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Essay about greek politics
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Conflicts in Antigone and Lysistrata
In Antigone and Lysistrata the tension between the polis and oikos is reflected in different ways. Antigone prioritizes oikos over polis, while Creon prioritizes polis over oikos. The men in Lysistrata favor fighting for the state over being at home while the women want their husbands with them instead of being at the war. We find ample evidence of different conflicts and similarities in both plays, but the male's prioritizing polis over oikos and the female's prioritizing oikos over polis causes the central tension in Antigone and Lysistrata.
Sophocles' Antigone, a tragedy, written around 441BC has been interpreted in various ways as a conflict between family and state. Both sides have a clear concept of where their duty lies and are resolved to follow its dictates. Creon, acting in the state's interest, finds it politically expedient to deny burial to the traitor Polyneices. On the other hand, Antigone acting in the family's interests claims that the right of burial surpasses any other considerations. To her, a proper burial is the unwritten law of heaven, so she performs the last rites over her brother's body and is condemned to death. Sophocles portrays two strong-willed people, Creon and Antigone, in conflict in the play.
Antigone's first priority is her family, while Creon's is his state. In trying to persuade her sister Ismene to help her bury her brother Polyneices, she states, "Now we shall soon find out / If you are true-born daughter of your line, / Or if you will disgrace your noble blood"(38-40). Antigone is telling Ismene that a true-born daughter shall always favor the family member. She gives Ismene two options: if Ismene chooses to help Antigon...
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... conflict arises when Creon orders the worst Greek punishment for the traitorous Polyneices. Antigone, for whom family pride is everything, won't tolerate the insult. However, in both plays, the women's priority is oikos, which contrasts with the men's priority of polis. These contrasting views create the central tension in both plays.
Works Cited
Sophocles. Antigone. Oedipus the King and Antigone. Trans. Peter D. Arnott. Arlington heights, IL: Davidson, Crofts Classics, 1960
Aristophanes. Lysistrata. Lysistrata and Other Plays. Trans. Alan H. Sommerstein. New York: Penguin Books, 1973.
Antigone plus Tragedy. Tricky Problems, Versality and Sophocles. Lecture. Lise Kildegaard. CFL, October 2, 1997.
Aristophanes plus Comedy. Silliness, Naughtiness, and Tricky Problems. Lecture. Carol Gilbertson. CFL, October 7, 1997.
Antigone, a story written by Sophocles, is about a young woman, Antigone, choosing whether she will not bury her brother, Polyneices, to not break the law or disobey Creon’s law and bury him; however choosing to bury her brother does not derail her moral development.
Not understanding or listening to the opinion of others can frequently have unfortunate consequences and even lead to tragedy. In the play, Antigone, written by Sophocles, the two main characters, Antigone and Creon, both failed to listen which led to the death of several people. It was exhibited how important it is to acknowledge the truth and this was the central theme of the play. The conflict between Antigone and Creon started because they had opposing viewpoints of whether or not Antigone’s brother, Polyneices, should have been buried after he died in battle. Antigone strongly believed that Polyneices should have because it was the law of the gods and they are eternal, while man’s laws are not. However, Creon, on the other hand,
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
In Sophocles’ Antigone, the most prominent theme is the concept of divine law versus human law. The play opens with the debate between the sisters Antigone and Ismene concerning which law comes first- the devout obligations of citizens, or civic duty. Antigone requests for Ismene to assist her in burying their brother Polyneices, though the new king Creon, has prohibited burial on pain of death. It can be argued that Creon’s edict, which deprived Polyneices of his funeral rites, is understandable. The young man had been killed perpetrating the most atrocious crime of which a citizen could be guilty, and Creon, as the responsible head of state, naturally supposed that exemplary punishment was the culprit’s right...
Antigone is a play about the tension caused when two individuals have conflicting claims regarding law. In this case, the moral superiority of the laws of the city, represented by Creon, and the laws of the gods, represented bt Antigone. In contrast, Oedipus The King is driven by the tensions within Oedipus himself. That play both begins and concludes within the public domain, the plot being driven by the plague that troubles the city, and which is so graphically brought to life by the Priest. In both Antigone (ll179-82) and Oedipus The King (ll29-31) the city is likened to a storm tossed ship, and it cannot be merely coincidence that Oedipus The King was written at the beginning of the Peloponnesian War, a time when Athens itself was suffering the effects of plague. Oedipus The King reaches its climax with a now blinded Oedipus daring to show himself to the people of Thebes, forgetting that he is no longer the leader of the state. In Antigone, it is Creons abuse of absolute power that leads to his tragic downfall. Whilst Oedipus determinedly tried to get to the root of his peoples ills, ultimately discovering that he was in fact the cause of them, Creon morphs from a supposedly caring leader into a tyrannical despot, eager to take the law into his own hands. It is the actions of Antigone that helps to bring about Creons fall from grace, as her steadfast refusal to accept th...
Sophocles. "Antigone." The Norton Anthology of World Masterpieces. Ed. Knox and Mack. New York: Norton, 1995.
“This is not a nice man … innocent is not a word that suits him in any way,” says Brian Webster when speaking of Matthew Poncelet, the man on death row in the movie Dead Man Walking. Many people feel that the death penalty is immoral and it should not be used; however I feel completely opposite. I believe that capital punishment is a fair sentence for a murderer to receive. In the movie Dead Man Walking, the main character Matthew Poncelet, is on death row waiting for the lethal injection that will soon put him to death for good.
...l punishment as a just and morally sound method of justice. After all, "An eye for an eye" seemed to be a rationale that many embraced as fair. Now there is an era of closer examination of what is truly just and morally ethical, as well as economically sound. A consequence needs to be fair, humane, and effective. Does capital punishment meet these criteria? There are compelling reasons to change the system we have blindly acclaimed. Hopefully we are in the process of implementing a new way of dealing with an age-old dilemma.
In the following paper, I plan to discuss the source of conflict between the title characters of Antigone and Creon in Sophocles’ “Antigone”. I also plan to discuss how each character justifies his or her actions and what arguments they give for their justifications. I will also write about the strengths and weaknesses of these arguments. The final points I try to make are about who Sophocles thinks is right and who I think is right.
The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.
In 1997, 80% of Americans favored the death penalty. A recent national poll found that, that number has significantly dropped to an all time low of 63%percent. In addition, those favoring the death penalty dropped to fifty percent when those polled were asked to assume that the alternative to the death penalty was life in prison with no chance of parole. And, the amount of death sentences imposed in the United States during the recent years has dropped to the lowest level since capital punishment was reinstated. Hence, it would seem that our society’s attitude toward capital punishment is changing as well. What was once ordinary is now abnormal, and what was once essentially unquestioned is now questioned.The debate over the legitimacy or morality of the death penalty may be almost as old as the death penalty itself and, in the view of the increasing trend towards its complete abolition, perhaps as outdated. Capital punishment is horribly flawed, ineffective at deterring crime, completely unethical, outrageously expensive, and has no place in a civilized society.
“Lysistrata,” written following the trouncing of Athenian forces in Sicily in 413 BC, harkens back to this time of war. As is traditional in Athenian theater, males in drag played all of the female parts. This ritual increases the play’s absurdity. The play begins with the streets empty as the men are at war. The women speak to each other of both emotional and sexual starvation. They both
The death penalty has been around for centuries. It dates back to when Hammurabi had his laws codified; it was “an eye for an eye, a tooth for a tooth”. Capital punishment in America started when spies were caught, put on trial and hung. In the past and still today people argue that, the death penalty is cruel, unusual punishment and should be illegal. Yet many people argue that it is in fact justifiable and it is not cruel and unusual. Capital punishment is not cruel and unusual; the death penalty is fair and there is evidence that the death penalty deters crime.
Many people are split on the idea of capital punishment because it involves death. I feel that capital punishment is morally and ethically acceptable because it rids society of our worst criminals. Many people argue that killing criminals who kill is just as bad as being the criminals. For one the criminals killed innocent people who had no idea what was coming, and had no way to prevent it. The criminal who commited the crime in almost all cases had to commit first degree murder, which includes some planning of the act. To plan an act of murder and taking someone’s life is beyond emotion, it is psychological and takes some rationalization. If no rationalization takes place, then it can happen again.
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