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Essay on baroque music period
History of music
Music of the baroque period essay
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If you take some time and think about music and its history, you will recognize that the pieces from the “ancients” tend to live longer than the more recent pieces. Those are the music pieces that live with time, and live with you. Talking about timeless music, perhaps you are more familiar with classical composers like Beethoven, Mozart or Chopin. However, you would be surprised when you find out that you actually have come across more pieces from other composers than you thought. One of them is Antonio Lucio Vivaldi – the father of many timeless string concerti.
Antonio Vivaldi was born on March 4, 1678, in Venice, Italy, in a time period called the Baroque era, which is between Renaissance and Classical eras. You can imagine Baroque as a memorable era, where people embraced their romance of music and arts. If you had visited Venice at Baroque time, you would have found yourself surrounded with thriving music. Musical institutions, orchestras, and concerti flourished everywhere. Music pieces from Baroque are not as “religious” as those of Renaissance, but are not as hued as those of Classical. You probably would recognize Vivaldi’s most famous concerto – “Four Seasons”. This piece is usually played in documentaries, movies, or in an authentic café. “Four Seasons” consists of four parts, which are “Spring,” “Summer,” “Autumn,” and “Winter.” Each part pairs with a sonnet (poem), which reflects different stories. The best way to listen to these concerti, if you are not able to attend a live concert, is to use your headphone, which enables you to concentrate and read what Vivaldi was trying to tell.
Being the son of a professional violinist enabled Vivaldi to meet and learn from outstanding musicians and composers. As a result, alo...
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...restricted him from his work. Moreover, perhaps the most sorrowful moment in Vivaldi’s life is his funeral. His renown did not bring him financial success. Vivaldi died in poverty in 1741. Despite his passion, talent, and contribution to the world’s music, there was no music proceeded during Vivaldi’s simple funeral. You usually find it unfair for earlier musicians and artists since almost all of them, despite their talents, struggled with financial matters since the benefits came with their compositions did not last long. Music in their time definitely required more work and dedication compared to music today. However, thanks to the evolution of laws and regulations, patents and copyright are more to the artists’ favor nowadays. If you ever have a chance to visit Venice, remember to take some time to take a deep breath and recall a place, a person that once lived.
To this day, many of Stradivarius violins remain in the human world, but only one can resound with the beauty of Stradivari's soul; this one Hermes keeps for himself. But to honor Stradivari's life and to share his gift with the world, Hermes joins with Apollo every night and plays the symphonies of nature; these can be heard in the winds, in the oceans, indeed, in the fabric of everyday life.
Antonio Stradivari, a man known by many as on of the greatest luthiers of all time. The question at hand is why? From as early as the early 1700’s Stradivari was well known in the music world and still is. His instruments are reproduced in order to fool consumers into buying an instrument that has the same design as a Strad. There are also luthiers that try to replicate Stradivari’s beautiful design for their own satisfaction. Antonio Stradivari’s instruments have become socially and technically popular over time due to his superior craftsmanship, and for others, its large price tag. Stradivari’s life, affecting how his instruments were made, changed the perception of his instruments technically and socially.
Vivaldi wanted to go into priesthood, but due to illness he was unable to continue this pursuit. (Kamien, 2015, p. 126). He spent the rest of his life involved in many aspects of music: teaching, composing, and conducting. It is important to reflect on the composer’s history to gain insight into their perspective. Kamien (2015) describes Vivaldi as a virtuoso violinist which is why he mainly featured violins in his works (p.127).
The main goal of the very talented English music composer and conductor Benjamin Zander was to convince his audience through his very interesting and inspirational video, “The Transformative Power of Classical Music” that ‘Classical Music is for every one’. He was not only able to keep the attention of his audience growing with his splendid performance but also was able to make them understand the depth of classical music. He chose the most beautiful piece of classical music in order to make sure that his audience love it.
For almost half a century, the musical world was defined by order and esteemed the form of music more highly than the emotion that lay behind it. However, at the turn of the 19th century, romantic music began to rise in popularity. Lasting nearly a century, romantic music rejected the ideas of the classical era and instead encouraged composers to embrace the idea of emotionally driven music. Music was centered around extreme emotions and fantastical stories that rejected the idea of reason. This was the world that Clara Wieck (who would later marry the famous composer, Robert Schumann) was born into. Most well known for being a famous concert pianist, and secondly for being a romantic composer, Clara intimately knew the workings of romantic music which would not only influence Clara but would later become influenced by her progressive compositions and performances, as asserted by Bertita Harding, author of Concerto: The Glowing Story of Clara Schumann (Harding, 14). Clara’s musical career is an excellent example of how romantic music changed from virtuosic pieces composed to inspire awe at a performer’s talent, to more serious and nuanced pieces of music that valued the emotion of the listener above all else.
A great influential composer is Ludwig Van Beethoven, born in Bonn, who lived from 1770-1826. Beethoven among the masters of classical music such as Mozart and Haydn, set the stage for the creation of the musical canon, which focused on the most famous compositions created. This musical canon set a tradition in the way music was composed, which in turn created the “musical museum”. This “museum” is filled with compositions that followed the musical canon which is what created the
TitleAuthor/ EditorPublisherDate James Galways’ Music in TimeWilliam MannMichael Beazley Publishers1982 The Concise Oxford History of MusicGerald AbrahamOxford University Press1979 Music in Western CivilizationPaul Henry LangW. W. Norton and Company1941 The Ultimate Encyclopaedia of Classical MusicRobert AinsleyCarlton Books Limited1995 The Cambridge Music GuideStanley SadieCambridge University Press1985 School text: Western European Orchestral MusicMary AllenHamilton Girls’ High School1999 History of MusicRoy BennettCambridge University Press1982 Classical Music for DummiesDavid PogueIDG Books Worldwide,Inc1997
The Book Whistling Vivaldi by Claude M. Steele is a book about confronting and acknowledging stereotypes. As well as trying to find ways to curb stereotypes in today's society. In the first 3 chapters Steele discusses his experience with stereotyping as a young black man in Chicago. He speaks of his friends experiences from their youth. As well as discussing research he and his colleagues have conducted over his career. Trying to figure out what causes stereotype, how it affects individuals, what we can do to eliminate it, and does it affect everyone the same in all situations.
It is clear that Beethoven’s stands as being significant in development of the string quartet to a massive extent in creativity and innovation. His early quartets show great influence of those from the Classical period and with his own, has influenced his contemporaries and later composers. The quartets published later in his life show even greater imagination and use of expression. It is also through similar uses of texture, harmony, rhythm and counterpoint that composers of the Romantic period and the 20th century wrote their own string quartets. Beethoven’s however prove a huge advancement in how string quartets are written and the intensity of emotions that they portray.
...ike today. The period between the baroque and renaissance paved a new way for not only music, but for art. The change that took place was gorgeous causing art to become so vivid and images are portrayed to be so real. I never was a fan of art nor music, but if one actually pays attention to the evolvement of it throughout time one would have great appreciation.
According to Michael Talbot, of Grove Music, as well as the liner notes from the Analekta Classical Music CD, Antonio Vivaldi was born to Giovanni Battista and Camilla Calicchio in Venice in 1678. Giovanni made a profitable living as an accomplished violinist, and became Vivaldi’s main instructor from an early age. The oldest of nine children, Vivaldi led the way in studying music, and became the most musical of his siblings. Vivaldi spent much time learning about and preparing to be ordained to the office of a priest. In 1703, he was ordained a priest, but resigned after just a year due to his acclaimed medical limits (Heller 38-40). For his entire life, Vivaldi struggled with the effects of bronchial asthma and was unable to play wind instruments. Though his asthma was a real issue, there is some question about the actual reason of his resignation. He was often rumored to leave a Mass when inspired with new musical ideas. After serving as a priest, Vivaldi was hired by the Ospedale della Pieta, one of four learning institutions intended for orphaned, abando...
On Sunday afternoon November 21, 1999, at 2:00 p.m.at 419th Concert Worldwide, 330th in New York, 218th in Carnegie Hall I attended a MidAmerica production that presented the New England Symphonic Ensemble. This concert contained several different compositions by large groups of musicians, including an orchestra band, and chorus. This concert was divided into three different parts. First there was the Vivaldi which was divided into 12 sections. Virginia-Gene Rittenhouse was the music director, Raymond Sprague was the conductor, Judith Von Housers Voice was the soprano, Mary Nessinger voice was the Mezzo soprano, and Elizabeth Hastings was the portative. There was a reprise in the first section Gloria which opened up the symphony.
John Warrack, author of 6 Great Composers, stated, “Any study of a composer, however brief, must have as its only purpose encouragement of the reader to greater enjoyment of the music” (Warrack, p.2). The composers and musicians of the Renaissance period need to be discussed and studied so that listeners, performers, and readers can appreciate and understand the beginnings of music theory and form. The reader can also understand the driving force of the composer, whether sacred or secular, popularity or religious growth. To begin understanding music composition one must begin at the birth, or rebirth of music and the composers who created the great change.
The Four Seasons composed by Vivaldi was one of the earliest examples of program music and was also the most famous of all his concertos. Vivaldi wanted to depict the various seasons in the four concerti in Italian. When you listen to the Four Season, you feel as though he has created a whole another atmosphere with its own feelings. He seems to have used only the four major instruments that are usually present in an orchestra, which are the violin, viola, cello and bass, to depict this atmosphere effortlessly.
As an adult Mozart his career was not as successful as when he was younger. But he kept on composing anyway hoping one people would appreciate his work. He lived in poverty for the great majority of his life. In 1769 he became a concertmaster to the archbishop of Salzburg, which was another one of his jobs that afforded him little financial security. In 1777, he left on another concert tour. But, the courts of Europe ignored Mozart ‘s search for a more beneficial assignment. In 1782 he earned a living by selling compositions, giving public performances, and giving music lessons, which once again was a low paying job. The composer never did find a well paying job. The bizarre thing was is that even that he had ton of trouble finding jobs, he was still considered one of the leading composers of the late 1700s.