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Relationships between characters in the streetcar named desire
Themes in the streetcar named desire
Analysis of streetcar named desire by tennessee williams
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A Literary Analysis of Desire and Destruction The famous and intellectual work of Tennessee Williams, “A Streetcar Named Desire” has been admired by scholars for its theme of desire. The reader is clued in from the start about the central idea, after all the title contains the word “desire” itself. Like many works of literature, the title of this play identifies the events that will take place with the main characters; Blanche, Stella, and Stanley. Stella’s sister, Blanche, rides into New Orleans on two streetcars, the first named “Desire” and the second named “Cemeteries”. These two names expand upon the prelusion and suggest their possible relationship to the main characters further in the play. That relationship being how earthly desires …show more content…
To elaborate, Blanche’s only desire in New Orleans is to leave her past in Laurel behind her. Unfortunately, this causes Blanche to create an aura of illusion as a sort of protective bubble. Although, Stanley sees right through Blanche’s ruse and takes it upon himself to ruin her; showcasing his desires as well. Stanley’s desire to destroy Blanche and be Stella’s “number one” again was so powerful that he rapes Blanche. Williams states, “We’ve had this date with each other from the beginning” (130). This line itself helps the reader understand Stanley’s desire to destroy Blanche, as rape is a cruel and humiliating crime, so humiliating that it breaks Blanche’s safety net woven from illusions, rupturing her way of life. Not only does Stanley aid in Blanche’s demise, but so does Stella. Blanche’s sister desires Stanley more than anything; without Stanley her own life would be unhappy, as well as her child’s. Henceforth, Stella decides to ignore her sister’s claim of rape, she says “‘I couldn’t believe her story and go on living with Stanley.’ ‘Don’t ever believe it. Life has got to go on.’” (williams 133). Perhaps if Blanche had not cried wolf too many times before, her sister would have believed her and the play would have ended differently. Unfortunately, Blanche’s attempt to use desire as a form of protection eventually does not work in her favor, for she lost her sanity in the process. In the ending scene, this insanity is demonstrated through the echoing voices, strange sounds, and the same song that played on the night of her husband’s death, that resonate within Blanche’s mind. The text reads, “Lurid reflections appear on the walls in odd, sinuous shapes. The ‘Varsouviana’ is filtered into a weird distortion, accompanied by the cries and noises of the jungle” (139). The things Blanche is hearing and seeing in
McGlinn addresses the third dialectic taking hold of Blanche: illusion versus reality. McGlinn points out that, like all the women in Williams’s plays between 1940 and 1950, Blanche “refuses to accept the reality of her life and attempts to live under illusion.” [Tharpe, 513]. Although McGlinn is accurate in noting Blanche’s conflict between gentility and promiscuity, the result of which is “self-defeat instead of survival” [Tharpe, 513], she fails to see that Blanche lives in both illusion and reality simultaneously, and it is this dialectic that is the slow poison which destroys her. This death-instinct gives us the fourth and last dialectic in Blanche: her struggle between death and desire.”
This statement also emphasises much of Blanche’s own views on sorrow and explains how it has affected her life since she has made the comment from personal experience. To conclude, Tennessee Williams’ dramatic use of death and dying is an overarching theme in ‘A Streetcar Named Desire,’ from which everything about Blanche’s character has formed from. Without the death of Allan, Blanche would not have resorted to prostitution and the brief affairs with strangers, also the deaths of her family have driven Blanche to Stella’s where she is “not wanted” and “ashamed to be”. Therefore these dramatic deaths have lead to the past which comes back to haunt
The loss of her beloved husband kept Blanche’s mental state in the past, back when she was 16, when she only cared about her appearance. That is why at the age of 30 she avoids bright lights that reveal her wrinkles. Blanche does not want to remember the troubles of her past and therefore she attempts to remain at a time when life was simpler. This is reinforced by the light metaphor which illustrates how her life has darkened since Allan’s suicide and how the light of love will never shine as brightly for Blanche ever again. Although, throughout the play Blanche sparks an interest in Mitch, a friend of Stanley’s, who reveals in Scene three that he also lost a lover once, although his lover was taken by an illness, not suicide, and therefore he still searches for the possibility of love, when Blanche aims to find stability and security.
As Stanley continues torturing Blanche and draws Stella and Mitch away from her, Blanche’s sanity slowly dwindles. Even though she lied throughout the play, her dishonesty becomes more noticeable and irrational due to Stanley's torment about her horrible past. After dealing with the deaths of her whole family, she loses Belle Reve, the estate on which her and her sister grew up. This is too much for Blanche to handle causing her moral vision to be blurred by “her desperate need to be with someone, with ancestors for models who indulged in “epic fornications” with impunity, [Blanche] moves through the world filling the void in her life with lust” (Kataria 2). She also loses a young husband who killed himself after she found out he was gay when she caught him with another man. After that traumatic experience she needed “a cosy nook to squirm herself into because ...
Tennessee Williams A Streetcar Named Desire is a overly dramatic play that concludes in a remarkable manner. The play takes off by introducing Stanley and Stella, a married couple whom live in New Orleans. They have a two-sided relationship, very loving but abusive. Then suddenly Blanche shows up, Stella’s sister, and informs Stella that their home in Belle Reve was lost. A few days later, Blanche meets and becomes attracted to Mitch, a friend of Stanley. Blanche sees Stanley as an abusive husband and contrasts him to Mitch. Blanche immediately begins to develop deep emotions for Mitch because he is very romantic and a gentleman. Blanche begins to talk to Stella because she does not want her sister to be abused.
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
Tennessee Williams’ A Streetcar Named Desire is a play wrought with intertwining conflicts between characters. A drama written in eleven scenes, the play takes place in New Orleans over a nine-month period. The atmosphere is noisy, with pianos playing in the distance from bars in town. It is a crowded area of the city, causing close relations with neighbors, and the whole town knowing your business. Their section of the split house consists of two rooms, a bathroom, and a porch. This small house is not fit for three people. The main characters of the story are Stella and Stanley Kowalski, the home owners, Blanche DuBois, Stella’s sister, Harold Mitchell (Mitch), Stanley’s friend, and Eunice and Steve Hubbell, the couple that lives upstairs. Blanche is the protagonist in the story because all of the conflicts involve her. She struggles with Stanley’s ideals and with shielding her past.
The characters in “A Streetcar Named Desire”, most notably Blanche, demonstrates the quality of “being misplaced” and “being torn away from out chosen image of what and who we are” throughout the entirety of the play.
Blanche uses her dilutions and tries to sway Stella away from Stanley, yet Stella takes all these slanders and belittles them. Stella does this because she loves Stanley and since she is pregnant with his baby.
After two world wars, the balance of power between the genders in America had completely shifted. Tennessee Williams’ A Streetcar Named Desire is a harsh, yet powerful play that exposes the reality of the gender struggle. Williams illustrates society’s changing attitudes towards masculinity and femininity through his eloquent use of dramatic devices such as characterization, dialogue, setting, symbolism, and foreshadowing.
A Streetcar Named Desire sets the decaying values of the antebellum South against those of the new America. The civil, kindly ways of Blanche’s past are a marked contrast to the rough, dynamic New Orleans inhabited by Stella and Stanley, which leads Tennessee Williams’s “tragedy of incomprehension” (qtd. in Alder, 48). The central protagonist, Blanche, has many flaws; she lies, is vain and deceitful, yet can be witty and sardonic. These multifaceted layers balance what Jessica Tandy, who played Blanche in the first stage production in 1947, “saw as her ‘pathetic elegance’ . . . ‘indomitable spirit and ‘innate tenderness’” (Alder 49). Through a connected sequence of vignettes, our performance presented a deconstruction of Blanche that revealed the lack of comprehension and understanding her different facets and personas created. Initially Blanche is aware of what she is doing and reveals
Tennessee Williams explores in his play” A Streetcar Named Desire”, suggests the main protagonist, Blanche, who has ruins her reputation due to her adversity. She is kick out of Laurel. She have no choice, but to move to her sister’s house. This place can allow her to create a new identity and new life. However when Blanche is revealed , it cause her to choose to live in her own fantasy world , because she cannot face the harsh reality. The Play” A Streetcar Named Desire”, by Tennessee Williams illustrates that sensitive people may succumb to fantasy to survive when they faced adversity, ,which forsake their identity to find an acceptable existence.
This gradual fall and loss of her sense of reality is truly tragic. Blanche is a person largely driven by the part of her that wants to be liked and be accepted. She cares greatly about how she is viewed and how she looks which is seen throughout the play. Even at the end when she’s living almost completely in the imaginations of her mind she asks Stella and Eunice how she looks before being taken away to an insane asylum. Tennessee Williams, the author of the play, uses all the conflict between Blanche and others, specifically Stanley, to show that fantasy is unable to overcome reality. Stanley and Blanche are both the epitomes of fantasy and reality. Stanley is a man focused on sexual drive, work, and fighting. He is exhibited as animalistic and strongly driven by his desires which is shown when he says, “Be comfortable. That's my motto up where I come from.” Stanley loves and searches after reality which is why he is so set on breaking down the facade he sees in Blanche. Blanche on the other hand is running from her reality and her past. Her fantasy of being high class and chaste is the exact opposite of her reality which is why she wants a life like that so badly. She wants marriage and stability, two things she was jealous of Stella having after arriving in New Orleans. Her fantasy she was building in her new life is shattered when Stanley is able to learn of her past and bring reality crashing down on her. Williams
Tennessee Williams in A Streetcar Named Desire creates one of the most profound accounts of desire versus death; in doing so he designs Blanche Dubois whose only wish is to be desired. Unfortunately in this tragedy death prevails over desire. The two elements of death and desire as binaries are not able to to exist without each other, and this idea is manifested throughout the main character, Blanche Dubois.
In Tennessee Williams play "A Streetcar Named Desire" two of the main characters Stanley and Blanche persistently oppose each other, their differences eventually spiral into Stanley's rape of Stella.