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Analysis on a doll house by henrik ibsen
Women's roles in the Victorian era
Characterization in A Doll's House by Henrik Ibsen
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Whether homemaker or Homewrecker, women are always associated with domestic matters. This concept holds particularly true in the Victorian era when women had to adhered to the high standard of both keeping their home and husband impeccable. The concept of what a woman should be during this time oscillated due to Queen Victoria’s power, as well as the increase in unmarried women.The consensus of the population that had a say in these debates, meaning men, decided women were for domestic matter, and a woman's role was to tend to her hearth, primarily her husband. The play A Doll’s House By Henrik Ibsen is in Europe during the Victorian era, and follows the character Nora’s struggles with an illegal loan she took out to save her husband, Torvald’s, …show more content…
Torvald’s usage and choice of pet names swayed Nora to leave her family. “Is that my little lark twittering about?” (Ibsen 3). The use of the possessive “my” in addition to the comparison to an animal being used as Torvald’s way of expressing affection or approval towards Nora is a recurring theme throughout A Doll’s House. The objectification of Nora in these comments as an animal that belongs to Torvald is singularly abusive seeing as that it humiliating for a human to be degraded to the status of an owned animal. “If your little squirrel were to ask you for something very, very prettily- ?” (33) Nora’s uncomfortableness in this degradation is evident by this being the only time Nora displays any enthusiasm or encouragement for the pet names. Since her encouragement is only due to the fact that she was using it to attempt to manipulate Torvald. Stipulating Nora wouldn’t feel as humiliated by use of the terms in reference to her since it was her who was using them to gain power. “Nora! (Goes up to her and takes her playfully by the ear) The same little featherhead!” (4) Torvald throughout the play uses insults …show more content…
“(speaking quickly) ‘You might give me money, Torvald. Only as much as you can afford; and then one of these days I will buy something with it… ‘-that is to say, if you were really to save out of the money I give you, and then really buy something for yourself. But if you spend it all on the housekeeping and any number of unnecessary things, then I merely have to pay up again.’” (5). In this exchange Nora voiced her preference towards what she desires for Christmas, and Torvald rebukes it. Nora’s quickened voice, and her quick assurance she doesn’t need a large amount of money alludes to her expecting Torvald rejecting her opinion. The implication of her fear is evident in her quickened voice and quick assurance. Those actions take away from the strength of her opinion, by lessening away the amount of money, and shortening the time it took to express her opinion. Those actions imply fear of the rebuke and consequently display her distaste for her opinions being considered less than Torvald’s. Her going out of her way to attempt to avoid the pain that could come from this rejection, implies that she doesn’t enjoy the abusive behavior. Torvald’s dismissal of Nora’s preferences in his explanation also alludes to abusive tendencies, in his dismissal, he calls Nora might wish to spend the money on as trivial, displaying how her desires
Upon the first glance of Torvald and Nora’s relationship, Nora is returning from a day of Christmas shopping. She is acknowledged by her husband’s greetings of belittling pet names that he uses in an inconspicuous thus unnoticed form of verbal oppression and a verbal stake to claim her as his property “But if Helmer considers Nora his property, as he apparently does, Nora encourages him to do so. To him, she calls herself his little squirrel and his lark” (Dukore 121). These actions are not Nora’s fault, it appears Nora does not fight his degrading pet names because she knows no difference and also it benefits her in the ability to manipulate Torvald w...
In a juvenile game of hide and seek that Nora plays with her children she displays her childlike behavior but this also seems to articulate that what is happening between her and Torvald is a game. She hides the truth from Torvald in order to safeguard his excellent name, as it would apparently be her duty to honor him in that manner. Nora seems to enjoy this game with her children because she considers them to be great fun and sh...
In “A Doll’s House”, when Torvald learns of her secret affairs concerning Nora forging her father’s signature to get a loan to save Torvald’s life, he began to treat her horribly, insulting her in every way that is possible. In that moment, Nora realized that she could no longer live a life as Torvald’s wife anymore. He wanted to live a life in which no one in the society would know what had happened. They would act like they were a happily married couple in public, but in private they would act as though they were brother and sisters. Torvald cared about his image rather than
In A Doll's House, Torvald Helmer's attitude toward his wife Nora can be seen in the ways in which he refers to her. In line 11 of the first act, we come across the first instance of Torvald's bird references to Nora with "Is that my little lark twittering out there?" This reference is the first of many in which Torvald refers to Nora as a lark. Often this referencing is preceded by diminutive terms such as "little" and "sweet, little." Torvald also refers to Nora as a squirrel, a spendthrift, a songbird, and a goose, these terms also preceded with a diminutive. The significance of this nicknaming is to show Torvald's attitude toward Nora. Torvald sees Nora as small, sweet, unobtrusive and therefore easily controlled. This position is one he would like Nora to continue to occupy. In line 257, Torvald refers to Nora as "my richest treasure" denoting his attitude toward her as his possession.
He uses many imperatives and speaks to her in the 3rd person. The difference in each characters’ use of language is a personification of the power they have in their relationship. While Nora uses general descriptors indicating a lack of finite knowledge. Torvald delivers commands in a belittling way, a constant affirmation. to his wife (and himself) that he is the man of the house, and.
This becomes one of the main driving forces of Ibsen’s play. (Quote from Torvald and the money). It immediately distinguishes the differences in gender roles and morals in Norway during the late 1800’s. While Nora is willing to give the porter twice what is owed, we assume she is full of holiday spirit; Torvald has a much more sensible outlook on financial concerns. While he jokingly calls her his little spendthrift, he asserts that her lack of understanding is a result of her gender “Nora, my Nora, that is just like a woman” (Ibsen). Torvald believes that her place in the home is simply ornamental, a trophy that serves as decoration for his home. Torvald is constantly referring to her through the use of pet names such as (quote pet names from book) and only ever refers to her by name when he is scolding her. Not only does Torvald see her as his doll, but also as her child (quote near end of story). By keeping Nora dependent and obedient to him, he plays the role of Nora’s second father. Nora eventually sees that her daughter is being treated in the same manner that she was her entire life, as a
Torvald calls Nora by pet-names and speaks down to her because he thinks that she is not intelligent and that she can not think on her own.
Torvald explained to Nora that keeping Krogstad on at the bank would appear to others that he is easily swayed by his wife. Torvald has also complained about Krogstad’s use of his first name at the bank. Of course, Torvald’s true feelings about his appearance come out explicitly during his fit of rage in the end. Torvald is excessively consumed with how others view him and has no moral objections to having his wife perform sultry dances in front of other men.
This shows that Torvald is more interested in Nora physically than emotionally. He feels that it is one of Nora's main duties as his wife to physically pleasure him at his command.
In Henrik Ibsen’s A Doll’s House, Nora Helmer is a traditional “angel in the house” she is a human being, but first and foremost a wife and a mother who is devoted to the care of her children, and the happiness of her husband. The play is influenced by the Victorian time period when the division of men and women was evident, and each gender had their own role to conform to. Ibsen’s views on these entrenched values is what lead to the A Doll’s House becoming so controversial as the main overarching theme of A Doll’s House is the fight for independence in an otherwise patriarchal society. This theme draws attention to how women are capable in their own rights, yet do not govern their own lives due to the lack of legal entitlement and independence. Although Ibsen’s play can be thought to focus on the theme of materialism vs. people, many critics argue that Ibsen challenges the traditional gender roles through his portrayal of Nora and Torvald. Throughout the play Nora faces an internal struggle for self-discovery, which Ibsen creates to show that women are not merely objects, but intelligent beings who form independent thoughts.
Torvald even calls Nora pet names like "my sweet little lark" and "my squirrel”. These nicknames may seem harmless and cute, but in reality, the names actually show how little he thinks of her and how he’s the one harnessing the power in the relationship. When Torvald says "my little squirrel" he is suggesting that he in fact owns Nora and that she is second-rate to him, since she is seen as little and as a squirrel which are usually frightened, non-threatening creatures. Torvald sees women as both child-like, helpless creatures detached from reality and who are responsible for taking care of the chores and children while staying inside the house. Gender roles are also seen in the rules Torvald for Nora to follow.
Nora takes great measures to save Torvald’s life causing her to secretly take immoral actions that changes her future sense. Nora had no choice but to seek a loan behind her husband’s back in o...
Torvald is extremely cautious about how he is perceived by other people. He would do anything to keep his honourable image, even if it involves him doing something dishonourable. Another way the relationship between Nora and Torvald will end is from Nora’s desire for her own identity. Even though it might seem that without Krogstad’s extortion plan, Nora would have never developed her need for an identity, but she has shown signs of a new identity well before Krogstad tried to extort Nora from his job.
We see a woman who is making a bold action against gender inequality and the position society and culture has given her. As for Nora, we see in this first conversation that she seems entirely dependent on Torvald for her money, her food, and her shelter, despite the fact that she is keeping a secret. This secret is the kernel of her individuality and her escape from the doll’s house. While it is easy to paint Helmer as a tyrant and Nora as the naïve wife who suffers under his control, one must not forget that torvald is not aware of any damage he is causing. His greatest sin is perhaps his ignorance. The shock he shows at Nora’s revelation shows that he has no awareness that there is anything wrong with the status balance in his
In the beginning of the play, the reader is introduced to the Helmer household on Christmas eve; Nora purchases a Christmas tree to be used as the main ornament in the house and brings it in to be decorated. Shortly after, Torvald, her husband, approaches her by referring to her as his “little lark”(12) and his “little squirrel”(12). Shortly after, Torvald criticizes Nora for eating a macaroon: “Not nibbling sweets?..Not even taken a bite at a macaroon or two?”(14). Torvald “was only joking”(15). Perhaps it was the way the couple communicated at all times, but Torvald’s teasing is also manipulative. Nora seems to believe anything Torvald tells her; as naive as she is, she believes Torvald is only playing with her. However, as the man of the house, he does cause Nora to consistently ask for his approval, or fear his rejection: “I should not think of going against your wishes”(15), Nora says.