Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Lessons from a doll's house
Lessons from a doll's house
Lessons from a doll's house
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Lessons from a doll's house
What is a lighting board operator? One might simply say a person who operates the lights. However, the simplicity of that statement does not truly acknowledge the vast amount of work and quite frankly skill it takes to do this job. Prior to my practicum if asked what a lighting board operator was I would probably tell you it is self explanatory. After having finished my practicum I learned that this job is not by any means easy. It is an important job, as is all jobs in the theatre, each working together to create a mystifying performance. Working as a lighting board operator for a Dolls House, my job consisted of controlling the lights for the show, this entailed working on the lighting hang and even the strike of the lights from the beginning …show more content…
Being a lighting board operator is an important job, as you are in charge of maintaining the integrity of the lighting design throughout the show. This means you ensure all the lights are working, and that the correct cues are being depicted throughout the show. My experience working on this production was for lack of a better term not simple, I don’t believe it is ever simple but this production seemed to have a particular level of challenges with the process of communication within the show. However, this contributed in me learning about how the design process needs to be flexible but also strong with the concept and the design. In addition, during my experience working on the production I had a few specific challenges. For example, my first challenge came on my first day operating the board at levels. As I had never done it before I was quite inexperienced with the pace of being a board operator. It was quite a humbling experience, because through my mistakes I actually managed to discover a new way of doing a command. It was a freak accident, and from it I managed to teach myself and others a …show more content…
The most important lesson I learned in this production is communication is important but in combination with confidence. This was specifically shown in this production with the director and lighting designers relationship, which was a little strained in this from a lack of these traits in both the designer and director. Moreover, from this production my professional skills have grown in that I appreciate this aspect of theatre more greatly, having never done any light operating prior to this show, everything was new and from this learning I developed. All in all I am proud of all that I accomplished, and glad I learned how to convey what is needed in order to successfully achieve a lighting design. For those of you who have yet to do your practicum or are soon embarking on one, my advice to make the most of your practicum is to approach it with an open mind. It’s okay to be wrong and most of the time you will be wrong, that is what makes growing and learning so much better. You can learn a lot from your practicum and sometimes you might be thinking do I really need to know this, and I can’t say you do. But its not about just learning new things, it is about gaining a better understanding of other roles within the theatre and how those roles impact your job
The specialization and individualized professions in the field of Technical Theatre are relatively new to the stage in comparison to the period of time in which the art of Theatre has grown. Aiding in the development of concentrated professions such as scenic design has been a plethora of talented, skillful, intelligent and highly driven individuals. Among these influential fountains of creativity have been John Lee Beatty, Eugene Lee, Boris Aronson, Ming Cho Lee, Jo Mielziner, Tony Walton, Robin Wager, John Napier, Santo Loquasto, Heidi Landesman, and Julie Taymor along with many more.
The Music Man made interesting use of the technical aspects of theatre. Sound was used appropriately, as music from the monitors did not overpower the voices of the actors. Lights, however, did not leave any sort of impression on me. Hardly any lights were utilized to enhance the mood were present. This caused for less emphasization on spectacle than what would be expected of such a dramatic play. Although, intricate costumes and set made up for the dull lighting techniques.
In this area of theatre i have learned more about brainstorming, character position, the effectiveness of music, the effectiveness of light and at what darkness and more about character goals and character formation both physical and vocal.
...ssence, Adam Burke’s perception on directing and theatre production is very useful insight. He expressed that importance of a director being a true leader. A director must navigate the cast and crew to a particular vision and keep them on that path. In addition, a director must be professional and maintain a positive attitude when it comes to dealing with opposition from a crewmember in the production. Essentially, Adam Burke expresses that a director must stay ahead, in regards to funneling the cast towards the appropriate vision and talking dealing with any problems that arise. Additionally, if there are any mistakes during the performance, it is okay because the audience does not expect a flawless production. In fact, it’s the exact opposite. Overall, I thought Mr. Burke did an exceptional job answering our questions and I would like to thank him for his time.
Most people that work in theatre have a pretty good idea of what a stage manager does during rehearsals - at least, the things that can be seen. We take blocking notes, cue lines, keep track of the time, coordinate presets and scene changes, answer the questions, and solve the problems. Yet, there are so many things a stage manager does, so many balls constantly being juggled, that many elements of the stage manager’s job go unnoticed. So, in honor of the unseen, here is a sampling of some tasks a stage manager completes before rehearsal. Early in our morning, we check our phone.
They operate, maintain and guard the technical assets of the theatre. This includes supervising the use of lighting, sound, communications equipment, and the use and maintenance of stage facilities. They are also in charge of supervising and assisting with set and stage construction and management. They are also the ones who monitor the condition of equipment such as the lights, sound. Finally, they are the ones who arrange for the repair and replacement within budgetary constraints.
...ht bulbs on the side of the theater; these bulbs were focused on the cast members. Being that we were in an intimate session, the voices of the cast were able to project through the entire room. It was very easy to follow through to what was happening on stage because, Keith Grant, perfected each detail, and with the help of his amazing cast, executed it with great satisfaction to the audience.
Lights, camera, action! The light switches on, and shines brightly in the center of the stage. Two people walk towards it, these are actors that were told to come out at this exact moment by the director. After days of intense rehearsals. The two young actors burst. “We are tired of working for you” the two participants yell towards the director. The director in a surprising manner walks up to the stage, stares down at the performers and laughs. “You are going nowhere; I have your contract and your pay, now back to your positions!” The performers stand and continue their roles with no opinion in the matter. The camera turns off, the shadows of the actors disappear. The common person stands up and is face to face with the director. The director
met with the ‘correct’ use of lighting for the job. Lighting in film is something we take for
The lighting in the performance was fairly basic, for the large majority of the play the lighting was constant. It’s primary use was for functionality purposes, such as to light up the stage so the audience could see, and not to convey any special meaning or set any kind of mood. There were two different types of instances were the lighting would change, too show a passage of ti...
Lazarus, Joan. "On the Verge of Change: New Directions in Secondary Theatre Education." Applied Theatre Research 3.2 (July 2015): 149-161. EBSCOhost, doi:10.1386/atr.3.2.149_1.
Also, I enjoy challenges that have helped me develop as a human being. For example, chairing committees in Model Congress provided me with opportunities to work with students of different ages, ethnicities, and socioeconomic backgrounds. Similarly, my volunteer activitiesworking on Thanksgiving Food Drives for the homeless, the Interact Food Drives, and Hurricane Relief effortsenabled me to improve my ability to collaborate with a variety of people.
Wild, L. 2013. A Brief History of Stage Lighting. [online] Available at: http://www3.northern.edu/wild/LiteDes/ldhist.htm [Accessed: 6 Jan 2014].
The addition and subtraction of lighting can change the effect and mood of the production. Lighting was really effective in lighting the actor and setting during different scene. Bright light and softer color were used during the scene were the shop blossom in success. It was effective because there is the sense of excitement and show that there is a joyous event happening. The timing was good and transition of lighting was smooth.
It is important for the director to measure the amount of light he/she wants to incorporate into the scenes. In the theatre itself, there are multiple levels in which the audience is seated and they need to have a good view of the stage (Reid, Francis 3). The amount of space is important in order to know how much lighting equipment is going to be used, the position of the lights is important for the reason that if a theatre has a big space then there will be a possibility of using more lighting equipment to light up all the parts of the stage for the actors and for the storyline. With the balance of light, there is also a balance of the types of lights used for dramatic effect. The use of directional lighting has to be used many times for the audience to have a clear image of the set and with the light, it can give it depth.