blanche loses her job due to an inappropriate relationship with a student, and her excessive drinking throughout the play was triggered when she unknowingly married a homosexual man that later committed suicide after the discovery of his sexual preference. These events show who Blanche is as a person and how she operates in the world. She relies on her ability to act as an object of male sexual desire since her interactions with the males in the play always commence with flirtation. This is demonstrated when Blanche tells St...
From the first moment the Williams introduces Blanche, it is evident that she believes herself to be of a higher class, and this is shown with how uncomfortable she is around those of a lower class. When Blanche is shown an act of kindness from Eunice, “Why don’t you set down?” her response to this person of a lower class than herself is dismissive, “…I’d like to be left alone.” She instantly expects too much from a place called ‘Elysian Fields’. Blanche feels uneasy about being around those that are of a lower class, especially of those who she does not know, which is clear when she is reunited with her sister. She immediately becomes ostentatious in her actions, and begins to speak with “feverish vivacity”, “Stella, Oh Stella, Stella! Stella for Star!” Perhaps she is relieved to be with her sister once again, or it could be that she feels she now has someone to be dominant over, since she has little control over her own life. Blanche comes across as being very motherly towards Stella, “You messy child” in spite of the fact that Stella is soon to beco...
*Quotes from the play: Tennessee Williams, A Streetcar named Desire and Other Plays, Penguin Twentieth-Century, ISBN 0-14-018385-X
Donahue, Francis. The Dramatic World of Tennessee Williams. New York: Frederic Ungar Publishing Co., 1964.
During scene one, the audience is introduced to Blanche as Stella's sister, who is going to stay with her for a while. Blanch tries her best to act normal and hide her emotion from her sister, but breaks down at the end of scene one explaining to Stella how their old home, the Belle Reve, was "lost." It is inferred that the home had to be sold to cover the massive funeral expenses due to the many deaths of members of the Dubois family. As Blanche whines to her sister, "All of those deaths! The parade to the graveyard! Father, mother! Margaret, that dreadful way!" (21). The audience sees this poor aging woman, who has lost so many close to her, and now her home where she grew up. How could anyone look at her, and not feel the pain and suffering that she has to deal with by herself? Williams wants the audience to see what this woman has been through and why she is acting the way she is. Blanche's first love was also taken from her. It seems that everyone she loves is dead except for her sister. Death plays a crucial role in Blanche's depression and other mental irregularities. While these circumstances are probably enough for the audience to feel sympathy for Blanche, Williams takes it a step further when we see Blanche's...
Tennessee Williams is recognized as being one of America’s top playwrights during the twentieth century. His play A Streetcar Named Desire, written in 1947, tells the tale of two sisters and their struggle to find happiness. The Glass Menagerie, published in 1945, is a memory play, which profoundly impacted Williams’s career. Suddenly Last Summer, published in 1993, is a one-act play about a young girl’s horrifying experience while traveling abroad. All of these plays incorporate aspects of Williams’ own life and portray dysfunctional characters.
A Streetcar Named Desire, written by Tennessee Williams, is a social realism play that takes place during the 1940’s in New Orleans. Williams uses this play to directly question inherent ideologies of human nature. He uses plot, narrative techniques, motifs, and contrasting values to directly challenge the reader’s perspective.
Tennessee Williams uses motifs to help convey his idea that Blanche is deceiving, narcissistic and seductive. One can note how Blanche repeatedly wears extravagant white dresses or her red robe when she is acting particularly seductive, so that she makes people ponder that she is in fact guiltless and wholesome. Blanche's white dress is blemished which is representative of the fact that Blanche if far from being pure and wholesome even though the dress is a symbol of purity. Her world clings on misapprehension and trickery as can be understood by her emptying her heart out to Stella in scene three, "soft people have got to be seductive make a little temporary magic". She feels as if is it crucial to trick and deceive in order to persist in a world where she is "fading now" and her youthful beauty is departing. Tennessee Williams depicts Blanche as uncertain, self-conscious and hides behind her semblance of superficial beauty. With the use of the motif lighting, we can see how Blanche disappoints to live up to the facade that she po...
Blanche Dubois the main character of the play, was an English teacher in Mississippi. She presents herself as a very prim, proper, and prudent person. She once proudly told her sister Stella that her name in French meant white woods. Blanche Dubois is also overly concerned with her appearance, accessories, bathing and age. She was very disturbed by the light, and usually preferred to be in the dark. Many believe it was to prevent people from noticing her real age. Deep inside she was hurt and destroyed. All of this pain was caused by the death of the love of her life. She was married to a young man named Allan, and they loved each other very much. Until one day Blanche found out that Allan was sleeping with another man. Once she confessed to him she knew his secret he committed suicide. Ever since, Blanches’ life was never the same again.
In conclusion, “A streetcar named Desire” in which a central character is flawed but nevertheless gains your admiration. Williams firstly effectively shows this through his use of characterization creating a contrast which leads to conflict thus bringing out sympathy and admiration. This conflict also draws the audience’s attention to Blanche’s flawed character. Secondly, Williams’ use of aspects of staging also draws out admiration for Blanche from the audience. Finally, Williams’ use of key scenes further relates to Blanche’s flaw and successfully extends the audience’s admiration for her