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Shakespeare sonnet 116 essay analysis
Critical appreciation of sonnet no 130
Analysis of sonnet 116
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A Comparison between To His Coy Mistress and Sonnet 116
The poem "To His Coy Mistress" was written in the mid 17th century by
Andrew Marvell, being written in this time Marvell's poem was unable
to be published as its taboo content was unfavoured by the puritans in
power at the time. Whereas "Sonnet 116" by William Shakespeare was
written in the late 16th century, a time of liberation and freedom for
the stage and literature.
Both poems are similar in theme and yet different in approach, they
both pursue the theme of love although Marvell in a satirical Carpe
Diem love style whereas Shakespeare in a traditional sonnet style.
"To His Coy Mistress" by Andrew Marvell is about a young mans attempts
to lure a woman into bed the true theme of the poem being more lust
than love, the poem is in fact a parody of Carpe Diem love poetry and
critiques the approach of an over eager young lover. "Sonnet 116"
takes a more serious approach to the theme of love addressing the
concept of eternal love "love alters not with his brief hours and
weeks, But bears it out even to the edge of doom".
The voice of the two poems also changes dramatically with Marvell
there is an eager young lover willing to change tactics often in order
achieve his goal. The voice is fickle and immature it evokes little
sympathy from the reader and has rather a comic tone to it, this comic
tone is highlighted by the fact that the poem is written in an iambic
rhythm with four heavy stresses generally a rhythm used for comic
value as it short and snappy allowing just the right amount of time
for punnery and wit this effect is backed up by the poems rhyming
couplets generally a rhythm used for comic value as it has a light
tone to it.
Shakes...
... middle of paper ...
...imself
merely a victim in a constant struggle to keep righteousness alive and
if winning is impossible then better to lose a lot than a little
"Thus, though we cannot make our Sun Stand still, yet we will make him
run.".
Shakespeare also ends on a rhyming couplet though this modest couplet
is to lighten the serious tone "If this be error and upon me proved, I
never writ, nor no man ever loved." though Shakespeare stresses that
unless love is timeless and priceless and infallible it is nonexistent
for Shakespeare believes there are no half measures in love.
I personally enjoyed both poems though I preferred William
Shakespeare's "Sonnet 116" as I feel the more serious classic approach
to love makes more enjoyable reading, although the comic approach of
Andrew Marvell's "To His Coy Mistress" was entertaining it did become
quite tedious after a while.
Sonnet 130 is Shakespeare’s harsh yet realistic tribute to his quite ordinary mistress. Conventional love poetry of his time would employ Petrarchan imagery and entertain notions of courtly love. Francis Petrarch, often noted for his perfection of the sonnet form, developed a number of techniques for describing love’s pleasures and torments as well as the beauty of the beloved. While Shakespeare adheres to this form, he undermines it as well. Through the use of deliberately subversive wordplay and exaggerated similes, ambiguous concepts, and adherence to the sonnet form, Shakespeare creates a parody of the traditional love sonnet. Although, in the end, Shakespeare embraces the overall Petrarchan theme of total and consuming love.
The. Maybe it is a genuine love poem to his mistress, sort of. offer of a way of life. Both concepts, though, underline the point. simplistic romanticism of the poem.
At the start, the first stanza of the poem is full of flattery. This is the appeal to pathos. The speaker is using the mistress's emotions and vanity to gain her attention. By complimenting her on her beauty and the kind of love she deserves, he's getting her attention. In this first stanza, the speaker claims to agree with the mistress - he says he knows waiting for love provides the best relationships. It feels quasi-Rogerian, as the man is giving credit to the woman's claim, he's trying to see her point of view, he's seemingly compliant. He appears to know what she wants and how she should be loved. This is the appeal to ethos. The speaker seems to understand how relationships work, how much time they can take, and the effort that should be put forth. The woman, if only reading stanza one, would think her and the speaker are in total agreement.
First of all, spot can mean two things: 'to discover' and also 'to stain'; therefore, the shame that "you" make can both (at the same time) point out the beauty of your name, that is possibly increasing in popularity; also 'to stain' the beauty of "your" name. Knowing this, we must read the poem twice, one for each possible reading (also notice the floral theme in the first stanza as well). Since he describeds "name" as budding, (and the fragrance of a rose as sweet), "in what sweets" can refer to the "name", and then of course, the person themself. Now, question: [first the analogy of canker being the sins; thus, as the canker destroys the rose, this person's sins destroy his name (and remember! only "name" at this point)] which one?
The conceit, characterization and tone of the one hundred and forty third sonnet make this particular sonnet interesting to analyze. The collection of sonnets was written by William Shakespeare around the mid-1590s and published by Thomas Thorpe in 1609. “Sonnet 143” describes a woman who "sets down her babe and makes all swift dispatch." Her attention has been restrained by the idea of taking possession of a feathered creature that has run away (line 3). In this sonnet, Shakespeare creates a rivalry of role-play between a man in pursuit of a woman, who is compared to a housewife and a mother, and the love interest the woman in pursuing. The speaker is in desperate pursuit of the housewife, like a child who wishes to be pacified and kissed
Lust and Love in Shakespeare’s Sonnet 130 and Campion’s There is a Garden in Her Face
The title of this poem makes us think that this is going to be a love story with him and a significant other. But these expectations are not fulfilled by the text starting in the introductory epigraph. The title is completely ironic because this is not a “love song”, yet this story is about a depressed, lonely and weak man. The title makes us think that this poem is going to be a serious love song about J. Alfred Prufrock, but instead it is more of a fake love song. From the third line of the poem he shows a man who is unable to communicate, much less sing, “love songs” to anyone.
meaning as long as the poem will exist and be read, the girl (who the
At the time of its writing, Shakespeare's one hundred thirtieth sonnet, a highly candid, simple work, introduced a new era of poems. Shakespeare's expression of love was far different from traditional sonnets in the early 1600s, in which poets highly praised their loved ones with sweet words. Instead, Shakespeare satirizes the tradition of comparing one's beloved to the beauties of the sun. From its opening phrase "My mistress' eyes are nothing like the sun", shocks the audience because it does not portray a soft, beautiful woman. Despite the negative connotations of his mistress, Shakespeare speaks a true woman and true love. The sonnet is a "how-to" guide to love.
Shakespeare’s sonnets are numbered in a sequential order and adjacent sonnets often have similar content. Throughout Shakespeare’s sonnets, he covers many subjects, such as interest in the life of a young man, his love for a young man, and his love for a dark haired woman. In sonnets 57 and 58, Shakespeare discusses how love is like slavery in its different manifestations. The object of the narrator’s love has a dominating power over the narrator, which controls him and guides his actions. Shakespeare shows in sonnets 57 and 58 that love can be displayed by using many different routes such as viewing love as a controlling force, exploring the theme of time and waiting in regards to love, and the question of the physical state of being of love.
[Line 2]* - Compare the line to Macbeth (5.3.23) "my way of life/is fall'n into the sere, the yellow leaf".
women. We see in both poems the desire for sex from the two men, but
Sonnet 73 by William Shakespeare is widely read and studied. But what is Shakespeare trying to say? Though it seems there will not be a simple answer, for a better understanding of Shakespeare's Sonnet 73, this essay offers an explication of the sonnet from The Norton Anthology of English Literature:
This sonnet appears to be another version of 153 rather than one of a series. These two sonnets, two renderings of the same ides, could either prove or disprove Shakespeare's authorship. Only twice did Shakespeare rewrite any of his sonnets, both 138 and 144 appear slightly modified in _The Passionate Pilgrim_. These are evidence of Shakespeare's rewritings, but the only problem is if one is out to prove the authorship on these grounds, over-revision remains a factor; that is, Shakespeare rewrote the two sonnets changing only a few words and not the entire sonnet. These seem to be the problems with citing Shakespeaare as their author, but equally disproving him as the author. If I were to argue for Shakespeare's authorship, I would correlate "the help of bath" with being an allusion to "The Wife of Bath's Tale" in Chaucer's _Canterbury Tales_. Shakespeare used Chaucer as a source in _A Midsummer Night's Dream_ (from "The Kinght's Tale" and "The Miller's Tale"), _Troilus and Cressida_ (from _Troilus and Criseyde) and _The Two Noble Kinsmen_ (from "The Knight's Tale"). Seeing that Shakespeare used Chaucer as a reference in the past for help, I suppose "the help of bath" could be a tribut to Chaucer and thus a possible source or allusion. But this does remain on unsubstantial grounds due to the possibility of it simply meaning a water-filled basin.
In Shakespeare’s sonnet 130, the speaker ponders the beauty, or the lack thereof, of his lover. Throughout the sonnet, the speaker presents his lover as an unattractive mistress with displeasing features, but in fact, the speaker is ridiculing, through the use of vivid imagery, the conventions of love poems and the way woman are portrayed through the use of false comparisons. In the end, the speaker argues that his mistress may not be perfect, but in his eyes, her beauty is equal to any woman who is abundantly admired and put through the untrue comparison.