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Los Vendidos Vs Freakish Times Theme For my final essay I choose to compare and contract Luis Valdez “Los Vendidos” and Lesli-Jo Morizono “Freakish Times”. “Los Vendidos” is an Acto which is a realistic play that dramatized the social or economic problems of Chicanos. In any case, the play transmits mixed impressions about what the American culture expects from the Mexicans, which additionally sustains the racial generalizations coordinated at this nationality. Stereotyping is more than a form of social discrimination; it is a lifestyle by which the dominant majority and the vulnerable minority live, abiding to the socially shaped misconceptions about how minorities should be or how they should act. Morizono’s “Freakish Times” is more Magic …show more content…
Realism. On the one hand, it draws on the Realist tradition in literature, which was all about depicting the world as we see it, with all its everyday details and all its many problems. But on the other hand, Magic Realism fills this Realist world with the fantastic, the extraordinary, and the supernatural. It's a literary movement that jumbles together the fantastic and the mundane, and by doing so, it shows how life, even at its most trivial, can get fantastic quickly. dialogue The dialogue of “Los Vendidos” is rampant with sarcasm and insinuations, not only in the dialect used, but as well as the way that descriptions are used to covey onto the audience the clichés of stereotypical assumptions that many people have about Mexicans. This is a powerful stylistic play, since Valdez aims to mirror back to the audience every joke, comment, or belief that he has heard people say about Mexicans and Mexican Americans. Therefore, the voice of the play is represented through Ms. Jimenez's ignorant and belittling point of view, hence characterizing every single person who has ever been like Ms. Jimenez. Therefore, the theme of racial stereotyping is expressed throughout the play in a voice that reflects the feelings and ignorance of anyone who has ever been prejudiced against Mexicans, or against any other race of which they really know very little. The dialogue in “Freakish Times” is set in the future and is a conversation between a old women and a young women. In “Freakish Times” the use of magical realism allows you to use your imagination to interpret the meaning. Magic Realism is defined by contradiction. All things considered Magical Realism seems like a strange combination, but strange combinations are just what make Magic Realist writers tick. They love to depict the mundane, everyday world we know all too well yet then they infuse it with some dream as though dream were the most typical thing on the planet. Just like the old women describing living in a whale, but symbolically was her mother womb. setting The play is set at Honest Sancho's Used Mexican Lot, and an anecdotal Mexican doodad shop, which offers mechanical models emulating the diverse generalizations inborn amongst Mexicans and Americans.
The models can be controlled by purchasers by a straightforward breaking or snapping of the fingers flagging certain particular charges. A significant part of the activity natural in the play spins around one of the real characters, the secretary, who in the play is given the name of Miss Jimenez. She in the start of the play starts discussion with the proprietor of the store in this presented as Honest …show more content…
Sancho. “Freakish Times” however is set in the future in a post apoctolictic seting.
This play starts with the picture of a burial ground on a cloudy day. An old lady is meandering around this burial ground while sniffing the air. She achieves an open grave, hangs over it, grabs an arm and sniffs it. A young lady is inside this open grave, and when she sees the old lady, she asks her what year it is. The old lady lets her realize that it is the twenty-fifth year after "the" torment. The young lady is experiencing serious difficulties recollecting things and she gets some information about the torment. The old lady, in the wake of setting a cover on the ground and taking out sustenance from a container, starts to educate her concerning the torment that came to pass for the earth. Prior to the torment, and about the season of the old lady's introduction to the world, the fallen angel had secured the earth with his cover. There was no place to live, and the old lady herself had grown up inside a whale's tummy. climax The climax of this play would be when we find out the the sellout would be Ms. Jimenez who is, herself, a Chicana who has been so inculcated in the standard American way that she doesn't understand to which degree her solicitations are obtrusively supremacist and segregating. In “Freakish Times” The mother explained how hideous the new born baby was, an outcast, one who couldn’t have survived without all her senses. Love is blind and we all yearn to fill in the missing pieces
of our own life’s. The Climax of this play is when you realize the the old women and young women are actually mother and daughter. For me it symbolizes the circle of life, and life goes on even after death. resolution Mozino play has so much symbolic mean. This particular line “I hunger for you more than ever.” Has so much meaning in this play from satisfying one’s hunger, the reunion of mother and child, and filling in the missing pieces of a broken heart. For mean the resolution was to mend a bond of a mother and daughter who didn’t have the change to know one another and a mothers unconditional love for her children. So many elements of magical realism in this play which allows your imagination to run ramped. In Luis Valdez’s “Los Vendidos” On the surface, actos are essentially skits, but they transcend the simplicity of skits due to their social justice background. Chicanos had issues that need to be expressed and the acto was the most efficient way to make a political statement and demonstrate the growing dissatisfaction with the status quo in the United States.
A Theme during the beginning of the play is the value and importance of dreams. Each person in that house has a goal that they want to reach but is delayed in t...
This book was published in 1981 with an immense elaboration of media hype. This is a story of a young Mexican American who felt disgusted of being pointed out as a minority and was unhappy with affirmative action programs although he had gained advantages from them. He acknowledged the gap that was created between him and his parents as the penalty immigrants ought to pay to develop and grow into American culture. And he confessed that he got bewildered to see other Hispanic teachers and students determined to preserve their ethnicity and traditions by asking for such issues to be dealt with as departments of Chicano studies and minority literature classes. A lot of critics criticized him as a defector of his heritage, but there are a few who believed him to be a sober vote in opposition to the political intemperance of the 1960s and 1970s.
The author highlights the Latino stereotypes and their effects on those stereotyped and on society. By carrying out a satirical tone, the author is able to manifest how Mexicans are treated; thus, achieving this through the secretary’s rejection of each character represented. The satirical tone elucidates on how people may acknowledge their own prejudices and comprehend how Mexicans feel. Through the Mexican-American character, the author makes it clearly evident of an attempt to end prejudice in itself. The author illuminates the ludicrous hypocrisy behind labeling; this play serves to help society see the injustice of their opinions and to meet their
Torres, Hector Avalos. 2007. Conversations with Contemporary Chicana and Chicano Writers. U.S.: University of New Mexico press, 315-324.
In his essay "Selena’s Good Buy: Texas Mexicans, History, and Selena Meet Transnational Capitalism,” Coronado (2001) argues that Selena embodies displaced desires that need to be situated in their historical content. By looking at how Texans and marketers reacted to Selena’s death, Coronado was able to show us how Selena’s death can be looked at form a psychoanalytic lens. The working class’ obsession with Selena can be seen as a fetish of sorts. A fetish is caused by trauma and can be applied socially to a irritable social construct. In other words, Selena could be a social fetish; the Latinx working class abruptly lost someone who was representing them in mainstream media, leading to the trauma. In this theory, Selena is no longer seen as a person who contributed hugely to the rise of colored people in mainstream media, but as
She explains how Mexican and Chicano literature, music, and film is alienated; their culture is considered shameful by Americans. They are forced to internalize their pride in their culture. This conflict creates an issue in a dual culture society. They can neither identify with North American culture or with the Mexican culture.
Los Vendidos means the sell-outs. All the characters in the play sold-out at some point during the play. The characters sold out both their races and their way of life. I would say that the person who sold out the most was the Mexican-American because he sold-out both his Mexican, his American heritage and way of life. He wanted to be perfect, so when he found that the Americans and the Mexicans had their flaws he sold them out. He now has to search for a new and perfect race to identify with.
shall firstly do a summery of the play and give a basic image of what
"Los Vendidos," directed by Luis Valdez, is a remarkable play that looks into the historical struggles, stereotypes and challenges of Mexican Americans in a unique fashion. Rather than tell the history of Mexican Americans through documentaries and actual footage, the play conveys its message about the true history of Mexican Americans in the United States through both subtle and blatant techniques.
During the late 19th century and early 20th century, a form of Mexican folk music called the corrido gained popularity along the Mexico-Texan border (Saldívar). Growing from the Spanish romance tradition, the corrido is a border ballad “that arose chronicling the history of border conflicts and its effects on Mexican-Mexican culture” (Saldívar). A sort of “oral folk history,” the corrido was studied intensely by Américo Paredes, who then constructed his masterpiece, George Washington Gomez, around the “context and theme” of the corrido (Mendoza 146). But the novel is not a traditional corrido, in which the legendary hero defends his people and dies for his honor. Instead, through its plot, characterization, and rhetorical devices, George Washington Gomez is an anti-corrido.
project of the play, of which is touched upon in Act One. It is this
The eternal endeavor of obtaining a realistic sense of selfhood is depicted for all struggling women of color in Gloria Anzaldua’s “Borderlands/La Frontera” (1987). Anzaldua illustrates the oppressing realities of her world – one that sets limitations for the minority. Albeit the obvious restraints against the white majority (the physical borderland between the U.S. and Mexico), there is a constant and overwhelming emotional battle against the psychological “borderlands” instilled in Anzaldua as she desperately seeks recognition as an openly queer Mestiza woman. With being a Mestiza comes a lot of cultural stereotypes that more than often try to define ones’ role in the world – especially if you are those whom have privilege above the “others”.
Cofer uses the rhetoric appeal of ethos to establish her authority to make the argument that Latina stereotypes are just myths. Growing ...
Gonzalez, Araceli. “Discussion #2.” Chicano Studies 10. University of California Davis. Wellman 229. 8 October 2013.
The struggle to find a place inside an un-welcoming America has forced the Latino to recreate one. The Latino feels out of place, torn from the womb inside of America's reality because she would rather use it than know it (Paz 226-227). In response, the Mexican women planted the seeds of home inside the corral*. These tended and potted plants became her burrow of solace and place of acceptance. In the comfort of the suns slices and underneath the orange scents, the women were free. Still the questions pounded in the rhythm of street side whispers. The outside stare thundered in pulses, you are different it said. Instead of listening she tried to instill within her children the pride of language, song, and culture. Her roots weave soul into the stubborn soil and strength grew with each blossom of the fig tree (Goldsmith).