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Feminism in film industry
Feminism in the movies industry
Feminism in the movies industry
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A Comparison of the Animated Films Shrek and Snow White
1937. Two years before the start of World War Two. Technology wasn't
even starting to advance when they made the first animated feature
film, Snow White. It cost 1.4 million dollars which today is a lot of
money. The film was made by a company called "Disney" and it took over
750 artists to work on it. It was developed and made on single cell
animation drawn by hand and traced onto an acetate or celluloid. Each
shot moves at 24 frames per second, over a million drawings were
needed.
Almost 65 years later, England had defeated Germany in World War Two,
England had lifted the World Cup in football in 1966 and in a new
Millennium, a new type of animated film was born. Released in May 2001
and cost a "whopping" 70 million dollars, "Shrek" was made. The
computer animated film took three years to make and took over 275
people to work on it and they weren't just artists but new jobs had
come into animation like computer animators and software developers.
The computer generated images give the film its realistic 3D effect
and special software was used to add dimension to cloth and hair.
Special tools called shapers were used to achieve facial and body
movements and to help determine where the light would fall which added
to the realistic effect.
Everybody likes a traditional fairytale with a beautiful princess
being rescued and swept off her feet and "Snow White" is typical of
this. However, "Shrek" subverts the traditional stereotypes of
fairytales, sometimes going back into the traditional fairytale genre.
"Snow White" starts with a big story book that introduces the feature
...
... middle of paper ...
.... "Shrek" gets away with grotesque
images because the boundaries have shifted. This shows that the role
of a child in our society has changed and is allowed more freedom in
what they see and do.
Both films are based on the fairytale genre but as "Snow White" keeps
to the traditional fairytale convention, "Shrek" subverts and parodies
the traditional convention. The typical princess is beautiful but in
Shrek she is an ogre. In "Shrek" it shows that everyone can find their
true love. However, Shrek doesn't end up with the beautiful princess
he ends up with an ogre even though he loved the beautiful princess
first. This could be saying that if you're ugly your expected to have
an ugly partner. "Shrek" does stray back into the traditional
fairytale but "Snow White" being the early fairytale sticks to the
conventions.
The Reversal of Traditions in Shrek In traditional fairy tales ogres are man-eating beast. The prince usually rescues the princess; they marry and live happily ever after. How do the makers of 'shrek' use presentational devices to reverse this tradition to reveal the ogre as good and the prince as evil?
The differences between Grimm’s version of “Snow White” and Anne Sexton’s poem, “Snow White and the Seven Dwarfs,” reflects how society sees women. To start, in Anne Sexton’s version the step-mother is the “fairest of us all” until Snow White turns 13. Then, in stanza 2 line 19 Snow White is “fairer than you [the step-mother],” whereas before Snow White is “no more important than a dust mouse under the bed” (stanza 4 line 6). In Grimm’s version of “Snow White,” Snow White’s mother declares her beauty while she is young; Snow White is “as white as snow, as red as blood, and as black as the wood of the window-frame” (pg. 124). The difference in stories shows the significance of women becoming valuable around the time they hit puberty, which supports
In the essay i am going to focus on the characters of Shrek and lord Farrquaad, the fairytale genre is subverted from the usual ogre being a man eater and the prince saving the princess to the ogre becoming the rescuer and the prince being evil person who sends the ogre to do his dirty work and rescue the princess.
The first scene of Shrek starts off with him in his swamp having fun to an upbeat track (All Star by Smash Mouth), which presents Shrek to be a laidback, peaceful character. After the opening scene, there were a bunch of nearby villagers, who have negative stereotypes about ogres, headed towards Shrek’s swamp to try to drive him away from there (Constructivism). The usage of stereotypes set a theme for the film, to never judge a book by its cover. Once Shrek met Donkey and Fiona, neither one of them assumed that because Shrek was an ogre, it meant he is an evil monster. In addition, everyone else in the movie does not call him Shrek. Everyone calls him “Ogre” instead, further confirming the stereotype. In another scene after Fiona goes into a cave at night to sleep, Shrek and Donkey have a conversation of the aftermath of their quest to rescue Fiona. Shrek goes off on a tangent about how people hate him despite not even getting to know him. Donkey shows an example of personal construct by telling Shrek that he never thought of him as an ugly monster. This scene shows the bipolar dimensions aspect, where people who never tried to know more about Shrek would have a default negative view about him. Donkey, who learned more about Shrek during their journey, does not characterize him as any type of villain and
does it. The boy then realizes if he is caught he will be beaten and
es indeed, animation is fun for children, but it also expresses important ideas for people of all ages. In some ways, ‘Shrek’ is your classic fairy tale for example, it has a hero, a beautiful Princess, and a dastardly villain. But unlike the traditional fairy tales, the hero is an ugly, ill-tempered ogre, the Princess is not all she appears to be, and the villain has some obvious shortcomings. The award-winning animated film, ‘Shrek’, is directed by Andrew Adamson and Vicky Jenson, the viewers learn that being a good person is more important than just being good-looking. It also shows that true friends help each other in difficult situations and that women can be equally as strong characters as men. These ideas are portrayed through characters such as Shrek, Princess Fiona and Donkey. The directors use camera angles and dialogue to express their ideas.
Walt Disney’s Cinderella is adapted from the original fairy tale written in 1697 by Charles Perrault. There are some key differences between Walt Disney’s Cinderella and Charles Perrault’s Cinderella. In Charles Perrault’s tale, Cinderella’s father is not dead, but the father is controlled by the stepmother. Cinderella’s younger stepsister is much more polite than the older stepsister, who calls Cinderella Cinderwench. The king in Perrault’s tale hosts a two day Ball, which Cinderella attends with the help of the fairy godmother. During Cinderella’s preparation for the first night of the Ball, Cinderella helps the fairy godmother find a coachman when the fairy godmother could not find one. Cinderella’s glass slipper comes off on the second night of the ball. Similar to Walt Disney’s Cinderella, the prince in Perrault’s story announces to marry a woman whose foot will fit in the glass slipper. Unlike the Walt Disney’s tale, Cinderella is not locked up in the attic and the stepmother does not physically attempt to stop Cinderella from trying the slipper. Instead, the step sisters ridicule Cinderella when Cinderella suggests trying on the glass slipper. Cinderella wears the slipper and takes out the other slipper from a pocket which Cinderella puts on the other foot. Suddenly, the fairy godmother appears and transforms Cinderella’s ragged outfit to a magnificent gown. After the transformation, the step sisters recognize Cinderella as the unknown beautiful princess who attended the Ball and beg for forgiveness. Cinderella forgives the step sisters and marries the step sisters to the great lords of the castle. The prince marries Cinderella, however, Perrault does not mention about the prince and Cinderella living happily ever after.
Presently, many books and fairytales are converted movies and often, producers alters the original tales to grasp the attention of a large audience. However, some of these interpretations hide the primary interpretation. The original interpretations of the Disney classics Snow White and Sleeping Beauty are greatly reinvented from the original fairytales Sun, Moon, and Talia and Snow White and the Seven Dwarfs because of the brutal nature of the treatment women in these original forms. Although there are differences in certain aspects from the original tales to the movies, there are many issues that are influential to the young girls who are still watching the Disney version. I realize this when my youngest niece, Anella asks me, “Why can’t I be beautiful and fall asleep and suddenly wake up to finally find my prince?” This is true in all cases of the four different translations of the fairytales. Every single girl in these stories are in a “beautiful” state of half-death who wake to find a prince who if eager to carry them off. This can lead to negative psychological effects on young girls as they are growing up, creating a large amount of pressure and low self-esteem due to the beauty that these stories portray and maintaining restrictions that these women experience in the stories. While it is true that Sleeping Beauty and Snow White and the Seven Dwarves are considered Disney classics that entertain children and provide meaningful role models, it is evident that the true, vulgar nature of these tales are hidden; these stories are about women who are thrown away.
This is noticeable when the fairytale creatures were banished to the swamp by Lord Farquaad. Since they were not normal human beings, they were seen as outcasts and thus banished away from the kingdom. This is also obvious when the townspeople go to kill Shrek with pitchforks. Shrek, being an ogre, is seen as different from the townspeople and a threat to them. This causes them to want to kill him to ensure security. The second thing I noticed in Shrek ties along with in-group and outgroup, which is prejudice. Prejudice is seen in Shrek during the scene when Shrek has a conversation with Donkey explaining why the world doesn’t understand him. Shrek spoke of the prejudice people had towards him. He told Donkey that people judge him before they even get to know him. People view him as a big, ugly, stupid ogre who wants to do nothing but eat them. This is the reason why Shrek is so isolated and avoids becoming close with anyone. The townspeople are prejudice towards Shrek because of his appearance which is similar to how certain people are prejudice based on skin color. Right after this, friendship formulation occurs between Shrek and Donkey. Like Shrek, Donkey has been treated
Walt Disney needed to change his version and many of his other fairy tales and in doing so started a change in the way we see fairy tales. Ask someone today to define a fairy tale and they will tell you along the lines of a beautiful woman put threw hardships that in the end of the story gets the man and becomes a queen of her own castle.
Even though the time periods are very different (by 200 years) the formulas for their fairy tales seems to remain constant. Character development, which is very important in fairy tales is both well done and accurately portrays the living situation for a character in the time period of when it was written. Perrault's version seems to put Cinderella's family in a higher, well-off situation of the Grimm's because she is still abided to obey the rules that her dying mother had set for her. Something that you would see a women do in the late 1600's. Her higher class and the rules of her generation has set her to not have revenge on her step-sisters and helps them marry in the end, making a happy ending to the story for everyone. This also gives off the rules of the time to the young girls who would be listening or reading this story back then. They knew their place in society and tales like Perrault's reinforced it. The Grimm's version, titled Ashenputtle, has key elements in the story line that make it very different from Perrault's Cinderella. The theme becomes very different as the end of the tale results in revenge on the step-sisters from Ashenputtle. This variation in the story line represents the setting in which the Grimm's either lived in themselves, or the living situation of the people who related this tale to the Grimm's.
Shrek, an enormous, disgusting green ogre falling in love with a beautiful princess (later turning into a nasty ogre) is a perfect example of a stereotypical fairytale, right? Well in the movie Shrek, the voice over in the trailer talks about a “hero” attempting to rescue a “fair princess” with the help of “his trusty companion." Besides the fact that the hero is a voluptuous green ogre and the companion is a donkey, everything fits in normally to the definition of a traditional fairytale (Diaz). Also according to Mary Kunimitsu, in fantasy films “There may be characters with magical or supernatural abilities such as witches, wizards, superheroes, mythical creatures, talking animals, and ghosts” (Kunimitsu). In Shrek, there are many of these different characters. Therefore, by explanation, a traditional fairytale with the beautiful princess getting saved by the prince and falling in love is exactly what happens in the movie Shrek, just with a twist. The voice over in the trailer for Shrek states it perfectly as he says “Shrek is a highly irreverent take on the classic fairytale” (Adamson). As an untraditional fairytale, and a parody, the movie Shrek poses the breaking of stereotypes of gender and film fairytales all the while keeping the criteria of a fairytale.
Throughout time the way we visualize things has changed. When the Brothers Grimm’s created “Little Snow White” in 1812 they did not have any way to visually show their ideas to the public. They could not just make a movie or hire an illustrator to bring life to their words. So instead they relied on their readers to use their own imagination to create the characters and scenarios throughout the s...
A lot of the fairy tale stories that we have seen as young adults and even as adults are original folk tale stories that have been modified and rewritten to accommodate our new cultures. Cinderella happens to be one of these stories that have been changed over the years. There are many different versions of Cinderella, an African Cinderella, a Hungarian Cinderella and even a Chinese version. All of the Cinderella’s are similar in plot, but the author dictates the story’s theme based on the people whom he is writing for which completely changes the story’s tone, mood and other elements. While Perrault's version stresses the values and materialistic worries of his middle-class audience, Grimm’s' focus is on the harsh realities of life associated with the peasant culture. Perrault’s and Grimm’s Cinderella’s have the same plot, but their writing style is different which completely modifies the tale.
Nathaniel Hawthorne’s clear insight about humanity diseases, sins and quarrels, and, along with these conflicts, their paradoxes influences one of his finest works, “The Birth-Mark”( ). Interestingly, the Grimm Brothers’ “Snow White and the Seven Dwarves” tells a similar story through symbolism and character development. Both authors use symbolism to establish the bridge between life and the state of death and to show sign of dominance. In addition, the parallelism between the two stories demonstrates how alike the characters Aylmer and the evil stepmother are. As a result, it raises a question of whether or not perfectionism is worth pursuing for.