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Poe's writing style
Gothic literature and edgar allan poe
Gothic literature and edgar allan poe
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The twenty first century author Alexandra Iftodi Zamfir (1986- ) argues that “architecture and settings are more important in Gothic fiction than in any other type of literature…all architectural elements are closely connected with Gothic protagonists and the plot.” (Zamfir. 2011: 15). This critical essay will first consider and analyse this statement and investigate the style, language and form of the American author Edgar Allan Poe’s (1809-1849) macabre and Gothic fictional prose The Fall of the House of Usher (1839) (Poe. 1987: 1). I shall present and argue how the artistic effects deployed in the narrative structure create an atmosphere of tension and suspense, through the exploration of architectural space demonstrated in a close reading and analysis from key passages of the text.
The Fall of the House of Usher was written by the American author and poet Edgar Allan Poe, it first featured as a Gothic short story in Burton’s Gentleman’s Magazine in (1839) (Hayes. 2002: xvii). Poe was writing at a time of immense change to social, economic and cultural conditions following the technological advancements of the Industrial Revolution (1750-1850), his work on The Fall of the House of Usher could be said to show an impact of Western society’s internal and external fragmentation. (Montagna: 2006).
As stated by Zamfir “the universe portrayed in the House of Usher is Poe’s most sublime…in humanizing a dwelling to portray the inner self of the Gothic hero, but it also represents an investigation of the self in a state of disintegration.” (Zamfir. 2011: 62). This process of disintegration is both reflected within the architectural structure of the house itself; as the building gradually corrodes, in addition to that of the ps...
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..._of_Space_in_Gothic_Architecture. [Accessed 11th May 2012]
Giordano, R. (2005-2011) Poestories.com: An Exploration of Short Stories by Edgar Allan Poe. [On-line] Available from: http://www.poestories.com/. [Accessed 24th September 2011]
Gunn, A.G. (1997-2002) Cyclopaedia of Ghost Story Writers. [On-line] Available from: http://www.jb.man.ac.uk/~agg/ghosts/#poeea. [Accessed 24th September 2011]
Hallqvist, C. (2001) The Poe Decoder. [On-line] Available from: http://www.poedecoder.com/. [Accessed 24th September 2011]
Montagna, J.A. (2006) The Industrial Revolution. [On-line] Available from: http://www.yale.edu/ynhti/curriculum/units/1981/2/81.02.06.x.html. [Accessed 11th May 2012]
Pridmore, J. (1998-2011) Edgar Allan Poe (1809-1849). [On-line] Available from: http://www.literaryhistory.com/19thC/Poe.htm. [Accessed 24th September 2011]
The castles and mansions that provide the settings for traditional Gothic tales are full of grandeur, darkness, and decay. These settings are one of the most recognizable elements of traditional Gothic fiction. Setting is equally as important in modern Gothic literature as well. While the settings in the two stories, “Fall of the House of Usher” by Edgar Allan Poe and “Where Is Here?” by Joyce Carol Oates, are incredibly different, they are also very similar.
Kennedy, Gerald J. A Historical Guide to Edgar Allan Poe. Oxford: Oxford University Press 2001
Various authors develop their stories using gothic themes and characterizations of this type to lay the foundation for their desired reader response. Although Edgar Allan Poe’s “The Fall of the House of Usher” and Peter Taylor’s “Venus, Cupid, Folly and Time” are two completely different narratives, both of these stories share a commonality of gothic text representations. The stories take slightly different paths, with Poe’s signifying traditional gothic literature and Taylor approaching his story in a more contemporary manner.
The mind is a complicated thing. Not many stories are able to portray this in such an interesting manner as in Edgar Allan Poe's "The Fall of the House of Usher". The haunting story of a man and his sister, living in the old family mansion. But as all should know, much symbolism can be found in most of Poe's works. "The Fall of the House of Usher" is no exception.
Edgar Allen Poe’s short story, “The Fall of the House of Usher”, sets a tone that is dark, gloomy, and threatening. His inclusion of highly descriptive words and various forms of figurative language enhance the story’s evil nature, giving the house and its inhabitants eerie and “supernatural” qualities. Poe’s effective use of personification, symbolism, foreshadowing, and doubling create a morbid tale leading to, and ultimately causing, the fall of (the house of) Usher.
New York: A.C. Armstrong & Son., 1884. xv-xxvi. EPUB file. Sova, Dawn B. "Poe, Edgar Allan.
The Depiction of Fear in The Fall of the House of Usher by Edgar Allan Poe
Meyers, J. (1992). Edgar Allan Poe: his life and legacy. New York: Charles Scribner's Sons Frank, F. S. (1997). The Poe encyclopedia. Westport, Conn.: Greenwood Press..
Meyers, Jeffrey. Edgar Allan Poe: His Life and Legacy. New York: Charles Scribner's Sons, 1992.
In “The Fall of the House of Usher”, Poe’s use of dark, descriptive words allow him to establish an eerie mood. Poe’s unique style of writing along with his foreshadowing vocabulary is significant in creating a suspenseful gothic story. At the beginning of the short story, Poe describes the House of Usher to be “dull”, “oppressive”, and “dreary” (1265). His choice of words strongly emphasizes a mood of darkness and suspense as he builds on the horrific aspects of this daunting tale. At first glimpse, the house itself is surrounded by the feeling of “insufferable gloom”, (1265) “[t]here was an iciness, a sinking, a sickening of the heart, an unredeemed dreariness of thought [...]” (1265). The atmosphere that Poe describes in the statement above establishes a spine-chilling mood. Poe uses words such as “insufferable gloom”
Didier, E. L. "The Grave of Poe." Appleton's Journal Vol. 7 (Jan 27, 1872): 104
Thomson, Gary Richard, and Poe Edgar. The selected writings of Edgar Allan Poe. New York: Norton & Company, 2004
If there is one thing that is widely agreed upon in regards to Edgar Allan Poe’s “The Fall of the House of Usher” it is surely the fact that the short story is one of the greatest ever written. The very words that Poe selects and the manner in which he pieced them was nothing short of phenomenal. This however, is pretty much all that people are able to agree upon. Indeed, to almost everyone who reads it sees the story as great, but for different reasons. In a way the tale can be compared to a psychiatrist’s inkblots. While everyone may be looking at the same picture, they all see different things. What mainly gives “The Fall of the House of Usher” this quality is the double meanings and symbols Poe seems to use throughout.
Edgar Allan Poe has been debated to be the author of the most dark and horrific pieces of literature. He was favored by many for his complex pieces of literature that have ultimately impacted the world of literature today. However, Poe’s pieces of work did receive harsh criticism before and after his death. Because Poe was generally known for his thought-provoking short stories, his short stories often received mixed reviews. One of Poe’s most arguable short stories is “The Fall of the House of Usher”. This short story was “regarded as an early and supreme example of the Gothic horror story” (Plot Summary: "The Fall of the House of Usher"). Poe himself described this piece as “arabesque” due to its ornate prose (Plot Summary: "The Fall of the House of Usher"). However, many critics disagreed with each other on their views of “The Fall of the House of Usher”.
The Fall Of The House of Usher is a terrifying tale of the demise of the Usher family, whose inevitable doom is mirrored in the diseased and evil aura of the house and grounds. Poe uses elements of the gothic tale to create an atmosphere of terror. The decaying house is a metaphor for Roderick Usher’s mind, as well as his family line. The dreary landscape also reflects his personality. Poe also uses play on words to engage the reader to make predictions, or provide information. Poe has also set the story up to be intentionally ambiguous so that the reader is continually suspended between the real and the fantastic.