As said in the previous discussion regarding the second chapter of Better Off Dead: The Evolution of the Zombie as Post-Human, zombies and their culture are examined and broke down in order to understand their motives for the progression of zombies globally. Through different perspectives from individuals based around the world, the discussion of the zombie culture debates over the idea that zombies have not just evolved within the narratives that have brought them to life, but they have evolved in such a way that ultimately transforms the narrative itself. However, in this specific chapter, “They are not men…they are dead bodies!”: From Cannibal to Zombie and Back Again, Chera Kee breaks down the introduction of zombies into mainstream consciousness, Though fictional, this novel illustrates the fear surrounding disease, viruses, and contamination and how if uncontrollable, could lead to a global spread that could jeopardize the human race. Traveling internationally, World War Z represents a zombie epidemic that brings forth infection, which can be considered an unconscious actor during this time of confusion and destruction. Scientifically, fear is defined as a natural response found in almost all organisms that revolve around the emotions and feelings induced by perceived threats and danger. Max Brooks illustrates the societal interaction with fear, “Fear of aging, fear of loneliness, fear of poverty, fear of failure. Fear is the most basic emotion we have. Fear is primal. Fear sells. That was my mantra. ‘Fear sells.’” (Brooks 55). The fear of a zombie virus spreading in fact just produces more fear into the mind of the individual. Through research and scientific advancements, fears and anxieties have been proven to put an individual more at risk of developing health issues. How ironic, right? Our fears and anxieties surrounding diseases and the spread of them cause our society to be more susceptible to obtain and contract more health related problems. The fight against the zombie metaphor within World War Z gives the reader a purpose for finding a way to hold With the zombie metaphor referring to uncontrollable fears in today’s modern society, the thriller is a realistic speculation about an airborne virus entering the human species and spreading on a global scale. With influenza outbreaks being a familiar scenario within modern society, the fear of an uncontrollable disease sends shockwaves of fear through the human race, especially when a vaccine has yet to be found and distributed, like in the film. The fear of a viral infection spreading stems from the idea that people do not simply “give” another individual the virus; a virus is a form of life that evolves and mutates in order to survive environmental changes. This virus searches for a new vulnerable host in order to survive and carry the disease to the next victim. The critical aspect around the spread of a virus is how drastically the reproduction process occurs. Without being controlled, the contamination throughout any species causes the spread to take place in a toxic way, “On day one, there were two people. And then, four and then, sixteen. In three months, it’s a billion. That’s where we’re heading” (Dr. Erin Mears, Contagion). Though the zombie metaphor focuses primarily on fear involving unconscious contributors and their mission of adding to their population, the fear of governmental control and how society responds to the epidemic is also an issue that needs to be considered. In this scenario, the viral
World War Z was written as a collection of stories from all around the world about the war against zombies. These stories cover the events that happened before and after the war. I really appreciate how Brooks took the initiative to describe the initial stages of the infestation all the wa...
The book jumps to a distressing story about Peter Los in 1970 in West Germany who became ill due to smallpox. After ten days he was hospitalized but medical staff did not realize he had smallpox, which is highly contagious. Preston gives vivid descriptions of the disease and how it ravages the body. Los survived his illness, but caused an epidemic that killed many others that had become exposed to him. “Today, the people who plan for a smallpox emergency can’t get the image of the Meschede hospital out of their minds.
It’s the year 2028, and the world we used to know as bright and beautiful is no longer thriving with light. A disease similar to the plague broke out and caused great havoc. Although it may seem like forever ago, sickness spread only a few years ago. The Road by Cormac McCarthy is about a man and his son who fortunately survived this sickness; although they made it, the struggle to keep going is tough. Before most of the population became deceased, people went insane. They started to bomb houses, burn down businesses and towns, and destroy the environment. Anyone who had the disease was bad blood. Many saw it as the end of the world, which in many cases was true.
Torie Boschs “First eat all the lawyers” appeared in Slate october 2011. Her piece was to reach out to horror fans and to explain to them why zombies are a great monsters in current media. Zombie fanatics who read this short essay will love her vast knowledge of zombies while others who still do not understand why zombies are horribly terrifying can get behind her argument. Bosch explains that the current zombie craze has to do with our current society and how white-collar workers would be left defenceless in a world over run with a rampant horde of zombies. While blue-collar workers can flourish in this current state as they have more skills suited for survival.
As the infection spreads, only Israel initiates a nationwide quarantine program and closes its borders. Pakistan and Iran destroy one another in a nuclear war, after Iran attempts to stem the flow of refugees from Pakistan. The United States does little to prepare, as it is sapped of political will by several "brushfire wars" and lulled into a false sense of security by an ineffective and fraudulently marketed vaccine. When the world recognizes the true scope of the problem, a period known as the "Great Panic" begins. The United States Army sends a task force to Yonkers, New York, in a high-profile military campaign intended to restore American morale. Instead, the troops are overwhelmed and routed by the zombies, due to reliance on tactics designed for human enemies, who can be demoralized into retreat...
Throughout World War Z by Max Brooks, readers can see how the apocalypse begins. Some of these mistakes can be considered individual human error, but overall can be seen as the government failing to serve its purpose. For example, early in the book, China first discovered that there was a newfound disease starting to spread. Instead of taking the responsibility for this disease, they shrugged it off and redirected other countries attentions. This caused the disease to start as a small outbreak and eventually multiplied. This failure in government can be seen as somewhat of a selfish act in order to preserve the country’s secrecy. Because they did not take the initiative to tell anyone else about the disease, people were unable to take caution and prevent themselves from contracting the plague. Similar to the book Blindness, nobody understood that the disease was amongst them at first. People were suddenly beginning to go blind with many unanswered questions. However, there was never any real truth to be revealed to the citizens in Blindness as there was in World War Z.
George Romero's reinvention of the zombie in Night of the Living Dead (1968) is clearly a critique of elements of the American society, and the film as a whole is easily twisted into a warped view on the 'American Dream'. Themes throughout Romero’s film, dealing with controversial topics during the time that the film was made, are still, to this day, debated by critics and film historians. Themes of racism and war are defined within the movie, hidden underneath the idea of carnal, cannibalistic zombies and over the top heroes who, eventually, succumb to the reanimated despite their every effort. These themes are colored over and painted to hide subtle references to the typical American Dream during this time, and Romero does quite the good job at it too. This dream, whilst continuously changing in the everyday lives of modern Americans, can be loosely defined as a national ethos of the United States, or a set of ideals dealing with freedom and the opportunity for success - an upward social status that can be achieved through hard work and effort.
The zombie sequence has become extremely popular with the increase of novels and films recently produced. George Romero and Maximillian “Max” Brooks are two popular screenwriters focusing on zombie stories and horror films. George Romero is an American-Canadian film director and producer best known for his horror film Night of the Living Dead (Staff, 2012). Max Brooks is an American horror author and screenwriter best known for his novel and now film World War Z (Staff, 2012). Romero and Brooks are both zombie fanatics who have many similar interest in undead creatures and numerous differences as well. The ideal view preferred in society is fast-moving zombies. Both authors scripts reflect this preference. Romero and Brooks are both talented authors in showing others their beliefs in zombies.
How many times have you been scared awake by zombies after watching shows or reading comics? Zombies, a particular group of survival horror, are basically dead people who come back to us in an evil way. From novels to Hollywood films, we look like cowards who are repeatedly scared by zombies. How can we still get shocks in this age of scientific society? The answer is that zombies come back with cultural messages in stories, which express our extraordinary fears. Such a horrible story was created by Kirkman, in The Walking Dead he depicted zombies as a horrible metaphor for xenophobia by combining fear of otherness with infectious disease; as a result, fear of contagion fuses with our fear of outsiders, increasing the unequal treatment of immigrants in contemporary society.
There is no denying that zombies are popular they are popping up everywhere from movies to video games and more. But why, what lies behind this braindead form of entertainment. Many of us just carry about our lives and never truly ask ourselves what makes zombies popular, what do they stand for, what are they all about. Zombies are a metaphor, they are humans who have lost what gives us dominance over the animal world, our powerful brain. Throughout the zombie narratives the authors argued that zombies represent man who has lost motivation, to achieve and how the unmotivated form bandwagons that many weak minded jump onto.
But could a zombie apocalypse actually happen? According to Matt Mogk - the world's leading expert on the undead, and founder of the Zombie Research Society - believes it's not so far-fetched (Stark). Mogk says, “There are too many weird diseases out there mutating in ways we don’t understand to say that this couldn’t be a possibility” (Stark). One disease includes the ebola virus. According to dictionary.com, ebola is a highly lethal virus that causes massive internal hemorrhaging. The ebola crisis reached the United States from West Africa when a Dallas patient was diagnosed with the virus. The latest figures from the World Health Organization puts the death toll from the disease at more than 3,430, with more than 7,470 infected as of Oct. 3 (Westcott). This leaves us with the idea of the reality of a zombie apocalypse, however, we do not know if and when this could happen. Could the increase in natural disasters, conflicts, climate change, and deadly diseases be a sign that the zombie apocalypse is near? We do not know how to prepare for the zombie apocalypse. We cope with our confusion by watching zombie movies and television shows. Although zombie entertainment is only a depiction of zombies, we choose to believe it will show us survival methods for the zombie apocalypse. This idea of the zombie apocalypse has made us find the solution, increasing zombie
In the article, “A Zombie Manifesto: The Nonhuman Condition in the Era of Advanced Capitalism” by Sarah Juliet Lauro and Karen Embry, the authors’ evaluate the idea of the zombie and its connection to capitalism and post-humanism. According to the authors, the zombie represents much more than just a fear, it represents a loss of oneself to many different things, primarily to a capitalist society. The authors have come to the conclusion that humans have a fear of what they cannot control, and that is why the zombie is so big in entertainment. We see zombies everywhere, in movies, books, tv shows, fundraisers, marathons, and so much more. They have been around for decades, but recently they have become very popular. The authors believe this is
The idea of a zombie is made up and it comes from nzambi, the Kongo word for the spirit of a dead person. In states such as Louisiana, or the Creole culture they believe zombies represent a person who has dies and brought back to life with no speech. Kings psychological argument on how we have an urge to watch horror movies because it helps to re-establish our feelings and feel natural again. Klusterman’s sociological essay helped us see the comparison of zombies and humans in real life. In conclusion zombies are not real, they are make believe but help bring a sense of normality to
The continuing fascination with the zombie motif in popular culture, including literature, film, television, and video games, points to the fact that zombies are of greater significance in our cultural psyche than simple vehicles for inducing easy fear. At the same time that the zombies themselves hold this weight, the fear of zombification - the threat of losing one’s selfhood and becoming one of the undead - holds an equal, if not greater, fascination for individuals as well.
George A. Romero, the director of Night of the Living Dead accidently created the zombie genre that we are familiar with today. Night of the Living Dead reshaped the entire genre with its bitter realism. Romero established verisimilitude unintentionally by focusing on how people react to crisis. The first zombie movies relied on semi-terrifying dress codes (of their time) and the conventional diegetic scream of a female. Whereas Romero’s film is an interpretation of humankind’s collapse. Romero drew inspiration from the infamous Vietnam War spiralling at the time and the American civil war. The verisimilitude lies within the human condition in dire times, like war. Therefore, in the Night of the Living Dead the zombie/ghoul stands as a symbol for the enemy contriving those dire times. This consequently makes the genre actually terrifying because representations have altered. Zombies are no longer an otherworldly or scientific monster e.g. White Zombie but a