Drama has long been a popular form of storytelling, from ancient Greek tragedies to modern stage productions. In literature, drama is often used as a tool for exploring complex emotions and situations that may be difficult to explain or explore through other forms of writing. It can also serve as an effective vehicle for conveying social commentary on topics such as racism, sexism, and classism. By focusing the narrative on characters who are faced with moral dilemmas and have their own unique perspectives and experiences, writers can create powerful stories that speak directly to readers' hearts and minds.
When it comes to crafting compelling works of literary fiction featuring dramatic elements, there are several key techniques authors should keep in mind. One important element is character development; when constructing your cast of players, you will want them all to feel fully fleshed out so they become real people rather than mere caricatures whose actions simply serve the plot's progression forward without providing any additional depth or insight into their personalities. This means taking time with each individual character—giving them motivations for why they do what they do, flaws that make them humanly relatable (and thus more sympathetic), and strengths that give them confidence even in times of difficulty—so that readers come away feeling like they know these people intimately by the end of your story.
It's also essential that you craft believable dialogue between your characters since this will play a large role in how readers interpret interactions between different individuals within your work; this means avoiding contrived conversations where one person says something completely unrelated just so another person can respond appropriately based on what was said before (this type of dialogue does not sound natural). Instead, focus on creating organic exchanges where two people actually talk about things related to the topic at hand while still allowing room for some humorous banter here and there if desired, but don't go overboard. You'll also want to ensure each conversation provides information necessary to advance either characterization or plot points; otherwise, it risks becoming superfluous filler material best left omitted altogether from your final manuscript draft(s).
Finally, pay close attention when selecting language; depending on whether you're using first-person point-of-view narration or third-person omniscient style prose, you must choose words carefully because certain phrases might read differently depending on who is telling or experiencing events unfolding throughout chapters, scenes, etc. For example, a sentence like "She was angry," written from the protagonist's perspective, would likely take on much greater weight than if the author chose instead to employ a third-party narrator, commenting, "He could tell she was angry." The former speaks directly to the reader, whereas the latter reads in an almost detached manner. Both convey the same basic message, yet the way those ideas are communicated changes dramatically due to the tone set. It influences the audience's reaction and is described accordingly, no matter how small, seemingly insignificant phrases might appear in surface-level reading alone.