Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Literary analysis of a streetcar named desire
Tennessee williams essay life and work
Literary analysis of a streetcar named desire
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Literary analysis of a streetcar named desire
Tennessee Williams was born in 1911 in a Southern rural town of Mississippi. He grew up with an abusive father, a flighty sister, and a Southern Belle religious mother. Williams adolescent life and how he grew up prominently influences his work. Most of his characters and their struggles mirror someone of his family; so, Williams was known for using his life as an influence in his works. A Streetcar Named Desire was one of his most successful plays. In this play Williams exposes the struggle human beings have by clinging to fantasies and not accepting reality which ultimately destroys them. Williams does this by embedding location symbols throughout the play. Williams reveals through the progression of locations, Belle Reve, The Flamingo Hotel, and The …show more content…
She first arrives to her sister’s apartment by “taking a streetcar named Desire, and transfer to one called Cemeteries, and ride six blocks and get off at—Elysian Fields!” (Williams 15). The journey on these streetcars are a true representation of her life travels. Williams uses desire all throughout the play to symbolize a sexual reference. She starts on desire where she leaves Laurel and The Flamingo Hotel after being shamed for her sexual actions. She thinks coming to Elysian Fields with a clean slate will right her wrongs. However, sex drives her to an ultimate death as she takes Desire to Cemeteries. Elysian Fields follows Cemeteries which is a mythological term referencing the afterlife. She fixes her problems with sex which leads to more despair. Allan, her husband, commits suicide and Blanche retreats to the Flamingo Hotel. She sleeps with a student, then gets fired. She gets raped by Stanley, then goes insane. Blanche’s denial of her problems continues to lead to hardships; yet she continues to ride the streetcar of desire to her
Tennessee Williams was one of the most important playwrights in the American literature. He is famous for works such as “The Glass Menagerie” (1944), “A Streetcar Named Desire” (1947) or “Cat on a Hot Tin Roof (1955)”. As John S. Bak claims: “Streetcar remains the most intriguing and the most frequently analyzed of Williams’ plays.” In the lines that follow I am going to analyze how the identity of Blanche DuBois, the female character of his play, “A Streetcar Named Desire”, is shaped.
she was told "to take a streetcar named Desire, and then to transfer to one
During early times men were regarded as superior to women. In Tennessee William’s play, “A Streetcar Named Desire”, Stanley Kowalski, the work’s imposing antagonist, thrives on power. He embodies the traits found in a world of old fashioned ideals where men were meant to be dominant figures. This is evident in Stanley’s relationship with Stella, his behavior towards Blanche, and his attitude towards women in general. He enjoys judging women and playing with their feelings as well.
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
A Streetcar Named Desire is a play founded on the premise of conflicting cultures. Blanche and Stanley, the main antagonists of the play, have been brought up to harbour and preserve extremely disparate notions, to such an extent that their incompatibility becomes a recurring theme within the story. Indeed, their differing values and principles becomes the ultimate cause of antagonism, as it is their conflicting views that fuels the tension already brewing within the Kowalski household. Blanche, a woman disillusioned with the passing of youth and the dejection that loneliness inflicts upon its unwilling victims, breezes into her sister's modest home with the air and grace of a woman imbued with insecurity and abandonment. Her disapproval, concerning Stella's state of residence, is contrived in the face of a culture that disagrees with the old-fashioned principles of the southern plantations, a place that socialised Blanche to behave with the superior demeanour of a woman brain-washed into right-wing conservatism. Incomparably, she represents the old-world of the south, whilst Stanley is the face of a technology driven, machine fuelled, urbanised new-world that is erected on the foundations of immigration and cultural diversity. New Orleans provides such a setting for the play, emphasising the bygone attitude of Blanche whose refusal to part with the archaic morals of her past simply reiterates her lack of social awareness. In stark contrast Stanley epitomises the urban grit of modern society, revealed by his poker nights, primitive tendencies and resentment towards Blanche. ...
The first principle character in this play is Blanche DuBois. She is a neurotic nymphomaniac that is on her way to meet her younger sister Stella in the Elysian Fields. Blanche takes two 2 streetcars, one named Desire, the other Cemeteries to get to her little sisters dwelling. Blanche, Stella and Stanley all desire something in this drama. Blanche desired a world without pain, without suffering, in order to stop the mental distress that she had already obtained. She desires a fairy tale story about a rich man coming and sweeping her off her feet and they ride away on a beautiful oceanic voyage. The most interesting part of Blanche is that through her unstable thinking she has come to believe the things she imagines. Her flashy sense of style and imagination hide the truly tragic story about her past. Blanche lost Belle Reve but, moreover, she lost the ones she loved in the battle. The horror lied not only in the many funerals but also in the silence and the constant mourning after. One cant imagine how it must feel to lose the ones they love and hold dear but to stay afterwards and mourn the loss of the many is unbearable. Blanche has had a streak of horrible luck. Her husband killing himself after she exposed her knowledge about his homosexuality, her advances on young men that led to her exile and finally her alcoholism that drew her life to pieces contemplated this sorrow that we could not help but feel for Blanche throughout the drama. Blanche’s desire to escape from this situation is fulfilled when she is taken away to the insane asylum. There she will have peace when in the real world she only faced pain.
After two world wars, the balance of power between the genders in America had completely shifted. Tennessee Williams’ A Streetcar Named Desire is a harsh, yet powerful play that exposes the reality of the gender struggle. Williams illustrates society’s changing attitudes towards masculinity and femininity through his eloquent use of dramatic devices such as characterization, dialogue, setting, symbolism, and foreshadowing.
First she is introduced as a symbol of innocence and chastity.4 She is aristocratic and intelligent, and sensitive and fragile at the same time, also beautiful and this delicate beauty has a moth-like appearance. But these positive characteristics are overshadowed by the fact that Blanche arrives to Elysian Fields, which is a poor section of New Orleans, on two streetcars, Desire and Cemeteries. These misterious expressions, which can be considered to be the main symbols of the play, suggest that something is is not clear around Blanhe or that something wrong will happen towards the end. Elysian Fields symbolizes paradise beyond death from ancient lore,3 Desire expresses Blanche's desire to be loved and Cemeteries represents her fear of death.4
The play A Streetcar Named Desire revolves around Blanche DuBois; therefore, the main theme of the drama concerns her directly. In Blanche is seen the tragedy of an individual caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present. The final result is her destruction. This process began long before her clash with Stanley Kowalski. It started with the death of her young husband, a weak and perverted boy who committed suicide when she taunted him with her disgust at the discovery of his perversion. In retrospect, she knows that he was the only man she had ever loved, and from this early catastrophe evolves her promiscuity. She is lonely and frightened, and she attempts to fight this condition with sex. Desire fills the emptiness when there is no love and desire blocks the inexorable movement of death, which has already wasted and decayed Blanche's ancestral home Belle Reve.
The play, A Streetcar Named Desire, written by Tennessee Williams, successfully explores the complexities and diversities of human relationships. This was achievable through Williams’ complex characterisation and interaction among the plays characters, particularly with the protagonist, Blanch DuBois as well as Stanley and Stella. The effective use of various dramatic and language techniques, further enables this successful exploration.
The arts stir emotion in audiences. Whether it is hate or humor, compassion or confusion, passion or pity, an artist's goal is to construct a particular feeling in an individual. Tennessee Williams is no different. In A Streetcar Named Desire, the audience is confronted with a blend of many unique emotions, perhaps the strongest being sympathy. Blanch Dubois is presented as the sympathetic character in Tennessee William's A Streetcar Named Desire as she battles mental anguish, depression, failure and disaster.
2. What causes Mitch and Blanche to take a "certain interest" in one another? That is, what is the source of their immediate attraction? What seems to draw them together? What signs are already present to suggest that their relationship is doomed/problematic?
The title of the play is mentioned when Blanche is muttering to herself in Scene 1, ‘They told me to take a streetcar named Desire, and then transfer to one called Cemeteries and ride six blocks and get off at – Elysian Fields.’, which is effective as it encourages the audience to realise the importance of these different locations. Blanches desire is what she has followed which has led to a kind of death within herself. This is suggested in the name ‘Cemeteries’. The noun ‘Desire’ is used here to refer to Blanche’s past, both with Allan and in Laurel. The desire that she experienced with Allan was a desire for love which led her to temporarily ignore his attraction to males. Blanches desire for love was presented as more of a desperation when
The seven deadly sins are well established as being detrimental; nevertheless, humanity naturally gravitates towards the inhuman. The life of Blanche DuBois, the protagonist of Tennessee Williams’ play, A Streetcar Named Desire is derailed by lust: the lechery of her ancestors causes the loss of the family home, her husband’s lust leads to suicide, and her own sexuality forces her to leave her occupation and her hometown in disgrace. After taking the streetcars Desire and Cemeteries, Blanche seeks refuge from reality in the home of her sister Stella and her masculine and somewhat barbaric husband Stanley. Despite her attempts to start an unblemished life with a new persona and love interest, Mitch, Blanche’s dark past begins to resurface after
One of the first major themes of this book is the constant battle between fantasy and reality. Blanche explains to Mitch that she fibs because she refuses to accept the hand fate has dealt her. Lying to herself and to others allows her to make life appear as it should be rather than as it is. Stanley, a practical man firmly grounded in the physical world, disdains Blanche’s fabrications and does everything he can to unravel them. The relationship between Blanche and Stanley is a struggle between appearances and reality. It propels the play’s plot and creates an overarching tension. Ultimately, Blanche’s attempts to rejuvenate her life and to save Stella from a life with Stanley fail. One of the main ways the author dramatizes fantasy’s inability to overcome reality is through an explorati...