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The evolution of vampires in pop culture
Popularity of vampires as a positive development
How do vampires relate to our society
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A zombie is actually a corpse that is being born again by black magic or drugs in the other hand vampire is a scary creature that like drinking human or animal blood and always do their activity at night. I think you are agreeing with me that they are creepy and powerful creatures. Vampires originally are from Slavic mythology. Vampires usually lived in the big castle and they must drink blood everyday to survive while zombies are a tradition of American culture. The origin of zombies was from an evil sorcerer who brought back corpses by using his magic to kill people. We may see a zombie and vampire in the novel or movies such as Twilight Saga, Resident Evil, and many more. Both vampire and zombie are fictional creatures but in some country in 17Th century, they were popular and many people especially in Europe were believed that these creatures were existed. Some people think that zombie and vampire are the same but actually they have a few differences, what are they? In this essay I will discuss about the differences between zombie and vampire in the way of their appearances, char...
James Parker essay “Our Zombies, Ourselves,” informs readers that the zombie has almost outranked the vampire, and why they’re so popular. This undead monster originated from a Caribbean folk nightmare and was adapted over time by, the Halperin brothers, William Seabrook and George Romero and numerous others. Much like the vampire, zombies owe their fame to the progressiveness of technology, allowing them to consistently invade various media forms. The zombie has infested countless tv shows, movies, video games, and books, throughout the 21st century. Zombies themselves are soulless corpses who were regurgitated back into the world of the living. This making them rejects from the underworld, this presents the zombie as rejected yet inexpungable. What makes the zombie so popular, however, is that symbolizes everything that is rejected by humanity. “Much can be made of him, because he makes so little of himself. He comes back, He comes back, feebly but unstoppably” (Parker). The zombie represents humanity itself as well as what is rejected by humanity. Much like individuals today, the zombie is burdened by life’s demands, converting to nothing but a rotting, groaning human shell that stumbles through life without a purpose. The zombie is symbolizer of the real world, and all things irrepressible, whereas the vampire is a symbol of an alternate world and all things
As said in the previous discussion regarding the second chapter of Better Off Dead: The Evolution of the Zombie as Post-Human, zombies and their culture are examined and broke down in order to understand their motives for the progression of zombies globally. Through different perspectives from individuals based around the world, the discussion of the zombie culture debates over the idea that zombies have not just evolved within the narratives that have brought them to life, but they have evolved in such a way that ultimately transforms the narrative itself. However, in this specific chapter, “They are not men…they are dead bodies!”: From Cannibal to Zombie and Back Again, Chera Kee breaks down the introduction of zombies into mainstream consciousness,
Carmilla is an example of a woman who loves her food far too much. Carmilla is consumed entirely by her food, even sleeping in a coffin of blood: “The limbs were perfectly flexible, the flesh elastic; and the leaden coffin floated with blood, in which to a depth of seven inches, the body lay immersed” (Le Fanu 102). There exists a unique relationship between the vampire and their victims. Food becomes defined in terms of victimhood, distinctly separated from humanity’s general consumption of meat. The need for human victims makes hunting synonymous with courtship, as intense emotional connections are established between the vampiress and her food. As seen in the intense relationship developed between Laura and Carmilla, the vampire is “prone to be fascinated with an engrossing vehemence, resembling the passion of love, by particular persons” (105). For Carmilla, cruelty and love are inseparable (33). The taking of the victims’ blood for sustenance is a highly sexualized exchange of fluids from one body to another. The act of consumption is transformed into an illicit carnal exchange between the hunter and the hunted.
Vampires have been viewed with fear and fascination for centuries. Of all the vampires in literature, Bram Stoker’s Count Dracula is probably the most prominent vampire. Recently, there has been an upsurge of public interest in socially acceptable vampires, like the Cullens in the Twilight series by Stephanie Meyer. This essay will contrast Stoker’s Dracula with Carlisle Cullen, one of the newer vampires from the Twilight series. They will be examined in terms of their origins and how they dealt with immortality.
Zombies have become very popular due to their depictions of being easy to kill and being communal. Zombie apocalypses are also very relatable due to the fact that they are set in lives similar to our society and seem easy to overcome. Zombies, themselves, can be identified with because we see ourselves when we look at a zombie. Zombies drudge on through the same task of finding human flesh to consume every day just like we drag ourselves to either class or our job in order to sit through another boring lecture or perform the same menial task every day. Just like the zombie, R, in the book, Warm Bodies, said, “I am Dead, but it’s not so bad. I’ve learned to live with it,” we have learned to succumb to our daily routines and just live with
The zombie race is very different. It doesn't not have many abilities and is not advanced like humans. Their behavior patterns are different. They cannot stand cold or winter weather. Their behavior is very different and difficult to calculate. They usually stand around lingering and waiting to attack when they hear something. They follow noises.Some abilities that they do have is that they have excellent hearing and can walk but aren't blind.The also can smell human blood. Zombies are generally weak but don’t underestimate what they can do to a human.
In Night of the Living Dead, the zombies were eventually eliminated. Or were they? Theorists argue that the monster’s elusiveness is due to its physical, psychological and social characteristics that cross the lines of classification. Human’s innate fear of the unknown is due to their inability to make a distinction or draw a clear conclusion. This is explained further in Jeffrey Cohen’s second thesis in “Monster Theory” that claims that; “the monster never escapes” (Cohen, 14). The zombie as a monster can never be destroyed completely and if it is, it leaves a remnant the make people feel uncertain of its destruction. Base on Cohen’s theory, the zombie’s different interpretation allows it to emerge in other forms (a faster, smarter zombie?)
Count Dracula has been the frontrunner for the modern day vampire lore and legends since being printed back in 1897, pop culture took the vampire traits from Bram Stoker’s Dracula and twisted them. In modern portrayals of vampire lore, each author chooses an original aspect from Stoker but then creates a little bit of their own lore in the process. Count Dracula appears to be a walking corpse from the pale and gaunt visual aesthetics to the coolness of his undead skin (Stoker). In some cultures, the vampire is able to transform from the body of a human being to that of a fellow creature of the night, a bat. In the novel Dracula more than one town was easily visualized through the detailed descriptions throughout the novel, thus
Monsters are symbols and representations of a culture. They exist because of certain places or feelings of a time period. Monsters are “an embodiment of a certain cultural moment”. Author of Grendel, John Gardner, and author of Frankenstein, Mary Shelley, both create a monster to represent something larger than itself in order to have the reader reflect on their “fears, desires, anxiety, and fantasy” in society, which is explained in Jefferey Cohen's Monster Culture (Seven Theses). The latest trend in monster media, zombies, also fit into Cohen's theses on what a monster is.
In the movies White Zombie and The Night of the Living Dead there were some similarities, but mostly there were mostly differences. The similarities were that both zombies were not running they were walking zombies. Also both zombies had no soul and had no control over what they could do.
The genre of gothic text tends to emerge in times of great social stress or anxiety. For many years, authors have described vampires as wealthy, culturally sophisticated, aristocrats who live decadent lifestyles. Today however, average Americans are faced with hard economic times, and are struggling to provide basic necessities for their families. When watching the movie Twilight by Stephanie Meyers, several details in the story seems to enhance these harsh cultural anxieties of today’s social world, such as, the excessive lengths people will go to achieve financial stability, the lavish life style of the modern vampire, and how themes of the economic issues society is facing, impacts and stresses basic human instinct that society has an unlimited wants.
The biggest difference is the fact that unlike in the earlier vampire tales, modern vampires are perceived as inhumanly attractive. Afterall, Dracula is described as a “tall old man, clean shaven save for a long white mustache, and clad in black from head to foot, without a single speck of color about him anywhere.” (Dracula, 42). Whereas in Twilight, “Everyone of them was chalky pale… They all had very dark eyes despite the range in their hair...were all, devastatingly, inhumanly beautiful.” (Twilight, 18-19). Another dissimilarity is that Dracula does not have a reflection. While Jonathan Harker may be unable to see the Count in his mirror, in Twilight, Edward shows up in pictures and has a reflection. Lastly, another major difference between the two kinds of vampires lies in their sleeping habits. Twilight vampires do not sleep in coffins, in fact, they do not sleep at all. But in Dracula, Jonathan discovers the count sleeping in a
The idea of a zombie is made up and it comes from nzambi, the Kongo word for the spirit of a dead person. In states such as Louisiana, or the Creole culture they believe zombies represent a person who has dies and brought back to life with no speech. Kings psychological argument on how we have an urge to watch horror movies because it helps to re-establish our feelings and feel natural again. Klusterman’s sociological essay helped us see the comparison of zombies and humans in real life. In conclusion zombies are not real, they are make believe but help bring a sense of normality to
First a major difference is sunlight does not affect the vampires in Twilight. The only thing the sun does to them is making them glow like glitter is on them. In Dracula the vampires are very weak when they get into the sun. Next big difference that you usually do not see in vampires is in Twilight they show up in pictures and mirrors. In Dracula it is shown when Jonathan was shaving that Dracula could not be seen in the mirror (29-30). The final difference between Dracula and Twilight is Holy items do not harm the vampires in Twilight. In Dracula however the items either burn the vampires, they just do not go near them. They usually just try to find an alternate solution around the object. This is shown when Draula used the wolf from the zoo to break the window open to get inside to suck on Lucy’s blood
Now a high-school senior, I still remember my freshman year with a shudder; it was the year my friends and I joked about as the "Year of the Zombie." It wasn't that I had contracted a rare medical disorder that transformed me into one of the walking dead. I had done what many diligent students do: sacrifice most of my sleep time for the sake of academic success.