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Compare contrast victor and prometheus
The myth of prometheus informational essay
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The concept behind the story of Frankenstein by Mary Shelley isn’t a new idea by any means. Way back when, the Greeks had a mythological figure called Prometheus. Trent Lorcher says this about him. “The full title of the novel, Frankenstein, or the Modern Prometheus, emphasizes the theme of Victor as an overreacher, one who ascends further than his ability. In Greek mythology, Prometheus created man. As a modern Prometheus, Victor creates a new species. Prometheus feels love for his creation (unlike the modern Prometheus) overreaches and steals fire from Zeus. Zeus punishes Prometheus by chaining him to a rock for eternity and sending an eagle to eat his liver daily.” So, what does Frankenstein have to do with this Prometheus guy? Believe it or not, they are practically the same character. Viktor Frankenstein from Mary Shelley’s Frankenstein and Prometheus are similar in that they both pursue knowledge, they both defy a higher power, and they are both determined.
Initially, Frankenstein and Prometheus are similar because they pursue knowledge. In both stories, the protagonist is not content with being limited in what they know. Prometheus learns skills and trades from other Gods, as Frankenstein learns from his professors and continues his knowledge. They both share a fascination too, as Rebecca Dudczak points out. “Aside from the title, Shelley borrows from the tale of Prometheus a sense of consequence resulting from seeking enlightenment and power. Victor is her modern incarnation of Prometheus. He, as Prometheus was, is fascinated by the power of electricity (lightning). We can recall from the narrative the moment when he becomes captivated by its fantastical power.” This quote from the book itself will solidify this statemen...
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...ary Shelly’s Frankenstein shows us the dangers involved in playing god as well as tampering with the nature life and death.” It may not have ended well for them, but it sure made some good reading for us.
Works Cited
Baase, Sara. "Prometheus Myth: A Gift of Fire." Prometheus Myth: A Gift of Fire. N.p., n.d. Web. 28 Mar. 2014.
Dudczak, Rebecca. "A Cultural History of Frankenstein: The Modern Prometheus." A Cultural History of Frankenstein: The Modern Prometheus. N.p., n.d. Web. 28 Mar. 2014.
Lorcher, Trent. "Allusions & Major Themes in Frankenstein: Study Guide." Bright Hub Education. N.p., n.d. Web. 31 Mar. 2014.
Pontikis, Nick. "Myth Man's Prometheus Homework Help Page Two." Myth Man's Prometheus Homework Help Page Two. N.p., n.d. Web. 31 Mar. 2014.
Spositos, Martin. "Frankenstein Is a Modern Prometheus." Msposito3s Blog. N.p., n.d. Web. 31 Mar. 2014.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
Shelley, Mary Wollstonecraft, and Maurice Hindle. Frankenstein, Or, The Modern Prometheus. London: Penguin, 2003. Print.
Mary Shelley’s Frankenstein is ‘one of the pioneering works of modern science fiction’, and is also a frightening story that speaks to the ‘mysterious fears of our nature’. Mary Shelley mocks the idea of “playing God”, the idea that came from the Greek myth of Prometheus, of the Greek titan who stole Zeus’ gift of life. Both the story of Frankenstein and Prometheus reveal the dark side of human nature and the dangerous effects of creating artificial life. Frankenstein reveals the shocking reality of the consequences to prejudging someone. The creature’s first-person narration reveals to us his humanity, and his want to be accepted by others even though he is different.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited by: D.L. Macdonald & Kathleen Scherf. Broadview Editions. 3rd Edition. June 20, 2012
Shelley, Mary. Frankenstein: A Norton Critical Edition. Ed. J. Paul Hunter. New York: W. W.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited by: D.L. Macdonald & Kathleen Scherf. Broadview Editions. 3rd Edition. June 20, 2012
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
Shelley, Mary. Frankenstein or the Modern Prometheus. The 1818 Text. New York: Oxford UP, 1998.
Since its publication in 1818, Mary Shelley's Frankenstein has grown to become a name associated with horror and science fiction. To fully understand the importance and origin of this novel, we must look at both the tragedies of Mary Shelley's background and her own origins. Only then can we begin to examine what the icon "Frankenstein" has become in today's society.
As time goes on, many things tend to change, and then they begin to inherit completely different images. Over the years, the character, created by Dr. Victor Frankenstein in Mary Shelley’s famous novel, has changed dramatically. The monster, regularly called “Frankenstein,” has been featured in numerous films, such as Frankenweenie and Edward Scissorhands. Although, the characters in today’s pop culture and the monster in the well-known 1800’s novel have similarities, they are actually very different. The many similarities and differences range from the character’s physical traits and psychological traits, the character’s persona, and the character’s place in the Gothic style.
In Mary Shelley’s Frankenstein, Victor Frankenstein and the monster that he creates are very similar. For example, Victor creates the monster to be like himself. Another similarity is that the anger of both Victor and the monster is brought about by society. One more parallel between Victor and the monster is that they both became recluses. These traits that Victor and the monster possess show that they are very similar.
Burns, Alisa. “Frankenstein of the Future.” Frankenstein Commentary. N.p., Sept. 2002. Web. 24 Apr. 2011. .
Mary Shelley’s Frankenstein, or the Modern Prometheus, explores the monstrous and destructive affects of obsession, guilt, fate, and man’s attempt to control nature. Victor Frankenstein, the novel’s protagonist and antihero, attempts to transcend the barriers of scientific knowledge and application in creating a life. His determination in bringing to life a dead body consequently renders him ill, both mentally and physically. His endeavors alone consume all his time and effort until he becomes fixated on his success. The reason for his success is perhaps to be considered the greatest scientist ever known, but in his obsessive toil, he loses sight of the ethical motivation of science. His production would ultimately grieve him throughout his life, and the consequences of his undertaking would prove disastrous and deadly. Frankenstein illustrates the creation of a monster both literally and figuratively, and sheds light on the dangers of man’s desire to play God.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
Mythologies are traditionally stories that concern the early history of religion and people or the explanation of a natural or social phenomenon. Myths are often referenced by authors, as allusions, in their novels. The myth of Prometheus, the creator of man, is the story of a god who is sentenced to suffer for eternity for disobeying god. Victor Frankenstein is portrayed as a modern Prometheus in Mary Shelley’s Frankenstein through, the methods used for the creation of man, his desire to create man, and the punishment he receives from his creation and himself. As the novel progresses, so does the similarities between Frankenstein and Prometheus. Due to the various similarities between them, a conclusion that Frankenstein portrays Prometheus