Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Antigone character analyis essay
Character of antigone
Antigone Character Essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In the playwright, Antigone, by Sophocles Ismene’s main goal throughout the story is to prevent further tragedy and sorrow by reasoning with Antigone, her sister, with her rash decisions. For instance, Antigone and Ismene’s brother died fighting bravely without a proper funeral; so Antigone with her noble heart wanted to jeopardize her life for a dead loved one against their merciless king. However, Ismene did not want to see her beloved sister wind up dead over her brother so she said, “ But think of the danger! Think of what Creon will do.” Ismene wanted to keep the remainder of her family alive, so she knew that she had to make the “truth” clear to her sister. Therefore, she desperately tried to put things in perspective by making Antigone
herself “think of what Creon will do”. In addition, Ismene devoted a portion of her long speech to persuade Antigone not to go after their dead brother by agreeing with Antigone’s morals. “I beg the death To forgive me, but I am helpless: I must yield to those in authority.” Ismene’s attempts of reason did not sway Antigone’s decision, so she creates a hypothetical where she can make the decision to go after their brother rather than Antigone, to illustrate Antigone’s motivation of being idle being the honorable decision by begging “the death to forgive me.” Moreover, she was referencing to their dead brother willing to look over their decision of not honoring his death. However, Ismene does not feel as strongly as Antigone about her choice, but she was willing to alter her opinion in attempt to stop her sister. Ismene’s goal is to appeal logically and emotionally to save her sister Antigone.
Throughout history rulers have used force in the pursuit of the acquiring more power and wealth, regardless of the consequences. The use of force may lead to the fulfillment of ones current interests or goals, but continued abuse of this power in pursuit of ones own interests has historically lead to the downfall of those in power. In the text The Prince Machiavelli says, “It is much safer to be feared than loved, if you cannot have both”. This quote suggests that when given the choice it is better for a ruler to use his power, through force if necessary, and be feared than to do what is right for the people and lose everything. In Sophocles’ Antigone, Thucydides History of the Peloponnesian War, and Sophocles’ Republic the analogy of the double-edged
In the play Antigone, both Antigone and Kreon could be considered tragic heros. A tragic hero, defined by A Dictionary of Literary, Dramatic and Cinematic Terms, is someone who suffers due to a tragic flaw, or hamartia. This Greek word is variously translated as "tragic flaw" or "error" or "weakness". Kreon's hamartia, like in many plays, is hybris - Greek for overweening pride, arrogance, or excessive confidence. Kreon's hybris causes him to attempt to violate the laws of order or human rights, another main part of a tragic hero. Also, like all tragic heroes, Kreon suffers because of his hamartia and then realizes his flaw.
(346) Once again Ismene's words clearly state her weak, feminine character and helplessness within her own dimensions. Antigone, not happy with her sisters response chides her sister for not participating in her crime and for her passivity, saying, " Set your own life in order"(346). For Antigone, no law could stand in the way of her strong consideration of her brother's spirit, not even the punishment of an early death. Ismene is more practical ; knowing the task is impossible, she feels the situation to be hopeless.
Although both sisters have lost their brothers, Antigone is the only one who will go against her king to do what she knows is right. When Antigone asks her sister if she will help her bury their brother Polyneices, Ismene responds with, “We are only women; we cannot fight with men, Antigone! The law is strong; we must give into the law…” (Ismene 774). Naturally, Ismene should be afraid for herself, as well for the safety of her sister because what Antigone is asking of her will mostly likely cause them both to be killed. However, she should be braver like Antigone, and realize that she must do what is morally right for their family, and give her brother the proper burial that he deserves. Afterward, when Antigone has already been captured, Ismene then comes forth to try and share the punishment that has been given to Antigone, but Antigone tells King Creon that she has done nothing. In addition, when Creon asks Ismene if she had anything to do with the crime, and Antigone denies it, Ismene then replies, “But now I know what you meant; and I am here to join you, to take my share of punishment” (Ismene 785). Although now Ismene feels like she needs to stand up to the King and do what is right for her
She reminds Antigone that they are the only family members left and pleads with her not to commit such a crime, but Antigone refuses to accept the logic in her sister’s argument and will not be swayed, even though the idea of her death clearly upsets her sister. Ismene later has a change of heart and wishes to die alongside her sister in order to honor the dead as well, she even confesses to Creon, but Antigone rejects her idea of being a martyr, saying that her own death “will suffice” (Sophocles 136). Ismene then imagines life without her sister. The idea of losing the only kin she has left on Earth terrifies Ismene. She pleads to Antigone, “what life is dear to me bereft of you?” (Sophocles 136). Ismene would rather die than live without Antigone. In deciding to give her life for her brother, Antigone neglects her sister, and acts selfishly. She therefore should not have signed herself over to death as it has severely negative effects on her only living
A person once said, “The Antigone [is] one of the most sublime and in every respect most excellent works of art of all time” (Hegel). The play Antigone [is] written in the 6th century by the writer Sophocles (Willocks). Sophocles is a play writer and he made tragedies more complex. A tragedy always ends in defeat or death, has a hero who is confronted by hostile forces and has a tragic hero who has to make a choice difficult moral choice. The main character is usually the tragic heroine. A tragic hero is a person who has a dramatic change in fortune, morally good, heroic in stature or social position, true to life and consistent (Willocks). Creon is the king and he believes whatever he said should be obeyed. He did not listen to the Greek
Antigone was a selfless person with pride as a strong characteristic of her personality. She possibly had feelings of loneliness and anger from the way society has looked upon her family from their past. It took a strong willed person who has no fear of the repercussions to stand up to a king as she did. To make everything all the worst she stood up to a king who was her Uncle and she being a female back in those time, standing up and speaking out for herself was not heard of.
afraid of the danger; if it means death, It will not be the worst of
Tragedy of Antigone The play “Antigone” by Sophocles displays many qualities that make it a great tragedy. A tragedy is defined as a dramatic or literary work in which the principal character engages in a morally significant struggle ending in ruin or profound disappointment. In creating his tragedy “Antigone”, Sophocles uses many techniques to create the feelings of fear and pity in his readers. This, in turn, creates an excellent tragedy.
In meeting Ismene, the reader is introduced to a wiser and obedient woman in terms of her understanding where she stands socially and realizing the consequences of rebellious actions. Ismene, throughout the play, serves as a tool by helping Antigone to become more resolute in her actions. Ismene has suffered just as much as Antigone, "no joy or pain has come my way" (16) Ismene says. Yet although she concedes that the sisters "were robbed of our two brothers" (17), she still accepts the will of the King "I must obey the ones who stand in power"(18).
In Antigone, by Sophocles, which centers around themes such as bravery in the face of death, civil unrest, and unyielding dedication to divine justice, it is easy to understand why Ismene’s character is often called cowardly, docile, and indecisive. However, this view of her undercuts the most basic facet of her personality, the one which is absent in Antigone — a will to live. With this in mind, Ismene’s personality is far one-dimensional, as there are certain traits she needs to embody in order to survive. She endured her tragic upbringing through rational thought and an optimism that others will do the same, all the while keeping her love for her unfortunate family intact. Though not fearless in the face of death, Ismene is a sympathetic character whose rationality, optimism, and loyalty are not to be underrated.
When Antigone gets caught Creon thinks Ismene had something to do with it, so when asked, Ismene tries to convince him she helped her sister. But Antigone won't let her because she knows her fate. “Ismene: I did it-yes-if she will let me do so. I am as much to blame as she is. Antigone: No that is not just. You would not lend a hand. And I refused your help in what I did. Ismene: But I am not ashamed to stand beside you. Now in your hour of trial, Antigone”(520). Even though Ismene didn’t help Antigone, she loves and respects her so much to risk her own life by confessing to something she didn’t
Antigone’s own excessive pride drives her to her defeat. Her arrogance and strive for self-importance blinds her to the consequences of her actions. Ismene, Antigone’s sister, rejects to take part in the crime leaving Antigone all on her own. Ismeme declares “why rush to extremes? Its madness, madness” (Sophocles 80). Ismene fails to comprehend the logic behind her siste...
Antigone, the character, is a tragic hero because we care about her. Ismene and Haimon help us care about Antigone by making her feel worthy of loving. And with out this her plan to bury her brother seems irrelevant to the reader because we can care less about her. Ismene, although weak and timid, is in the story to illustrate that Antigone is capable of being loved. "We are only women, We cannot fight with men, Antigone" (Sophocles 881). Another reason Ismene is incorporated to Antigone is to show exactly strong-willed Antigone is. Haimon is there to show that Antigone has a life and a future outside her purpose. What else Haimon brings to the story is he makes Creon look like a fool, but more importantly he validates Antigones cause. So without Antigone having to live for she would have nothing to lose, therefore, her death would not be tragic.
The play Antigone by Sophocles displays many qualities that make it a great tragedy. A tragedy is defined as a dramatic or literary work in which the principal character engages in a morally significant struggle ending in ruin or profound disappointment. In creating his tragedy Antigone, Sophocles uses many techniques to create the feelings of fear and pity in his readers. This in turn creates an excellent tragedy.