Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The use of symbolism in the novel
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Updike’s "A & P" tells the story of a checkout boy, Sammy, who quits his job after his boss Mr. Lengel speaks disparagingly to three teenage girls who come into the grocery store on a summer afternoon. But on a deeper level, the story is a contrast of worldviews: the conservative, conventional, and stoic (represented by Mr. Lengel) against the free-spirited, individualistic, and non-conformist (represented by the teenage girls). Even though Lengel does not make his physical appearance until near the story’s end, his arrival has in a way been foreshadowed by a number of other characters who preceded him. For example, Updike notes that as soon as the three girls appear in the A & P, the "sheep" -- Sammy’s word for the run-of-the-mill customers who plod through the store, pushing their shopping carts, following their prescribed routes -- …show more content…
react to their presence with amazement; "You could see them, when Queenie’s white shoulders dawned on them, kind of jerk, or hop, or hiccup, but their eyes snapped back to their own baskets and on they pushed." The staff of the market, likewise, can hardly believe it when these three girls traipse in. Stokesie, another young clerk, who is married and the father of two babies, comments to Sammy that the girls make him "feel so faint." An older clerk, McMahon, begins "patting his mouth and looking after them, sizing up their joints." What all of these men are reacting to, clearly, is the presence of sex, raw sex, in an environment which is usually free of it. After the three girls have paraded through the store for three full pages, Mr. Lengel the manager comes on the scene. Sammy tells us that his boss "comes in from struggling with a truck full of cabbages" when "the girls touch his eye." Our very first view of Mr. Lengel, therefore, shows him engaged in hard, manual labor as opposed to the frivolous activity of the girls. Lengel’s remark to the girls -- "This isn’t the beach" -- reinforces this.
Sammy observes that the way Lengel insistently repeats this remark seems "as if it had occurred to him, and he had been thinking all these years the A & P was a big sand dune and he was the head lifeguard." Which, in a very profound way, he is: as not only the manager of the A & P but a Sunday School teacher, he feels he has the right to set the tone for what is considered acceptable in his arena. But his "sand dune" is the world of work, whereas the girls’ is the world of play. He therefore approaches the girls and scolds them, implying that their attire has violated and desecrated his space. Note that his obvious displeasure at the girls’ appearance does not stop him from telling Sammy to ring up their purchase and take their money so they can leave. But this is too much for Sammy. He mumbles under his breath that he quits, and when Mr. Lengel asks him to repeat his last remark, Sammy complies -- pulling off his apron and walking out. Mr. Lengel warns him that "You’ll feel this for the rest of your life," and Updike writes that Sammy "know[s] that’s
true." What precisely has just happened? Why did Sammy quit? He tells Mr. Lengel that "You didn’t have to embarrass them," to which Mr. Lengel replies, "It was they who were embarrassing us." Since Sammy is clearly not embarrassed, the "us" refers not to Sammy but to Mr. Lengel and the entire town his attitude represents. Sammy is therefore telling Mr. Lengel that in his own belief system, people should be able to be frivolous when they want to. They should be able to come into a store in bathing suits to buy snacks, and they should be able to turn heads when they do it. Young men should be able to be attracted to young women without feeling guilty, and when they do, society should be able to withstand the shock. To confine oneself to Mr. Lengel’s view of society is to condemn oneself to the ordinary. In the last sentence of the story, Sammy realizes, as he walks away from the store, "how hard the world was going to be to me hereafter" -- but it will only be hard in the sense that Sammy will forever be forced to buck the Lengels of the world, who will outnumber him a thousand to one. Sammy at least has given himself a shot at achieving real joy in his life; Mr. Lengel will never even know that joy exists, because his worldview is too narrow to admit it.
In his short story "A & P" John Updike utilizes a 19-year-old adolescent to show us how a boy gets one step closer to adulthood. Sammy, an A & P checkout clerk, talks to the reader with blunt first person observations setting the tone of the story from the outset. The setting of the story shows us Sammy's position in life and where he really wants to be. Through the characterization of Sammy, Updike employs a simple heroic gesture to teach us that actions have consequences and we are responsible for our own actions.
Lengel is a conformative type of person he makes up a rule just to make the girls leave the store. He says,"that's policy for you. Policy is what the kingpins want." The old woman is a conformative person for wanting Sammy to need the register up.
But life is not a fairytale. Standing there lonely, having no job is our Sammy. This is when Sam realizes his path, the true way to become mature. The moment when “Lengel sighs and begins to look very patient:” Sammy, you don’t want to do this to your mom and dad” (Updike) hold him back a little bit, we can feel the regret in his heart. But he cannot go back anymore, decision has been made. He gives up his last chance; from now on, he’s on his own. Sammy finally understands that it is responsible behavior but not playing “adult-like” game that will make him a true
Sammy, the protagonist in John Updike’s “A&P,” is a dynamic character because he reveals himself as an immature, teenage boy at the beginning of the story and changes into a mature man at the end. The way Sammy describes his place of work, the customers in the store, and his ultimate choice in the end, prove his change from an immature boy to a chivalrous man. In the beginning, he is unhappy in his place of work, rude in his description of the customers and objectification of the three girls, all of which prove his immaturity. His heroic lifestyle change in the end shows how his change of heart and attitude transform him into mature young man.
...s that Sammy is taking a stand and that Lengel cannot change his mind about quitting. When Sammy left the store, the girls where long gone. "His face was dark gray and his back stiff, as if he's just had an injection of iron, and my stomach kind of felt how hard the world was going to be to me hereafter." This quote illustrates that Sammy knows that his parents will not like the fact that he quit, but he realizes that he has to take charge with his life, and make his own chooses without being afraid of what his parents would think. He is very happy that he had taken a stand, and he let no one change it.
Sammy tells us he is nineteen years old. He is a check-out clerk in the local A&P, where the boss, Lengel, is a friend of Sammy's parents. Sammy does not seem to like his job very much. He calls one of his customers a "witch" and says the other customers are "houseslaves" and "sheep." He himself comes from a middle-class family. When they have a party, he says, they serve "lemonade and if it's a real racy affair Schlitz in tall glasses with 'They'll Do It Every Time' cartoons stencilled on" (15). In addition, Sammy is sexist. He gives long, loving descriptions of the girls who cause all the trouble, and he thinks at first that girls may not even have minds, asking, "do you really think it's a mind in there or just a little buzz like a bee in a glass jar?" (13) However, he does change as the plot goes on.
At first glance, Sammy, the first-person narrator of John Updike's "A & P," would seem to present us with a simple and plausible explanation as to why he quits his job at the grocery store mentioned in the title: he is standing up for the girls that his boss, Lengel, has insulted. He even tries to sell us on this explanation by mentioning how the girls' embarrassment at the hands of the manager makes him feel "scrunchy" inside and by referring to himself as their "unsuspected hero" after he goes through with his "gesture." Upon closer examination, though, it does not seem plausible that Sammy would have quit in defense of girls whom he quite evidently despises, despite the lustful desires they invoke, and that more likely explanations of his action lie in his boredom with his menial job and his desire to rebel against his parents.
Before the girls enter the store, Sammy is unaware that the setting he is so judgmental of reflects his own life. Sammy feels that he is better than the rest of people at the A&P, referring to them as "sheep" and "house-slaves" because they never break from their daily routines. He also condescendingly talks about "whatever it is they[the customers]...mutter." Reinforcing his superiority above the people in the store, Sammy sees himself as a person that can seldom be "trip[ped]...up." Although he sees himself being superior to the store, the reality is that the store closely reflects Sammy's life. He seems to have a long-term commitment to the store since his apron has his name stitched on it, and he has been working at the store long enough to have memorized the entire contents of the "cat-and-dog-food-breakfast-cereal-macaroni-rice-raisins-seasonings-spreads-spaghetti-soft drinks-crackers-and-cookies." His day is also filled with the routine of working at the register, a routine that is so familiar that he has created a cash register song. Sammy also identifies with his co-worker Stokesie, "the responsible married man," and therefore wishes to someday be the manager of the store, like Lengel. Even the "checkerboard" floor represents a game of checkers, a simple one-directional game that closely models Sammy's life. Although Sammy is nineteen ...
The transition from childhood to adulthood is not only a physical challenge but, psychological and socially exhausting. John Updike who wrote “A & P” recognized this and used it characterize the main character. The protagonist Sammy was developed around the concept of the journey into adulthood. Sammy is a nineteen years old boy who works at the A&P grocery store in a small New England town. It is not until three young girls walk into the store in just their bathing suits that Sammy is faced with the realization that he undoubtedly has to face the harsh truth of growing up.
The story unfolds when, “Lengel, the store’s manager” (2191) confronts the girls because they are dressed inappropriately. To Sammy, it is a moment of embarrassment and in defiance he quits his job. The student suggests that in quitting, “Sammy challenges social inequality and is a person who is trying to
Sammy observes their movements and gestures, up until the time of checkout. At which point, they are confronted by the store manager and chastised for their unacceptable appearance. He believes their attire is indecent. Sammy, feeling that the managerial display was unnecessary and unduly embarrassing for the girls, decides to quit his position as checker. Though he knows that his decision may be hasty, he knows that he has to follow through and he can never go back.
...p and you are not happy with where you are in life, and truly want a change. With Sammy he always wanted to quit but never had the guts to stand-up and go through with it, mostly cause he did not have that free thinking mentality like the girls. Even though when he finally did walk out of the store and the girls were not there, he had no idea what was next in life, but he did know that he was free to make his own decisions. Sammy no longer had to take Mr. Lengel’s nonsense, or stick around and watch Stocksie become manger. This was his time to stop being a push over and pave the path to his own future. His parents may have been upset, but this gave him an opportunity to stand up for his own actions and be confident in his choices he had made, regardless if they were for the right or for the wrong. Sammy was able to press forward and start a new chapter in his life.
John Updike’s “A&P” is a short story about a nineteen year old boy during the 1960’s that has a summer job at the local A&P grocery. The main character in the story, Sammy, realizes that life isn’t always fair and that sometimes a person makes decisions that he will regret. Sammy sees that life doesn’t always go as planned when three young girls in bathing suits walk in and his manager Lengel gives them a hard time, and he comes to term with that sometimes you make bad decisions.
The possible reasons for Sammy quitting his job are numerous: Sammy might have just used the treatment of the girls as an excuse, or maybe Lengel did actually upset him that much. It is possible that Sammy did initially quit to impress the girls and be their hero. Susan Uphaus says, "Sammy’s quitting has been described as the reflex of the still uncommitted, of the youth still capable of the grand gesture because he has
...up on Stokesie like sheep, Engel explains that policy insists that shoulders must be covered. Policy is what the kingpins want. What others want is juvenile delinquency. Like a champ Sammy throws in the towel. He watched as 3 girls bucked the norm and alternately was confident enough to quit altogether. They get away from him and his feet are carrying him to the place of his residence rather than a car, reserved for higher classes. He ends with the thought how hard the world was to be to me hereafter. Sammy?s variety of verbal simulations and creations for the reader reveal the social and economic classes of basic society. The adults like animals, the attractive women- analyzed on a pedestal in full description and personification, employees get harped on too. Stoksie was a little to ambitious for a bagger, and management was regarded like the rest of the animals.