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A Midsummer Night’s Dream opens as Theseus, Hippolyta and Philostrate are together discussing the wedding between Theseus and Hippolyta. Thesus complains about how their wedding is four long days away but Hippolyta counters and says that the days are going to go quickly and they will be married very soon. At this point it is obvious to see that Theseus is very excited for the wedding and Hippolyta is not as thrilled. They continue to discuss their wedding and their life after they get married, telling Philostrate and presumably the other guests present to leave. Not even five lines are read before the two are quickly disrupted by Egeus along with Hermia, Lysander and Demetrius. Egeus is distraught because his daughter is in love with Lysander …show more content…
Awake the pert and nimble spirit of mirth. Turn melancholy forth to funerals; The pale companion is not for our pomp. [Philostrate exits.] Hippolyta, I wooed thee with my sword And won thy love doing thee injuries, But I will wed thee in another key, With pomp, with triumph, and with reveling. (A Midsummer Night’s Dream 1.1.17-20)
I wish to discuss how Theseus is addressing Hippolyta and why he is discussing how he literally won her heart. This sets up the rest of the play and the possible hostility that could be involved in all aspects of Shakespearean life.
The start of Theseus’ statement is telling Philostrate to leave the two of them alone to discuss their wedding. Although it isn’t directly stated I believe that the tasks given to Philostrate are supposed to keep him away for a while. That being said it seems like a hostile environment that Theseus is creating over a simple
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This is where I don’t see a connection to love and battle, the sword. It seems to me that Theseus had “won” Hippolyta and in turn forced her to marry him. Upon further research I found that Hippolyta is an Amazonian woman. These women are considered women warriors and Theseus, duke of Athens, captured the Amazonian woman Hippolyta. Upon reading this I understand now why Theseus “wooed” Hippolyta with his sword. Reading this with the information that I now have really makes Hippolyta seem like a servant or slave that is now being forced to marry Theseus against her own will. This gives me a different perspective about Hippolyta and after this I have read her lines in a different tone, as if she is unhappy with everything going on and does not want to be married to Theseus. I think a realization about a character such as this one can really change the way that a play is read and why it is perceived the way that it now is. This opened me up to a new idea of what is going on in the story and other characters that can have different outcomes in the play because of their
Hippolytus is secretly in love with his father’s political prisoner, Aricia, and is almost at the point of losing all of the unloving pride that he is so proud to have maintained all his life. At the same time, his step-mother, Phaedra, is almost at her breaking point of revealing her overwhelming love for her step-son. Just like any normal teenager, Hippolytus craves the relationship with the pretty young girl and is appalled at the thought of the relationship that his step-mother is attempting to pursue. Likewise, in Tartuffe there is a young man, Damise, who longs to marry the sister of his sister’s future husband. Damise’s father, Orgon, calls of the wedding between Damise’s sister and her fiancé, Voliere, and instead tells her she will marry his deceitful guest, Tartuffe. Thus, it becomes impossible for Damise to marry Voliere’s sister and Damise is appalled by the relationship of his sister and Tartuffe. Tartuffe, the hypocrite praised by Orgon, tries to warm up to Orgon’s wife when he is not around, making another forbidden relationship that Damise does not want to
The center of the story revolves around the women who do nothing really. They are mere objects whose sole purpose is for love and beauty. Hippolyta and Emily, as I mentioned before, are spoils of war after their land are conquered by Theseus. The quote “He gained the realm of Femininity” (738) which as it reads is closely related to female attributes. The women are considered the weaker sex, as men are depicted as strong and brave. This proves true as Hippolyta was the Queen of the Amazons who was first conquered by Theseus’s violence and then by the title of a wife.
In the story, the supreme ruler of Athens, Thesius ends up marrying Hippolyta, the Queen of the Jungle. However, during the whole story, Hippolyta never throughly discusses her feelings and ideas about the marriage. She acts as if she has no choice but to marry Thesius. This can be proven by examining Hippolyta's position in the relationship between herself and Thesius. Hippolyta was captured by Thesius during battle and Thesius intimidates Hippolyta into marrying him since he is a supreme ruler and she was defeated by him. Thesius reveals that he capture Hippolyta in battle in the following quote, "I wood thee by my sword/ And won thy love doing thee injuries" (Act I, Pg 7). The above quote and the fact that Hippolyta never discusses her feelings about the wedding leads the re...
Throughout the play, the audience cannot help but feel merciless towards Pentheus. In his opening scene, Pentheus does not heed the warnings bestowed upon him by Teiresias and Cadmus. Before Pentheus even meets Dionysus, Teiresias offers him wise advice:
Through Theseus’s speech to Hermia, Shakespeare introduces and establishes a central theme that is readily apparent throughout A Midsummer Night’s Dream and he also uses this theme to establish the central mood of the play. Theseus reveals the central theme of the play in the opening act, particularly in the lines being examined, and we see this theme throughout A Midsummer Night’s Dream. It occurs in three different situations and is carried on throughout the rest of the play. Shakespeare also uses this theme to create the mood of the play. In this way the passage spoken by Theseus becomes a pivotal point of the play. It serves as the introduction of the central theme of the play and also as the main device Shakespeare used to set of the mood. Shakespeare uses this passage as a starting point for the direction that the rest of the play will take.
However, the ideal relationships are not immune to experiencing unharmonious periods. Despite this, the ideal couples eventually found harmony which allowed them to experience a joyous ending. Lysander and Hermia have a harmonious relationship in that they display similar desires and mindsets. In the beginning, after declaring their love for one another Lysander and Hermia devise a plan to run away and elope (A Midsummer Night’s Dream 1.1.156-178). Even when they are not of the same mindset Hermia and Lysander find an amicable solution. After becoming lost in the forest, Lysander’s desire is for them to sleep together, Hermia refuses for fear of the disgrace that would be placed upon her if for some reason they did not become married. Even though Lysander is a reluctant he respects her wishes (A Midsummer Night’s Dream 2.1.47-67). On the other hand, the relationship between Oberon and Titania in spite of being plagued by dysfunction comes to a harmonious agreement. At the beginning Titania and Oberon are quarreling over the control of an Indian changeling boy (A Midsummer Night’s Dream 2.1.18-31). While under the influence of an enchantment that Oberon had placed on her Titania relinquishes the control of the changeling boy to Oberon (A Midsummer Night’s Dream 4.1.56-60). After the enchantment is removed from her Titania no longer has feelings of defiance toward Oberon (A Midsummer Night’s
Theseus and Oberon are both compassionate and understanding towards the young lovers, Hermia and Lysander, and Helena and Demetrius. They are involved in a love triangle that encompasses matters of the law and love. Demetrius intends to marry Hermia, although, she shares a mutual love with Lysander; Helena loves Demetrius, although, he no longer loves her. Theseus, as the Duke of Athens, maintains the laws and standards of Athenian society. He acknowledges “the Ancient privilege of Athens” (I.1.41) that allows Egeus to “dispose of” (I.1.42) Hermia. This law permits Egeus to give his daughter to Demetrius or “to death, according to [the] law” (I.1.44). However, Theseus takes pity on Hermia and gives he...
The views on women in this play are shown through Hermia’s recklessness, Helena’s desperation, and Hippolyta’s hypocritical behavior. The women in this era of when Shakespeare wrote this play were subservient to men and had no will and choice of their own. This included marriages that were usually arranged by a powerful male relative instead of giving the woman the opportunity of choosing a husband that she loved. First, Helena was a woman who chased after men. She contradicts her gender by breaking society’s rules. Helena even says, “We cannot fight for love, as men may do; we should be woo’d and were not made to woo” (Rogers, 1998, Act 2, Scene 1, 241-242). Second, Hermia disobeys her father and cannot decide on marriage. She is disrespectful towards her father’s commands. Hermia goes on to say, “I do entreat your grace to pardon me. I know not by what power I am bold” (Rogers, 1998, Act 1, Scene 1, 58-59). Lastly, we have Hippolyta who pretends to love King Theseus and is a liar. She stands by through the oppression of different women in the play. Although, Hippolyta shows dominance in her words. “Four days will quickly steep themselves in night; four nights will quickly dream away time” (Rogers, 1998, Act 1, Scene 1, 6). We see the King’s impatience at having Hippolyta, but Hippolyta has the control and patience. “Hippolyta, I wooed thee with my sword, And won thy love,
A Midsummer Night’s Dream is a play of conflicted love. Thus semi-comedy displays the notion of, the spiritual and natural world working together. The play begins with a noble family discussing a planned marriage. Hermia is arranged to marry a man she does not love. In rebellion she and her lover (Lysander) flees to the woods so they can avoid Athenian law. Before leaving Hermia tells her sister about her plans to run away. In desire to gain revenge and find love herself Helena (Hermia’s sister) chases Hermia and her intended mate into the woods. The forest is where the spirits live, the fairy king, Oberon, is desperate to gain the affection of the fairy queen. He saw cupid shoot his love arrow, which landed on a flower. He is determined that,
In A Midsummer Night’s Dream, the main conflict is between love and social relations. The play revolves around the magical power of love which transforms many lives. As a result of this, it gets the reader’s emotionally involved through ways of reminding us of love’s foolishness and capabilities, as well as violence often followed alongside of lust. This play shows passion’s conflict with reason. For example, the father presented in the play Egeus, represents tradition and reason while Hermia represents passion for love and freedom. Egeus wants Hermia to marry Demetrius and accuses Lysander of “bewitching” Hermia with love charms and songs. This is one way love’s difficulties are presented in the play between father and daughter. Additionally, Helena recognizes love’s difficulties when Demetrius falls in love with her best friend Hermia. Helena argues that strong emotions such as love can make extremely unpleasant things beautiful. This is another way the play presents love’s difficulties between lovers and capricious emotions.
In the first part of the play Egeus has asked the Duke of Athens, Theseus, to rule in favor of his parental rights to have his daughter Hermia marry the suitor he has chosen, Demetrius, or for her to be punished. Lysander, who is desperately in love with Hermia, pleads with Egeus and Theseus for the maiden’s hand, but Theseus’, who obviously believes that women do not have a choice in the matter of their own marriage, sides with Egeus, and tells Hermia she must either consent to marrying Demetrius, be killed, or enter a nunnery. In order to escape from the tragic dilemma facing Hermia, Lysander devises a plan for him and his love to meet the next evening and run-off to Lysander’s aunt’s home and be wed, and Hermia agrees to the plan. It is at this point in the story that the plot becomes intriguing, as the reader becomes somewhat emotionally “attached’’ to the young lovers and sympathetic of their plight. However, when the couple enters the forest, en route to Lysander’s aunt’s, it is other mischievous characters that take the story into a whole new realm of humorous entertainment...
To her, my lord, was I betroth'd ere I saw Hermia: but, like in sickness, did I loathe this food; but, as in health, come to my natural taste, now I do wish it, love it, long for it, and will for evermore be true to It". Theseus decides to override Egeus's plans for Hermia to marry Demetrius and now will have all three of the weddings in Athens that day. They eventually all depart for Athens Theseus says, "Fair lovers, you are fortunately met: of this discourse we more will hear anon. Egeus, I will overbear your will; for in the temple by and by with us these couples shall eternally be knit: and, for the morning now is something worn, our purposed hunting shall be set aside.
In classical Greek literature the subject of love is commonly a prominent theme. However, throughout these varied texts the subject of Love becomes a multi-faceted being. From this common occurrence in literature we can assume that this subject had a large impact on day-to-day life. One text that explores the many faces of love in everyday life is Plato’s Symposium. In this text we hear a number of views on the subject of love and what the true nature of love is. This essay will focus on a speech by Pausanius. Pausanius’s speech concentrates on the goddess Aphrodite. In particular he looks at her two forms, as a promoter of “Celestial Love” as well as “Common Love.” This idea of “Common Love” can be seen in a real life context in the tragedy “Hippolytus” by Euripides. This brings the philosophical views made by Pausanius into a real-life context.
While Hippolyta is still recognized as Theseus’ Queen, negative light continues to be shown upon women during this time, Hippolyta specifically, as Theseus continues to be smitten by other women that catch his eye regardless of his being wed. This further suggests that men held little respect or concern for women during this time as he continues to have wandering eyes while married but also continues to portray ...
Forced love was displayed was also another type of love displayed in the play as well. Theseus forced Hippolyta to marry him after he captured her. Hippolyta was the queen of the Amazons. Theseus quoted “I woo’ed thee with my sword/ and won thy love doing thee injuries” (Act 1. Scene 1) Theseus obviously felt that because he conquered Hippolyta, she was obligated to marry him. Another example of forced love was when Egeus was trying to force his daughter, Hermia to marry a man that she didn’t want to.