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Contrasts and links of other characters to macbeth
Contrasts and links of other characters to macbeth
Contrasts and links of other characters to macbeth
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A Comparison of Death Scenes of William Shakespeare's Macbeth and Romeo and Juliet
The two plays were written by William Shakespeare but they are both
completely different stories. However they have one thing in common,
each has a murder scene. The main character in Macbeth is Macbeth
who meets some witches who tell him what will happen to him, They
say ‘Hail Macbeth, Thane of Cawdor’ and another witch tells him ‘Hail
Macbeth, that shalt be king hereafter’. This makes Macbeth think as
he becomes the Thane of Cawdor which makes it seem like he will become
king and the only way is to kill Duncan. Lady Macbeth is the wife of
Macbeth and keeps pressing him into killing Duncan, who is the King of
Scotland at that time and who likes Macbeth and gives him the title of
Thane of Cawdor.
The murder scene starts in Act 2 scene 1. Near the end of the scene
Macbeth sees a dagger in his mind drawing him towards Duncan’s room.
Then Lady Macbeth sounds the bell which is a signal that she has
drugged the guards and it is safe for Macbeth to kill Duncan. He
then goes and kills Duncan off stage. When he returns on stage he
has two bloody daggers and is in a distressed state of mind. He
tells Lady Macbeth about the killing and she tells him he should have
left the daggers there but he can not do it so she does. He then
goes to the well and tries to wash his hands of the blood but it will
not come off.
The main characters in Romeo and Juliet are Romeo who is the son of
the Montagues and who is in love with Juliet and later marries her,
she is the daughter of the Capulets. Benvolio is Romeo’s cousin
and a Montague who hates...
... middle of paper ...
... castle door and they
both scurry off stage covered in blood. This leaves the audience
wondering if they will get found out. This is not conclusive till
later in the play.
In contrast in Romeo and Juliet the two murders are a total surprise
to the audience as there is no real lead up to them as they happen
after Tybalt and Mercuito exchange words with each other which was
followed by a fight. Tybalt inflicts a mortal wound on Mercuito and
Mercuito leaves the stage with Tybalt. The audience still do not
know of the death of Mercuito until Benvolio comes back onto the stage
and lets the audience know he is dead. This is a total shock as
Mercuito is a very likeable character with no enemies. The
audience’s response is to want revenge, justice and the death of
Tybalt. Romeo eventually carries this out.
The Effectiveness of Zeffirelli's Interpretation of the Death Scene in Romeo and Juliet I think Zeffirelli’s interpretation of “Romeo and Juliet” is quite successful at expressing how he feels the play should be shown. He uses lots of techniques to make the play enjoyable, appealing and imaginative. To do this he uses different camera angles, realistic scenery, costumes, sounds and music. He cut some scenes that he didn’t think were particularly relevant to the storyline, and added some lines for effect. He has a love theme playing throughout the film that is played in minor and major keys depending how he wants the audience to feel.
Romeo senses tensions are high with Tybalt, so he states, “I do protest I never injured thee but love thee better than thou canst devise.” (Lines 65-66 Act Three, Scene One). Romeo is trying to diffuse the situation because he realizes that Tybalt is his love's cousin. Mercutio is surprised by Romeo’s behavior, so he decides to fight Tybalt himself. Mercutio’s decision to fight Tybalt leads to his own death. Romeo is angered by the death of Mercutio and states, “Now, Tybalt, take the “villain" back again/ That late thou gavest me; for Mercutio’s soul.” (Lines 123-124 of Act Three, Scene One). Romeo is indicating that Tybalt is the villain now, because he slayed Mercutio. Romeo forgets about his attempt to befriend the Capulets and slays Tybalt. Romeo, murderer of Tybalt, solely focuses on Juliet and states “Ha, banishment? Be merciful, say “death"/For exile hath more terror in his look.” (Lines 12-13 of Act Three, Scene Three). Romeo does not care about Tybalt’s life, but only cares for the way it affects his relationship with Juliet. Romeo’s mother dies out of grief because of his banishment. Romeo’s recklessness in loving Juliet has led to the death of three
A Comparison of the Two Film Versions of Romeo and Juliet I have been studying the prologue to 'Romeo and Juliet' written by the
Death and Conflict is a complicated theme throughout both Franco Zeffirelli and Baz Luhrmann's drama. However, Act 5 scene 3 in both variations has become a debatable topic about the way Juliet reacts to when Romeo drinks the poison. And especially in Franco Zeffirelli when juliet commits suicide.
Comparing the Opening and Witches Scenes in Macbeth We watched two different versions of Macbeth. One was the BBC. Shakespeare and the other one was a production called Middle English! While both productions told the story of the original play by William Shakespeare. They were different in a number of ways.
After catching Romeo at a party he was not supposed to be at, Tybalt had it out for Romeo. Just after Romeo and Juliet’s wedding, Tybalt comes looking for him wanting to fight. Romeo does not want to fight because he now loves Tybalt since he is family to him, but neither Tybalt or anyone else knows this reason. Quickly, Mercutio steps in and tells Tybalt that he will fight him in honour of Romeo. Sadly, this led to the death of Mercutio.
A Comparison of Act 1 Scene I and II in Two Different Versions of William Shakespeare's Macbeth
Lady Macbeth is first introduced in Act1 Scene 5: reading a letter receives from Macbeth describing the encounter with the Witches, and the prophecies which they given him. Lady Macbeth is very ambitious; believes that Macbeth is too kind and loyal to take the steps needed to become king. "Yet do I fear thy nature; it is too full o’ the milk of human kindness to catch the nearest way." Lady Macbeth uses the weaknesses of Macbeth to convince him to kill King Duncan: she challenges his manhood "When you durst do it, then you were a man." "Thou esteem’st the ornament of life and live a coward in thine own esteem." She tries to make him feel guilt: Macbeth promised to kill Duncan he changes his mind. "What beast was’t, then that made break this enterprise to me"
In act 2, scene 2, the murder of Duncan takes place. The audience should be on the edge of their seats by now, wondering if Macbeth will actually have the nerve to murder his king.
In the beginning of the play, Macbeth is portrayed as a courageous and well-respected soldier who is loyal to his King and country. He is described by one of King Duncan's men as “brave Macbeth.” As a result of his bravery on the battlefield, Duncan decides to reward Macbeth with a new title – the Thane of Cawdor – as the last Thane was proven to be disloyal; however, Macbeth is unaware of this, and this creates tension in the audience. The opening scenes show that Macbeth is a powerful and courageous man who is not naturally inclined to do wrong, but is capable of being brutal when he needs to be. The meeting with the witches also reveal that Macbeth is a very ambitious man who craves an even greater power. There is contrast between Macbeth’s and Banquo’s attitudes towards the witches’ prophecies. Whilst Banquo dismissed the witches’ prophecies, Macbeth was “rapt withal.” This shows that Macbeth has thought about being “king hereafter.” Macbeth's first soliloquy reveals his deep desire to be king. His soliloquy also reveals that he would do anything to achieve it.
After Macbeth kills Duncan, he is too scared to even carry the daggers back into the king’s chamber. When the king’s body is discovered, he kills the two guards that were in Duncan’s room, and places the blame for the murderous deed upon them. His fear forces him to act this way in order to make him seem innocent. Macbeth’s fear of being caught acts as an indicator of his guilt; however at first none of the other characters are able to realize this.
In a world where murder is seen as a way to check if the prophecies of the witches are real, Macbeth and Lady Macbeth get caught by greed, the only escape seems to be a murder that will stop the nightmare of the killings. Once the murder has been committed, the revolt against it becomes very absurd and very illegitimate, making Macbeth a tragedy of the dark that develops in the night. In Act II scene II, Shakespeare uses tension and dramatic interest along with stage effects and language techniques to illustrate how Macbeth, with the help of Lady Macbeth influencing him to do so, commit the dreadful murder of King Duncan, and the after effects of this deed.
Macbeth follows the plan and kills Duncan (II, ii, 15). Directly following the murder, Macbeth can no longer say amen (II, iii, 31-33). Macbeth also hears a voice in his head say, “sleep no more! Macbeth does murder sleep”(II, ii, 35, 36). For the rest of the play, Macbeth suffers from insomnia.
Duncan, even if her husband did not want to at first. “Come, you spirits that serve the thoughts of mortals: rid me of the natural tenderness of my sex and fill me from head to toe with direst cruelty!” (I, v, 39-42) Lady Macbeth called to spirits to take away her kindness, her remorse, so she could have the heart to kill the king, though urging Macbeth to do the deed itself. When she went to do it herself, she could not, but made Macbeth do it instead. He
He picks it up with the stick, its not an object, but a limb of a human he drops the stick that carries the limb in disgust.