Anima and animus Essays

  • The Archetypal meanings within the god Shiva

    1142 Words  | 3 Pages

    Jung’s archetypal theory links the concept of the anima and animus, and the significance of dreams to the Hindu God-image of Shiva, where he is a personification of the Absolute in a universal and personal sense. This paradoxical, multi-faceted image serves as a grand metaphor for the realignment of the Self through a Jungian unveiling of one’s hidden, inner dynamics. "Gods are metaphors of archetypal behaviours and myths are archetypal enactments" (Samuels 27). The rebirth process is commonly bestowed

  • Archetypes In Carl Jung's The Shadow

    813 Words  | 2 Pages

    Carl Jung was a Swiss psychiatrist and founder of the school of analytical psychology. He was an early supporter of Freud because of their shared interest in the unconscious. Carl Jung 's work left a notable impact on psychology since he proposed and developed the concepts of the archetypes. The term archetype is not one of his invention, but he used it in an elaborate way in his theories of psychology and culture, giving it his own specific meaning. Archetypes are images and thoughts which have

  • Jungian Perspectives of Shakespeare's Hamlet

    1593 Words  | 4 Pages

    that nonetheless exert great influence on behavior."(Weiten)  In the view of the Jungian analyst, there are two forces that drive Hamlet. One is his anima, which is the "personification of the feminine nature of a man’s unconscious"(Platania). The second is Hamlet’s desire to reach individuation, which will be discussed later. In reference to the anima, Platania states that "we experience the opposite sex as the lost part of our own selves." There is in each man a feminine side hidden beneath his masculinity

  • The Wise Old Man Archetype

    2165 Words  | 5 Pages

    To understand a specific archetype, one must first understand what a Jungian archetype is. The two questions that are the most important to understand are the what and the where. What is an archetype and where do archetypes come from. First for the what, Jung believed that all humans possess a "preconscious psychic disposition that enables a (man) to react in a human manner." These prospectives for creation are defined when they enter the conscious mind as images. The archetype may emerge in the

  • Essay On The Tragedy Of Macbeth

    685 Words  | 2 Pages

    consistently throughout the last acts where their fate is finally unraveled and a completely broken relationship is revealed. Although society plays a great role in the functioning of the gender expectations the Macbeths are also influenced by their own anima and animus creating an impacted relationship between the two. Hence, the reader examines that their ambition is fueled by greed, but nonetheless, is what Shakespeare uses to examine the roles of gender throughout the play. Consequently Lady Macbeth, in

  • Analysis of the Trouble of Ransom

    1383 Words  | 3 Pages

    We are first introduced to Lewis, the narrator of Perelandra, in Worchester as he struggles to make his way to the cottage of the main protagonist, professor Elwin Ransom, a rather intelligent philologist. Upon arrival, Lewis is made aware of the constant presence of Maleldil, a supernatural being that supposedly created all the planets and those who inhabit them, as Ransom stresses his own importance in Maleldil's plan to save Perelandra from the bad eldila of Earth. With Lewis's assistance, Ransom

  • Comparing Lisel Mueller's Reading The Brothers Grimm To Jenny

    1125 Words  | 3 Pages

    made up a person are the shadow, the anima or animus, and the persona (Dobie 64). In “Reading the Brothers Grimm to Jenny,” the narrator first introduces readers to Jenny’s shadow and animus. Jung saw the shadow as a human’s “darker side,” and the “part of ourselves we would prefer not to confront” (Dobie 64). Whereas the animus or anima is the “the life force within an individual,” and “life itself and the

  • Archetypes In Who's Afraid Of Virginia Wolf

    1219 Words  | 3 Pages

    therapist needs to interject with their own knowledge to complete the gaps in the dream for the dreamer. Evaluation The Jungian Theory is utilized in the drama “Who’s Afraid of Virginia Wolf” where a young couple are invited to party. Falsafi, et al (2011) reviews the movie in depth and outlines the Archetypes in the movie. This is a perfect example of the Jungian Theory in practice. First one must understand the move and the effects of the middle age crisis. There is a conflict between

  • Synecdoche Character Analysis

    1335 Words  | 3 Pages

    Charlie Kaufman’s Synecdoche, New York is a sequence of confusing scenes of a man’s life that seems to be coming to an end in a rush of time as he loses his spirit, his drive and even his mind. The fluidity of time will give us a look into how Caden’s life will soon fall apart. The mental and physical illnesses Caden experiences are all signs that he is on his way to his grave. Caden Cotard is a theater director who is fresh off his last successful production of Death of a Salesman. He was presented

  • Tom Robbins' Jitterbug Perfume

    3105 Words  | 7 Pages

    of paper ... ...e, and their reunion is imminent at the end of the novel. Both have achieved success in defining themselves as independent, successful individuals. They have proven themselves to be heroes, and, as with Odysseus and Penelope, anima and animus are reunited (Harris and Platzner 358). Works Cited Campbell, Joseph. The Hero With A Thousand Faces. 10th ed. New York: MJF, 1949. Easton, Tom. "The Reference Library." Rev. of Jitterbug Perfume, by Tom Robbins. Analog Science Fiction/

  • Jungian Psychology and Joseph Conrad’s Heart of Darkness

    6184 Words  | 13 Pages

    Self and the center of the Earth. Ego dissolves into soul as, in the interior, Marlow encounters his double in the powerful image of ivory-obsessed Kurtz, the dark shadow of European imperialism. The dark meditation is graced by personifications of anima in Kurtz’ black goddess, the savagely magnificent consort of the underworld, and in his porcelain -skinned Persephone, innocent intended of the upperworld. Though “Dr. Jung’s discoveries were not known to Conrad, “ (Hayes, 43) who wrote this master

  • Carl Gustav Jung

    1256 Words  | 3 Pages

    Carl Gustav Jung Carl Gustav Jung (1875-1961) was born on July 26, in the small village of Kesswil on Lake Constance. He was named after his grandfather, a professor of medicine at the University of Basel. He was the oldest child and only surviving son of a Swiss Reform pastor. Carl attended the University of Basel and decided to go into the field of psychiatry after reading a book that caught his interest. Jung became an assistant at the Burgholzli Mental hospital, a famous medical hospital

  • Moana Archetypes

    1232 Words  | 3 Pages

    General Information Moana is a heroic tale of a young girl who sets out on a journey to save her island. The opening scene tells a story of the shapeshifting god, Maui, who has stolen the heart of the goddess Te Fiti. After stealing the heart Maui battles a lava god named Te Ka and loses, disappearing for centuries. The film revolves around the character Moana who at a young age discovers a love and special connection with the ocean. However, Moana’s father, Chief Tui, forbids Moana from going out

  • The Left Hand Of Darkness By Ursula Le Guin

    984 Words  | 2 Pages

    In the novel The Left Hand of Darkness by Ursula Le Guin, in the terms of Karl Jung, the anima of the main character, Genly Ai, develops as his relationship with Therem Harth re ir Estraven grows during his time on the planet Gethen. Initially, Ai has a stronger animus archetype, and displays the typical male behaviors of humans. By building a strong relationship with Estraven, an androgynous alien, he is able to change his perspective on the gender roles of human society. When Le Guin’s novel begins

  • The Self Ego : The Psychic Energy

    1261 Words  | 3 Pages

    Based on Schultz and Schultz (2004), Jung saw psychic energy as a life energy, libido, for which he had two meanings, another one being a divided generalized life energy, and another one being a narrow energy that fuels the psyche. The psychic energy operates in three ways following the principles of opposites, equivalence, and entropy. The principle of opposites means that each aspect of the psyche has its opposite that creates energy. The principle of equivalence means that the energy, which opposite

  • Comparing James and Jung's Perspectives on Religious Experience

    1372 Words  | 3 Pages

    phenomenon. He differed from James in his view that a personal or individual experience with a God was indistinguishable from a communication with one’s unconscious mind. He ... ... middle of paper ... ...e inner personality in females, while the anima is expressed as a feminine inner personality in males. The shadow archetype consists of repressed shortcomings, weaknesses, and instincts. These archetypes are of the collective unconscious, and not based on people in their daily lives. Discovering

  • The Collective Unconscious

    1404 Words  | 3 Pages

    thing. This collective unconscious is evident in an individual’s personality, which is comprised of five separate personalities blended together; these are called archetypes. In Jungian psychology, there are five different archetypes: the shadow, anima, animus, persona and the wise old man or mana-personality. Each influences a different aspect of one’s personality. These influences vary from one individual to another depending upon the dominance of each archetype. In the play Hamlet, each one of these

  • Hedda Gabler Essay

    815 Words  | 2 Pages

    separated into five separate parts called the shadow, anima/animus, persona, ego, and self. The shadow of oneself is the animalistic instincts inherent in the human personality. This part of our unconscious self contains the less favorable parts of each human being. The anima or animus balances the masculine and feminine characteristics in each human being. The anima is given the feminine, maternal characteristics in every man, and the animus is the masculine,

  • Archetype Theory: The Role Of The Hero In Myth

    1500 Words  | 3 Pages

    It is represented in the ancient and contemporary myths in several ways. One of these is the existence of pantheon of Olympus and the Grey Havens, and what these represent, aside for Animus/Anima as stated above. Both of the perfected worlds exhibit all of the positive attributes people wish to achieve, are striving for, and see in themselves. Each person feels connected to the perfect abode, or the perfected being, because it addresses

  • Hedda's Desire For Control In Persuasion

    852 Words  | 2 Pages

    In Jane Austen’s Persuasion, Lady Russell convinces Anne not to marry Frederick Wentworth as she finds him unworthy of Anne. Similarly, Hedda conceals her knowledge of and destroys Eilert’s manuscript in order to end his and Thea’s relationship. Involving oneself in other’s affairs can satisfy one’s desire for control. However, this behavior is often symptomatic of a disconnect between one’s personal conscious and one’s personal and collective unconscious. Henrik Ibsen masterfully uses the Tesman’s