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History of dance
History of dance
The history of dance and its importance
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It all started in medieval Europe, at the castle of the great king. The moon was overhead, but the party would continue on for several more hours. The princess sighed while she was led across the floor by yet another young man vying for her hand. This one was a hopelessly awful dancer, seeming to have two left feet. If she had to wear these heels any longer, she might just sit down right on the ballroom floor! The song finally ended and another gentleman tried to cut in, but he was quickly interrupted by a timid servant. "Ex-excuse me, Princess," he stuttered. "But there's, uh, someone waiting for you by the front doors." Eager for a break, the princess replied, "Why, thank you. I will go there immediately." She took her time walking to the
The story explores many vital concepts accompanied by beautiful illustrations. I felt a strong sense of cultural understanding, spirituality and connection to family and land as though I was on this journey too. I could sense an underlying meaning in each dance, holding great importance to Bertie’s family and a strong connection to their culture. Pryor has attempted to fuse the then and now, by speaking of changes in the land, from a once spiritual gathering place, to a now busy town street where through food, they keep the culture alive (Pryor, 2010).
“The Little Heidelberg” is the story of a small dance hall. The customers of The Little Heidelberg are typically older men and women, many of whom are foreigners who cannot speak English. One of these is El Capitán, a retired Finnish sea captain, who has been dancing with niña Eloísa, a lovely Russian woman, weekly for forty years. They have never spoken to each other because of language barriers. One day some Scandinavian tourists come to the Heidelberg. El Capitán hears them speaking his language and asks them to translate to Eloísa for him. In this scene it is the first time that anyone has ever heard him speak. Eloísa learns that El Capitán wants to marry her, and she says yes. The couple begin a celebratory dance, and as they start twirling Eloísa begins to turn “to lace, to froth, to mist” until she is first a shadow and then completely disappears (Allende, 179). In the magic of the scene, she twirls out of existence. Her disappearance seems to reflect the dreamscape nature of the scene.
Tallchief, M., & Kaplan, L. (1997). Chapter 1. Maria Tallchief: America's prima ballerina (pp. 4-18). New York: Henry Holt.
It started on one brisk morning that I had been waiting for throughout the entire summer. The day I will receive my first pair of pointe shoes. Today is the day I will dance en pointe for the first time. After what seemed like an eternity when we finally arrived at Patterson’s, the place where I will become a true ballerina.
He perched on the edge of her bed and crossed his arms in his lap. "And what story would my princess like to hear," he asked his accent a shadow of the past.
There is still dancing at big celebrations, but that is not the only time people dance anymore. On a stage people pay to see the art form of music come alive. Ballet played a role in allowing women to perform, giving lead roles to women in the dances, and developing a style of dance unique to their physique- the use of pointe shoes. Through ballet, women’s skirts came up off their ankles so that the fancy footwork and grace would not be hidden under heavy skirts. While scandalous when the first ballerina lifted those skirts, the tutu, the shortest of any skirt in any culture or fashion, is the normal uniform of the modern ballerina. Heavy heeled shoes gave way to the pointe shoe, designed to lift a dancer onto her toes; and while they are designed to give the illusion of a lightness of step and floating across the stage, the use of these shoes requires a skill and stamina that very few can endure. Although ballet today seems outdated and stale, many cultural advances have developed as a result of this storytelling dance form. Ballet has, and continues to evolve throughout the
“Sorry,” she said, giggling while wiping a tear from her eye. “Aragon, I haven’t seen you in, like, forever.”
The first social dance explored was ballroom dancing. Ballrooms were a place of courtship; therefore, these dances were always performed by a male, female couple. Traditional gender roles began the dance as the men always asked the women to dance. As the dance began, the bodies were transformed into vehicles to connect these opposite sex partners. However, societal rules applied to this dance because partners must be from within the appropriate class, the intentions proper, and the movements executed in a specific manner. The woman’s role was essentially to avoid a misstep of tripping on the man’s feet, since the male always led the dance.
In the chapter "Dance under Louis XIV and XV: Some implications for the musician”, Meredith Ellis Little talks about the elegance and power of dance in the French court, the French style of dance, and the efforts toward recreating the French style of dance. Initially, aristocratic dance became a dominant form during the Baroque era. It was forged under King Louis XIV to enhance his prestige and bring glory to France in the form of elaborate ballets and grand ceremonial balls. Ballets were humorous or grotesque lavish theatrical presentations, portraying characters from gladiators and hunters to fairies and rejected lovers; whereas, ceremonial balls required a simpler yet elegant sequence of steps. Secondly, the subliminal attitude towards the
When Cinderella gets to the ball, she is the most beautiful woman there, and the prince is immediately enraptured by her. They dance all night, but suddenly Cinderella realizes it is almost 12 and she must leave. While fleeing the palace before the prince can see her transform back into a servant girl, Cinderella loses one of her slippers.
However, in this ballet concert, the choreographer had designed the scenes to be more like a comedy. The movement of the sisters are more amusing than cruel. For example, when they pulled each other for being eager to dance with the prince, or when they tried to hurt and bully the Cinderella, these movements are not that cruel but amusing. Even the stepmother was drunk and danced comically in the prom scene. Moreover, the movements of all the girls who wanted their feet to fit in to the ballet shoe which Cinderella had dropped in the prom are also very funny. These kinds of design successfully made the audience laugh out loud and without hurting the hearts of the little girls who went to see the performance with their
She danced feeling like a possession as her partner held her tight─ commanding their every step move in perfect rhythm. He had to have everything in his control and as always, if he felt anyone stepping out from where he had placed them, he would put them back using any means possible. She wanted to break his hold on her but was unsure of the consequences. As he continued to hold her, she peered over his shoulder and glanced around the room. They were dancing near the edge of the floor when she noticed a man staring at her.
I went to the dance. The day I was planning all along. When I got there my step-sister, Ashely was in the arms of my crush. I always thought he was different but I guess not. Maybe that guess came from because I never see him and never cared about what he is doing. She liked the year’s dance theme. It’s the masquerade ball. She was wore her mask so no one who recognize her. This was the day where she show what she’s got. She marched right to the DJ booth and gave her iPod. Then, people were confused stared at others and asking where this type of music is coming from. Cinderella started to dance with her heels on. Many people were amazed of Cinderella’s dance. She did jazz, hip-hop and many different dances.
Mr. Collins’ awkward movements of dance steps at the Netherfield ball foreshadows his elimination from the list of prospective marriage candidates of Elizabeth Bennet. Austen’s world of the ballrooms doesn’t allow for any quagmire in dancing. Neither Elizabeth nor Austen seem to bear up with those who are not capable of showing their decorum on the dance floor. Mr. Collins’ dance with Elizabeth ends in fiasco. “The first two dances, however, brought a return of distress; they were dances of mortification.
- “Dance in the Middle Ages.” The Fiver Times: War, Crime and History resource. N.p., n.d. Web 08 Nov 2013