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Hero's journey essay introduction
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Breanna Kramer
HONR:1300:0005
A Hero’s Journey Begins: Harry Potter vs. Heracles
The entire semester we have talked about how modern superheroes are completely rooted in Greek mythology. We have discussed the comparison between weapons, the end of the world, but most importantly we have talked about the hero’s journey. Every great superhero has an intriguing backstory, as well as an emotional, adventurous journey that keeps the reader coming back for more. J.K. Rowling knew of the lasting effect of myths in modern literature, and she included many hidden comparisons between characters and Greek myths into her own work. When first analyzing the journey of Harry Potter, you may be tempted to compare the character closely to Achilles. Thetis,
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Achilles mother, dipped him in the river of Styx in order to make him immortal much like Lily Potter’s love made Harry invincible to Voldemort. After the death of Patroclus, Achilles became devoted to the battle for revenge, comparable to Dumbledore’s death and Harry’s motivation to find and destroy the horcruxes. However, if you delve deep enough into the abyss of Greek mythology, you will find many more resemblances in the backstory and heroic journeys between Heracles, the emblem of masculinity and strength, and Harry, the scrawny teenage wizard. Heracles and Harry both demonstrate the epitome of the reluctant hero in their beginnings.
Neither had free will or the option of a normal life, but instead was forced into heroism due to the jealous nature of their enemies after they had unknowingly been given some of the enemy’s power during infancy. Heracles was the son of Zeus and one of his numerous mistresses, Alcmene. In order to give Heracles strength, Alcmene tricked Hera into feeding Heracles her milk. After learning of Zeus’s infidelity, Hera became determined to torture and gain revenge on Heracles in many different ways including forcing him to kill his own children. In comparison, Voldemort unintentionally gave Harry parts of his power after attempting to kill Harry due to Professor Trelawney’s prophecy that stated a newborn would have a power that the Dark Lord does not. Once Harry arrived at Hogwarts, Voldemort attempted time and time again to kill Harry for revenge and to ensure his immortality. Likewise, a man who desperately wanted eternal life also targeted Heracles. The King of Lydia attempted to give Heracles’s life for his immortality while Voldemort sought to kill Harry to become an undefeatable, eternal wizard. Perhaps the strongest characteristic shared between the two is the power and ability of love. Heracles lived a happy life with Megara and his children until Hera intervened, while Harry fell in love with the Weasley family and Hermione. Harry always had irrefutable proof of his mother’s love, …show more content…
as did Heracles with his mother who managed to trick a goddess into giving him some of her divine power. In the very beginning of their heroic journey both heroes were given powers by their enemies in their infancies, targeted by vengeful, jealous opponents and rivals looking for immortality, as well as having an overwhelming capacity to love. In regards to heroic journeys, Heracles tackled the twelve labours, while Harry hunted horcruxes and cleverly escaped Voldemort’s clutches.
After Hera induced Heracles to kill his family, he was sent to King Eurystheus who gave him ten, which turned into twelve, labours as a reprieve from his sin. The quest of completing these twelve labours for Heracles is very similar to the Harry’s quest of hunting Voldemort’s horcruxes: both were necessary excursions to return to normal lives. More specific examples of parallels in heroic journeys include Heracles managing to kill Hydra, the multi-head snake, with the help of Iolaus much like Harry killed the basilisk in the Chamber of Secrets with the help of Fawkes. In order to get to Hades for another labour, Heracles had to pass a three-headed dog, popularly known today as Fluffy the three-headed dog protecting the passageway to the Sorcerer’s Stone in the Potter series. The most notable example of the intentional comparison between the two heroes by J.K. Rowling is the insignia of the lion. Heracles slaughtered the Nemean lion, which is known as a constellation, Leo. It isn’t a coincidence that Leo happens to be the Zodiac sign of Harry’s birthday, July 31, nor is it an accident that Gryffindor’s emblem is a lion. J.K. Rowling intentionally wove Greek mythology and journeys of Heracles into the Potter series with some examples being the basilisk, three-headed dog, lion symbol, and quests needed to return to
normalcy. While Harry does indeed resemble Achilles, Heracles is a much better mythological comparison in terms of heroic beginnings and journeys. While their physiques are stark contrasts, from bold muscles to a pre-teen scrawniness, Heracles and Harry share courage, intense self-criticism, and the capacity of love. Neither had the free will of heroism, but instead were thrusts into the lives out of necessity once gaining some of their enemy’s powers in infancy. Hera and Voldemort attempted time and time again to hurt their respective hero out of jealousy of their power and revenge. The following quests were just as surprisingly similar, for instance the search for normalcy, triumphing over the basilisk and three-headed dog, and the lion insignia. The entire Harry Potter series is full of references to Greek mythology and is not exclusive to Heracles. For instance, does Rubeus Hagrid remind you of Hagrid Rubes? Both were giants who were framed for a murder and became a caretaker. While Heracles is not the only mythological reference in the series, his backstory and expeditions are much more comparable to Harry’s than the Achilles reference many people first discover while reading the modern mythological hero series.
The human need to be relatable is unquenchable. We love to be able to see parts of ourselves in others, and to be able to feel like our idols are not untouchable. The Hero’s Journey format is one that can be found in almost any story, even in real life. Overall, it is the perfect recipe for keeping readers engrossed. Another place the journey has shown up is in Unbroken by Laura Hillenbrand and Odyssey by Homer. These two stories—one a biography, the other, an epic poem—are so effective in their storytelling, it is easy to see how authors today continue to use the same method to make stories that grab the readers’ attention. What makes them most alike, however, is the emotions and thoughts they have the power to provoke.
(200)This mythic study will define the first ten stages of the hero’s journey as defined by Joseph Campbell in The Hero with a Thousand Faces. Campbell defines the various stages of the hero’s journey within the context of a universal mythic "cycle” found in world ligature. These similar events define the universal stages of the hero’s journey in (1) the call to adventure, (2) refusal of the call, (3) supernatural aid, (4) the first threshold, (5) challenges, (6)revelation (7) abyss (rebirth), (8) transformation, (9) atonement, and (10) the return in the gift of the goddess. These ten stages define the cycle of the heroic journey, which
Through a series of unfortunate events Odysseus looses all his ships and crewmen. Odysseus is away from native land for a total of twenty years, however the Odyssey only focuses on the last forty-one days of his voyage home. The rest is told in a series of flashbacks told from various charters. The concept of a hero has been interpreted in many different ways throughout the ages. One literary hero who stands the test of time is Odysseus. This essay will compare and contrast Odysseus and Thor (film).
Disney's version of Hercules revolves around a plot of paramount importance because it contrasts significantly with the original myth. To begin with, the Disney movie is named "Hercules" because it was based on the Roman version of the myth, rather than the Greek version. In addition, the original myth and animated movie are tailored towards very different audiences, therefore, the two versions contrast in quite a few ways. The first prominent difference is that the original myth of Heracles focuses on his great achieveme...
Heroes are found everywhere. They are seen in movies, on television, in books, and in reality. A hero can be anyone from a friend to a fictional character. To be considered a hero, one must make selfless sacrifices, develop and learn, overcome challenges and temptations, and ultimately present their known world with a gift of any kind. Homer’s The Odyssey paints a picture of the supposed savior Odysseus. The irony of Odysseus’ situation is that he really is not the marvelous hero that many who read The Odyssey see him to be. When imagining a great hero, the words of cruel, unfaithful, selfish, or careless never come to mind, but the son of Laertes sets examples for each attribute. Odysseus makes many poor decisions that cause his dislikable traits to highly outweigh his few better ones. Several of his more prominent characteristics are exhibited on numerous accounts. Odysseus cannot possibly earn the title of being a hero because he harbors hubris, he displays a lack of faith, and his self-centeredness causes unfortunate events.
“The journey of the hero is about the courage to seek the depths; the image of creative rebirth; the eternal cycle of change within us; the uncanny discovery that the seeker is the mystery which the seeker seeks to know. The hero journey is a symbol that binds, in the original sense of the word, two distant ideas, and the spiritual quest of the ancients with the modern search for identity always the one, shape-shifting yet marvelously constant story that we find.” (Phil Cousineau) The Hero's Journey has been engaged in stories for an immemorial amount of time. These stories target typical connections that help us relate to ourselves as well as the “real world”.
Hera did not stop there, though. Once Hercules was born, she sent two serpents to kill him. Yet, this didn’t go as Hera had planned. Even as a baby, Hercules had enough strength to strangle the serpents and cast them aside. After that, Hera left Hercules without disturbances for a few years.
Homer's two central heroes, Odysseus and Achilles, are in many ways differing manifestations of the same themes. While Achilles' character is almost utterly consistent in his rage, pride, and near divinity, Odysseus' character is difficult to pin down to a single moral; though perhaps more human than Achilles, he remains more difficult to understand. Nevertheless, both heroes are defined not by their appearances, nor by the impressions they leave upon the minds of those around them, nor even so much by the words they speak, but almost entirely by their actions. Action is what drives the plot of both the Iliad and the Odyssey, and action is what holds the characters together. In this respect, the theme of humanity is revealed in both Odysseus and Achilles: man is a combination of his will, his actions, and his relationship to the divine. This blend allows Homer to divulge all that is human in his characters, and all that is a vehicle for the idyllic aspects of ancient Greek society. Accordingly, the apparent inconsistencies in the characterization of Odysseus can be accounted for by his spiritual distance from the god-like Achilles; Achilles is more coherent because he is the son of a god. This is not to say that Achilles is not at times petty or unimaginative, but that his standards of action are merely more continuous through time. Nevertheless, both of Homer's heroes embody important and admirable facets of ancient Greek culture, though they fracture in the ways they are represented.
Greek mythology is a beloved part of literature that has given humans thousands of stories to tell. From stories about deadly quests, powerful deities, to the even more famed aspect of Greek Mythology, its epic heroes. One of the many authors who took inspiration from Greek Mythology, and will serve as reference for this paper, is Hamilton, Edith. Mythology. 1988. The most well known epic heroes from Greek Mythology which Edith Hamilton writes about in her book are Hercules, Jason, Perseus, and Theseus, but the debate lies in which of these heroes is the best. To which the answer is, Theseus is the better epic hero because he possessed superior strength, intelligence, and courage, he was the most just from all other heroes,
In the book Heroism in the Harry Potter series, the author discusses how Harry Potter “reintroduced the literary hero to public recognition” (2). Harry Potter brought an analysis on the modern hero and how it still applies to Campbell’s theory. Tom Shippey’s book, J. R. R. Tolkien: Author of the Century, compares how Tolkien’s main characters followed Joseph Campbell’s model of a hero. Tolkien and Rowling successfully create hero’s that appeal to the masses.
The idea of a true hero is varied from person to person, because each viewpoint has a different idea of the personality that makes one a hero. There have been many fiction and non-fiction heroes that show different character traits, which influence people’s definitions of a hero. However, each person’s unique thought about a hero still focuses about one central idea: a hero must prove himself in order to earn his heroic status. This is the cornerstone of all the opinions about heroes because heroes have to show their heroism in order to become who they are in the end. At the beginning they are inexperienced, ordinary people who go on their adventures, and face their fears and weaknesses, but they develop greatly throughout these journeys. After comprehending what true heroism is and following it only then will they become heroes even though each of them has different traits. In the epic poem The Odyssey, by Homer, Odysseus gains the title of hero during his journey back to Ithaka, from Troy, by proving to be one. It is through his characteristics and experiences that he becomes the well developed man at the end of the book. In truth, because of his confidence, loyalty, and difficult struggles, Odysseus becomes a genuine hero to the people he defended.
Suffice it to say that Percy Jackson and the Olympians is a contemporary masterpiece of a series and is more than worth its salt in the context of classic, factual Greek mythological references. Therefore, one can examine the series through the scope of Joseph Campbell’s Hero’s Journey and explore the heroic parallels between Percy Jackson and the great Greek heroes Perseus, Theseus, and Hercules through a timeless lens. No paragraph provided.
In movies, novels, and life, people are named as heroes. The heroes we establish and the heroes we recognize, however, may not meet the criteria for a mythic hero. A mythic hero ventures forth on his journey, and comes forth from the hero’s path to greatness. Joseph Campbell, a mythologist who studied many of the great human myths and religious tales, realized, in studying these myths and tales, that there were certain steps that every hero went through. Campbell called this “The Hero’s Journey”; it is based on Carl Jung's idea that all human beings have an archetype. After Campbell studied a lot of the great myths and realized this pattern, he published his findings in his book The Hero with a Thousand Faces. Ever since then, authors have used “The Hero’s Journey” as an outline to tell their stories. “It is important to note that not all of these individual steps are present in every hero’s tale, nor is it important that they be in this exact order” (Vogler 20). The Hero with a Thousand Faces gives a sense of significance as it looks into the inner mind and soul. The author, Joseph Campbell, performs two extraordinary accomplishments: compelling his readers that myth and dream, those are the most effective and everlasting forces in life and a unification of mythology and psychoanalysis with a gripping narrative. One well-known example of “The Hero’s Journey” from popular culture is the Harry Potter and the Philosopher’s Stone, by J.K. Rowling. In the novel, Harry Potter, the main character, is the chosen one and “The Hero’s Journey” applies to his life from the moment he is attacked by He-Who-Must-Not-Be-Named as a baby.
The Classical mythology contains tales and epics of the ancient Greek and roman literatures and myths. On the other hand, Homer’s two epic poems, the Iliad relates to the events of the Trojan War while the Odyssey details Odysseus expedition after the war. Homer’s epic poems, the Odyssey and the Iliad present a major part of ancient history as modern fictional heroic stories. In ancient Greek, heroes were humans who were depicted to possess superhuman abilities. A key example in the classical mythology is Akhilles who is later known in Homer’s Iliad as Achilles. Achilles is he greatest hero of the Iliad whereas Odysseus is the greatest hero of the Odyssey. The greatest heroes from classic mythology and the modern fictional hero’s stories are mortal, and subject to death. The Odyssey and the Iliad marks the beginning of modern fictional literature.
In Homer’s epic, the Iliad, the legendary, has no two characters that are so similar yet so different as Greek warrior, Achilles, and the Prince of Troy, Hector. Achilles is the strongest fighter in the Greek side, and Hector is the strongest Trojan. They are both put into the mold of a hero that their respective societies have put them into; however; it is evident that they are both extremely complex characters with different roles within their society and with their families, and with the gods.