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An essay on appearance and reality in othello
Characterisation in Othello by Shakespearean
Characterisation in Othello by Shakespearean
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Human nature is a complex concept that no one is able to fully grasp. In the play Othello, Shakespeare’s view of human nature is primarily based on being jealous of what others have. Roderigo, being jealous of Othello of how he was able to obtain Desdemona’s love and Iago, not being able to obtain a promotion like Cassio. While in Christopher Moore’s A Dirty Job, shows that you care for those that are dear to you. Charlie, having to deal with the loss of his beloved wife, he cherishes his daughter Sophie and protects her by any means. Having the contrast of jealousy presented by William Shakespeare in the play Othello and affection by Christopher Moore in A Dirty Job, gives each other completely different resonances. In Othello, the concept …show more content…
Whether it was to impact a single person 's’ life or the world. We were born and raise with meaning to live with and morals that we should abide by.
3. The movie O, is a modernized version of the great tragedy Othello by Shakespeare. Jealousy is perceived as the greatest theme shared by these works. How jealousy worked in these stories were that it clouded the mind of the antagonists, Iago and Hugo, which then leads to a tragedy that leads to the death of the protagonists beloved ones. The second strongest theme in these works were injustice. Iago and Hugo both devised a malicious plan that would sabotage the protagonists cherished ones that would result in their death. In the work Othello, the antagonist Iago, is Othello’s trusted standard bearer which slowly takes advantage of his trust to manipulate him by planting false accusations into his mind. This phrase was the turning point of the play, in which Othello is starting to believe in Iago’s claims later on,
OTHELLO
What dost thou say?
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(3.3.35-40)
Iago keeps on making these false accusation while denying it to plant the idea that it is a possibility into Othello 's mind. That was Othello’s downfall towards the end and he realized it when Iago said, “Demand me nothing. What you know, you know.
From this time forth I never will speak word.” (5.2.355-356) While in the movie O, the protagonist Odin, was deceived a Hugo when he was told that Michael had Dessie’s scarf. Odin was enraged by the fact that he overheard the conversation that Hugo held with Michael and saw the scarf in the hands of Michael, but the scheme that Hugo placed was already set and Odin didn’t realize it. This was when Odin was completely manipulated by Hugo into strangling Dessie to death and eventually committing suicide himself. The acts that were done by both the antagonists were unjust. Both the play and movie started with a bond of trust between the protagonist and antagonist, while the antagonist had the upper hand of the intention of betrayal and succeeded.
4. The work Othello, by Shakespeare was the most insightful. It taught me that people have multi natured personalities. As Iago said toward the beginning of the play:
I hate the
Rhetorical strategies are continually used to get a point across or to manipulate another. Iago uses many devices to put false accusations into Othello’s head. In lines 330-447 in Act 3 scene 3, Iago uses rhetorical question, imagery, and sarcasm. He questions Othello and makes him think the worst between Cassio and Desdemona, and then his use of words adds color and a picture, so it has to be right. Last his sarcasm creates the assurances Othello needed to be duped.
Although the scandal that Iago came up with is a complete lie, Othello ends up believing him. Iago uses his ability to talk to people in order to accomplish his plan of destroying Othello because he wasn’t granted the position of the Venice army. (Sorto 1) A manipulative person gives himself the full-rights to do as they please without taking the rights of others into consideration, and they go about doing so by presenting themselves in the purest image of a good moral person, while they hide the true evil inside waiting for the right moment to dominate their prey. “They never recognize the rights of others and see their self-serving behaviors as permissible....
...ence more reasoning to the jealousy of the characters and the actions they take. With the changed setting come many differences: drugs and alcohol, peer pressure, violence, and different sources for jealousy and hatred. These issues are the dilemmas we, as teenagers in this new millennium, are faced with day to day. "O" addresses these new era evils without abandoning the original themes and major issues of Shakespeare's Othello. The audience can relate to a story written down hundreds of years ago and benefit from it.
Othello is tied to Iago by strings of doubt, jealousy, and anger towards this woman who emasculated him by supposedly sleeping with another man. Had Othello refused to immediately believe Iago’s accusations, not only verbally, but mentally and physically as well, he would have figured out that they were lies and it was actually “honest Iago” who was deceitful, not his wife. In this world we must be prepared to question everything and everyone because everybody has some selfishness in them and will be willing to go to great extremes to reach the top, even if it means objectifying others and using them to their advantage. When we blindly believe others, we give them a power over us that only we should have, therefore it is best to keep their “truth” in consideration, but remember never to fail to at least attempt to confirm that truth and create our own. When we do fail to attempt this is when we give up our individuality and become as equally inanimate as a tool that those who do choose to create truth will use and toss away.
In Othello Shakespeare probes deeply into the human condition by creating characters, who, by their inability to think rationally, surrender what sets them above animals. Before he succumbs to Iago's poisonous innuendoes, Othello himself expresses his clear understanding of this role of the human intellect. He initially refuses to listen to Iago's suggestions that Desdemona cannot be trusted, "Exchange me for a goat/When I shall turn the business of my soul/To such exsufflicate and blown surmises" (3.3.194-96). Othello feels that he would be acting like an animal if he became irrationally jealous because someone would say "my wife is fair, feeds well, loves company" (3.3.198). He tells Iago that he will not blindly fall into jealousy, especially when he never has had reason to suspect Desdemona, "I'll see before I doubt; when I doubt, prove;/And on the proof, there is no more but this--/Away at once with love or jealousy" (3.3.205-07).
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
In the tragedy Othello, Shakespeare creates a mood that challenges the way a person sees his or her self and the world. Subjects like racism, sexism, love, hate, jealously, pride, and trickery are thoroughly developed in the play of Othello to enable the audience to view the characters and also themselves. The Shakespearean tragedy of Othello was written in a time of great racial tensions in England. According to Eldred Jones, in 1600 just three years before Othello was written, Queen Elizabeth proclaimed an Edict for the Transportation of all "negars and blackmoores" out of the country ("Othello- An Interpretation" Critical Essays 39). It is in this atmosphere that Shakespeare began the masterpiece of Othello, a drama about a noble black Arab general, Othello, who falls in love with and marries, Desdemona, a young white daughter of a senator. From the above knowledge one may conclude that Shakespeare wrote Othello to express that all people, of all ethnicity, are basically the same in human nature. Shakespeare borrowed the idea of Othello from an Italian love story by Giraldi Cinthio. However, Shakespeare focuses more on the differences in color and age between Othello and Desdemona than Cinthio. Shakespeare does this to escalate Othello’s isolation from the rest of Venetian society and to display Othello’s vulnerability due to his color. In the tragedy not only is Othello susceptible to weaknesses but so is every major character . The tragedy reminds humans that even one’s good nature can be taken advantage of for the worse. The drama Othello expresses, through relationships and emotional attitudes, a theme that all humans are vulnerable to destruction even if they are in positions of power and glory.
The three characters are consumed in jealousy for different reason. And the reasons for the jealousy of the characters contrast. But the jealousy of the three in the end of the tragedy compare because the jealousy becomes a means to the characters demise.
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
Iago has been excellent at saying the what is needed to get to people, he misleads them to get a reaction he wants out of them. He is clever with his words to avoid confrontation that can easily happen. “Othello 's confusion is the human experience of language. In other words, language itself, not the outside world, determines meaning” (Christofides 2). Iago uses his words against Othello to get him to do Iago’s doings. Iago has an eloquence with
of being an honest man. Iago knew that an important man like Othello couldn’t ignore. the possibility that his wife was cheating on him. Nobody suspects that Iago is a deceitful man and would plot and plan to destroy Othello, Cassio and Desdemona in such a way. cunning way to go.
Othello teaches us much about our current postmodern culture. The play connects to our ideas of sexism, male-bonding, racism and capitalism. Shakespeare uses these universal and timeless flaws in humanity along with our use of language and truth to tell his tale. Iago, over a period of about three days, uses these facets of humanity to turn Othello against his wife Desdemona and his friend Cassio. Othello reveals both the struggle of the British people of the early 1600's and Americans in the late 1900's with sexism, capitalism and racism.
The tragedy, "Othello" by William Shakespeare, is not just a play of jealousy. It is a drama about the collision of two worlds. One of them is a world of an absolute cynic, Iago the manipulator. A second world is a world experienced by all the other characters of the tragedy. The ability to understand the true nature of people around Iago makes him quickly navigate the situation. Given by nature, the psychological technique of manipulation, Iago is a master to wear different masks, because he can predict the further course and he is proficient of destroying everything to achieve success.
Othello’s true flaw is not vile, destructive jealousy, but rather pure and prevailing love. He has a very strong character of virtue and nobility that is intact up to the horrid end. Iago’s deceit and trickery are more the cause of Othello’s tragic fall than any fault of Othello himself. This innocence and greatness of the tragic hero unequaled in any other Shakespearean tragedy is what gives the play its terrible irony and passion. Othello plays on the most powerful of all human emotions: faith and love, both embodied to the fullest in the great and honest Othello.
So, he invents and elaborate scheme to destroy Othello through his woman. When Othello demands proof of her infidelity, Iago says: “I do not like the