Introduction
The first Harry Potter book came out in 1997, and no one at the time could imagine that in the 10 years that followed, it would become the most read children’s book and a $6.4 billion worth film franchise. The aim of this essay is to try to explain the reason for the popularity of the Harry Potter books. The aim is also to show the changes that the series caused, how they influenced the people who read them, how they had an impact on literacy and overall, on British popular culture. In the first part of the essay I will briefly explain the beginning of the Harry Potter phenomenon and its growing popularity in the countries all over the world. In the second part I will deal with the character of Harry, explaining why he has such an appeal to the readers and how come people identify with him. In the third part, I will explain the impact Harry Potter books have on society, how they influence young adults and children. The fourth part will deal with the controversies about Harry Potter, the views and thoughts of religious people who see Harry Potter as a book that should be banned. In the fifth part, I will mention the difference the phenomenon caused when it comes to the book business and the film industry of Britain.
The Beginning of the Phenomenon
The Harry Potter phenomenon had its humble beginning all the way back in the 1990s, when the first book, written by J. K. Rowling, came out in the shops. The main protagonist, a scrawny, young child wizard, who wore round glasses, had an immediate appeal to the readers, but no one at that time knew that the young boy would turn out to be the literary icon of the last decade. The popularity of the book resulted in it being translated into various language...
... middle of paper ...
...Phenomenon. http://ezinearticles.com/?A-Brief-Introduction-Into-The-Harry-Potter-Phenomenon&id=6193737
- Gibbs, Nancy. Person of the Year 2007. http://www.time.com/time/specials/2007/personoftheyear/article/0,28804,1690753_1695388_1695436,00.html
- Gold, Tanya. Harry Potter and the end of a pop-culture phenomenon. http://www.guardian.co.uk/film/2011/jul/12/harry-potter-deathly-hallows-premiere
- Heilman, Elizabeth. Critical Perspectives on Harry Potter, 2002, e-book: http://books.google.ba/books?id=-jtl-ZDxEFkC&printsec=frontcover#v=onepage&q&f=false
- Hoyle, Ben. Harry Potter, the boy wizard who changed an industry. http://www.theaustralian.com.au/news/world/harry-potter-the-boy-wizard-who-changed-an-industry/story-e6frg6so-1226088694501
- Woodrum, Emily. The Harry Potter Controversy. http://www.ecu.edu/cs-lib/reference/instruction/harrypotter.cfm
Since the first segment of the series was released in 1997, Harry Potter has been challenged by churches and parents due to the practicing of magic by children found within the books. The books have been removed from school shelves, discouraged by churches, and censored by parents. It is claimed that Harry Potter is devilish, satanic, and encourages children to practice the occult, damaging their religious views (LaFond). Therefore, many parents keep their children from reading the book series. Yet, Harry Potter has been such a positive influence on my so many lives. Evident through the movies, theme parks, stores, and much more, J.K. Rowling’s series has been an overwhelming success for many reasons (“Because it’s his…”). In order to encourage
How Pharr off is Mary Pharr on the significance of the novel about Harry Potter? I believe very far off. I think the argument Pharr makes is not connected to the educational benefits of Harry Potter. Rather she argues the morality presented throughout Harry Potter by saying this is what all readers crave. “In Medias Res” by Mary Pharr is a response to critics’ critical analysis of the Harry Potter (HP) series’ ability to educate readers. After thinking and reading Mary Pharr’s text about the ‘educational value’ has concluded with few, if any educational benefits through Harry Potter. Though these lessons exist they are typically taught by parents not school, not quantitative skills or tools that are typically taught in schools,
Abanes, Richard. "Harry Potter: Harmless Christian Novel or Doorway to the Occult?" Interview. The Christian Broadcasting Network. N.p., n.d. Web. 22 Sept. 2015. In this interview, Author Richard Abanes provides information to parents about Harry Potter and the concerns and dangers with modern day fantasy literature. Supplying a priest’s expert opinion, this interview discusses children’s susceptibleness to outside influences and the different types of fantasy literature. Its unyielding, yet respectable position, including references to other Christian fantasy series such as The Chronicles of Narnia, will be advantageous for my argument in that it provides an alternative viewpoint from my own. Being a counterargument, this source can be used to help shape an argument in rebuttal of the points made in this argument. Sources that argue that Harry Potter does indeed contain Christian aspects will be helpful in a rebuttal of this source.
Ever since J.K. Rowling first introduced Harry Potter and the Sorcerer’s Stone in 1997, children and adults have read and loved the series. It has gained such popularity that all of the books have been made into major motion pictures, and a Harry Potter attraction has been opened in Universal Studios, Florida. Though the readers love Rowling’s intricate and exciting story lines, many controversies have arisen from these stories, not only in the United States, but also in various countries around the world. Perhaps the biggest controversy is the religious implications perceived by some critics. Although these critics believe that the series promotes paganism and encourages evil actions, these theories should not be taken so seriously.
In a nerd's world, two of the most popular facets of modern culture are Star Wars and Harry Potter. Once one gets sucked into their plot of myth and legends one may never come out the same. Most readers can agree that they both have many grand similarities in their storylines. However, the three that stand out the most are the schools, antagonists, and protagonists contained in each work.
Belcher, C. and Stephenson, B. H. (2011). Teaching Harry Potter: The Power of Imagination in
The Harry Potter series is prominent for its extreme controversial topic displayed throughout the book. The everlasting dispute between Acocella and Bloom continues. Joan Acocella, a world renowned author, famous for her career as a dance critic for Dance Magazine, the New York Daily News and the Wall Street Journal. In Potter’s defense, Acocella supports Rowling’s writings to support its relative, yet imaginary tone in her piece “Under the Spell.” On the other hand, there is Harold Bloom, a well-educated professor who spends his time studying western literature. In Bloom’s article “Can 35 Million Book Buyers Be Wrong? Yes.” Bloom discusses the book 's underlying message. He suggests that the Potter series is not relatable.
The wizardry and witchcraft of the Harry Potter series is precisely what makes them so enchanting in the eyes’ of J.K. Rowling’s readers. The other worldly aspects provide both children and adults with an escape from the real world through its text, allowing for a break from reality without any repercussions or extreme measures necessary. In the eyes of renowned astronomer and scholar Marcia Montenegro, however, this other worldly theme in Harry Potter is what makes the books dangerous to its readers and those around them in society. Rather than believing that the elements of witchcraft are harmless, Montenegro firmly believes that Harry Potter opens the eyes of its readers to the horrors of the occult and the dark elements of sorcery. The
Goff, Patricia. Producing Harry Potter: Why the Medium is Still the Message. Lanham, Maryland: Rowman & Littlefield Publishers, Inc., 2006. Print.
Byam, Paige. "Children's Literature or Adult Classic? The Harry Potter series and the British Novel Tradition." Topic: The Washington and Jefferson College Review 54, (fall 2004): 7-13.
The portrayal of female characters in British literature has most often reflected the larger perception of women by society during the time of a work’s publication. In this regard, the immensely popular Harry Potter series written by author J.K. Rowling is certainly no exception. The circumstances for women in late 20th century Britain have improved and in many ways are nearing equality with men, yet a notable upper barrier to success still remains. Rowling captures this gender dynamic throughout the Harry Potter series by including a diverse cast of resilient female characters who are not allowed to take on the same leadership roles dominated by the men at Hogwarts, at the Ministry of Magic, in quidditch, and during the Triwizard tournament. The novels also center on an important theme of motherly love that Rowling uses to explore the sacrifices women must make in order to raise their children well. Such issues have been present in British literature for well over a century, with each generation seeing steps toward equality, both for the fictitious characters and the women of a given time period. The Harry Potter series, therefore, constitutes a reflection of female status in modern Britain that has advanced, but remains perpetually flawed.
A Literary Analysis of the Themes of Identity and Self-Realization in the Fantasy World of Harry Potter and the Philosopher’s Stone by J.K. Rowling
Mikhail Bakhtin has provided an intricate insight to what a novel entails. J.K. Rowling’s Harry Potter and the Sorcerer’s Stone fits into the form that Bakhtin has created. Using laughter, plot, setting, and character development, Harry Potter is able to connect with its audiences in the way that Bakhtin feels a novel should. Mikhail Bakhtin’s study of the novel’s form allows readers to better understand the world and characters that are constructed in J.K. Rowling’s Harry Potter and the Sorcerer’s Stone.
Scanning the lit screen with college information brought me back to early childhood when I obsessed over novels with mystical creatures and wizards’ wands, and how I ached to recreate universes as enchanting as those. As a nine year old in the height of elementary school, my teacher urged me to choose a novel book that was not Harry Potter, because my automatic tendency was to circulate through the series continuously. While other students ran around and played during snack time and breaks, I let my #2 pencil roam the
C. S. Lewis and J.K Rowling are two very popular authors that are acknowledged worldwide as great scholars and creative thinkers. They have written several books that appeal not only to children, but people of all ages. Lewis has been widely acclaimed for his fictional work, The Chronicles of Narnia and Rowling’s for her Harry Potter Series. Though Lewis and Rowling have two completely different writing styles and create their own unique storylines and characters, they tend to overlap on ideas and themes, such as creating a secondary world and incorporating the use of magic. Through characters such as, Petunia Dursley, Hermione Granger, Susan, Lucy and Edmund in Lewis,’ The Chronicles of Narnia and Rowling’s, Harry Potter and the Philosopher’s