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Literary analysis
Analysis Of Lorraine Hansberry
Analysis Of Lorraine Hansberry
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Self-Identity through Dance and Idealism: Reviews from Yi-Chin Shih and David Cooper One of the most notable African American play writes can arguably be considered “A Raisin in the Sun,” by Lorraine Hansberry. Lorraine shows you a personal glimpse into the lives of a proud black family attempting to overcome adversity in the present day, of which the play occurs. Many individuals have reviewed her play and provided different meanings and plots behind Hansberry’s play. Yi-Chin Shih sees Hansberry’s play as self-identity through two specific dance scenes. While David Cooper sees Hansberry’s play as idealism between two specific characters. In this paper, I will show contrasting examples of the scholarly reviews I choose and their different …show more content…
Shih feels again that this dance depicts direct correlation to the Younger’s African Roots. She indicates that “The dance is also characterized by dragging of the feet, which is one important trait in African dance” (280). Here is again indicating that the dancing that occurs in the play is directly related to ancestral roots and that this is specific to their self-identity. I struggle with this conclusion as I felt that it was a bonding experience between a husband and a wife. More so a husbands triumph of feeling success and power, which he so greatly wanted throughout the …show more content…
Shih feels that there are two pivotal parts in the play, centered on dancing, that involves self-identity. She focuses her sole review around these two dances and I believe fails to see the play in its entirety. David Cooper however, focuses his review on idealism and overcoming adversity throughout the play. He comments on specific scenes in the play, but I believe he captures the overall feeling that readers and watchers of the play see. He has a deeper understanding of the meaning of the play. While both bring up great points and I can see the self-identity that the play has, I believe the bigger picture is more closely related to David Coopers
Lorraine Hansberry's "A Raisin in the Sun" and George Tillman's box-office hit Soul Food explore the hardships and trials of black family life, and through the characters, setting, and theme of both the story and the film, the issue of class and the search for community is discussed.
The dancers begin in unison in a large clump. They dance together with slow movements; reaching up with their arms straight and palms open. It is to be noted that when they stretch their arms up, they tilt their head and look up as well. Throughout the piece the dancers repeat this movement, which represents reaching and praying to God. The dancers are constantly reaching up, embodying their despair and their yearning for help. As the dance progresses, the dancers repeatedly break out of the clump in the center and do different movements and their own sequences. After this, they always go back to their clump and do synchronized movement. Their constant breaking away from the group symbolizes their continual want to be free, as well as their persistency. On the other hand, their constant going back to the group shows how African-Americans will always be joined together by their culture, prayer, and hardships. Additionally during the piece, multiple dancers will run up to another dancer and jump or hold onto them, and then they do a couple of movements together. This shows how they are reliant and dependent on each other, and how they need each other throughout their suffering. Lastly, Much of the movement in this section possesses the downward energy characteristic of African dance, which symbolizes a connection to the earth. The choices Ailey made choreographically communicates all
"This critical circle is not close enough to the stage to see the actors' faces and catch the subtler by play" (Fitzgerald 1). The metaphor of the Dance sets up a critical underlying theme of the story.
Though there is realism within her work, the idealism is never far away at all. Hansberry’s A Raisin in the Sun allows one to see that progress is made through an idealistic view of the world and that hope is the root of many changes people search for in life. It was not uncommon for African Americans to have a realistic view of the world during the beginning of the 1900s. Segregation played a major role in shaping the century.
Georgia Douglas Johnson was a playwright of the Harlem Renaissance whose social commentary delved into the hardships of African Americans in the early 20th century. As an African American woman of the time, Johnson often brought to light the difficulties of her race and gender. In Johnson’s play Plumes she invites her audience into an everyday kitchen, with two hardworking early 20th century African American women trying navigate their way through a racially oppressive and patriarchal society. Johnson uses the characters’ desires to provide for those that they love, as an illustration to the adversity of everyday life of the African American in her time, particularly the African American woman. In this paper, I will explore the complications
America experienced an explosive period of suburbanization after World War II. The suburban “home represented a source of meaning and security” (May 24) to those seeking refuge and comfort after a tumultuous time of war. Among those migrating from the cities to the suburbs were middle-class African Americans, who sought a suburban life that both “express[ed] and reinforce[d] their newly won social position.” (Wiese 101) However, this middle-class migration from urban areas left behind working class African Americans such as the Younger family of Lorraine Hansberry’s 1959 play “A Raisin in the Sun.” While the Younger family of “A Raisin in the Sun” finally realize the suburban dream of a home with “three bedrooms… and a nice big basement” (Hansberry 92), the decision to move from urban Southside Chicago is not encouraged by the other African Americans of the play; rather, the Younger family is met with disrespect and derision. Hansberry uses the characters of George Murchison and Mrs. Johnson to illustrate class stratification amongst African Americans during the post-war period. The scenes with these particular characters highlight the class conflict that occurred within the African American community throughout this period of suburbanization.
In A Raisin in the Sun, the characters are a black family in America that faces multiple racial issues (Hansberry 7). This play continuously deals with prejudice in American
“A Raisin in the Sun” is set at in an area where racism was still occurring. Blacks were no longer separated but they were still facing many racial problems. The black Younger family faced these problems throughout the play. The entire family was affected in their own way. The family has big dreams and hope to make more of their poor lives. Walter, the main character, is forced to deal with most of the issues himself. Ruth, his wife, and Travis, his ten-year-old son, really don’t have say in matters that he sets his mind to. Beneatha, his sister tries to get her word in but is often ignored. Lena (Mama) is Walter’s mother and is very concerned about her family. She tries to keep things held together despite all of the happenings. Mama’s husband had just recently died so times seemed to be even harder. They all live in a small apartment when living space is very confined (Hansberry 1731). They all have dreams in which they are trying to obtain, but other members of the family seem to hold back each other from obtaining them (Decker).
Effiong, Philip U. In Search of a Model for African-American Drama: a Study of Selected Plays
Hansberry, Lorraine. "A Raisin in the Sun." Ed. Nellie Y. McKay. The Norton Anthology of African American Literature. Comp. Henry Louis. Gates. 2nd ed. New York: W.W. Norton &, 2004. 1771-830. Print.
A Raisin in the Sun, by Lorraine Hansberry, has often been dubbed a “black” play by critics since its debut on Broadway in 1959. This label has been reasonably assigned considering the play has a cast that consists primarily of African American actors; however, when looking beyond the surface of this play and the color of the author and characters, one can see that A Raisin in the Sun actually transcends the boundaries of racial labels through the universal personalities assigned to each character and the realistic family situations that continue to evolve throughout the storyline. As seen when comparing A Raisin in the Sun to “The Rich Brother,” a story for which the characters receive no label of race, many commonalities can be found between the characters’ personalities and their beliefs. Such similarities prove that A Raisin in the Sun is not merely a play intended to appeal only to the black community, nor should it be construed as a story about the plights of the black race alone, but instead should be recognized as a play about the struggles that all families, regardless of race, must endure in regard to their diversity and financial disparity. A succinct introduction and excellent writing!
Hansberry, Lorraine. "A Raisin In The Sun." Comp. Henry Louis. Gates and Nellie Y. McKay. The Norton Anthology of African American Literature. New York: W.W. Norton &, 2004. 1771-830. Print.
In Lorraine Hansberry “A Raisin in the Sun”, the issues of racial discrimination, the debate of heroism, and criticism is vividly displayed. The play, which was written in the late 1950’s presents itself in a realistic discerning matter that implicates the racial division among the black family and white America. The play insinuates Walters’s heroism as well because of the black family’s struggle not to become discouraged in trying to obtain the world riches and still maintaining human dignity. When Hansberry wrote “A Raisin in the Sun”, many critics questioned the motive behind her play because it showed the America the world wants to grow oblivious to. This presents the reality of racial discrimination and heroism for the black man among
Racial discrimination is defined as the act of treating a person/group differently than another, solely based on their racial background. The play as its self-received racial discrimination, because its author made history, and because of what she did she was talking about it. An historical significance about A Raisin in the Sun, is that Lorraine Hansberry earned the New York Drama Critics Circle Award as the year’s best play. “A Raisin in the sun brought African Americans into the theater and onto the stage.” The word is that “the reason was that never before, in the entire history of the American theater, had so much truth been seen on stage.
Zora Neal Hurston’s book, Their Eyes Were Watching God, reveals one of life’s most relevant purposes that stretches across cultures and relates to every aspect of enlightenment. The novel examines the life of the strong-willed Janie Crawford, as she goes down the path of self-discovery by way of her past relationships. Ideas regarding the path of liberation date all the way back to the teachings of Siddhartha. Yet, its concept is still recycled in the twenty-first century, as it inspires all humanity to look beyond the “horizon,” as Janie explains. Self-identification, or self-fulfillment, is a theme that persists throughout the book, remaining a quest for Janie Crawford to discover, from the time she begins to tell the story to her best friend, Pheoby Watson. Hurston makes a point at the beginning of the novel to separate the male and female identities from one another. This is important for the reader to note. The theme for identity, as it relates to Janie, carefully unfolds as the story goes on to expand the depths of the female interior.