A Midsummer’s Night Dream is considered one of Shakespeare's best works. Though this play is a comedy, the plots and stories are vengeful and tragic. There have been many variations of the story throughout time which has made it difficult for critics to evaluate. “ With so many versions and variations around, even in the early years when the play was newly written, it is difficult for literary critics to know exactly what a writer saw on stage. Variations were not only edited from Shakespeare's original work but added songs and characters to round out the main story that each production chose as the feature”. (Hacht, 2007). It is crucial to evaluate the different meanings that critics analyze to have a better understanding of the story. …show more content…
She has written many articles on the different aspects of Shakespeare. She discusses dream states compared to Freud's Interpretation of Dreams. “In a dream ‘one person can be substituted for another’: perhaps the fairy world is the unconscious of Athens, where the repressed anger of Theseus’s domination over his captured Amazonian bride breaks out into the quarrel between Oberon and Titania, and where the stifling patriarchy represented by Egeus’s ultimatum of obedience or the convent is swept aside for the thrilling dangers of sexual freedom.” (Smith, …show more content…
(2007). In A. M. Hacht (Ed.), Shakespeare for Students: Critical Interpretations of Shakespeare's Plays and Poetry (2nd ed., Vol. 2, pp. 578-613). Detroit: Gale. Retrieved from http://link.galegroup.com.bethelu.idm.oclc.org/apps/doc/CX2896100029/GVRL?u=tel_a_bethelc&sid=GVRL&xid=a85b05e0
Al-Saber, S. (2016). Beyond colonial tropes: Two productions of A Midsummer Night's Dream in Palestine. Critical Survey, 28(3), 27+. Retrieved from http://link.galegroup.com.bethelu.idm.oclc.org/apps/doc/A493991007/LitRC?u=tel_a_bethelc&sid=LitRC&xid=4b44da42
MacDonald, R. R. (1992). A Midsummer Night’s Dream: Errant Eros and the Bottomless Dream. In Twayne's English Authors Series 489. William Shakespeare: The Comedies (pp. 34-50). New York: Twayne Publishers. Retrieved from http://link.galegroup.com.bethelu.idm.oclc.org/apps/doc/CX3025500014/GVRL?u=tel_a_bethelc&sid=GVRL&xid=c736c276
Smith, E. Dream, ( 15, March 2016). Illusion and Doubling in A Midsummer Night's Dream Retrieved from
In Shakespeare’s Midsummer’s Night Dream he entices the reader using character development, imagery, and symbolism. These tools help make it a wonderful play for teens, teaching them what a well-written comedy looks like. As well as taking them into a story they won’t soon forget.
Exerting the type of power that is influenced by malicious intentions can cause one to make decisions that are not beneficial to others. A Midsummer Night’s Dream is written within a time period and setting that favors men instead of woman. In other words, men have all the authority to control the events that occur in their own lives as well as the lives of others whom are considered insignificant. The plot displays the catalysts that ignite many characters’ desire for control that is misused by higher status people. Shakespeare’s use of characterization demonstrates how the wanting of control causes the characters to act irrationally through the misuse of power. Shakespeare’s use of setting, plot and characterization causes the ordeals that the characters ultimately face. In turn, the deceitful choices of a few individuals with status impacts whether the lives of lower status people are enhanced.
William Shakespeare, an illustrious and eminent playwright from the Elizabethan Age (16th Century) and part owner of the Globe theatre wrote A Midsummer Night’s Dream in which he portrays the theme of love in many different ways. These include the paternal love seen in the troubled times for Egeus and his rebellious daughter Hermia, true Love displayed with the valiant acts of Lysander and Hermia and the destructive love present in the agonizing acts of Titania towards her desperate lover Oberon. Through the highs and lows of love, the first love we clasp is the paternal love from our family.
All of literature is littered with symbolic archetypes, from the night to the forest to the hero to the star crossed lovers, and A Midsummer Night’s Dream is no exception. In this piece, as with every other great work of fiction, Shakespeare shapes his characters and the setting to fit into these universally recognized molds. Before analyzing this piece of literature through these archetypal eyeglasses, it is crucial to understand what archetypes are, and why they are used.
Throughout A Midsummer Night’s Dream by William Shakespeare, there are multiple analyses that one can follow in order to reach a conclusion about the overall meaning of the play. These conclusions are reached through analyzing the play’s setting, characterization, and tone. However, when one watches the production A Midsummer Night’s Dream directed by Michael Hoffman, a completely different approach is taken on these aspects, leading to a vastly different analysis of the work. Though there are many similarities between the original written play A Midsummer Night’s Dream by William Shakespeare and the on-screen production of the aforementioned play which was directed by Michael Hoffman, there are differences in setting and
In conclusion, in A Midsummer Night’s Dream, Shakespeare effectively uses the motifs of the seasons, the moon, and dreams to show that love, irrationality, and disobedience directly cause chaos. By calling to mind the seasons in unnatural order, describing the moon behaving strangely, and discussing the dualistic, irrational nature of dreams, Shakespeare effectively evokes a sense of chaos and disorder. Linking each of these motifs to the themes of love, irrationality, and disobedience allows Shakespeare to illustrate the disarray that is bound to result from any romance.
A Midsummer Night’s Dream is one of Shakespeare’s most popular and frequently performed comical plays (Berardinelli). The play transformed into a cinematic production by Michael Hoffman has not changed in its basic plot and dialogue, but the setting and some character traits have. The play setting has been gracefully moved from 16th century Greece to 19th century Tuscany (Berardinelli). The addition of bicycles to the play affects the characters in that they no longer have to chase each other around the woods, but can take chase in a more efficient fashion. As far as characters are concerned, Demetrius is no longer the smug and somewhat rude character we find in act 1, scene 1 (Shakespeare pg. 6, line 91), but rather a seemingly indifferent gentleman placed in an unfortunate circumstance set to delay his wedding to Hermia. Perhaps the most noticeable change in the character set from stage to film occurs in the characters of Puck and Nick Bottom.
Shakespeare, William. “A Midsummer Night’s Dream”. The Pelican Shakespeare. New York: Penguin Books Inc. 2000.
The Theme of Love in A Midsummer Night’s Dream by William Shakespeare In the play ‘A Midsummer Night’s Dream’ many aspects of love are explored. In this essay I will be exploring how Shakespeare conveys the theme of love including illusion, confusion, escape, harmony and lust. Historically, it has been suggested that ‘A Midsummer Night’s Dream’ was written for a wedding, signifying the importance of love in this play, however there is no real evidence to prove this myth. Rather, the Lord Chamberlain’s men performed ‘A Midsummer Night’s Dream’ on the London stage.
Dutton, R., & Howard, J.E. (2003). A Companion to Shakespeare’s Works.(p. 9) Maiden, MA: Blackwell Pub.
Considered to be the greatest playwright to ever have lived, William Shakespeare’s works continue to fascinate and entrance audiences around the world. Imbued with imagery, his comedy A Midsummer Night’s Dream is perhaps one of his more fantastic but none the less intricate plays. Presiding over the proceedings, the moon is the uniting feature of the play. With its multi-layered symbolism it is the thread that connects the different characters and weaves the tale together.
Schanzer, Ernest. "_A Midsummer-Night's Dream." 26-31 in Kenneth Muir, ed. Shakespeare: The Comedies: A Collection of Critical Essays. Englewood Cliffs: Prentice-Hall, 1965.
Shakespeare, William. A Midsummer Night's Dream. The Norton Shakespeare: Greenblatt, Stephen, editor. New York: W W Norton & Company, 1997.
Fairies, mortals, magic, love, and hate all intertwine to make A Midsummer Night’s Dream by William Shakespeare a very enchanting tale, that takes the reader on a truly dream-like adventure. The action takes place in Athens, Greece in ancient times, but has the atmosphere of a land of fantasy and illusion which could be anywhere. The mischievousness and the emotions exhibited by characters in the play, along with their attempts to double-cross destiny, not only make the tale entertaining, but also help solidify one of the play’s major themes; that true love and it’s cleverly disguised counterparts can drive beings to do seemingly irrational things.
Shakespeare, William. A Midsummer Night’s Dream. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press, 2004.