More handpicked essays just for you.
William blake explanation on innocence and experience
William Blake major themes in songs of innocence and experience
William blake inherent differences between innocence and experience
Don’t take our word for it - see why 10 million students trust us with their essay needs.
William Blake’s Songs of innocence and Experience shows “Two Contrary States of the Human Soul” (Sagar, 2011, pp.1). These two contrary states may also be identified as achieving “Dualism” (Sagar, 2011, pp.1) which is regarded with the state being broken up into Innocence and Experience (Sagar, 2011) Not only does Blake manage to achieve these two contrary states in the Introduction (innocence), introduction (experience) and Earth’s answer (experience) but his etchings provide a clear indication of the change between innocence to experience. In this essay I will critically discuss the extent to which Blake succeeds in showing these two contrary states of the human soul, in his poems and in his etchings. One will be able to identify the two contrary states as well as understanding what has informed Blake’s poems and etchings.
William Blake fell under “the Romantic Period” (1798-1832) according to the British Literature timeline. The romantic period “grew out of frustration from the industrial revolution” (Parra, Mejia, Golden & Croston, 2013, pp. 7) and introduced many different Romanticism ideas. During this time, the writers focussed on “personal experience and imagination in their work” (Parra, Mejia, Golden & Croston, 2013, pp.8) rather than focussing on writing that would have an impact on society. This period in literature focussed mainly on youth and innocence (Parra, Mejia, Golden & Croston, 2013) and “questioned authority and tradition” (Parra, Mejia, Gordon & Croston, 2013, pp.8). One would agree that this is where Blake’s attitude towards religion would play a significant role in what has informed his poems and etchings. “In Blake’s time dualism had taken the Christian churches into the spiritually sterile cul-de-sac of...
... middle of paper ...
...ad and drear”, that she cannot get out of. This cruelty suggests experience and the use of alliteration makes the portrayal harsh. “Her light fled” suggests that the earth was once pure and innocent but is now prisoned. The etching (etching 3) shows a snake at the bottom of the image which is a symbol for the devil. The use of the snake shows experience which depicts the message clearly as Earth’s answer is one of experience, however trying to regain or regenerate innocence. In the last two stanzas, innocence is regained in a sense through the use of more innocent objects such as “buds and blossoms”. This suggests new life and therefore innocence overall.
In conclusion, one is able to see through this critical analysis of the three poems and etchings of Blake’s “songs of innocence and experience” that he has successfully shown the contrary states of the human soul.
While William Blake’s “Holy Thursday” from Songs of Innocence was written before the French Revolution and Blake’s “Holy Thursday” from Songs of Experience was written after, creating obvious differences in formal structure; these poems are also uniquely intertwined by telling the same story of children arriving to church on Holy Thursday. However, each gives a different perspective that plays off each other as well the idea of innocence and experience. The idea that innocence is simply a veil that we are not only aware of but use to mask the horrors of the world until we gain enough experience to know that it is better to see the world for simply what it is.
In the Neo-classical novel Candide the theme of innocence and experience is prevalent through the protagonist, Candide, journey of finding the prescription of how to live a useful life in the face of a harsh reality. In addition William Blake’s collection of Songs of Innocence and Songs of Experience the two characters, tyger and lamb, show how we lose our innocence to gain experience. Although the innocence and experience are paradoxical terms, we can solve the paradox by analyzing these two works.
Keynes, Sir Geoffrey. Introduction to William Blake's Songs of Innocence and of Experience. Shewing the Two Contrary States of the Human Soul. Ed. Geoffrey Keynes. Oxford: Oxford University Press, 1967.
The theme of authority is possibly the most important theme and the most popular theme concerning William Blake’s poetry. Blake explores authority in a variety of different ways particularly through religion, education and God. Blake was profoundly concerned with the concept of social justice. He was also profoundly a religious man. His dissenting background led him to view the power structures and legalism that surrounded religious establishments with distrust. He saw these as unwarranted controls over the freedom of the individual and contrary to the nature of a God of liberty. Figures such as the school master in the ‘schoolboy’, the parents in the ‘chimney sweeper’ poems, the guardians of the poor in the ‘Holy Thursday’, Ona’s father in ‘A Little girl lost’ and the priestly representatives of organised religion in many of the poems, are for Blake the embodiment of evil restriction.
William Blake, was born in 1757 and died in 1827, created the poems “The Lamb,” “The Tyger,” and Proverbs of Hell. Blake grew up in a poor environment. He studied to become an Engraver and a professional artist. His engraving took part in the Romanticism era. The Romanticism is a movement that developed during the 18th and early 19th century as a reaction against the Restoration and Enlightenment periods focuses on logic and reason. Blake’s poetry would focus on imagination. When Blake created his work, it gained very little attention. Blake’s artistic and poetic vision consists in his creations. Blake was against the Church of England because he thought the doctrines were being misused as a form of social control, it meant the people were taught to be passively obedient and accept oppression, poverty, and inequality. In Blake’s poems “The Lamb,” “The Tyger,” and Proverbs of Hell, he shows that good requires evil in order to exist through imagery animals and man.
The theme of the suffering innocent person, dying and being diseased, throws a dark light onto the London seen through the eyes of William Blake. He shows us his experiences, fears and hopes with passionate images and metaphors creating a sensibility against oppression hypocrisy. His words come alive and ask for changes in society, government and church. But they remind us also that the continued renewal of society begins with new ideas, imagination and new works in every area of human experience.
In Songs of Innocence and Experience (1789 and 1794), William Blake arouses readers' minds and leads them into a path of finding their own answers and conclusions to his poems. He sets up his poems in the first book, Songs of Innocence, with a few questions as if they were asked from a child's perspective since children are considered the closest representation of innocence in life. However, in the second book, Songs of Experience, Blake's continues to write his poems about thought-provoking concepts except the concepts happen to be a little bit more complex and relevant to experience and time than Songs of Innocence.
His spiritual beliefs reached outside the boundaries of religious elites loyal to the monarchy. “He was inspired by dissident religious ideas rooted in the thinking of the most radical opponents of the monarchy during the English Civil War” (E. P. Thompson). Concern with war and the blighting effects of the industrial revolution were displayed in much of his work. One of Blake’s most famous works is The Songs of Innocence and The Songs of Experience. In this collection, Blake illuminates the naive hopes and fears that inform the lives of children and follow them into adulthood.... ...
Blake was angered by what he saw in his homeland as other countries started fighting for their independence and equality whilst his country stayed dormant, even though he felt that there was a serious need for serious action. Even though Blake wasn't a typical romantic writer, he too possessed the same. beliefs of fighting for what one believes in, and the urge to be. liberated from the oppression of society. So, by being a writer of the romantic period, watching a controlled and restricted society not showing an intent to break free and fight against the monarchy.
Blake also uses sound to deliver the meaning to the poem. The poem starts off with "My mother groaned! my father wept." You can hear the sounds that the parents make when their child has entered this world. Instead of joyful sounds like cheer or cries of joy, Blake chooses words that give a meaning that it is not such a good thing that this baby was brought into this world. The mother may groan because of the pain of delivery, but she also groans because she knows about horrible things in this world that the child will have to go through. The father also weeps for the same reason, he knows that the child is no longer in the safety of the womb, but now is in the world to face many trials and tribulations.
Upon reading William Blake’s Songs of Innocence and Songs of Experience, a certain parallel is easily discerned between them and Lewis Carroll’s Alice’s Adventures in Wonderland. Blake, considered a radical thinker in his time, is today thought to be an important and seminal figure in the literature of the Romantic period. Being such a figure he has no doubt helped to influence many great thinkers throughout history, one of whom I believe is Carroll. There are many instances throughout Carroll’s story where comparable concepts of innocence and adulthood are evident. Through its themes of romanticism, Carroll crafts a story that is anti-didactic by its very nature.
There are often two sides to everything: chocolate and vanilla, water and fire, woman and man, innocence and experience. The presence of two opposing items allows for harmony and balance in the world. Without water, fire cannot be put out and without woman there can be no man. William Blake’s poetry collection Songs of Innocence and of Experience draws parallels between poems of “innocence” and poems of “experience”. His poem The Lamb is mirrored by his poem The Tyger.
The imagery of nature and humanity intermingling presents Blake's opinion on the inborn, innate harmony between nature and man. The persona of the poem goes on to express the `gentle streams beneath our feet' where `innocence and virtue meet'. This is where innocence dwells: synchronization with nature, not synchronization with industry where `babes are reduced to misery, fed with a cold usurous hand' as in the experienced version of `Holy Thursday'. The concept of the need for the individual's faithfulness to the laws of nature and what is natural is further reiterated in `the marriage of heaven and hell' in plate 10 where Blake states `where man is not, nature is barren'. The most elevated form of nature is human nature and when man resists and consciously negates nature, `nature' becomes `barren'. Blake goes on to say `sooner murder an infant in its cradle than nurse unacted desires'. This harks back to `the Songs of Innocence' `A Cradle Song' where the `infants smiles are his own smiles'. The infant is free to act out its desires as it pleases. It is unbound, untainted. Blake's concern is for the pallid and repressed, subjugated future that awaits the children who must `nurse unacted desires' and emotions in this new world of industrialisation. Despairingly, this is restated again in `the mind-forg'd manacles' of `London'. The imagery of the lambs of the `Songs of Innocence' `Introduction' is developed in `the Chimney Sweeper' into the image of `Little Tom Dacre, who cried when his head, that curl'd like a lamb's back, was shav'd'.
Although both Blake and Wordsworth show childhood as a state of greater innocence and spiritual vision, their view of its relationship with adulthood differs - Blake believes that childhood is crushed by adulthood, whereas Wordsworth sees childhood living on within the adult. In the William Blake’s Songs of Innocence and of Experience, the vision of children and adults is placed in opposition to one another. Blake portrays childhood as a time of optimism and positivity, of heightened connection with the natural world, and where joy is the overpowering emotion. This joyful nature is shown in Infant Joy, where the speaker, a newborn baby, states “’I am happy, Joy is my name.’” (Line 4-5).
LaGuardia, Cheryl. "WILLIAM BLAKE: SONGS OF INNOCENCE AND OF EXPERIENCE." Library Journal 128.9 (2003): 140. Academic Search Premier. EBSCO. Web. 13 July 2011.