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The feminist art movement
Women in art history essay
Rhetorical analysis
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In order to start the analysis the first step is to question what makes up the composition. In the composition, a pregnant woman with long dark brown curly hair is standing in pink sheer lingerie, white underwear, white above the ankle socks, and house slippers. She is standing on a cliff in rocky terrain, overlooking many houses diagonally angled and countering each other, full green trees, and a sunrise where the sun is breaking through the clouds making the sky pastel, pink, blue, purple and hints of a warm golden yellow. She is looking up at grey squared off fish above her face whom is swimming toward a whole sea/school of fish that look similar to the fish at the very top of the composition.
In this composition there are many implied
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lines to help guide the eye through the scene. It begins with the angled rock that is creating a line horizontally from the right of the rock to the left towards the woman, then moves you to look up the woman’s body to her gaze at the fish above her. The implied line is created with her face and eyes. It moves from her gaze to the fish’s head swimming toward the school at the top of the composition. Although you look closer at the fish, its tail is creating an implied line down at the sky, the houses, and her pregnant belly. Once the eyes move down to her shoes you will notice that the right foot is at a slight angle that points back to the angled rock that kicks off the whole adventure. From the implied lines, we must focus on if the lines and shapes are organic or inorganic.
These lines and shapes are mainly organic apart from the roofs on the houses in the middle of the composition. Due to these shapes being mostly in the middle or the bottom of the composition it creates an asymmetrical balance to the composition. Which means it doesn’t necessarily need to have symmetry in order to feel balanced. Because the fish and the woman are the main focal point in it does give a feeling of being balanced because everything else lies around them either at the very top or bottom of the digital piece. With this piece having human figures, animals, trees and nature, it would be considered representational. All of the elements are clearly identifiable, even the clouds are detailed enough to feel like they are close to …show more content…
you. Much of Gannis’s work has the same whimsical feel when it comes to her iconography. Through her other pieces you can tell she loves working with the idea of strange art in her digital work. The work usually has at least one person or more, includes nature like trees, plays around with the idea of family, and a little bit of a quasi-dark twist. Just the same with her other workings this piece is a narrative under a collection called “Everything That Rises Must Converge.” To fully understand this work you have to know and understand the symbolism and the two symbols that stand out to me are the fish and the sunrise. Sunrises are the start of a new fresh day while fish symbolize fertility, birth, rebirth, independence, and even change. The woman standing in the composition could be starting a new life and a new journey with her soon to be baby and seems hopeful of good things to come. The coloring in her work is pretty amazing to say the least. She uses an array of hues such as pinks, blues, purples, green, gray, white, brown, black and pops of reds and yellows. She uses dark greens to contrast against the pastel pink and yellow sky and even uses the same concept to show that she is pregnant with the frilly lingerie laying over her belly and cutting into the middle of the composition into the houses. The color palette she uses is mainly complementary colors, especially when it comes to the pinks, blues, and purples in the sky and the houses containing red, blue, and green down below. The work contains both warm and cool colors and does a great job of not overdoing it on either side so the piece looks balanced and neutral when it comes to coloring. Since this art is a digital creation the art is two-dimensional but she does create and illusion of dimensional space by creating the woman at an angle and defocusing the houses in front of her.
The artist also used shadowing in order to create depth within the rocks, the shadow in front of her and the edges of the fish swimming up. Gannis also used highlights and shadowing within the clouds using white and contrasting colors such as the purples and blues against the pinks and yellows to make them appear three dimensional and extra fluffy, very much like cotton candy. The main way she used the illusion of dimensional space is by blurring out the background and only keeping a focus on herself, the fish, and where she is standing. She also uses a lot of texture to imply depth as well as implying texture. It can be detailed as the extra strokes within the hair to make it look fluffier and with more bounce, the rocks are layered and broken down to show it has been there for a while and maybe a mountain side. The artist even uses highlights and shading to exaggerate the scales on the fish to imply the fish was in fact real. Gannis uses whites and pinks on her back to not only sheer out the nighty, but mixes it with other coloring in order to show the dress is flowing off of her and into the direction that the wind is
pushing. There are three main focal points in this work, the first one being her looking at the fish, then it moves to her tummy because of her pointed breasts, and the concentrated rock contrasting against the blurred housing. She has a great advantage of getting such details in her piece because she uses a digital medium and because of the digital advantage she can manipulate it any way she wants. Another perk a digital medium is you can create art anywhere with the right tools and always be able to go back and fix something that is not liked. One can use different programs to create texture that can me mimicked though technology and thus may be an easier way to create art and getting it out to the public. I at first reacted negatively to this painting because I did not at first understand it at first glance. Who really would when it comes to a pregnant woman watching a fish swim in the sky at the break of dawn on a cliff? Only through a thorough art analysis was I able to come and understand the composition just a bit more. Maybe even enough to like the piece itself. Caral Gannis used soft pastels and whimsical images to cast me in and I will be sure to look more at her work as well as others. Next time I will remember to thoroughly analyze a piece of art before casting judgment because no one should judge a book by its cover.
Blackfish is a documentary based upon orcas who are at SeaWorld. Throughout the documentary Blackfish, there were many rhetorical devices used. The documentary displayed very empowering rhetorical devices. The documentary also gave a great representation on why orcas should not be held captive. I strongly agree with the filmmaker,Gabriela Cowperthwaite.
Among the many things that individuals enjoy doing with their families, visiting amusement parks is at the top of the list. Sea World is a multi-billion dollar chain of marine animal parks, aquariums, and animal theme parks. (Wikipedia) When people are watching the rehearsed performances that the animals and the trainers do, the animals and the trainers seem to be happy. Witnessing the interaction between the animals and the trainers can remind individuals of the beauty of nature and it serves as entertainment.
The transition from childhood to adulthood can be challenging. There are many things to learn and let go. Sometime teenagers can dramatize certain events to make themselves seem defenseless. Amy Tan, Chinese-American author, makes her Chinese Christmas seem insufferable. In Tan’s passage “Fish Cheeks”, Tan uses diction and details to exemplify the indignity caused by her Chinese culture.
The state of Maine is a huge tourist spot known for it’s rocky coastline and seafood cuisine, especially lobster. Annually, the state holds the “Maine Lobster Festival” every summer, and is a popular lucrative attraction including carnival rides and food booths. The center of attention for this festival is, unsurprisingly, lobster. The author of the article “Consider the Lobster”, David Foster Wallace, mainly uses logos and pathos, and explores the idea of being put into the lobsters perspective by describing how the cooking process is done and informing us on the animal’s neurological system in a very comprehensible way. He effectively uses these persuasive devices to paint a picture for the audience and pave way for the reader to conjure
The visual elements in this painting are shape, color and light. The shapes and contours of the mother and child are life like.
At the left-bottom corner of the painting, the viewer is presented with a rugged-orangish cliff and on top of it, two parallel dark green trees extending towards the sky. This section of the painting is mostly shadowed in darkness since the cliff is high, and the light is emanating from the background. A waterfall, seen originating from the far distant mountains, makes its way down into a patch of lime-green pasture, then fuses into a white lake, and finally becomes anew, a chaotic waterfall(rocks interfere its smooth passage), separating the latter cliff with a more distant cliff in the center. At the immediate bottom-center of the foreground appears a flat land which runs from the center and slowly ascends into a cliff as it travels to the right. Green bushes, rough orange rocks, and pine trees are scattered throughout this piece of land. Since this section of the painting is at a lower level as opposed to the left cliff, the light is more evidently being exposed around the edges of the land, rocks, and trees. Although the atmosphere of the landscape is a chilly one, highlights of a warm light make this scene seem to take place around the time of spring.
During this chapter of The Omnivore’s Dilemma Pollan talks about fast food. This means that he is speaking to people who regularly eat fast food and those who are wondering what is in their food when they order out. As a part of this he asks biologist Todd Dawson to run fast food items through a spectrometer to see how much corn is in the food. His analyses concluded that “soda (100 percent corn), milk shake (78 percent), salad dressing (65 percent), chicken nuggets (56 percent), cheeseburger (52 percent), and French fries (23 percent)” (p. 117). This is part of Pollan educating his audience of what is in their food when they go through the drive through. Speaking of his audience, his main demographic is to the people that are truly wonder
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
In the book Into the Wild, Jon Krakauer wrote about Christopher McCandless, a nature lover in search for independence, in a mysterious and hopeful experience. Even though Krakauer tells us McCandless was going to die from the beginning, he still gave him a chance for survival. As a reader I wanted McCandless to survive. In Into the Wild, Krakauer gave McCandless a unique perspective. He was a smart and unique person that wanted to be completely free from society. Krakauer included comments from people that said McCandless was crazy, and his death was his own mistake. However, Krakauer is able to make him seem like a brave person. The connections between other hikers and himself helped in the explanation of McCandless’s rational actions. Krakauer is able to make McCandless look like a normal person, but unique from this generation. In order for Krakauer to make Christopher McCandless not look like a crazy person, but a special person, I will analyze the persuading style that Krakauer used in Into the Wild that made us believe McCandless was a regular young adult.
Overall the artist does make a unified scene in this composition. Birch used these principals of design to make his composition more effective like balance, movement, repetition and unity. The composition seems balanced because most of the subjects in the painting are all equally distributed and proportioned.
The first genetically modified animal has been given the green light to reach dinner plates.
Eric Fishl’s Scarsdale is a painting that is done on three canvases. When placed together, they appear to make one whole picture. The focal point of the painting is the woman, dressed in a white gown and veil. It appears that she is wearing a wedding dress, since the dress is white and includes a veil. To the left is a cat and to the right is a dog. The woman represents the focal point, not only because she is the largest figure in the painting, but also because everything else is slightly in darkness. Fischl’s cat and dog can only be made out if one looks at the painting carefully. Fischl also paints the woman so that she almost appears to be floating in air. One can see that she is sitting on a chair, but the dog is directly under her, and he does not really use perspective to make it clear that the woman is not floating in midair.
Manipulation of language can be a weapon of mind control and abuse of power. The story Animal Farm by George Orwell is all about manipulation, and the major way manipulation is used in this novel is by the use of words. The character in this book named Squealer employs ethos, pathos, and logos in order to manipulate the other animals and maintain control.
The colours used in the artwork are earthy tones with various browns, greens, yellows, blues and some violet. These colours create a sense of harmony on the...
“The pen is mightier than the sword.” This is a popular saying that explains that, sometimes, in order to persuade or convince people, one should not use force but words. In Animal Farm, by George Orwell, animals overthrow the human leader and start a new life, but some animals want to become the new leaders. To make the other animals obey the pigs, they first have to persuade the farm’s population. Squealer is the best pig for this job because he effectively convinces the animals to follow Napoleon by using different rhetorical devices and methods of persuasion.