A Character Analysis of Macbeth in Shakespeare's Macbeth
By the end of Act V scene v it is clear that Macbeth is not going
to rule his kingdom much longer. He is to be killed by a "man none of
woman born" (IV,i,80) who we find out latter in the play is Macduff.
Before Macbeth is to be killed we find out that he is a great warrior, a
sane man, and a superstitious man.
In Act I scene ii we find out that Macbeth is a great warrior. We
start the scene off from a sergeants account of the fighting against the
enemy's of the king and Macbeth.
For brave Macbeth-well he deserves that
name,-disdaining fortune, with his
brandish'd steel, which smok'd with
bloody execution.
(I,ii,16-18)
From this we can tell that Macbeth fought bravely and through unbeatable
odds against Macdonwald's army. It also tells us that Macbeth can handle a
sword like it was an extension of his own body. The sergeant also tells
us:
As cannons overcharg'd with double cracks;
So they doubly redoubled strokes upon the
foe:
(I,ii,37-39)
From this we can tell that he was a relentless and courageous fighter and
would not stop until he had won. He is such a fearless fighter that the
day would be remembered for centuries to come the sergeant says: "Or
memorize another Golgotha," this tells us that Macbeth would have gone
down in the books as Scotland's heroic warrior. Macbeth had two glorious
battles both of which he had won. from these battles and the sergeants
words we can truly say that Macbeth was a great warrior.
Macbeth is also to be portrayed as an insane man, but I think that
this is not to be true. An insane man is supposed to be delirious, make no
sense what-so-ever, and to enjoy the killing and deaths of others. On the
contrary Macbeth is none of these, he in my opinion is a very sane man.
Macbeth says to lady Macbeth that "we will proceed no further in this
business" (I,vii,31) in this scene Macbeth is showing hesitation in
killing Ducan, which tells us that Macbeth like any other normal man does
not like killing. In Act II scene I Macbeth has his first major Soliloquy
where he seems to be delirious by seeing a dagger floating around him "A
dagger of the mind, a false creation" (II,i,38). I think that this in fact
is just his imagination telling him that it is a mistake to kill Ducan.
Macbeth has a very stressful decision on his mind whether to compel to the
In the novel, Their Eyes Were Watching God by Zora Neale Hurston, Janie Crawford the main character goes through some big changes. Throughout this book Janie struggles to find her inner voice and purpose of love. She looks high and low for a sign of what love really is and she finds it as being the pear tree. The pear tree is very symbolic and ultimately shows Janie what love is and how it should be in a healthy relationship. This tree, with the bees pollinating the blossoms, helps Janie realize that love should be very mutual and each person needs to provide for the other equally. Janie tries to find this special kind of love through her three husbands, but she comes to realize it is going to be much harder then she expected. Each one of Janie’s husbands are a stepping stone for her finding her voice.
This excerpt from Zora Neale Hurston’s book, Their Eyes Were watching God, is an example of her amazing writing. She makes us feel as if we are actually in her book, through her use of the Southern Black vernacular and admirable description. Her characters are realistic and she places special, well thought out sentences to keep us interested. Zora Neale Hurston’s art enables her to write this engaging story about a Southern black woman’s life.
In Zora Neale Hurston's Their Eyes Were Watching God, the image of a pear tree reverberates throughout the novel. The pear tree is not only a representation of Janie's life - blossoming, death, metamorphosis, and rebirth - but also the spark of curiosity that sets Janie on her quest for self-discovery. Janie is essentially "rootless" at the beginning of her life, never having known her mother or father and having been raised by her grandmother, Nanny. Nanny even says to Janie, "Us colored folks is branches without roots and that makes things come round in queer ways" (Hurston, 16). Under a pear tree in Nanny's backyard, however, Janie, as a naïve sixteen-year-old, finds the possibilities of love, sexuality, and identity that are available to her. This image, forever reverberating in her mind through two unsuccessful marriages to Logan Killicks and Joe Starks, is what keeps Janie's spirit alive and encourages her quest for love and life. "It followed her through all her waking moments and caressed her in her sleep" (10).
Through her use of southern black language Zora Neale Hurston illustrates how to live and learn from life’s experiences. Janie, the main character in Hurston’s Their Eyes Were Watching God, is a woman who defies what people expect of her and lives her life searching to become a better person. Not easily satisfied with material gain, Janie quickly jumps into a search to find true happiness and love in life. She finally achieves what she has searched for with her third marriage.
Their Eyes Were Watching God is a good place to start examining the roles of African-American women. It is written by a woman, Zora Neale Hurston, and from a woman's perspective. This book examines the relationship between Janie and...
Rosenblatt, Roger. “Roger Rosenblatt’s Their Eyes Were Watching God.” Rpt. in Modern Critical Views of Zora Neale Hurston. Ed. Harold Bloom. New York: Chelsea House, 1986. 29-33. Print.
Hurston’s “How it Feels to be Colored Me” the presence of conflicting views in their
“She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight,” (11). The novel, Their Eyes Were Watching, God by Zora Neale Hurston, tells a story of a woman, Janie Crawford’s quest to find her true identity that takes her on a journey and back in which she finally comes to learn who she is. These lessons of love and life that Janie comes to attain about herself are endowed from the relationships she has with Logan Killicks, Joe Starks, and Tea Cake.
Macbeth thinks he is unstoppable now because of this revelation and continues with his conspiracy to kill people even though at times he regrets it.
For the case of Abigail Williams, she made use of the paranoia of the witchcraft trials to her advantage to carry out personal vengeance against Elizabeth Proctor. Firstly, she amplifies the townsfolk’s’ fear of the supernatural by pretending she was being attacked by witches. By pretending she was being attacked by an invisible bird sent out by Mary Warren (“why do you come, yellow bird?”) and accusing countless people of witchcraft, Abigail sows discord and fear amongst the staunch Puritian villagers, by making them suspicious of one another and addressing their fear of the unknown. She then manipulates their fear and paranoia to work to her advantage. Since act 1, the author has shown that Abigail has harboured a hatred of Elizabeth Proctor (“It’s a bitter woman, a lying, cold, sniveling woman”) partly because she was fired from the Proctors’ service, and maybe also because she wants John...
Somewhere near the heart of much contemporary liberal political theory is the claim that if the state restricts an agent's liberty, its restrictions should have some rationale that is defensible to each of those whose liberty is constrained. Liberals are committed to the "requirement that all aspects of the social order should either be made acceptable or be capable of being made acceptable to every last individual." But there are many kinds of claim which are particularly controversial, many about which we expect reasonable disagreement. Coercive policies should not be justified on the basis of such controversial grounds; rather, they should enjoy public justification. That coercive policy should enjoy public justification implies that political actors are subject to various principles of restraint, that is, that they should restrain themselves from supporting policies solely on the basis of excessively controversial grounds. The point of advocating restraint is to achieve a minimal moral conception, a core morality, which is rationally acceptable to all and which provides the ground rules for political association.
Lady Macbeth, being ruthless, tries to convince Macbeth to kill King Duncan, but his conscience is stronger than his ambition. He feels that the king is at his palace in “double-trust”; he is his host and he should not be holding the knife to kill the king. When he says, “We will proceed no further in this business” (I. vii. 31. He does not want to follow through with Lady Macbeth’s plan.
Fairies, mortals, magic, love, and hate all intertwine to make A Midsummer Night’s Dream by William Shakespeare a very enchanting tale, that takes the reader on a truly dream-like adventure. The action takes place in Athens, Greece in ancient times, but has the atmosphere of a land of fantasy and illusion which could be anywhere. The mischievousness and the emotions exhibited by characters in the play, along with their attempts to double-cross destiny, not only make the tale entertaining, but also help solidify one of the play’s major themes; that true love and it’s cleverly disguised counterparts can drive beings to do seemingly irrational things.
Macbeth, at the beginning of the play seems to be a very noble person. He is characterized as being very loyal and honorable. He fights in the battle against ...
.... His insanity was a result of ambition taken much too far, ambition mutated and converted into evil by internal as well as social conflict; Macbeth’s wife did nothing to prevent Macbeth’s sickness and actually helped the problem develop. From his ambition came actions that filled his mind with conflict, dread, suspicion and guilt. It could be said that Macbeth was insane from the beginning, from the moment that the witches appeared to him in the third scene of the play or even from when he carved out his bloody passage in battle. Whether Macbeth was insane his whole life or just from the moment he first saw the imaginary dagger, it is indisputable that his visions and hallucinations only helped to supplement his lunacy.