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Representation Of Women In Literature
Gender's role in literature
Representation Of Women In Literature
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We were raised in a world where roles have a great impact on people’s perspective. In the play A Streetcar Named Desire, the character Stanley Kowalski is an extremely fit person, when in regards to physical characteristics. Opposing to these characteristics, some other qualities compensate for his absence of financial achievements. Stanley’s emotional instabilities leads to harsh attitudes towards his wife, he wants to have power at all times and show that he is the one who has command over every aspect in their home. On the other hand, Stella (Stanley’s wife), is a very calm individual. She is normally the lady that deals with the house and attempt her best for everything to maintain clean and steady. Lack of patience in her life occurs only when it regards to her sister Blanche, which stresses her with small things. Women is seen as weak in this story due to the way Stanley refers to women, Stella’s submission to her husband, and also the vulnerability of women in the story. Since World War II, the role of women has changed drastically over time. They acquired a new position and that is clearly shown in the play A Streetcar Named Desire, some of the characters did not evolve their way of thinking and looking at situations. Having the …show more content…
All of the situations that were very prejudicial in her life instead of making her a very strong woman, made her fragile and weak. Since she has a change in her life was something constant, she had to use different techniques to settle her mind. Something that was another factor to her vulnerability were all the deaths that went on in her family and she did not hesitate to express her sadness and unwillingness. When she grumbled to her sister: “All of those deaths! The long parade of the graveyard! Father, mother. . .”(Williams 21), shows how different they are. After this issue, Mitch was the main problem she faced in
Many different depictions of gender roles exist in all times throughout the history of American culture and society. Some are well received and some are not. When pitted against each other for all intents and purposes of opposition, the portrayal of the aspects and common traits of masculinity and femininity are separated in a normal manner. However, when one gender expects the other to do its part and they are not satisfied with the results and demand more, things can shift from normal to extreme fairly quickly. This demand is more commonly attributed by the men within literary works. Examples of this can be seen in Tennessee Williams' “A Streetcar Named Desire”, where Stella is constantly being pushed around and being abused by her drunken husband Stanley, and also in Charlotte Perkins Gilman's “The Yellow Wallpaper”, where the female narrator is claimed unfit by her husband as she suffers from a sort of depression, and is generally looked down on for other reasons.
Her first problem is with the heroine of the play, Blanche DuBois, who, she claims, is "ironically made guilty for her own victimization. No longer fully human, she is simply a metaphor of all that is vile about women. Blanche cannot, then, claim tragic stature or even our sympathy precisely because she is a victim of rape. And as she becomes responsible for her own victimization, Stanley is left to glory in his ascendancy. This aspect of Streetcar arises from the misogyny which colors the play…" (Lant 226). Admittedly, Blanche does flirt with Stanley briefly at the beginning of the play—just as many women playfully flirt with their brothers-in-law. But as her relationship with Stanley deteriorates, she makes it quite obvious to him that she loathes the sight of him. Though the world in which Lant lives may be one in which a woman, playfully sprinkling her brother-in-law ...
During early times men were regarded as superior to women. In Tennessee William’s play, “A Streetcar Named Desire”, Stanley Kowalski, the work’s imposing antagonist, thrives on power. He embodies the traits found in a world of old fashioned ideals where men were meant to be dominant figures. This is evident in Stanley’s relationship with Stella, his behavior towards Blanche, and his attitude towards women in general. He enjoys judging women and playing with their feelings as well.
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
Stella and Blanche are two important female characters in Tennessee Williams' "poetic tragedy," A Streetcar Named Desire. Although they are sisters, their blood relationship suggests other similarities between the two women. They are both part of the final generation of a once aristocratic but now moribund family. Both exhibit a great deal of culture and sensitivity, and as a result, both seem out of place in Elysian Fields. As Miller (45) notes, "Beauty is shipwrecked on the rock of the world's vulgarity."
...think that the play is about desire between people and the different ways they can express it, which the title, A Streetcar Named Desire, informs us. Blanche came to town on a streetcar because she was ostracized in her old home as a result of her desires. Blanche had a desire for sex in general to cope with her divorce and the loss of her family; she just needed to feel loved. Stanley expressed his hidden desire for Blanche by being cruel to her through the whole story, and then having sex with her. Mitch showed his desire for Blanche by asking her to marry him. Stella had a desire for Stanley’s love and for Blanche’s well being. The play is a display of the drama involved in families, and it shows that sometimes people have to make decisions and choose one relationship over another. In Stella’s case, she chose her relationship with Stanley over her sister.
“. . . Women internalize the feminine wound or feminine inferiority so deeply, there's little or no female authority and esteem to fall back on. So they seek it by adopting and pleasing patriarchal standards.” (Sue Monk Kidd, the Dance of the Dissident Daughter)
Stella Kowalski’s character, parallels to Stanley’s and represents the ego in the play. herself from her hometown and start a life in this vigorous world made by Stanley. she stands for the ego who wants to create a balance between desires and ideas, between body and soul, heart and mind to have a normal life. Blanche is the only one who wants to warn her of what she does. Loving Blanche, she also dislikes her and at the same time fears her. She hopes Blanche marry Mitch for her sister’s sake and for herself too. Actually she wants to get rid of
In contrast, Stella is overly mild-tempered and always striving to please. Generally, she is able to adapt to all situations. This ability to adapt proves to be useful, as both her husband and her sister, Blanche, have such strong personalities. From the beginning, it is apparent that Stella often plays the peacemaker. She was able to foresee that Stanley and her visiting sister would clash. In hopes of avoiding any confrontation, she warned them both to be on their best behaviour. Stella is soft-spoken, speaking only when it is needed, and expressing her grief only when it overwhelms her, whereas Blanche is the opposite: an outspoken woman, with many opinions.
Stanley, the protagonist, is a symbol for society’s view of the stereotypical male. He is muscular, forceful, and dominant. Stanley’s domination becomes so overwhelming that he demands absolute control. This view of the male as a large animal is revealed in the opening of the play where Stanley is described as “bestial.” His power and control throughout the play are foreshadowed in the opening stage directions.
2. What causes Mitch and Blanche to take a "certain interest" in one another? That is, what is the source of their immediate attraction? What seems to draw them together? What signs are already present to suggest that their relationship is doomed/problematic?
In Tennessee Williams play "A Streetcar Named Desire" two of the main characters Stanley and Blanche persistently oppose each other, their differences eventually spiral into Stanley's rape of Stella.
A Literary Analysis of Desire and Destruction The famous and intellectual work of Tennessee Williams, “A Streetcar Named Desire” has been admired by scholars for its theme of desire. The reader is clued in from the start about the central idea, after all the title contains the word “desire” itself. Like many works of literature, the title of this play identifies the events that will take place with the main characters; Blanche, Stella, and Stanley. Stella’s sister, Blanche, rides into New Orleans on two streetcars, the first named “Desire” and the second named “Cemeteries”.
In the quest for authority, Stanley profits from staying within the parameter set for him by his sex and class, and Blanche loses because she fails to conform (Vlasopolos 337)”. Therefore, Blanche raises a threat of dominance in the household. She expresses the idea for Stella to leave Stanley, which during this time period is not accepted and unimaginable. Blanche’s different values and lifestyle distances herself from Stella’s therefore, creating the idea that her non-traditional values seem alienate Blanche from the Kowalski’s