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Gender role in society
Gender and roles of women in literature
Gender and roles of women in literature
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Recommended: Gender role in society
A Streetcar Named Desire: The Repression of Women in the 20th Century.
Feminist critics, are people who agree to the idea that gender differences are culturally determined, and not born with it, interpret literature as a record of male dominance; particularly the repression by men. The play A Streetcar Named Desire by Tennessee Williams shows the attitudes of men who impose their will on women and try to convince them of their inferiority. the way they interact with women, discuss them, look at them, talk to them, use and abuse them. Williams highlights this gender struggle to represent the continual fight for supremacy on the one hand - and equality on the other - in the home between men and women and in the country between the Old south and the New America. Williams uses symbolism and characterization to show how women in 20th century were still being repressed by mean and did not had their own place in society, which leads to women not having freedom of doing and saying what they wish.
Tennessee Williams different characters in the play to bring out the theme of gender stereotyping against women. The main women portrayed in this light in the play are Stella and Blanche DuBois. The main protagonist of the play Blanche DuBois is portrayed in a pitiful light and the audience is able to see gender stereotyping through her and Stella through her actions and speech. The themes connected to these characters and gender stereotyping are the inability to separate reality from fantasy, fear of death, sensual desire and dependence on men. “Please don’t get up. ‘Nobody’s going to get up, so don’t be worried” (Scene 3, page 50). This characterizes Blanche as someone who desires is to be admired, loved and respected. She is proud yet...
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...tury faced at the hands of men. Williams play magnifies how women are incapable of doing the necessary work to survive; the play also says that women are incompetent and dependent on man. Stella’s inability to leave her abusive, rapist husband shows her weakness as an individual in a moral way; it also identifies herself as the wife that stands by her husband and no one else. She stays with him because she feels that a family cannot be complete without the presence of a man. By defining these qualities of a woman the author is trying to show what feminism is against. From a feminist perspective a woman is as capable as a man at making a living for themselves and their family; they also view abuse as something that shouldn't be tolerated from any gender. It also supports women as family heads and capable of giving a child the environment they need to grow and learn.
told Allan "I saw, I know, you disgust me…"( p.96). To Allan, Blanche seemed to
Many different depictions of gender roles exist in all times throughout the history of American culture and society. Some are well received and some are not. When pitted against each other for all intents and purposes of opposition, the portrayal of the aspects and common traits of masculinity and femininity are separated in a normal manner. However, when one gender expects the other to do its part and they are not satisfied with the results and demand more, things can shift from normal to extreme fairly quickly. This demand is more commonly attributed by the men within literary works. Examples of this can be seen in Tennessee Williams' “A Streetcar Named Desire”, where Stella is constantly being pushed around and being abused by her drunken husband Stanley, and also in Charlotte Perkins Gilman's “The Yellow Wallpaper”, where the female narrator is claimed unfit by her husband as she suffers from a sort of depression, and is generally looked down on for other reasons.
Identity in Contemporary American Drama – Between Reality and Illusion Tennessee Williams was one of the most important playwrights in the American literature. He is famous for works such as “The Glass Menagerie” (1944), “A Streetcar Named Desire” (1947) or “Cat on a Hot Tin Roof (1955)”. As John S. Bak claims: “Streetcar remains the most intriguing and the most frequently analyzed of Williams’ plays.” In the lines that follow I am going to analyze how the identity of Blanche DuBois, the female character of his play, “A Streetcar Named Desire”, is shaped. Firstly, we learn from an interview he gave, that the character of Blanche has been inspired from a member of his family.
Isn't it true the relationship between Stella and Stanley is praiseworthy, since it combines sexual attraction with compassion for the purpose of procreation? Isn't it true that as opposed to Stanley's normalcy in marriage, Blanche's dalliance in sexual perversion and overt efforts to break up Stanley and Stella's marriage is reprehensible? Isn't it true that Stella's faulty socialization resulting in signs of hysteria throughout the play meant that she probably would have ended her life in a mental hospital no matter whether the rape had occurred or not?
The dawn of the twentieth century beheld changes in almost every aspect of the day-to-day lives of women, from the domestic domain to the public. By the midpoint of the twentieth century, women 's activities and concerns had been recognized by the society in previously male-dominating world. The end of the nineteenth century saw tremendous growth in the suffrage movement in England and the United States, with women struggling to attain political equality. However, this was not to last however, and by the fifties men had reassumed their more dominant role in society. Tennessee Williams wrote A Streetcar Named Desire around the time this reversal was occurring in American society. In this play male dominance is clear. Women are represented as
In Tennessee Williams’ play A Streetcar Named Desire, main character Blanche Dubois to begin with seems to be a nearly perfect model of a classy woman whose social interaction, life and behavior are based upon her sophistication. The play revolves around her, therefore the main theme of drama concerns her directly. In Blanche is seen the misfortune of a person caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present.
In Williams’ A Streetcar Named Desire, its form of a Southern Gothic enables the playwright to base the play on sexual identity and judgement and the female characters all experience their struggle to liberate from their current position. For example, Blanche is notably known for her situation – The ‘polka dot’ which recurs throughout the play as a testimony to Blanche’s past. The playwright presents these situations using the play’s structure of a recurring cycle of a daily life of the characters. Unlike Alfieri in A View from the Bridge, A Streetcar Named Desire has no narrator and mostly focuses on the characters to establish Williams’ point of view. Perhaps, t...
To understand feminism in the novel, one must first understand the feminist lens itself. OWL Purdue describes the lens as “the ways in which literature (and other cultural productions) reinforce or undermine the economic, political, social, and psychological oppression of women” (Purdue). Feminism acts as both a commitment and a political movement that wants to end sexism in all forms. Most feminists generally disagree on many topics of the subject, however all have one common goal. These aspects affect The Things They Carry in a plethora of ways, mostly due to the fact that gender roles is a main theme. There are negative and positive aspects of the feminist lens. Positive contains the empowering of women and equality, whereas negative pertains to oppression and unequal rights. Both are covered in The Things They Carried from sex symbols to battle tor...
The ideology of male dominance has existed since the beginning of mankind. In the play A Streetcar Named Desire, by Tennessee Williams, it is especially apparent that Stanley, who is a working class man, feels the need to assert and reassert this principle of power constantly. Williams makes clear, through the character of Stanley, that the yearning for others’ recognition of their power and capability is the motive behind men’s masculine inclinations.
Throughout Tennessee Williams’s play “A Streetcar Named Desire,” Blanche Dubois exemplified several tragic flaws. She suffered from her haunting past; her inability to overcome; her desire to be someone else; and from the cruel, animalistic treatment she received from Stanley. Sadly, her sister Stella also played a role in her downfall. All of these factors ultimately led to Blanche’s tragic breakdown in the end. Blanche could not accept her past and overcome it.
“. . . Women internalize the feminine wound or feminine inferiority so deeply, there's little or no female authority and esteem to fall back on. So they seek it by adopting and pleasing patriarchal standards.” (Sue Monk Kidd, the Dance of the Dissident Daughter)
The woman in Alice Walker’s The Color Purple and the woman in Tennessee Williams’ A Streetcar Named Desire both struggle with discrimination. Celie, a passive young woman, finds herself in mistreatment and isolation, leading to emotional numbness, in addition to a society in which females are deemed second-rate furthermore subservient to the males surrounding them. Like Celie, Blanche DuBois, a desperate woman, who finds herself dependent on men, is also caught in a battle between survival and sexism during the transformation from the old to the new coming South.
After two world wars, the balance of power between the genders in America had completely shifted. Tennessee Williams’ A Streetcar Named Desire is a harsh, yet powerful play that exposes the reality of the gender struggle. Williams illustrates society’s changing attitudes towards masculinity and femininity through his eloquent use of dramatic devices such as characterization, dialogue, setting, symbolism, and foreshadowing.
The play, A Raisin in the Sun, has a very strong view of feminism in the 1960’s. The way that the females are portrayed and talked to in this play is not only an example of how the relationship between a man and a woman in society is unequal, but reflects a particular patriarchal ideology. Throughout this play, as the characters strive to achieve their dreams, the relationships that we see can be seen as feminist and as sexual stereotypes. Feminism is a perspective that views gender as one of the most important bases of the structure and organization of the social world. Feminists argue that in most known societies this structure has granted women lower status and value, more limited access to valuable resources, and less autonomy and opportunity to make choices over their lives than it has granted men.
2. What causes Mitch and Blanche to take a "certain interest" in one another? That is, what is the source of their immediate attraction? What seems to draw them together? What signs are already present to suggest that their relationship is doomed/problematic?