Gandhara Essays

  • Graeco-Buddhist Art in Gandhara

    975 Words  | 2 Pages

    Buddhist iconography (Fisher 1993). In a region called Gandhara (now Pakistan), we could easily see these kinds of influences in stone sculptures of Bodhisattvas. In this paper, we will see a comparison between a ‘Male Head From a Relief’ from Roman period with ‘Head of Bodhisattva’ from Gandhara, Kushan Dynasty and how sculptures in Buddhism had influence of Graeco-Roman period. This influence was said to be in North-Western region, Gandhara (now Pakistan). Gandharan Buddhist iconography emerged

  • Taxila Museum

    655 Words  | 2 Pages

    Introduction The local and foreign tourists visiting Taxila Museum would now be able to see more unique and attractive antiquities discovered from various ancient sites of Gandhara civilization. It would be for the first time since establishment of Taxila Museum in 1928 that visitors would see new display of antiquities here. According to sources the archeology department of Pakistan had accorded tender to a private firm for construction of the gallery with an aim of establishing as many as twenty-two

  • Gandhara Art: The Greco-Buddhist Art

    1002 Words  | 3 Pages

    INTRODUCTION Gandhara art, which is more popularly known as the Greco-Buddhist art, refers to an ancient district and culture or civilization that in one form or another existed from the 1st millennium BC till the 11th century AD. Although Gandhara went though a change in its geographical footprint over the period, its heart still lay in the valley of Peshawar. The Gandhara School of art is an art form dissimilar from the aniconic tradition of the early Indian sculptures and the tradition of

  • Yungang Grotto Is The Seated Buddha In Cave 20

    1412 Words  | 3 Pages

    majesty development of Buddha sculpture, from being influenced and having an ambiguous mixture of both Gandhara and Gupta style to their own style of Buddha sculpture

  • The Contribution of the Kushan Empire to Buddhism

    1868 Words  | 4 Pages

    3/4 (September 1966): 396. doi:10.2307/3048396. Puri, B.N. Buddhism in Central Asia. Vol. 4. Motilal Banarsidass Publ., 1987. Rosenfield, John M. The Dynastic Arts of the Kushans. University of California Press, 1967. Warraich, Mr Tauqeer Ahmad. “Gandhara: An Appriasal of Its Meanings and History.” J.R.S.P., Vol. 48, No. 1 (2011): 1–20.

  • Buddhism And Buddhist Art: The History Of Mahayana Buddhism

    1097 Words  | 3 Pages

    is represented as an umbrella on a shrine on the Western gate. Buddha sculptures have evolved over time in order to fit the changing views of Buddhism. The earliest styles for Buddhist sculpture are from the ancient civilizations of Mathura and Gandhara started the iconic phase of depicting Buddha. A seated Buddha statue from Mathura resembles traditional Indian images of male nature deities, has fearless hand gestures, and is characterized by a cranial protuberance, which shows his greater understanding

  • Heilbrunn Timeline Of Art History: The Birth Of The Buddha

    983 Words  | 2 Pages

    The Buddha Siddhartha Gautama is a historical figure, founder of philosophy and religion Buddhist, the first major world religion, which soon spread throughout Asia. The story goes that the Buddha was born in 563 B.C. in terms of a family of Kshatriyas. His birth was announced in the dream of his father, in the same, Siddhartha became a beggar. To avoid this, Gautama is deprived of his liberty soon after, but when he grows old escapes and discover pain. Time after he says goodbye to his family and

  • Buddha's Identity

    1652 Words  | 4 Pages

    The Buddha or “enlightened” learned one, preached the message of challenging ones self. To do so, one must strangi-fy the self by stepping out of comfort levels and selfi-fy the other by evoking empathy. Artists have realized and depicted the Buddha in various ways across culture and across time, using the edict of Buddha to create an image that exemplifies his ideals about the self, based on cultural preference. From the Great Stupa conception at Sanchi to the Chan Buddhist depictions of Shakyamuni

  • Cultural Diffusion Along the Silk Road

    539 Words  | 2 Pages

    dating to later than the 9th century.6 Religion • A collection of a variety of documents saved in a cave in Dunhuang, Western China, includes writings on Judaism, Manichaeism, Buddhism, Christianity, and Zoroastrianism.7 • Refugees moving from the Gandhara Region (modern day Afghanistan and Pakistan) were the first Buddhists in the Western Regions of China, specifically the city of Niya.8 • Tombs bui... ... middle of paper ... ...937, Eumorfopoulos Collection; Victoria & Albert Museum, London,

  • sarvastivada buddhism

    1958 Words  | 4 Pages

    have the attempts of several scholars to ascribe the rise of the school to one of Asoka’s missions—that sending Majihantika to Gandhara, an early seat of the school. This episode corresponds well with one Sarvastivadin tradition stating that Madhyantika (the Sanskrit counterpart of the Pali Majjhantika) converted the city of Kasmir, which seems to have close ties with Gandhara. Still another tradition established a community of Sarvastivadin monks at Mathura, founded by the patriarch Upagupta. Be that

  • Transition of Buddha's Depiction in Early Indian Art

    2779 Words  | 6 Pages

    End Term Paper Name: Ajanta Das, Rgst. No.: 10832 Batch: MA Semester II Subject: SAA 401; The History of Indian Art and Architecture from Protohistory to the Eighteenth century. Title: The shift from the ‘Aniconic’ to the ‘Iconic’ depiction of the Buddha in Early Indian art The shift from the ‘Aniconic’ to the ‘Iconic’ depiction of the Buddha in Early Indian art ‘Aniconic’ depiction of Buddha refers to those Buddhist images where various symbols related to Buddha’s life event

  • Iconography Essay

    1503 Words  | 4 Pages

    Viewing a work of art is a multidimensional phenomenon. There is the primary act of looking, wherein one sees a combination of shapes and lines and can immediately identify it as a familiar object. For example, the red, rounded figure on the table in a given painting, whose circumference lessens towards its bottoms and which protrudes a thin, brown stem from its top, is fairly quickly identifiable to the viewer as an apple. However, there is a level of looking at art that is secondary to this, which

  • Seated Buddha's Influence On Asian Art

    573 Words  | 2 Pages

    has western influences in the way he is dressed as well as his features. The idealized images of the Greek god Apollo has been suggested to be the influence for the finely pleated rode and drapery style of the Greco-Roman West Buddha is wearing. Gandhara was known as an abundant crossroads for exotic good and cultural ideas between East and West.

  • The Spread of Hinduism and Buddhism in Southeast Asia

    1429 Words  | 3 Pages

    Buddhism in later periods known as Mahayana Buddhism. From Tibet, Mahayana spread throughout the Himalayas and the difference between Mahayana and other forms of Buddhism is that it encompassed India's full history of the Mahayana's development. In Gandhara, modern-day Pakistan, the i... ... middle of paper ... ...theast Asia." JSTOR. University of Hawai'i Press. Web. 03 May 2014. John Miksic, The Buddhist-Hindu Divide in Pre-modern Southeast Asia, Nalanda Sriwijaya Centre Working Paper No. 1

  • Kushan Empire Research Paper

    724 Words  | 2 Pages

    The Kushan Empire was from 20 to 280 AD. It started as a branch of the Yuezhi. Yuezhi is a confederation of culturally Indo-Europeans travelers who lived in Eastern Central Asia. Around the twentieth and thirtieth CE, the Kushan’s were the ancestors of the Huns. They established an independent empire in modern Afghanistan, Bactria, where they conquered the Scythians and the local Indo-Greek kingdoms. From that central location, the Kushan Empire became a wealthy trading focus between the peoples

  • Similarities between Christ and Buddha

    660 Words  | 2 Pages

    Icons throughout history has hold many different meanings whether sacred or for everyday lifestyle. Each culture practice different ideologies that come with an array of different interpretations. Paintings, sculptures and craftworks are examples of different medium used to portray icons but yet could hold the same significance as the other. In Christ the Savior of Souls, early 14 century of the Saint clement church, the artist use a highly spiritual figure as the subject, placed in the center fold

  • Head Of A Buddha Image

    1273 Words  | 3 Pages

    a holographic projector in it so that when people look down into the case they will see the body belonging to the head. Figure 5 only gives a glimpse of how the hologram will be. The body will be standing in a landscape with monastic complexes in Gandhara as it may have been. The combination of this optical illusion of the ten feet tall Buddha coming out of the floor and the historical scene inside the case will give viewers a full impression of the history behind the head. There will also be texts

  • Ancient Indian Architecture

    850 Words  | 2 Pages

    Ancient Indian Architecture The Science of Architecture and Civil Construction was known in Ancient India as Sthapatya-Shastra. The word Sthapatya is derived from the root word Sthapana i.e. 'to establish'. The technique of architecture was both a science and an art, hence it is also known as Sthapatya-kala, the word Kala means an art. From very early times the construction of temples, palaces, rest houses and other civil construction was undertaken by professional architects known

  • How Did Buddhism Contribute To The Rise Of Western Civilization

    1238 Words  | 3 Pages

    Buddhism is the world’s most well-known and practiced philosophy, with hundreds of millions of practitioners throughout the world. According to the Theravāda tradition of Buddhism, the oldest school of Buddhism, the Buddha’s teachings were first organized and officially established as a philosophy at the First Buddhist Council in the Ganges valley during the year following the death, or parinirvana, of the first Buddha, Siddhartha Gautama, either 542 or 543 BCE . Buddhism gradually spread out of

  • Classical Societies Swot Analysis

    1185 Words  | 3 Pages

    The three characteristics of classical societies are; they achieved a high degree of internal organization, extended their authority over extremely large regions and elaborated especially influential cultural traditions. What were the common/shared features and challenges among classical societies? For each challenge, how were they addressed? Administering vast territories To meet that challenge, classical rulers standardized systems of governance, law, and taxation; built roads and transportation