Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The theme of To His Coy Mistress
The theme of To His Coy Mistress
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The theme of To His Coy Mistress
Seduction most commonly refers to the use of sexual desire in order to persuade an object of affection to change their behavior and meet the desire of their seducer. Andrew Marvell’s ever so passionate poem, “To His Coy Mistress”, entirely implies the motive to bed a young lady (531). The question raised however, is just what is the attitude of the speaker towards his mistress? Is he acting out of love or lust? And who indeed is the narrator? Could it possibly be Andrew Marvell or an imaginary character that readers can be swept away into the magical enchantment of his lyrical poetry?
The foremost indication as to who the narrator may be is in the title. The title is: To Coy His Mistress, not: To Coy My Mistress. For in that case, the word “my” in the title would portray that Marvell was writing a personal piece, and as it is known, it is not. Perhaps it was Marvell’s intent to satisfy readers by creating an immortal imaginary lover as the protagonist. Therefore, allowing readers to be in awe of his magnificent language and take pleasure in the intentions behind it (531). But just what are those intentions?
Is this dominant male’s intention toward the mistress out of love or lust? What the narrator does clearly portray to the audience is that this is a straight forward poem. The male says that, if immortal, he would with pleasure spend all the time on heavens and earth wooing his mistress. But, time is not immortal and nor are they, that he suggest she willingly give herself to him and fulfill his seize the day urgency (531). Using clever literary devices and enchanting imagery the scene is set for him to go forth with his seduction.
The persuasive seduction begins in the narrators high remarks of his mistress,
An hundred years should go to praise
Thine eyes, and on thy forehead gaze,
Two hundred to adore each breast,
Bust thirty thousand to the rest.
An age at least to every part,
And the last age should show your heart. (13-18)
Such a whimsically beautiful description, could only be written out of love, correct? If he loved her for all of her entirety why would he write the following stanza?
For, Lady, you deserve this state,
Nor would I love at lower rate. (19-20)
It is here that it can begin to be questioned if he truly means all he declares? If he speaks so highly of his mistress why would he not love her at any lower rate and love her for all that she is?
The tone of “To the Virgins, to Make Much of Time” and “To His Coy Mistress” are different. In Herrick’s poem, his tone is relaxed. For instance when he writes, “Gather ye rosebuds while ye may, /Old times is still a-flying,” his word choice has a very relaxed and casual tone. His attitude reflects the relaxed tone in his poem. In Marvell’s poem, his tone is serious. Marvell’s purpose is to persuade his mistress to have sex with him. He tries to lure her in when saying, “Had we but World enough, and Time.” He starts out very seriously, in attempt to convince his mistress. The relaxed tone of “To the Virgins, to Make Much of Time” and serious tone of “To His Coy Mistress” point out the difference in the way the writers feel about their characters.
James Dickey illustrates the pleasures and guilt that comes with an affair. The rush one gets with the fear of getting caught (Dickey 351). The narrator in the poem seems to have no problem with the affair because he clearly states he will call again if he can, proving that he is barely fazed by not remaining faithful. It is clear that both the narrator and the mistress are pressed for time in this sick lust affair they are having. Both equally nervous about being caught by a significant other or someone, but they don’t seem to care enough to end their relationship. In this case, there seems to be no act of fidelity because the narrator says he’ll see her next week (Dickey
The poets integrated ?metaphysical conceits? as focal parts of these poems. Along with these, they used effective language as a basis for their convincing arguments, they included subjects of periodical importance (e.g. ?courtship? and ?religion?), and use very clever structures that are manipulated in order to make the poem read in the desired way. The very clear indication of the theme in question was strongly aided by the way in which the personas portrayed the emotions they felt and the way they showed their attitudes towards the subject. Considering all these factors, the poets made critical arguments to the mistresses in order to alter their views, thus changing their minds, on denying the poets the sex that they desired so strongly.
Throughout his life... was a man self-haunted, unable to escape from his own drama, unable to find any window that would not give him back the image of himself. Even the mistress of his most passionate love-verses, who must (one supposes) have been a real person, remains for him a mere abstraction of sex: a thing given. He does not see her --does not apparently want to see her; for it is not of her that he writes, but of his relation to her; not of love, but of himself loving.
Using this choice of words like “then worms shall try” and “…turn to dust”, the speaker essentially tells his mistress that there will be consequences if she does not engage with him. He believes his wit will gain control over his mistress, and her “coyness” will inevitably disappear. In his mind, the repercussions are if she dies without having sex with him, the worms will take her virginity, which can be considered as phallic imagery. In the lines, the worms symbolically mirror the narrator’s male sexual organ. Marvell creates an interesting approach with this daring and disturbing language because the appealing strategy grasps the reader’s attention and explores the question of the extent a person will go to fulfill their sexual desires. While discussing this proposed tight-lipped subject, the tone of the narrator in “To His Coy Mistress” greatly differs from the narrator’s tone in “A Rose for Emily.” The readers can perceive that Marvell’s speaker is intelligent and informed in the sexual category because of his style and word choice. He creates a relaxed tone with his audience, which makes the readers feel comfortable, and he is very clear about what he writes. The direction of the arguments he makes is very undeviating because he goes straight into what he wants
He compares his love to a "vegetable," which means that it would not stray, but would grow "vaster than empires," and would do so more slowly (ll. 11-12). He claims that he would happily spend a hundred years praising her eyes, and gazing at her forehead. When that is over, he would spend two hundred years on each breast, and spend "thirty thousand to the rest" (l. 16). He then crowns this romantic hyperbole with the statement, "[f]or, lady, you deserve this state, /Nor would I love at a lower rate" (ll. 19-20). These statements serve to support one of the major themes of the poem:
writing the poem, to woo his love. Or maybe is the line was not meant
At the start, the first stanza of the poem is full of flattery. This is the appeal to pathos. The speaker is using the mistress's emotions and vanity to gain her attention. By complimenting her on her beauty and the kind of love she deserves, he's getting her attention. In this first stanza, the speaker claims to agree with the mistress - he says he knows waiting for love provides the best relationships. It feels quasi-Rogerian, as the man is giving credit to the woman's claim, he's trying to see her point of view, he's seemingly compliant. He appears to know what she wants and how she should be loved. This is the appeal to ethos. The speaker seems to understand how relationships work, how much time they can take, and the effort that should be put forth. The woman, if only reading stanza one, would think her and the speaker are in total agreement.
In the case of To His Coy Mistress by Andrew Marvall, a not-so-gentle gentleman is trying to woo a “coy” young lady with claims of love. This poem is strewn with hyperbole to the point that it becomes exactly the opposite of love. When there is such over exaggerated praise, it starts to lose the real meaning of the message. If you take a look at lines 13-18, you can see the obvious amplification:
In the poem “To His Coy Mistress”, the speaker is trying to seduce his wife. In the assumption the mistress is his wife; she is being bashful towards losing her virginity. The speaker, which is the mistress’s husband, develops a carefully constructed argument where the speaker seeks to persuade his lady to surrender her virginity to him.
Lover A Ballad was written as a reply to the poem To His Coy Mistress.
Marvell uses many images that work as tools to express how he wishes to love his mistress in the first stanza of the poem. From line 1 to 20 Marvell tells his mistress how he wishes he had all the time in the world to love her. In the very first line Marvell brings up the focus of time, “Had we but world enough and time/This coyness, lady, were no crime”. The second line shows the conflict that the author is facing in the poem, her coyness. Marvell continues from these initial lines to tell his mistress what he would do if he had enough time. In lines, three and four Marvell talks of “sitting down” to “think” where they will walk on their “long love’s day”. All of these word...
The young lady in "To His Coy Mistress" is definitely not to be taken for a mere fool because he would not have gone to great lengths to convince her to give her body to him. His word to describe the young lady as coy shows her response to his question. The speaker seems to be desperate while he attempts to win her over. His mood began to change in the poem from calm to impatient just by the use of his words. By the end he even contradicts himself. In the beginning he states:
Love in "To His Coy Mistress", "Shall I Compare Thee," "Let Me Not," and "The Flea"
... is romantic and at ease, but he turns brisk and honest as time disintegrates. This image becomes crystal clear with words and phrases such as, "heart", "beauty", "youthful hue sits on thy skin", "our sweetness", "virginity", "breast", and "pleasures". All of these words provide the reader with an illustration of the man's desires. The use of imagery permits the author to fully describe the necessity of time, and allows the reader to visualize the thoughts and feelings that the characters experience.