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Literary analysis of two kinds
Literary analysis text
Literary analysis of two kinds
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In the thought provoking stories “Gwilan’s Harp” by Ursula K. LeGuin, “The Washwoman” by Isaac Singer, and “The Last Leaf” by O. Henry, certain characters experienced tragic loses. These stories all sadly portrayed tragic moments that the main characters experienced. In the story “Gwilan’s Harp” Gwilan loses her harp, but she is able to find redemption at the conclusion. The both inspiring and touching story of the “The Washwoman” reveals an important life lesson and shows strong examples of aspiring attitude. Finally, “The Last Leaf” surprises the reader with an unpredictable ending of Behrman, who is very poorly treated but he acts as a great influence throughout the story. Without doubt, these stories demonstrate respectable principals …show more content…
and examples through hard times. Firstly, the main character Gwilan from “Gwilan’s Harp” by Ursula K.
LeGuin, lives a life full of hardships and sacrifices. Gwilan sadly loses her prized harp during an accident while travelling to a music festival and sadly never acts the same afterwards. However, she marries a man named Torm, as the two both loved and had a unique passion for music. She then lives with Torm in poverty on a farm with their two sons who unfortunately never received the astounding gift of music. Devastatingly, Gwilan soon becomes diagnose with arthritis because of her broken wrist from the accident. She soon loses her ability to play the harp and soon later Torm dies in illness after the thirty years of marriage they shared “I have nothing left at all now but myself” (LeGuin). Gwilan realizes she has herself even through the hardships and difficult times of loss. The theme of loss dominates, but Gwilan learns to play the instrument she always had in …show more content…
her. On the other hand, “The Washwoman” by Isaac Singer showed the power of one’s influence. The main character a Gentile washwoman goes through life working hard and lives in an apprising attitude despite the occurring obstacles she goes through. She impacts the life of a Jewish family and shows the astonishing strength even while facing the hardest circumstances. “I cannot even conceive of a world where there is no recompense for such effort” (Singer). The washwoman never fails to work hard and always gives her best effort no matter what circumstance she occurs. Even while her health dwindles, she manages to faithfully return all the laundry before she sadly passes away. Finally, in “The Last Leaf” written by O.
Henry, a young painter Johnsy, becomes ill with pneumonia. While lying in bed dreadfully ill, Johnsy spots an ivory vine and she begins to count down the leaves outside her window. When the last one falls, she believed she will fall too. Her good friend Sue, tries effortlessly to dissuade Johnsy’s crazy idea. Sue then seeks outside help, she goes to their neighbor Behrman ignoring his age and stubbornness. “He had been always about to paint a masterpiece, but had never yet begun it” (Henry). Behrman then created his masterpiece as he painted the last leaf in the cold and harsh icy rain. He soon becomes ill with pneumonia and dies but his death saved Johnsy and he demonstrated true caring, and a sacrificial
personality. Each of these short stories displayed the sad and hard troubles in one’s life. The authors use the loss to show the true good and sacrifice in one’s heart. In “Gwilan’s Harp,” Gwilan loses so much, but she never loses herself and creates an inspiring redemption. While in “The Washwoman” effort is displayed in the most persevering way imaginable. Lastly, in “The Last Leaf” Behrman goes out of his way and sacrifices his life for another. These characters showed so much passion and where true role models. Their actions proved who they were. They created an astonishing long-lasting impact which created them to be true leaders.
“A Secret Lost in the Water” by Roch Carrier and “The Maiden Wiser Than the Tsar” retold by Idris Shah are both short stories rich in their plot and conflicts. The narrator and the Maiden both faced different conflicts, each associated with its own life lesson. While the differences between the internal conflicts of the narrator and the Maiden are striking, there is an important similarity.
The harp had come to Gwilan from her mother, and so had her mastery of it, people said. “Ah,” they said when Gwilan played, “you can tell, that’s Diera’s touch,” just as their parents had said when Diera played, “Ah, that’s the true Penlin touch!” Gwilan’s mother had had the harp from Penlin, a musician’s dying gift to the worthiest of pupils. From a musician’s hands Penlin too had received it; never had it been sold or bartered for, nor any value put upon it that can be said in numbers. A princely and most incredible instrument it was for a poor harper to own. The shape of it was perfection, and every part was strong and fine: the wood as hard and smooth as bronze, the fittings of ivory and silver. The
...h and every chair and thing. Commenced to sing, commenced to sob to sigh, singing and sobbing. Then Tea Cake came prancing around her where she was and the song of the sigh flew out of the window and lit in the top of the pine trees. Tea Cake, with the sun for a shawl. Of course he wasn’t dead. He could never be dead until she herself had finished feeling and thinking. The kiss of his memory made pictures of love and light against the wall. Here was peace.” Janie lay in her bed reminiscing and is convinced that Tea will stay in her memory until the day she dies, after that day she will be together with him again – together with Tea Cake in heaven. The emptiness in Janie that was present in her before she left town with Tea Cake has subsided. Due to the love of Tea Cake let her know, Janie is now complete, the bee has nurtured the flower, and allowed it to grow.
Far more examples exist in the book of music becoming someone’s saving grace. For instance, the barmaid that the narrator a...
In many short stories, characters face binding situations in their lives that make them realize more about themselves when they finally overcome such factors. These lively binding factors can result based on the instructions imposed by culture, custom, or society. They are able to over come these situations be realizing a greater potential for themselves outside of the normality of their lives. Characters find such realizations through certain hardships such as tragedy and insanity.
Many of the short stories within the collection The Things They Carried, written by Tim O’Brien, can be compared and contrasted in regards to elements including theme, characters, and technique. In “Sweetheart of the Song Tra Bong,” the character Mary Anne Bell appears to be apparently similar to the character Martha from “The Things They Carried,” in that both are young women who have relations with a soldier in the war. Though upon further analysis of Mary Anne, it appears she is far from alike to Martha. Rather, an unexpected parallel can be drawn between the characters Mary Anne and Elroy Berdahl, from “On the Rainy River,” in that both appear to be epitomes of masculinity. The peculiar connection between these characters developed by Tim O’Brien shines a light on the ambiguity of conventional gender roles of men and women.
The storyline for many fairy-tales follow the same structure, there is a damsel in distress and a hero is there for the rescue. This simple concept is complexed within many classic novels. Cat’s Eye by Margaret Atwood shows how overcoming traumatic experiences may transform individuals from their state of despair into a peaceful mindset. On the other hand, Arthur Goldman’s Memoirs of a Geisha focuses on a girl who struggles to navigate through the constant obstacles of life. These two novels demonstrate how the lingering effects of a strained past may impact an individual significantly, yet coming across their own personal saviours allows their destiny to take a turn for the better. The protagonists exemplify a common theme throughout the novels: a feeling of betrayal and a saviour’s guidance. This generates inner strength from within the protagonists which allows them to overcome their respective pasts.
In “Hills Like White Elephants” and “The Story of an Hour”, the woman in each story imprisons in the domestic sphere. In “Hills Like White Elephants”, the woman in this story conflicts between keeping the baby or getting abortion although the relationship with her boyfriend would not improve as he said. In “The Story of an Hour”, even though Louise Mallard, an intelligent, independent woman understands that she should grieve for Brently, her husband and worry for her future, she cannot help herself from rejoice at her newfound freedom. The author of this story, Kate Chopin suggests that even with a happy marriage, the loss of freedom and the restraint are the results that cannot be avoid.
The “Story of an Hour” by Kate Chopin and ‘”The Hand” by Sidonie-Gabrielle Colette are similar in theme and setting. Sidonie-Gabrielle Colette and Kate Chopin create the theme of obligatory love and the unhappiness it entails. Both stories illustrate the concealed emotions many women feel in their marriage yet fail to express them. The two stories take place in a sacred room of the house and both transpire in a brief amount of time. The differences between the two stories are seen through the author’s choice of characters in each story. In “The story of an Hour” Kate Chopin involves other characters in Mrs. Mallard’s life, whereas, “The Hand” deals with marriage and togetherness and only involves the husband and wife. Symbolism is seen all throughout “The Hand” not so in ‘The Story of an Hour.” The similarities in “The Story of an Hour” and “The Hand” is portrayed in theme and setting. The differences are illustrated in the choice of characters involved in each story and the amount of symbolism depicted in the different stories.
In the short story, “The Story of an Hour,” author Kate Chopin presents the character of Mrs. Louis Mallard. She is an unhappy woman trapped in her discontented marriage. Unable to assert herself or extricate herself from the relationship, she endures it. The news of the presumed death of her husband comes as a great relief to her, and for a brief moment she experiences the joys of a liberated life from the repressed relationship with her husband. The relief, however, is short lived. The shock of seeing him alive is too much for her bear and she dies. The meaning of life and death take on opposite meaning for Mrs. Mallard in her marriage because she lacked the courage to stand up for herself.
The symbols and imagery used by Kate Chopin's in “The Story of an Hour” give the reader a sense of Mrs. Mallard’s new life appearing before her through her view of an “open window” (para. 4). Louise Mallard experiences what most individuals long for throughout their lives; freedom and happiness. By spending an hour in a “comfortable, roomy armchair” (para.4) in front of an open window, she undergoes a transformation that makes her understand the importance of her freedom. The author's use of Spring time imagery also creates a sense of renewal that captures the author's idea that Mrs. Mallard was set free after the news of her husband's death.
Theo and the young Narrator similarly discover the revelatory capacity of art through a single pivotal painting and author respectively, both which become significant motifs in either text. Tartt utilizes an existent painting ‘The Goldfinch’ as a fixed point of reference, which, for both Theo and the reader provides a sense of reality and constancy ‘rais[ing him] above the surface’ of an otherwise tumultuous childhood. Whereas Proust uses a fictional author, ‘Bergotte’, to communicate the universality of art, and invite the reader, through the vivid immediacy with which the Narrator’s early reading experiences are described, to participate in his epiphanic discovery that art can translate ‘imperceptible truths which would never have [otherwise] been revealed to us’ (97). Artistic imagery becomes a motif in Proust’s descriptions of scenes of domesticity and nature. In a scene recounting Francoise ‘masterful’ preparation of a family meal the Narrator describes asparagus in the technical language of painting as ‘finely stippled’ provoking an association between his observations of asparagus and the creation of a painting. By forming this improbable link he elevates unremarkable asparagus to the ‘precious’ status of art in the eyes of the reader. Proust’s presentation of his Narrator’s ‘fascination’ and pleasure at their ‘rainbow-loveliness’, forces the reader to consider asparagus with unfamiliar and attentive appreciation, conveying the idea that art can uncover the overlooked beauty of the mundane. Though Theo reveals a far more cynical view of ordinary life as a ‘sinkhole of hospital beds, coffins and broken hearts’ Tartt conveys the similar belief in art’s capacity to create a ‘rainbow-edge’ of beauty between our perceptions and the harshness of reality. In the most
...years later, it becomes clear that for all the emphasis put on art, on creation, and on mass production—nature is central to our human experience. We can symbolize this natural connection with art—but the art itself always harkens back to something that elicits an emotional response from the viewer. For Leontes, a statue of his presumably deceased wife, Hermione triggers a sorrowful reaction. Art indeed embellishes life as it does with flowers, but we are always working from some perspective, some emotion, before we are merely creating art. “The Winter’s Tale” takes on the challenge of investigating whether or not art can in fact breathe outside the womb of nature, and as we witness art break down, and nature hold the characters together, it becomes resoundingly clear that art seeks to react to nature, but that it cannot work without maintaining nature at its core.
There is one thing in common with all short stories in this collection. They all have a twist in the tail. We can also notice that many of the characters are ordinary and respectable on the surface, but many of them have an unexpectedly dark and cruel side to their personalities.
Several different elements are necessary to create a story. Of all the elements, the conflict is most essential. The conflict connects all pieces of the plot, defines the characters, and drives the story forward. Once a story reaches its climax, the reader should have an emotional connection to the both story and its characters. Not only should emotions be evoked, but a reader should genuinely care about what happens next and the about the end result for the characters. Guy de Maupassant’s “The Necklace” is the perfect example of how a story’s conflict evolved the disposition of its characters.