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A midsummer night's dream conflicts
A midsummer night's dream conflicts
Gender in a midsummer nights dream
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Love is defined in many different ways. As shown in the play, comedy and conflict are two main factors of love. In A Midsummer Night’s Dream, William Shakespeare breaks down the two main themes of the story, comedy in conflict, into smaller, more condensed themes to show how the uses of these themes define the nature of love through the actions and relationships of the Athenians, Rude Mechanicals, and Fairies.
The males in the story have dominance over all of the women. This is shown all though out the story. None of the women were granted the decision to choose their own husbands. In Athens, the males feel as if they own the women. When Egeus said, “scornful Lysander, true, he hath my love, and what is mine my love shall render him. And she
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In the play, Shakespeare made it seem as if women were supposed to worship the men: “Your father should be as a god… you are but as a form in wax… figure it or disfigure it”(Shakespeare 2). He wants them to appear as if they were a god. Theseus also wants Hippolyta to view him in this same way. He wanted her to be wooed by him as he is for her. Theseus said, “Hippolyta, I wooed thee with my sword and with thy love, doing the injuries, but I will wed thee in another key, with pomp, with triumph, and with reveling “(Shakespeare 1). Hippolyta was still forced to be wedded to Theseus. She was raped and Theseus still got what he wanted. Though Hippolyta isn’t ready to get married, the decision is up to Theseus. In the plat, “Theseus and Hippolyta are lovers that reflect the wide discrepancy between those who master and those who are mastered by love”(Comtois 2). Another example of this is between Demetrius and Helena. Demetrius and Helena did have a past together, however now that is not the case. Demetrius wants to have nothing to do with Helena. Helena begs and pleads for his love like a dog begs and pleads for table food. While Demetrius is off searching for his true love, “He is like a magnet, he is the master the god cant cease to follow” to Hermia (Comtois …show more content…
Though they lack the props, actors, and most of all talent, they still find a way to make the play happen. In the play within a play, Pyramus and Thisbe, Bottom plays the main character, Pyramus. This was not the case at first. In the beginning of the play, they were tying to figure out who would be what character in the play. Bottom has a true love for acting, which leads him to wanting to play all the characters in the play. Bottom saying, “Let me play the lion too”, proves how he really does have a true passion and love for acting (Shakespeare 10).
The other rude mechanicals also tried very hard to make the play better. Peter quince shows his love for theater while acting as the director of Pyrmus and Thisbe. He got every thing in order for the King and Queen to see. They tried very hard to please the king and his wife even though they weren’t that good at acting.
To make sure that they executed the play, for the props that they didn’t have they used something else in its place: “I, Wall, have done my part”. This is an example; they didn’t have a wall prop so one of the actors became the wall (Crowther
Lysander and Demetrius were both deeply in love with Hermia, but suddenly they became slaves for Helena, under the spell of a love potion. This antagonises Helena and she blames it all on Hermia and her cruel joke. She says to Hermia, “The sisters’ vows, the hours that we have spent, when we have chid the hasty-footed time for parting us,-o is all forgotten” (III.II.199-201)? Helena asks her if she has forgotten about their friendship, about the vows they took to be like sisters and never leave each other. This shows that although Hermia may have forgotten their friendship, Helena will always remember because friendship is really important to her.
In the story, the supreme ruler of Athens, Thesius ends up marrying Hippolyta, the Queen of the Jungle. However, during the whole story, Hippolyta never throughly discusses her feelings and ideas about the marriage. She acts as if she has no choice but to marry Thesius. This can be proven by examining Hippolyta's position in the relationship between herself and Thesius. Hippolyta was captured by Thesius during battle and Thesius intimidates Hippolyta into marrying him since he is a supreme ruler and she was defeated by him. Thesius reveals that he capture Hippolyta in battle in the following quote, "I wood thee by my sword/ And won thy love doing thee injuries" (Act I, Pg 7). The above quote and the fact that Hippolyta never discusses her feelings about the wedding leads the re...
The Greek myth of Theseus and Hippolyta tells of Theseus kidnapping Hippolyta in order to take her as his wife (“Theseus”). In the play, the character Theseus alludes (within the allusion) to these circumstances: “. . . I wooed thee with my sword and won thy love doing thee injuries. But I will wed thee . . . with pomp, with triumph, and with reveling” (Shakespeare 1.1.16-19). Interestingly, in the myth, Theseus never marries Hippolyta like he does in A Midsummer Night’s Dream. Hippolyta instead escapes, and Theseus is forced to look elsewhere for love (Theseus). This might make one wonder why Shakespeare chose to change the story’s ending. Perhaps this change helps to foreshadow Hermia’s eventual escape from Demetrius’s
The relationship between Demetrius and Hermia is problematic, in that Demetrius is seeking the affections of Hermia, while she is in love with Lysander. However, Hermia’s father approves of Demetrius and tries to force her to marry him, but Hermia refuses because of her love for Lysander (A Midsummer Night’s Dream 1.1.22-82). Lysander points out the flaw in the situation through this comment, “You have her father 's love, Demetrius –/Let me have Hermia 's. Do you marry him,” (A Midsummer Night’s Dream 1.1.93-94). The second flawed relationship is between Lysander and Helena, as a result of an enchantment put on Lysander that made him fall in love with Helena. Helena does not want the affections of Lysander, but rather the love of Demetrius, and believes that Lysander is taunting her. In addition, this relationship creates tensions because Hermia is in love with Lysander (A Midsummer Night’s Dream 2.2.109-140). Both relationships are not desirable due to a lack of mutual admiration and the creation of non-peaceful and unsatisfying
The views on women in this play are shown through Hermia’s recklessness, Helena’s desperation, and Hippolyta’s hypocritical behavior. The women in this era of when Shakespeare wrote this play were subservient to men and had no will and choice of their own. This included marriages that were usually arranged by a powerful male relative instead of giving the woman the opportunity of choosing a husband that she loved. First, Helena was a woman who chased after men. She contradicts her gender by breaking society’s rules. Helena even says, “We cannot fight for love, as men may do; we should be woo’d and were not made to woo” (Rogers, 1998, Act 2, Scene 1, 241-242). Second, Hermia disobeys her father and cannot decide on marriage. She is disrespectful towards her father’s commands. Hermia goes on to say, “I do entreat your grace to pardon me. I know not by what power I am bold” (Rogers, 1998, Act 1, Scene 1, 58-59). Lastly, we have Hippolyta who pretends to love King Theseus and is a liar. She stands by through the oppression of different women in the play. Although, Hippolyta shows dominance in her words. “Four days will quickly steep themselves in night; four nights will quickly dream away time” (Rogers, 1998, Act 1, Scene 1, 6). We see the King’s impatience at having Hippolyta, but Hippolyta has the control and patience. “Hippolyta, I wooed thee with my sword, And won thy love,
His intentions are to help out Philostrate, Theseus’s Master of the Revels, put on a play for Theseus and Hippolyta’s wedding. With one goal in mind, Peter Quince takes full responsibility of the play as he gives out parts in the play, rehearses the play, and even performs it in front of all the noble men and women that attended the wedding of Theseus and Hippolyta. Peter Quince’s character is a minor character whose character changes in the play to a major character because he is of importance, and he is a static character whose personality remains the same but changes as well because of his role as Prologue in the play. His character as a minor character, a character whose personality does not change, and a character that puts on a play for the Duke and Hippolyta in the woods is a character of importance throughout the entire play even though he is not considered to be a major character; his character is portrayed throughout the entire play and even in the play within in the
Helena was the younger sister of Hermia. It often bothered her that her sister got all the attention, and she even want it. Helena was madly in love with Demetrius, However Demetrius was arranged to marry Hermia. Helena truly believe she was not good enough, and could not understand why Demetrius did now want
Fairies, mortals, magic, love, and hate all intertwine to make A Midsummer Night’s Dream by William Shakespeare a very enchanting tale, that takes the reader on a truly dream-like adventure. The action takes place in Athens, Greece in ancient times, but has the atmosphere of a land of fantasy and illusion which could be anywhere. The mischievousness and the emotions exhibited by characters in the play, along with their attempts to double-cross destiny, not only make the tale entertaining, but also help solidify one of the play’s major themes; that true love and it’s cleverly disguised counterparts can drive beings to do seemingly irrational things.
Different Aspects of Love Presented in William Shakespeare's A Midsummer Night's Dream Lysander + Hermia = True love? Sexual Attraction (Lust) ------------------------------------------------------- Titania + Oberon = Love or hate (Married )
During much of the play, Helena relentlessly chases Demetrius, giving him love no matter how many times he spurns her. While in pursuit of him in the woods, where he tells her that he will never reciprocate her feelings, she tells him, “I am your spaniel; and, Demetrius,/The more you beat me, I will fawn on you” (II.i.203-204). She is so desperate to win him over that she lowers her own status, calling herself his dog; no matter how many times he may abuse her, she will always adore him. Out of love, Helena is willing to swallow her pride to prove her devotion to him. More evidence of Helena’s blind love towards Demetrius can be found in her overlooking the flaws in Demetrius’ character. For example, he proves himself to be quite insensitive towards Helena: when they are in the woods, he says he will “leave [her] to the mercy of the wild beasts” (II.i.228) if she doesn’t stop following him. He also says to her, “…I am sick when I do look on thee” (II.i.212). Lastly, he threatens her, saying “…if thou follow me, do not believe/But I shall do thee mischief in the wood” (II.i.237). Helena acknowledges this aspect of his character, though choos...
The character Nick Bottom from A Midsummer Night’s Dream by William Shakespeare is one of the most comedic characters in the play. Bottom is unique from all the other characters in the play not only because of his humorous personality which makes the play more comical and cheery, but because he is the only character able to enter in both the human world and the world of the fairies. He has many different traits, some of which are egoistic, bossy, and foolish. One thing about Bottom is that he thinks very highly of himself making him egoistic. However, he has very little reason to think so.
In their own way each of the four female leads spend a majority of the play fighting the men in their lives. A Midsummer Night’s Dream illustrates the gender roles prevalent in Shakespeare’s age especially in regards to a woman’s place in a patriarchal society and how the characters of this play either fight the norms of their society or fall into them. Hippolyta, Queen of the Amazons, is the first female character introduced in the text. She has been captured and is now forced into marriage with Theseus, the Duke of Athens.
” Theseus is trying to win over Hippolyta by wooing her with violence. Using his sword and getting Hippolyta to fall in love
Forced love was displayed was also another type of love displayed in the play as well. Theseus forced Hippolyta to marry him after he captured her. Hippolyta was the queen of the Amazons. Theseus quoted “I woo’ed thee with my sword/ and won thy love doing thee injuries” (Act 1. Scene 1) Theseus obviously felt that because he conquered Hippolyta, she was obligated to marry him. Another example of forced love was when Egeus was trying to force his daughter, Hermia to marry a man that she didn’t want to.
Hippolyta is a strong yet silent amazonian beauty who is the love of Theseus, Duke of Athens. Although Hippolyta is largely silent in her dealings with love in the patriarchal society, her physical presence speaks for the untold voice she might profit from. Of the four main female characters Hippolyta is the more silent of the four. However, since Hippolyta is the maiden of Theseus she bears heavy in the decisions Theseus makes about the love quarrels within the play. From the words of Theseus the reader can associate that Hippolyta has a strong impact on the actions he takes when dealing with love and marriage: