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Symbolism in lord of the rings
Symbolism in lord of the rings
Symbolism in lord of the rings
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Recommended: Symbolism in lord of the rings
A Comparison of the Techniques Used in the Opening Sequence of Two Films
The two films I have chosen to compare are the Lord of the Rings, the
Two Towers and Just Married. The Lord of the Rings was made in 2002,
directed by Peter Jackson, and it is fantasy/action film. I have
chosen these films as they are two of my favourite and I thought it
would be interesting to compare two films that are so contrasting.
The opening titles have a swelling theme tune running over them,
building in strength and power. The font of the opening credits is
written to create the effect of engravings on a tombstone, and it also
resembles elfish writing. It is written in grey on a black background
and has the effect of dark shadows passing over the letter. There is a
full orchestral score, which builds up to a crescendo followed by a
sustained note on horns and strings. The title of the film then
appears this also has an engraved effect and has a three dimensional
appearance. The title is in gold to represent the ring, the lighting
comes from the side of the screen and throws shadows across the title.
The 'O' in the word "Lord" appears later than the rest of the letters
to resemble the ring; this increases and intensifies the impact on the
viewer.
The first frame opens with a Long Shot. We are shown snow-capped
mountains and a sunrise with the sun shining on the snow, which
establishes where the action will take place. The first movement the
camera makes is a crane shot looking from above down onto the
mountains, showing the beauty of the mountains but also prepares the
viewer for the unforgiving territory which the harsh action will take
place in....
... middle of paper ...
...al light from glass walls,
windows and roofs. There are a lot of quick camera changes from one
character to another and although we can see the airport is still very
busy our focus is on the characters who have all the action.
In conclusion although the two films were very different, one being an
action/fantasy and the other a chick flick romantic comedy, the way
the camera and lighting were used in some shots were very similar.
Both directors obviously work in very different ways and have
different styles but the techniques used to create their effects were
the same. The scales of the films were on such a different level and
so contrasting, one was ore inspiring with a sense of fear and danger
all the way through whilst the other was comfortingly realistic,
although anger was shown it was easy to watch and ordinary.
In conclusion, details involving the characters and symbolic meanings to objects are the factors that make the novel better than the movie. Leaving out aspects of the novel limits the viewer’s appreciation for the story. One may favor the film over the novel or vice versa, but that person will not overlook the intense work that went into the making of both. The film and novel have their similarities and differences, but both effectively communicate their meaning to the public.
The way that a movie is pieced together by the director/producers has a huge impact on the viewer’s experience. Stylistic elements are used to help engage the viewer; however, without these techniques the viewer will most likely loose interest. In this essay I will be taking a look at a scene within the movie Casablanca directed by Michael Curtiz in 1942. Casablanca is a classic film that is reviewed to be one of the greatest movies of all time. This could be due to the notable quotes used throughout the movie, or its ability to follow a historic, comical, and romantic storyline throughout the course of the film. It caters to several different viewers, making this movie favorable to many. This scene in Casablanca uses specific editing techniques
People are constantly being judged and pressured to change to fit society’s standards. In Tim Burton films, there is always one character that does not fit the mold. These outcast characters in the movies Charlie and The Chocolate Factory and Edward Scissorhands are strange and isolated from the world. Despite the outcast’s difficulties, misfit characters like Edward and Wonka go on to be the hero of the story. Therefore, Burton uses many different cinematic techniques to illustrate that one does not need to conform to society in order to have a happy and successful life.
These two films come from entirely different genres, have entirely different plots, and are even based in entirely different galaxies, but the share the theme of the hero’s journey. This concept can be equally applied to nearly every book, movie, and other such works, as long as you dig under the surface and find the meaning beneath. The elements of the hero’s journey are found in both films, and with a critical eye, can be found all around us. This is the classic story of the hero; in every shape and form an author can apply it too.
The Wizard of Oz is a 1939 film directed by Victor Fleming, which follows Dorothy Gale on her journey through the magical land of Oz. Dorothy is swept away from a farm in Kansas to the land of Oz in a tornado and embarks on a quest to see the Wizard who can help her return to her home in Kansas. The director, uses a number cinematic techniques such as camera angles, lighting, colour and dialogue to portray a central theme of There’s no place like home.
There are many similarities presented to the audience between the movie and the novel. One
Analysis of the Opening Sequences of John Carpenter’s Halloween (1978) and Wes Craven’s Scream (1996)
In the final scene from Thelma and Louise the cinematographic effects are astounding. Panning, reaction shot, and dissolve are all used in the last section of the movie clip extensively. These three cinematographic terms are perfect for this clip because of the intensity they add to the scene. Through the use of panning, reaction shot, and dissolve the actresses portray two extreme emotions of desperation and the tranquility of freedom.
Analysis of The Cinematic Techniques That Are Used To Capture The Audience's Interest In The Opening Sequence Of The Film Of Mice And Men
Throughout the movie there are numerous occasions in which the comparisons between the two are noticeable.
In the film ‘Into the Wild’ directed by Sean Penn, there are some scenes in the movie and enable us to understand how it was developed. I found one important scene in the movie, this is the scene in which Chris’ feels that his journey was almost end, the director uses some camera shots, dialogues and some soundtracks for us to see and understand the scene in this movie.
With this short but very interesting and informative class I have just scratched the surface of the what it takes to make a full fleged film. It takes much more than I had presumed to make a movie in Hollywood. The number of people that it takes to make a minute of a movie let alone the entire movie was astonishing to me. There are many things that it takes to start making a movie but without an idea of some sort there is no movie to be made.
What do you think about when watching a film? Do you focus on the characters' good looks or the dialogue? Or do you go behind the scenes and think about what made the film? Maybe, it's even a combination of all three. No matter what comes to mind first, an important part of any good movie will be what you see. A camera and good director or cinematographer is needed to make that possible. Different directors and cinematographers will use different camera techniques to make you focus on what you see. Camera techniques show emphasis in films, because they make you focus more on situations and people. They are especially important in Darren Aronofsky’s Requiem for a Dream.
Baz Luhrmann uses a postmodernist style throughout his films (Moulin Rouge, Strictly Ballroom, Romeo and Juliet, The Great Gatsby) to create a unique viewing experience. Baz Luhrmann creates films that reflect on real, emotional, moral stories that both excite and enthral his audience through a world so deceiving, while telling a story that inflicts on pain and the power of loss. He uses mis-en-scenes of shots, proxemics space and lighting that enhance his post-modern style. He embraces change through re-imaginings, capturing the youth through music and his very unique editing techniques. One simply cannot separate a director from his art. Therefore I strongly agree with this statement and I will elaborate on each film individually on his post modernistic style of directing.
I choose to do the editing option because I believe that editing is the single handed most important part in film making. Editing in movies can basically make or break a movie. It also helps to tell the story that the producer and director are trying to get across to the audience. Might be the choice of lighting from one shot to the next, or the volume of a footstep. These all play major roles when putting a film together, and more times than not it takes more time to edit a film than to actually shoot it. Some editing techniques that you might use in a horror film you won’t use in a western or maybe you will, depending on what you are trying to do. The two films I choose to use to compare and contrast editing styles were Django Unchained,