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What message might cisneros be trying to convey on the topic of growing up in a house on mango street
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Identity Cisneros’ “The House on Mango Street” beautifully illustrates a young girl’s journey to discovering who she really is. To figure out identity one must go through difficulties to discover themselves that shape a person into a better version of themselves such as Esperanza had to do. She faces many struggles to figure out who she is such as finding her place in a society where men are seen as stronger, living in a place her heart does not connect to, and responsibilities she has towards her family. Furthermore, Esperanza was born the year of the horse which is considered bad luck only if you are a female, her great-grandmother was also born under this year whom she attained her name from. Esperanza believes she will be different from her great-grandmother as she claims, “Esperanza. I have inherited her name, but I don’t want to inherit her place by the window” (Cisneros 10). In addition, growing up she has seen many women obtain a spot by the window which describes their helplessness to their situations like Rafaela. Rafaela is not allowed to go outside and is kept inside due to her husband so she requests the kids to get her juice,” … Rafaela, who is still young but getting …show more content…
She expresses, “ I knew then I had to have a house. A real house. One I could point to. But this isn’t it. The house on Mango Street isn’t it” (Cisneros 5). She tries so hard to be distant from her house, to believe there is no way she can live in that ugly, small house. However, no matter what Esperanza does she will always be apart of the house. She wants to pretend she does not live in that house, that her memories were all fake as she mentions, “You have a home, Alicia, and one day you’ll go there, to a town you remember, but me I never had a house, not even a photograph … only one I dream of” (Cisneros
In the beginning of the story Esperana is told that her new house on Mango Street will be the answer to her dreams. She is told that, in their new house, her family will be able to live like other families. “They always told us that one day we would move into a house, a real house that would be ours for always so we wouldn’t have to move each year”. Esperanza is told that in her new house there will be plumbing that worked, “real” stairs, a basement...
Esperanza meets up with 3 elderly sisters at a wake. One of the older women affirms Esperanza’s secret wish to leave Mango Street, but makes her promise that she will come back one day. Esperanza tells Alicia that she feels like she doesn’t have a home but Alicia convinces her that like it or not that Mango Street is her home and no matter what she will have to come back to make Mango Street a better place because the mayor is
“The House on Mango Street” emphasizes on this issue, even broadens to explain other controversial matters such as abuse, misogynistic views, and stereotypes. The protagonist, Esperanza Cordero moves to Mango Street where she must witness the abuse affecting her friends, neighbors, and family. Either Sally a close friend, Mamacita a neighbor, or her own mother handling 4 children. Over the course of the novel Esperanza changes physically and mentally. Through the use of imagery as well as complex, descriptive vignettes Cisneros epitomizes the misogynistic views within Esperanza’s
In unique ways for each girl, “home is a prison” and the only way they escape it is through Esperanza (Kalay 123). Esperanza is a symbol of hope as her name foretells. From the beginning Esperanza attracts the girls of the neighborhood to her side. One of the older Latina girls in Esperanza’s life is Alicia. Being a young lady of about 18, Alicia, takes her mother’s place as the one who cooks and cleans. She works hard from sun up to sun down then goes to the university. Alicia symbolized all the young women who worked hard enough in life to one day escape from the poor streets of Chicago. But like many Latina females, Alicia had a difficult life with her father, who abused her as Cisneros suggests. Alicia could escape the poverty but in the end she was just another woman in a male dominant world and nothing more. Not many girls were like Alicia; Sally, for example, was the
Esperanza ponders how she inherited her grandmother’s name, but does not wish to inherit her experiences with marriage. When speaking of how her grandmother was married, Esperanza remarks, “my great-grandfather threw a sack over her head and carried her off. Just like that, as if she were a fancy chandelier” (Cisneros, 11). Through a simile, Cisneros exemplifies that women allow themselves to be objectified and trapped, which removes their freedom and hinders their progress towards their dreams. This is also identified when Alicia’s father finds her studying late at night and speaks with her about her duties as the woman of the house. Alicia’s father alludes to her that, “a woman’s place is sleeping so she can wake up early with the tortilla star” (31). Through this metaphor, Cisneros indicates that in Hispanic culture, women let themselves be pressured into putting duties at home
Everyone has grown up in an environment that has shaped who they are as a person. Poverty-stricken areas shape a person's identity and how they value certain things in life. Sandra Cisneros's character Esperanza is shaped through her struggles with poverty and identity. The novella tells a story how hardships and penury have affected Esperanza as a person and how she yearns for the need of liberation from her poor life on Mango Street. Cisneros's novella The House on Mango Street has taught me that identity is shaped through a person's environment.
" They always told me that one day we would move into a real house, that would be ours. A house with trees, a white picket fence, real stairs and running water. The house on Mango Street isn't it. " (Cisneros, 4). This quote gives the reader a better understanding on why Esperanza is so frustrated with her poverty. Esperanza is constantly being let down because her poverty gets in the way. Her parents make all these promises to her that they cannot keep, because they do not have the money. Esperanza is still young and so far her life has been full of disappointment. When Esperanza's family moved into The House on Mango Street Esperanza's was excited, she expected to be moving into her dream house. Yet, once again her family's poverty gets in the way and they move into a shabby house. Esperanza's constant disappointment causes her a great deal of emotional pain, and all this pain leads back to her family's
Esperanza, the main character of The House on Mango Street, a novella written by Sandra Cisneros in 1984, has always felt like she didn’t belong. Esperanza sought a different life than the ones that people around her were living. She wanted to be in control of her life, and not be taken away by men as so many others around her had. Esperanza wanted to move away from Mango Street and find the house, and life she had always looked for. Through the use of repetition, Sandra Cisneros conveys a sense of not belonging, that can make a person strong enough to aspire to a better life.
The House on Mango street is a novel written by Sandra Cisneros who wrote this in a really creative and unique style; She did not write it all altogether but in small chapters. Cisneros was really successful in reflecting her Latino society by developing a character who is a young Latina girl called Esperanza showing how are the injustice, mistreatment and abuse from the males in the society. When Esperanza sees that other women who live in the same neighborhood are being abused by their husbands or fathers, her dream of leaving the house becomes stronger. Consequently she decides to leave her family house on Mango Street. In a particular chapter, ‘The Three Sisters’, the writer tells the reader about the story of Esperanza’s meeting with the three sisters who play a future teller role. She described their appearance in a beautiful way which makes the reader feel the same way Esperanza feels when she sees them. Additionally, she sat up the atmosphere of the scene before getting into details which also helps the reader feeling the moment. In ‘The Three Sister’ Chapter from ‘The House on Mango Street’, Esperanza by coincidence meets the three magical sisters who would tell her about her future and what to do with it which really comes to be the theme of identity and future.
Sandra Cisneros' strong cultural values greatly influence The House on Mango Street. Esperanza's life is the medium that Cisneros uses to bring the Latin community to her audience. The novel deals with the Catholic Church and its position in the Latin community. The deep family connection within the barrio also plays an important role in the novel. Esperanza's struggle to become a part of the world outside of Mango Street represents the desire many Chicanos have to grow beyond their neighborhoods.
he story is a coming-of-age tale of a girl named Esperanza Cordero. Esperanza tells her story through small vignettes, which are brief descriptions or accounts of what happened. Each vignette is a new chapter, some chapters so short it’s like a short poem. Initially, Esperanza’s first vignette, titled “The House on Mango Street,” shows her disappointment on the new house. Their whole family would have to share a bedroom, and the house was in a horrible condition. Throughout the next few chapters, Esperanza takes the reader throughout the neighborhood, and describes the kind of people that live there. This is the main conflict, with Esperanza’s narrative, the reader can see the amount of poverty and crime present on Mango Street. Another conflict
In The House on Mango Street, Cisneroz agitates the theme of diversity through her use of characters and setting. Cisneroz paints a multitude of events that follow a young girl named Esperanza growing up in the diverse section of Chicago. She is dealing with searching for a release from the low expectations that the Latino communities often put women whether young or old are put against. Cisneroz often draws from her life growing up that she was able to base Esperanza's life experiences on and portray an accurate view on Latino societies today. Cisneroz used the chapter “Boys and Girls” and “Beautiful and cruel” to portray Esperanzas growth from a young curious girl to a wise woman. She came into her own personal awareness and her actions that she has to now be held accountable for.
However, Esperanza is a victim of conspicuous consumption as readers can identify when she says, “I knew I had to have a house. A real house. One I could point to” (Cisneros 5). Therefore, she values the sign and exchange value more than the use value. Essentially, the sign and exchange value of the house is a part of the repressive ideologies of the European-American bourgeoisie; the house is part of the bourgeoisie’s manipulation that takes place “by reinforcing capitalistic ideology through its arts… however, the arts of the privileged are not all the arts that exist” (Dobie 86). Therefore, the family is manipulated into believing that the home is not suitable for living based on the values of the bourgeoisie, which exhibits the bourgeoisie’s power and the proletariat’s inferior
Esperanza, a strong- willed girl who dreams big despite her surroundings and restrictions, is the main character in The House on Mango Street by Sandra Cisneros. Esperanza represents the females of her poor and impoverished neighborhood who wish to change and better themselves. She desires both sexuality and autonomy of marriage, hoping to break the typical life cycle of woman in her family and neighborhood. Throughout the novel, she goes through many different changes in search of identity and maturity, seeking self-reliance and interdependence, through insecure ideas such as owning her own house, instead of seeking comfort and in one’s self. Esperanza matures as she begins to see the difference. She evolves from an insecure girl to a mature young lady through her difficult life experiences and the people she comes across. It is through personal encounters and experiences that Esperanza begins to become sexually aware and acceptance her place and self-definition in her community.
Throughout The House on Mango Street Esperanza learns to resist the gender norms that are deeply imbedded in her community. The majority of the other female characters in the novel have internalized the male viewpoint and they believe that it is their husbands or fathers responsibility to care for them and make any crucial decisions for them. However, despite the influence of other female characters that are “immasculated”, according to Judith Fetterley, Esperanza’s experiences lead her to become a “resisting reader” in Fettereley’s terminology because she does not want to become like the women that she observes, stuck under a man’s authority. She desires to leave Mango Street and have a “home of her own” so that she will never be forced to depend on a man (Cisneros 108). During the course of the novel Esperanza eventually realizes that it is also her duty to go back to Mango Street “For the ones that cannot out”, or the women who do not challenge the norms (110). Esperanza eventually turns to her writing as a way to escape from her situation without having to marry a man that she would be forced to rely on like some of her friends do.