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Monsters in modern culture
Monsters in modern culture
Zombies of popular culture essay
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Monsters have overwhelmingly becoming such a huge obsession of popular culture because monsters such as zombies have become metaphors of our fears. Even though zombies oddly enough never evolve and have very little diversity they are becoming, “an ever-expanding market with no glass ceiling” (Klosterman 40). Zombies have infiltrated our societal structure, leaving the desire to depict our latent fears upon them. As I was reading “My Zombie, Myself” by Chuck Klosterman, it became very evident that as a society we have allowed zombies to encompass our way of living. I have personally been a part of this zombie obsession and through this text I have come to realization that zombies are not just for entertainment rather
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We so desperately don’t want to waste time even though we live in a modern culture that is constantly on our phones instead of living in the moment. I feel like we are starting to look more and more like a zombie apocalypse because as we surf the web or check social media for the millionth time, we become tainted by the mindless zombie epidemic. This egocentric and media-centered mindset that we have adopted shields us from what is truly important. The obsession of constantly checking our phones or binge watching TV shows doesn’t seem like a big deal. But as we do the exact same activities every single day, we can easily be compared to zombies as we begin to do things without thinking. I don’t really agree with Klosterman about zombies being obstacles and having to kill them but I do feel that through social media we are turning into zombies because it is not only consuming our time but our existence. No matter how hard we try to get rid of our repetitive and mindless habits they will never go away, leaving us to fight the battle of being human with a purpose in this zombie filled world. The monster always gets away and although it “can be dispersed temporarily, but the revenant by definition returns” (Cohen 5). We unknowingly are on a mind-numbing repetitive cycle that revolves around social media and what is considered to be important. In continuing our thoughtless actions, we live out our biggest fear of being consumed which leaves us with no true purpose. We are connected to zombies through the personifications we give them to illustrate societal emotion. Being that monsters are based off our hidden fears, zombies represent us becoming creatures whose whole existence is meaningless. Our thoughtless routine will not stop until it consumes us. Society’s greatest fear is becoming infected and being overtaken. Our only hope is to one day
No book has captivated the zombie apocalypse better than World War Z. Max Brooks creatively presents “a worldwide zombie pandemic from outbreak to aftermath” (Boyd, Tristan). His book encompasses many social and political themes in the world today. The book reveals true fear and shows the strength of the human race.
Torie Boschs “First eat all the lawyers” appeared in Slate october 2011. Her piece was to reach out to horror fans and to explain to them why zombies are a great monsters in current media. Zombie fanatics who read this short essay will love her vast knowledge of zombies while others who still do not understand why zombies are horribly terrifying can get behind her argument. Bosch explains that the current zombie craze has to do with our current society and how white-collar workers would be left defenceless in a world over run with a rampant horde of zombies. While blue-collar workers can flourish in this current state as they have more skills suited for survival.
Both White Zombie and “Dead Men Walking in the Cane Fields” represent the early zombie and both of them embody Cohen’s first thesis “The Monster is a Cultural Body” Both the story and the film have zombies and both of these works make their zombies appear scary with dead like characteristics, however the real reason why they are scary is that, at the time, they tried to change society and that scared people. The people that liked society the way it was didn’t want another group to gain power or righ...
In the article "Movies that Rose from the Grave" by Max Brooks, he delves deeper into the reasoning of where, why, and when zombie horror flicks
Max Brooks explains in his article ‘’The Movies That Rose From The Grave’’ [2006], that zombies and the supernatural forces have impacted and have become popular in the world today. The first main idea that Brooks points out is the way society has changed the meaning and glimpse for the supernatural creatures like zombies causing them to become increasingly popular. To support this zombie movies have changed from darkness and mystery to violent and bloodier scenes therefore making them more prevailing. The second main idea that is discussed by Brooks is how the media has helped to increase the popularity of zombies, vampires, ghosts. Highlighted by the author particularity both ‘’resident evil,
Monsters are symbols and representations of a culture. They exist because of certain places or feelings of a time period. Monsters are “an embodiment of a certain cultural moment”. Author of Grendel, John Gardner, and author of Frankenstein, Mary Shelley, both create a monster to represent something larger than itself in order to have the reader reflect on their “fears, desires, anxiety, and fantasy” in society, which is explained in Jefferey Cohen's Monster Culture (Seven Theses). The latest trend in monster media, zombies, also fit into Cohen's theses on what a monster is.
James Parker essay “Our Zombies, Ourselves,” informs readers that the zombie has almost outranked the vampire, and why they’re so popular. This undead monster originated from a Caribbean folk nightmare and was adapted over time by, the Halperin brothers, William Seabrook and George Romero and numerous others. Much like the vampire, zombies owe their fame to the progressiveness of technology, allowing them to consistently invade various media forms. The zombie has infested countless tv shows, movies, video games, and books, throughout the 21st century. Zombies themselves are soulless corpses who were regurgitated back into the world of the living. This making them rejects from the underworld, this presents the zombie as rejected yet inexpungable. What makes the zombie so popular, however, is that symbolizes everything that is rejected by humanity. “Much can be made of him, because he makes so little of himself. He comes back, He comes back, feebly but unstoppably” (Parker). The zombie represents humanity itself as well as what is rejected by humanity. Much like individuals today, the zombie is burdened by life’s demands, converting to nothing but a rotting, groaning human shell that stumbles through life without a purpose. The zombie is symbolizer of the real world, and all things irrepressible, whereas the vampire is a symbol of an alternate world and all things
Although the zombie metaphor focuses primarily on fear involving unconscious contributors and their mission of adding to their population, the fear of governmental control and how society responds to the epidemic is also an issue that needs to be considered. In this scenario, the viral outbreak is not only a threat to individual health but also to the stability of society as a whole.
The pages of Fahrenheit 451 by Ray Bradbury were to show a plausible disaster in America, even though the events never happened; it could still come true to an extent. We can see why Mr. Bradbury made such a novel as to bring the idea of what could happen to our minds. If we stray from the knowledge seeking ways we contain in our society, we would and still might find the tides of conformity flush away our humanity. We do strive to keep this disastrous dystopia only created in our dreaded thoughts and ideas. If such a change occurred here, we would address the situation as a hazard of a great form, a situation that makes us into a type of zombie. Yes, some kind of zombie, they might be as the undead community as to always keep a fake smile. Yet, we cannot help but wonder; what makes a zombie? Is it the need for basic brain activity involvement every minute of their shallow lives? Possibly, the hidden depression that weighs their legs down gives them the sight of zombie drags? We could speculate that maybe these zombies of Fahrenheit 451 just look hungrily for love! Always to be dissatisfied by the quick and sudden luxuries. Zombies are the end to the survival of the majority population in humanity; this is why seeing Millie, firemen, and the city as zombies is okay, they prove the former statement through their actions of conformity. To understand and solve these questions and statements we will dive into the meanings of conformity and individuality, how Montag the protagonist of this novel sees the world, and we will chose in our own minds through this information the evils and goods between conformed life and independent persons.
George Romero's reinvention of the zombie in night of the Living Dead (1968) is clearly a critique of elements of the American society, and the film as a whole is easily twisted into a warped view on the 'American Dream'. Themes throughout Romero’s film, dealing with controversial topics during the time that the film was made, are still, to this day debated by critics and film historians. Themes of racism and war are defined within the movie, hidden underneath the idea of carnal, cannibalistic zombies and over the top heroes who, eventually, succumb to the reanimated; despite their every effort. These themes are colored over and painted to hide beneath subtle references to the typical American Dream during this time, and Romero does quite the good job at it too. This dream, whilst continuously changing in the everyday lives of modern Americans, can be loosely defined as a national ethos of the United States, or a set of ideals dealing with freedom and the opportunity for success - an upward social status that can be achieved through hard work and effort.
In this essay, I will be critiquing two articles “Monsters and Messiahs” by Mike Davis and “My Zombie, Myself: why Modern Life Feels Rather Undead” by Chuck Klosterman, to show the different fallacies along with the argumentized style that is being used. Both of this articles can be found in the book Monster A Bedford Spotlight Reader by Andrew J. Hoffman.
The idea of a zombie is made up and it comes from nzambi, the Kongo word for the spirit of a dead person. In states such as Louisiana, or the Creole culture they believe zombies represent a person who has dies and brought back to life with no speech. Kings psychological argument on how we have an urge to watch horror movies because it helps to re-establish our feelings and feel natural again. Klusterman’s sociological essay helped us see the comparison of zombies and humans in real life. In conclusion zombies are not real, they are make believe but help bring a sense of normality to
Zombies have become very popular due to their depictions of being easy to kill and being communal. Zombie apocalypses are also very relatable due to the fact that they are set in lives similar to our society and seem easy to overcome. Zombies, themselves, can be identified with because we see ourselves when we look at a zombie. Zombies drudge on through the same task of finding human flesh to consume every day just like we drag ourselves to either class or our job in order to sit through another boring lecture or perform the same menial task every day. Just like the zombie, R, in the book, Warm Bodies, said, “I am Dead, but it’s not so bad. I’ve learned to live with it,” we have learned to succumb to our daily routines and just live with
In Night of the Living Dead, the zombies were eventually eliminated. Or were they? Theorists argue that the monster’s elusiveness is due to its physical, psychological and social characteristics that cross the lines of classification. Human’s innate fear of the unknown is due to their inability to make a distinction or draw a clear conclusion. This is explained further in Jeffrey Cohen’s second thesis in “Monster Theory” that claims that; “the monster never escapes” (Cohen, 14). The zombie as a monster can never be destroyed completely and if it is, it leaves a remnant the make people feel uncertain of its destruction. Base on Cohen’s theory, the zombie’s different interpretation allows it to emerge in other forms (a faster, smarter zombie?)
In the article, “A Zombie Manifesto: The Nonhuman Condition in the Era of Advanced Capitalism” by Sarah Juliet Lauro and Karen Embry, the authors’ evaluate the idea of the zombie and its connection to capitalism and post-humanism. According to the authors, the zombie represents much more than just a fear, it represents a loss of oneself to many different things, primarily to a capitalist society. The authors have come to the conclusion that humans have a fear of what they cannot control, and that is why the zombie is so big in entertainment. We see zombies everywhere, in movies, books, tv shows, fundraisers, marathons, and so much more. They have been around for decades, but recently they have become very popular. The authors believe this is