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Antigone vs creons morals
Antigone as a tragic heroine
Antigone vs creons morals
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Individuality, Free will and Freedom in Antigone and The Odyssey
Individuality, free will, and freedom are element keys to human life, intertwined in various ways though they may seem to stand alone. Free will cannot exist without the freedom, and it is both free will and freedom that give rise to individuality. In the face of a world where opposing forces threaten these three fundamental elements to human nature, it is essential for each person to understand them. This paper illustrates that despite individualism, free will and freedom being key to human life, realizing them is a struggle. In this paper, I will use popular Greek literature The Odyssey, a poem by Homer, and Antigone, a play by Sophocles, two different works from different ages,
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as sources to analyze individuality, free will, and freedom. Individuality is the social philosophy that underlines the moral value of an individual (Lukes, n.d.).
The ancient Greek epic The Odyssey expresses a desire to remain distinct from other people by focusing on describing the last 40 days of Odysseus's drift in the sea for ten years (Homer, 2018). He overcomes many difficulties and finally returns home to his wife and children. This epic extols the wisdom and power of humanity over nature and is the first masterpiece written by an individual in the West, highlighting individualism that people should exert their initiative. Also in the Antigone, Antigone openly resists King Creon who sticks to social laws and finally is killed for her persistence on natural law to bury Polynices, regardless of her noble quality (Sophocles, 59-128). Through the suicide of Haemon and eventual desperation of Creon, this play also emphasizes that the younger generation should not be made to repay the sins of the ancestors. In the play, such emphasis on the power of independent individuals and resistance to unfair destinies is also a reflection of individualism. Odysseus and Antigone perfectly portray individuality, struggling till the end for what they believe in while King Creon and Odysseus’ journey prove that at times, depending on the position of influence you are in, there will always be hurdles that will attempt to block your individuality (Griffith, 1999; Homer, …show more content…
2018). Free will is the ability to choose from various alternatives despite the inhibitions (Free will, 2010). However, not many people can exercise free will because there seem to be so many impediments that hamper an individual’s effort to make their own decision. In the play Antigone, the desire to free the soul from various bondages is shown where Antigone dose not bother herself with the change of regime, but all she desired is to put to an end to the curse that haunted her family members--- --- the death of their father, the suicide of their mother by hanging herself and eventually the battle between their two brothers killing each other (Sophocles, 59-128). The main character Antigone risks death by defying the King of Thebes rule that no one should bury Polyneices ---Antigone’s brother (Griffith, 1999). Unlike her sister Antigone, Ismene can hardly make any decision on her own, usually afraid of the consequences. She says that she and Antigone must submit to the law of Thebes because a curse runs in their family (Sophocles,62; Griffith, 1999). Antigone, on the other hand, owes her duty to the gods who, she says, would be happy to see her bury the body of her brother (Sophocles, 59-128). Also for Haemon, King Creon’s son, he attempts to persuade his father to spare Antigone, but his free will is depressed when his father threatens to kill Antigone (Sophocles, 93-99). However, facing King Creon’s supremacy, nothing is useful but the death. King’s authority and the social law constrains both Antigone and Haemon, finally leading to their death and Creon’s dilapidated family. In The Odyssey, people also always break through the external constraints to decide on their own. The spirit of freedom is the self-pursuit and self-affirmation through a series of mythological stories and hero legends. On the island of the Goddess Calypso, Odysseus experiences the biggest temptation during his journey (Homer, 2018). After all of his shipmates die, he spends seven years with Calypso in endless grief and pain no matter how the life was affluent. After seven years, when Hermes informs Odysseus that he could go back home, Calypso lures Odysseus that he would be immortal if he chooses to marry her. However, Odysseus refuses Calypso’s seduction with no hesitance and hopes to set off immediately, (Homer, 2018). For Odysseus, though experiencing illness and death, he would rather be an ordinary person and still wants to go home (Homer, 2018). An immortal life on an island cannot make him happy, but experience with difficulties and death can bring him hope and motivation. What Odysseus really seeks for is the freedom and being the glory of Greeks. As in other ancient Greek literature with the original concept of "heroism," The Odyssey emphasizes on the realization of the individual's value and honor. For Odysseus, instead of endless life and Calypso’s love, being remembered is the only original immortality for a victorious warrior (Homer, 2018). Heroes, like Odysseus and also Antigone, pursue the individualism, self-esteem, and self-honor, breaking down external constraints posed by others, or gods. Freedom is also the entitlement to act, think or speak as one wishes without hindrance (Freedom, n.d.).
But freedom is still inseparably tied to responsibility, consequences, and justice. That is, if someone has the right to think and act, it is his responsibility to think and act correctly and to take charge for the consequence. The true “freedom” only means much when people holds right knowledge and right training since one’s exercise of his/her entitlement must be linked to certain limits. (Freedom & Responsibilities, n.d.). In the Antigone, it could be said that King Creon has his own freedom to make decrees and control the regime in his way. However, in fact Creon infringes on the freedom of the people of Thebes by expecting them to obey him without question (Sophocles, 59-128). When Creon regards himself as the incarnation of the city-state, he demands all the people bow down to the dictatorship and completely abandon the rational pursuit as independent entities (Griffith, 1999).As Tiresias says, “Stubbornness brands you for stupidity---pride is a crime (Sophocles, 112),” what Creon believes in is only kind of mistakes and tyrants instead of real truth and freedom. However, for Antigone, she dares to exercises her freedom to act and speak by openly resisting King Creon’s ban to bury her brother Polyneices due to love, loyalty, and humanity (Griffith, 1999). She shouts indignantly, "Yes! He is my brother...No one will ever convict me for a traitor…No; he has no right
to keep me from my own” (Sophocles, 61). For Antigone, it is not only an irreplaceable obligation for her as a sister but also a duty of every alive person for the dead to rest Polynieces' soul in peace. Paying her young life as price, Antigone complete the defense of human nature and to practice her pursuit of freedom. What Antigone fights for is actually the real truth and meaningful freedom. In the Greek poem The Odyssey, when Odysseus fails to return home after the war, more than one hundred suitors camp in his palace to woo his wife Penelope and son Telemachus. In their prospects, they live large at the castle, enjoying the best that the mansion has to offer. They have the freedom to do as they wish. However, such freedom is not meaningful because what it brings is the anguish and anger of others. What they do to Odysseus’s wife Penelope and son Telemachus is actually the sin instead of freedom. Also, on the island of the Sun God Helius, Eurylochus and other crew does not obey Odysseus’ command and thinks that it is right to eat the cattle without the consequence of death. However, finally what they face is not the pity from gods but the death. Their behavior could not be termed as “freedom” but “lust” (Homer, 310-313). Both these instances from Antigone and The Odyssey indicate that no matter the level of freedom, there is always a limit and some responsibility attached. Only the freedom with good intention could be meaningful. CONCLUSION This paper has comparatively analyzed the themes of individuality, free will and freedom as presented in great works of Greek literature-the poem The Odyssey and the play Antigone. This paper also has shown that personality comes at a price, free will is restrained and only real freedom has means, with responsibility and justice attached to it. The Greeks first won the identity of “free people” before other nations. Through the analysis of ancient Greek literature, not only The Odyssey and Antigone, people could clearly understand Greeks’ unchanged persistence on free will. During the struggle for true freedom, there must be suffering and resistance, but there must also be more pride. No matter the transition of the ages, or even the disintegration of the city-states, the ancient Greeks still holds their freedom. As in The Odyssey and Antigone, in despite of the plundered city-states, the restricted life, unrecognized belief, or the fleeting death, the consciousness of freedom and individuality in Odysseus’ and Antigone’s hearts will not be able to take away as long as they do not abandon it. It is this rare free will that makes them independent, facing harsh nature and life bravely.
Obedience to civil law is necessary to uphold order and peace. In the play, Antigone, by Jean Anouilh, Creon, the king of Thebes, states that anarchy is the greatest of evils and that good lives are made through discipline and lawfulness (Anouilh 42-47). Creon’s judgment and emphatic support of civil law makes him an inadequate leader because his actions in various situations lead to the untruthful messages to his people and the loss of his family members.
Some people will argue that government oppresses our right to exercise free will. I don’t think that government takes away our right to free will, it just dictates the consequences of choices. Antigone didn’t let Creon’s law change her mind. Creon did however inflict consequences upon her actions. I think that the play Antigone is a perfect example of free will and the way people exercise it.
In Sophocles’ Antigone, the most prominent theme is the concept of divine law versus human law. The play opens with the debate between the sisters Antigone and Ismene concerning which law comes first- the devout obligations of citizens, or civic duty. Antigone requests for Ismene to assist her in burying their brother Polyneices, though the new king Creon, has prohibited burial on pain of death. It can be argued that Creon’s edict, which deprived Polyneices of his funeral rites, is understandable. The young man had been killed perpetrating the most atrocious crime of which a citizen could be guilty, and Creon, as the responsible head of state, naturally supposed that exemplary punishment was the culprit’s right...
Antigone and Oedipus, written by Sophocles, are dramatic plays with a tragic ending. The main theme for Antigone is that people sometimes have to learn the hard way from their mistakes. This theme is expressed in the final four lines of the play. They read, There is no happiness where there is no wisdom; No wisdom but in submission to the gods. Big words are always punished, And proud men in old age learn to be wise. These lines are an important part of the play. They symbolize Creon's bad decisions he made, his defiance to the gods, the punishment he went through because of his edict, and the wisdom he gained because of all his mistakes. "There is no happiness where there is no wisdom" demonstrates how Creon not using wisdom in his decision affected him. By declaring that Polyneices could not have a proper burial, he went against the gods and the other citizens of Thebes's beliefs. This was not a wise decision on his part, and because of it he lost his wife, his son, and his happiness. Creon also defied the laws of the gods. This is what is expressed in the line, "No wisdom but in submission to the gods." In Antigone, the edict and decisions that Creon made demonstrated that his law was more important then the gods laws. His defiance of the laws eventually made him believe, by talking to Teirisias, that something bad would happen to him, so he gave in to his decision.
Many great rulers have been tempted by the authority of absolute power. In Antigone, by Sophocles, Creon, the Theban king, will do anything in order to earn this absolute power. Creon’s prideful attitude, disregard of the authority of the gods, and failure to listen cause him to fail as a statesman, demonstrating the nature of kingship in Sophocles’s Antigone.
In life, human nature is the only thing that never changes, even as humans progress and evolve. Humans all have the same wants and needs. We need love, compassion, and we want to be happy. In Homer's the Odyssey, the characters have strong opinions and act out of their own free will, but at the same time, the will of the gods keeps coming up as a force that directs events. Although the gods have power against the mortal's, free will is a force much greater then any other power known to mortals and even the gods.
In the story “Antigone”, Sophocles shows that Creon’s attitude is very angry, making everyone sees him as a tyrant more than as a king. His regard for the laws of the town causes him to abandon most viewpoints, like the laws of the gods, or the rights of the people. He believes that his subjects should obey the laws he has set in place, even if moral or religious beliefs contradict his laws and beliefs. Creon’s idea of a good leader is one who maintains order through violence and fear. More over his arrogant, power-seeking personality prevented him from seeking out advice or listening to his own people.
Ancient literature often utilized fate and free will to explicate events that have occurred throughout different stories. In both the Epic of Gilgamesh and Homer’s The Odyssey, humans possess limited free will as a result of influence from divine beings.
Summing up, Antigone decides to express her discontent with what she considers to be the unethical new regime of King Creon by burying her brother's body. By taking this bold step, Antigone shows the strength that an individual’s actions hold in a democracy. Creon, with his stubborn attitude, shows how a democracy where peoples’ voices are not heard can be dysfunctional, and that laws should be made by taking other people into confidence and not on an individual basis. In the end, Antigone resolves to sacrifice her own life in the service of a greater justice. It is this kind of formidable resolve that changes the course of history, and that is something that we can respect equally in the 5th century B.C. and the 21st century A.D.
In The Odyssey life is one's own responsibility; instead of leaving all things up to fate, the characters had a significant influence upon his or her own existence.
In the play Antigone, Creon, king of Thebes faces a harsh conflict with himself, involving the values of family and religion verse the civic responsibility he must maintain for the city of Thebes that comes with being the new king. In theory no decision Creon makes is going to be the rite one. Although both Antigone and Creon have justified reasons for believing in there own laws only one can be upheld by the play and how Sophocles interoperates the play himself. Creon must decide whether to punish Antigone, a princess, daughter of king Oedipus, or fail at enforcing his own law and look weak in front of the citizens of Thebes as their new leader. The law stated that anybody who touched the corpse of Polyneices, a prince, and son of Oedipus would be stoned in the town square.
A specific strength of Creon, the major adult character in Antigone, is his ability to make his opinions known to the entire kingdom. One example of this is the major decision that is the focus of the entire story. After Antigone’s brother, Polyneices, died in battle against his own kingdom, Creon told the citizens of the land that no one was to bury the traitor. The king felt that the strict edict was necessary because Polyneices “broke his exile to come back with fire and sword against his native city. (193)” Creon knew that a traitor to the kingdom should not be honored with the same ceremony given to one who fought for his own kingdom.
Fate is an old debated concept. Do one's actions truly play a role in determining one's life? Is fate freedom to some or is it binding to others, in that no individual can make completely individual decisions, and therefore, no one is truly free. Nowadays, fate is a subject often rejected in society, as it is seen as too big, too idealistic, and too hard to wrap a persons head around. However, at the time of Antigone, the concept was a terrifying reality for most people. Fate is the will of the gods, and as is apparent in Antigone, the gods' will is not to be questioned. Much of Sophocles' work focuses on the struggle between human law and what is believed to be the god’s law. Fate was an unstoppable force and it was assumed that any efforts to change one's future were unrealistic. In Sophocles' Antigone, fate plays a crucial role the choices that the characters make.
Loyalty to the household is one of the foundational values of Grecian cultures. Both Antigone and the Odyssey portray the benefits of this devotion to kin, yet also expose the tensions that can arise while keeping an allegiance to a household. Polis, the city-state, was grounded in the concept of oikos, or households. Ancient Hellenic women were expected to uphold certain standards within society, such as burying the dead family members, pledging allegiance to the household of the betrothed, or marrying into a new household following the death of a husband. Consequently, massive repercussions, even death, could arise if a woman did not fully pledge allegiance to a betrothed household or abandoned her current family without justifiable cause.
The ancient Greeks were mainly concerned with the relationship between fate and free will. This concern weaves in and out of the culture's most highly regarded literary works, including one of the earliest and most well-known texts ever written - the Odyssey. Homer's thrilling tale of King Odysseus' trials and tribulations on his homeward voyage from Ilium is littered...