Desire to Death Tennessee Williams’ A Streetcar Named Desire revolves around a character named Blanche and her inability to control her delusions and attitude. According to Griffies, “Williams once told an interviewer: ‘My work is emotionally autobiographical. It has no relationship to the actual events of my life, but it reflects the emotional currents of my life’” (). Williams’s emotional state can be compared to Blanche’s, who is somewhat a victim of her condition, but the true villain overlooked in plain sight are the male abusers in her life. These abusers only served to form and encourage her emotional instability and led to her woeful stride to isolation. During his childhood, his parents had a victimizing relationship much like that …show more content…
This, however, is not the case at all, considering Blanche had the potential to get well by being surrounded by people who love her and are not mentally abusive towards her (e.g. Stella and Mitch during their relationship). Blanche’s believes Stanley is below Stella, and herself on the social chain due to her mindset, creating a conflict of power because of Stanley’s attitude where he thinks men are above women and becomes aggressive …show more content…
Her first husband deceived her when he had an affair with a man, conflicting with her old south attitude, and led Blanche to label him “disgusting” (). This led him to commit suicide just after, leaving Blanche with haunting memories and sowing the seed of mistrust for men. This said seed is later nurtured when Stanley’s easily provoked bravado pushes him to take a swing at everyone and everything around him. This violence forces Blanche’s delusions to heighten and her emotional instability to worsen when she is drove to drinking alcohol. Blanche considers Mitch (the man who Blanche enters a relationship with) to be “civilized” and “sensitive” as herself (). However, when it comes down to it, he acts similar to Stanley when he tells her she is “too dirty to bring into the same house as his mother,” upon knowing that Blanche is not as pure as she claims to be (). Although she is not a male, Stella also participates in allowing her sister to be abused, when she does not defend her sister in the end, and allows her to be swallowed up into her lonely world again. Because, while Blanche was suffering alone, Stella had fallen hard into desire with a man who will put her so-called “beloved” sister in a world of misery. Thus, leaving her to only rely on “strangers’ kindness” rather than the only family she has left
Blanche, a fading beauty, uses her sugary charm and soft southern ways to attract men. In comparison, Stanley "sizes women up at a glance, with sexual classifications" to "determine the way he smiles at them" (Williams, Street 29). Course and deliberately aggressive, he is a "survivor of the stone age" (Williams, Street 72). Despite their differences, they both possess a raw sensuality. In their first confrontation, Blanche's thick display of charm angers and attracts Stanley.
Blanche, in particular, is much more of an anachronism than Stella, who has, for the most part, adapted to the environment of Stanley Kowalski. Finally, both Stella and Blanche are or have been married. It is in their respective marriages that we can begin to trace the profound differences between these two sisters. Where Blanche's marriage, to a man whom she dearly loved (Miller 43), proved catastrophic to her, Stella's marriage seems to be fulfilling her as a woman. Blanche's marriage to a young homosexual, and the subsequent tragedy that resulted from her discovery of her husband's degeneracy and her inability to help him, has been responsible for much of the perversity in her life.
... ignorance; and this was the undeniable tragedy that caused her downfall in the end. Stanley was angry when Blanche told Stella that she did not like him, but he never gave her a chance. Stanley despised her from the beginning. Neither Stanley nor Mitch was intelligent enough to comprehend that not everything is black and white. They perceived her as a deceitful whore. Stella chose her violent husband over her sister. Also, Mitch could not overlook her mistakes. Mitch focused on her flaws which blinded him from seeing the beauty and love Blanche had to offer. Blanche wanted their love, but each of their individual flaws sunk her deeper into a hole. The people around Blanche were unwilling to change and develop an open-minded way of dealing with her situation. Blanche needed kindness and affection, but nobody was able to give it to her when she needed it the most.
This gradual fall and loss of her sense of reality is truly tragic. Blanche is a person largely driven by the part of her that wants to be liked and be accepted. She cares greatly about how she is viewed and how she looks which is seen throughout the play. Even at the end when she’s living almost completely in the imaginations of her mind she asks Stella and Eunice how she looks before being taken away to an insane asylum. Tennessee Williams, the author of the play, uses all the conflict between Blanche and others, specifically Stanley, to show that fantasy is unable to overcome reality. Stanley and Blanche are both the epitomes of fantasy and reality. Stanley is a man focused on sexual drive, work, and fighting. He is exhibited as animalistic and strongly driven by his desires which is shown when he says, “Be comfortable. That's my motto up where I come from.” Stanley loves and searches after reality which is why he is so set on breaking down the facade he sees in Blanche. Blanche on the other hand is running from her reality and her past. Her fantasy of being high class and chaste is the exact opposite of her reality which is why she wants a life like that so badly. She wants marriage and stability, two things she was jealous of Stella having after arriving in New Orleans. Her fantasy she was building in her new life is shattered when Stanley is able to learn of her past and bring reality crashing down on her. Williams
Tennessee Williams gives insight into three ordinary lives in his play, “A Streetcar Named Desire” which is set in the mid-1930’s in New Orleans. The main characters in the play are Blanche, Stanley, and Stella. All three of these characters suffer from personalities that differentiate each of them to great extremes. Because of these dramatic contrarieties in attitudes, there are mounting conflicts between the characters throughout the play. The principal conflict lies between Blanche and Stanley, due to their conflicting ideals of happiness and the way things “ought to be”.
She struggles with Stanley’s ideals and shields her past. The essential conflict of the story is between Blanche, and her brother-in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed.
The arts stir emotion in audiences. Whether it is hate or humor, compassion or confusion, passion or pity, an artist's goal is to construct a particular feeling in an individual. Tennessee Williams is no different. In A Streetcar Named Desire, the audience is confronted with a blend of many unique emotions, perhaps the strongest being sympathy. Blanch Dubois is presented as the sympathetic character in Tennessee William's A Streetcar Named Desire as she battles mental anguish, depression, failure and disaster.
In Tennessee Williams play "A Streetcar Named Desire" two of the main characters Stanley and Blanche persistently oppose each other, their differences eventually spiral into Stanley's rape of Stella.
This statement also emphasises much of Blanche’s own views on sorrow and explains how it has affected her life since she has made the comment from personal experience. To conclude, Tennessee Williams’ dramatic use of death and dying is an overarching theme in ‘A Streetcar Named Desire,’ from which everything about Blanche’s character has formed from. Without the death of Allan, Blanche would not have resorted to prostitution and the brief affairs with strangers, also the deaths of her family have driven Blanche to Stella’s where she is “not wanted” and “ashamed to be”. Therefore these dramatic deaths have lead to the past which comes back to haunt
She would be able to get sympathy with Stella, Stanley, and Mitch if she understood their condition as well. Stella’s condition is opposite from Blanche’s aristocratic lifestyle. She is living in poverty and is unable to provide for Blanche’s elaborate needs. “Streetcar quote” Blanche recognizes her current condition but fails to understand it and empathize, instead she Slanders Stella’s home and invades it “Some people rarely touches it, but it touches them often” If she was a decent guest and sister, she could seize the opportunity to help Stella in the home, perhaps by helping with the daily chores or by fixing it up to become more “homely”. By doing this she would then gain a sense of purpose, cleaning could possibly become a healthy coping mechanism, she would be doing something positive, and by helping around the home, she would gain a healthier, supportive, relationship with her sister and the homes other resident, Stanley. Being unable to empathize with Stanley was key for Blanche downfall; she invaded his home, degraded him in front of his friends and family, and tried to steal his wife from him. If Blanche was able to recognize the positive traits of Stanley, that he is passionate and loving towards his family, she would be able to ignore the “primal, animalistic” manner of Stanley. If she could empathize with his current
In Tennessee Williams’ play A Streetcar Named Desire, main character Blanche Dubois to begin with seems to be a nearly perfect model of a classy woman whose social interaction, life and behavior are based upon her sophistication. The play revolves around her, therefore the main theme of drama concerns her directly. In Blanche is seen the misfortune of a person caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present.
Character of Blanche in Tennessee Williams' A Streetcar Named Desire. One of the best-known plays of our time, Tennessee Williams’s “A Streetcar Named Desire” tells the story of fading Southern belle Blanche DuBois and her struggles during the South’s post-war changes. Although the play is widely remembered due to its 1951 film version and Marlon Brando’s famous bare-chested cry of “Stella!,” it is also a story of a changing South containing characters struggling with the loss of aristocracy to the new American immigrant, the fallout of chivalry to a new mindset of sex and desire, and a woman grasping desperately at the last bit of fantasy she can muster. Throughout “A Streetcar Named Desire,” Williams uses Blanche as a way to critique Southern “progress” by using her as a symbol for a dark, underlying existence.
Firstly, the reader may initially feel Blanche is completely responsible or at least somewhat to blame, for what becomes of her. She is very deceitful and behaves in this way throughout the play, particularly to Mitch, saying, ‘Stella is my precious little sister’ and continuously attempting to deceive Stanley, saying she ‘received a telegram from an old admirer of mine’. These are just two examples of Blanches’ trickery and lying ways. In some ways though, the reader will sense that Blanche rather than knowingly being deceitful, actually begins to believe what she says is true, and that she lives in her own dream reality, telling people ‘what ought to be the truth’ probably due to the unforgiving nature of her true life. This will make the reader begin to pity Blanche and consider whether these lies and deceits are just what she uses to comfort and protect herself. Blanche has many romantic delusions which have been plaguing her mind since the death of her husband. Though his death was not entirely her fault, her flirtatious manner is a major contributor to her downfall. She came to New Orleans as she was fired from...
Stella Kowalski’s character, parallels to Stanley’s and represents the ego in the play. herself from her hometown and start a life in this vigorous world made by Stanley. she stands for the ego who wants to create a balance between desires and ideas, between body and soul, heart and mind to have a normal life. Blanche is the only one who wants to warn her of what she does. Loving Blanche, she also dislikes her and at the same time fears her. She hopes Blanche marry Mitch for her sister’s sake and for herself too. Actually she wants to get rid of
Blanche uses her dilutions and tries to sway Stella away from Stanley, yet Stella takes all these slanders and belittles them. Stella does this because she loves Stanley and since she is pregnant with his baby.