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The use of camera techniques in Hitchcock's films
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There are two Hitchcock films that are similar in contrast which are “Rear Window” and “Shadow of a Doubt”. Something that I enjoy the most about these two films are the action. They both share the same mystery and action. For example in “Rear Window” the main character Jeff was a journalist, during some picture taking he broke his leg. He was in a cast the whole movie, the only thing he did was sit in his wheelchair and look out the window at his neighbors. Just about all of the characters were viewed from a distance, but three. These three are Jeff who is the main character, his girlfriend Lisa, and Mr. Thorwald. Action came into play when Mr. Thorwald started getting suspicious. Him and his wife were always fighting and one day things got physical, and a possible murder of his wife. Action is very important in this film because with Jeff being in a cast, not doing anything the movie would be boring without action. In the beginning of the movie there wasn’t any violence his day’s were just working with the nurse and looking out at …show more content…
his neighbors. Later on in the movie that’s where all the action happened and the movie got a lot better. Once Jeff saw Mr. Thorwald get physical with his wife all the suspense started happening and it was all action. Other than the action with Mr. Thorwald, this movie was pretty calm. There was no chases or gun battles, just Jeff in his wheelchair watching the neighbors. There was scene at the end of the movie where Mr. Thorwald broke into Jeffries house and tried to kill him, Jeff ended up falling out of his window and breaking his other leg. There are some close-ups in the film like when Jeff was looking out in his binoculars at his neighbors; this shows all the characters emotions and their everyday lifestyle. For example one woman nicknamed “Miss Torso” who is a dancer that gets up every morning and practices dancing while she starts her day. There’s another couple who live above the Thorwald’s who every morning put their dog in a basket and lower it down onto the ground and let him run around. There’s a woman nicknamed Miss Lonelyhearts who never has company and has “dinner dates” with herself. This movie was expanded into three days, there was the transition of day to night that showed what the night was like for Jeff and his neighbor’s. Some people getting ready for bed, the Thorwalds fighting, and some people partying the night away. The Action in this movie did change the moods of characters especially Jeff. As soon as he saw Mr. Thorwald get physical and possibly kill his wife, Jeff became obsessed with him. Sometime Jefferies would stay up all night to spy on his suspicious neighbor. He would watch his neighbor leave in the middle of the night and come back home early in the morning, that was the only time that Mr. Thorwald would leave his house. The other film that has is similar to “Rear Window” is another Hitchcock movie “Shadow of a Doubt”.
This film has a lot more action than the other one. This movie is about Uncle Charlie, who is a killer that escaped from detectives and ran to his sister’s house far away. When Uncle Charlie arrived to the house his sister and her family came to greet him and take him home. Charlie’s sister’s family consists of her, her husband, her two daughters, and her son. One of her daughters was named Charlie after her brother. Little Charlie is very important in the action aspect of this movie. Detectives found Uncle Charlie hiding and told little Charlie about the murders that her uncle committed. She was shocked and didn’t believe them at first, but after going to the local library and reading newspapers about it she started to believe the detectives. The next day they told Charlie to get Charlie out of town so that they could arrest
him. There was a lot of chasing during this film with the detectives trying to catch Charlie. There was murders in the movie, but they all happened before the movie and they weren’t seen on screen. There was some violence when Uncle Charlie tried to kill his niece when she started to figure out that he was the killer. He tried to get her to fall to her death and trapping her in a garage with the car on. No one but little Charlie would have thought that Uncle Charlie tried to kill her, everyone all thought that Uncle Charlie was a wonderful person. Close-ups are really important to this movie because there is so much emotion. For example when little Charlie found out that her uncle was a killer, the director zoomed the camera out making her seem small. This shows that little Charlie felt small in the world and depressed. Another example was towards the end of the movie Uncle Charlie gave a speech.During his speech the camera zoomed in on his face showing that he was guilty of the murders, there was also fear, regret and anxiousness on his face. The action in this movie shows the changes in mood in the characters. This was also like the close-ups, it was showing the mood changes from worried to sad, and anger to fear. A majority of the mood changes were from Uncle and little Charlie. The movie was more focused on these two characters so no one noticed any other mood changes in anyone else. These two films have the same kind of action, but they are both very different in so many ways.
Hitchcock has characteristics as an auteur that is apparent in most of his films, as well as this one.
... reader. Throughout the book, Charlie unfolds secrets and truths about the world and the society that he lives in; secrets and truths that cause him to grow up and transition into adulthood. He also makes a life changing decision and rebelled against was he thought was the right thing. This reflects his maturity and bravery throughout the journey he travels that summer. Charlie eyes suddenly become open to the injustice that the town of Corrigan demonstrates. He also comes to face the issue of racism; not only shown towards his best friend Jeffrey and the Lu family but to Jasper Jones as well. He realises the town of Corrigan is unwilling to accept outsiders. Charlie not only finds out things that summer about the people that surround him, but he also finds out who he is personally.
Rear Window effectively demonstrates Hitchcock’s strong qualities as an author. The writer for Rear Window is not Hitchcock, and yet there are clearly many motifs and themes present which are well known for being used by Hitchcock. He is not merely following instructions on how to make the movie; he is providing his own creative adjustments. Now we will address a few of these from the film. First, drawing parallels between characters with a difference, usually a negative one, is a repeated concept in Hitchcock films.
He addresses each development rationally and tries to keep everyone together. Charlie starts out as a friendly neighbor, but soon turns into the leader of the witch hunt. He even kills someone in his pursuit to find a scapegoat. He and the rest of the people on Maple Street become dangerously defensive once they?re willing to hurt another human being. The play teaches a very important lesson on being too cautious.
Growing up, Charlie faced two difficult loses that changed his life by getting him admitted in the hospital. As a young boy, he lost his aunt in a car accident, and in middle school, he lost his best friend who shot himself. That Fall, Charlie walks through the doors his first day of highschool, and he sees how all the people he used to talk to and hang out with treat him like he’s not there. While in English class, Mr. Anderson, Charlie’s English teacher, notices that Charlie knew the correct answer, but he did not want to speak up and let his voice be heard. As his first day went on, Charlie met two people that would change named Sam and Patrick who took Charlie in and helped him find himself. When his friends were leaving for college, they took one last ride together in the tunnel and played their favorite song. The movie ends with Charlie reading aloud his final letter to his friend, “This one moment when you know you’re not a sad story, you are alive. And you stand up and see the lights on buildings and everything that makes you wonder, when you were listening to that song” (Chbosky). Ever since the first day, Charlie realized that his old friends and classmates conformed into the average high schooler and paid no attention to him. Sam and Patrick along with Mr. Anderson, changed his views on life and helped him come out of his shell. Charlie found a
Alfred Hitchcock’s 1954 film Rear Window is truly a masterpiece, as it uses fascinating cinematic elements to carry the story and also convey the meaning of voyeurism. Throughout the film we are in one room, yet that does not limit the story. This causes the viewer to feel trapped, similar to the main character, while also adding suspense to the detective story. The opening scene itself, draws the viewer in. In just five minutes and 27 shots, the viewer is given an introduction to the main character, his lifestyle, his condition, and his neighborhood. The lighting, the costumes, and the set are all presented in a way to catch the viewers eye, compelling them to crave more. Combining vivid lighting, edgy cinematography, and unique set design, Rear Window, proves why Hitchcock is still remembered as one of the greatest and most influential directors of all time.
Alfred Hitchcock’s film Shadow of a Doubt is a true masterpiece. Hitchcock brings the perfect mix of horror, suspense, and drama to a small American town. One of the scenes that exemplifies his masterful style takes place in a bar between the two main characters, Charlie Newton and her uncle Charlie. Hitchcock was quoted as saying that Shadow of a Doubt, “brought murder and violence back in the home, where it rightly belongs.” This quote, although humorous, reaffirms the main theme of the film: we find evil in the places we least expect it. Through careful analysis of the bar scene, we see how Hitchcock underlies and reinforces this theme through the setting, camera angles, and lighting.
Suspense is only one of Hitchcock’s many techniques and themes. His themes range from the obvious violence, to the depths of human interaction and sex. From Rear Window to Psycho, Hitchcock’s unique themes are present and evident. Rear Window starts with something we all do at times, which is nosing in and stalking on others business, and turns it into a mysterious investigation leaving the viewer second guessing their neighbors at home. Psycho on the other hand, drags
Rear Window and the works of Hopper are both required with confinement. Disregarding its blended utilize land setting, Early Sunday Morning does not pass on a warm, fluffy feeling of group. In like manner, in Rear Window, the inhabitants of the lofts are confined from each other. Apartment Houses is additionally for the most part viewed as another antecedent to Rear Window. Large portions of Hopper's night settings portray scenes from New York City and Night Windows is no special case. The lady in this work of art is totally unconscious of the stage she is on and the front line situate its eyewitness involves. Its semi-sexual story is resounded in Rear Window, and it catches strikingly the experience of living in New York: the a large number
Alfred Hitchcock developed his signature style from his earlier works The Lodger and Blackmail. These films were the framework for his signature films later on. His themes of “an innocent man who is accused of a crime” and “the guilty woman” were first seen in these two films and are repeated throughout Hitchcock’s cinematic history
Rowe, Lawrence. "Through the Looking Glass: Reflexivity, Reciprocality, and Defenestration in Hitchcock's"Rear Window"." College Literature 35.1 (2008): 16-37.
...of all responsibility (for, of course, there is no way that a normal person could ever kill.) In keeping with this principle the film attempts to absolve Young Charlie from all responsibility in her Uncle's death, for it is seen as an accident that occurred when Young Charlie was fighting her Uncle in self-defence. In the final stages of the film we are brought back to the small town introduced to us in the beginning, this time, however, it is in morning for a beloved son. Charlie's death has brought Graham back to Young Charlie. We can see the good side has won the battle for her. As in early situational Charlie has learned her moral lesson and the episode may end.
Stam, Robert & Pearson, Robertson., ‘Hitchcock’s Rear Window: Refluxivity and the Critique of Voyeurism’ in Deutelbaum, Marshall & Poague, Leland A. ed., A Hitchcock Reader (John Wiley & Sons: 2009).
There are four crucial scenes of this film in which Hitchcock shows a change in perspective and identity through the mise-en-scène. Hitchcock’s signature motifs, style, and themes are conveyed through the mise-en-scène.
The film revealed a lot of business phases in its course. Charlie as the main character is ...