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A level vivaldi essay
Essay on antonio vivaldi
Essay on antonio vivaldi
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On Sunday afternoon November 21, 1999, at 2:00 p.m.at 419th Concert Worldwide, 330th in New York, 218th in Carnegie Hall I attended a MidAmerica production that presented the New England Symphonic Ensemble. This concert contained several different compositions by large groups of musicians, including an orchestra band, and chorus. This concert was divided into three different parts. First there was the Vivaldi which was divided into 12 sections. Virginia-Gene Rittenhouse was the music director, Raymond Sprague was the conductor, Judith Von Housers Voice was the soprano, Mary Nessinger voice was the Mezzo soprano, and Elizabeth Hastings was the portative. There was a reprise in the first section Gloria which opened up the symphony.
Following the first intermission the musicians performed Magnificant by Mohaycn, Ave Maria op 12 by Brahms, Magnificant by Vaughan Williams, and Canticle of Mary by Larson. Nancy Menk was the conductor, Judith Von Houser's voice was the soprano and Mary Nessinger the Mezzo-soprano. The first three sections were settings of the magnificant text all for women's of tremble voices and orchestra. This recital was more dramatic due to the addition of the precussion that added a yelling sound in the end of the last section Canticle of Mary which portrayed Mary's free spirit. Also they played a solovin oboe Manificant by Williams.
Following the second intermission the musicians performed the Puccini which was divided into six sections. Solveig Holmquist was the conductor, Thomas C. Laine was the tenor and James Demler voice was the baritone. The chorus carries the major burden of their music. Thomas C. Laine presented the tenor in Credo, and James Demler presented the baritone in Agnas Dei. This piece also contained fugue and a chorale. Also all the instruments were blended together to produce harmony.
In the first part of this recital the vivaldi, contained a string Quartet. After the first intermission, I looked down at the podium and noticed that the precussions were added which included the timpani, bass drum, tylophone, and cymbals. In this recital Nancy Menk was the conductor, Judith Von Houser was the soprano which played a high note, and Mary Nessinger was the Mezzo-soprano which played a slight softer note. This part of the concert was divided into four pieces. First there was the Magnificant by M. Haydn (the orchestra accompaniment was edited from the composer's manuscript by Mark Nabholz). This piece consisted of strings without violas, two french horns, and an organ.
The first composition, "Miserere Mei, Deus", was produced by Gregorio Allegri in 1638. I learned this, as I read along with the well-thought-out program that was given. As we, the audience, looked up to the vocalists, we were entranced by the consuming sound. The room filled with a vibrant melody, in which the harmonization and tone color was spectacular. The emotion conveyed throughout the room was one of absorption and delight. During this piece, the sopranos hit such high notes, that I was astounded. Being a person who participates in concert choir, I understand the level of commitment and talent it takes to reach those notes and stay in tune. This ...
The 17th annual Sphinx Orchestra Finals Competition Concert has changed my perspective on classical music. I fully enjoyed the performance and might even consider going to next year’s performance. The young musician upheld incredible talent and the orchestra was just as unbelievable. I applaud the Sphinx Orchestra for putting on such a miraculous performance that anyone would enjoy a classical concert.
Tu?” by Puccini. Kristine comes in strong as Jonas follows right behind her. The two powerhouses put together a peaceful and complex form. Andris Nelsons welcomed all of the attending guests at the end of the piece. He insists on putting on a short encore with the two vocalists. The both of them lastly perform “O Soave Fanciulla” by Puccini. It was well done and both performers bowed to the audience as the audience clapped with much satisfaction.
Volondat, Pierre-Alain, perf. Variations OP 20. By Clara Schumann. Rec. 15 May 2010. Saphir Productions, 2008. Florida College's Classical Music Library. Web. 17 Nov. 2013.
...ude: “Concerto for Flute in G major, Op. 29”, “ Concerto for Viola no 1 in D major”, “Symphonie Concertante for Violin and Viola in D major”, and “Quartets for Clarinet and Strings, Op. 19: no 2 in B flat major ”.
The first song, Magnificat in C, was one of the longer songs performed, and featured many solos by Union students. This song is in Latin, but due to the English translation the audience received prior to the performance, we were able to follow along and comprehend the lyrics. This song demonstrated the various parts of a choir and allowed the sopranos, altos, and tenors to express themselves through sectional solos.
On Thursday, 1 December 2016 at 7:30 p.m. in David Geffen Hall the New York Philharmonic performed four pieces. Bernard Langevin conducted the New York Philharmonic. Ying Fang was the special debut at the concert. On Saturday, 3 December 2016 at 7:00 p.m. in Carnegie Hall the Orpheus Chamber Orchestra performed four pieces. The Orpheus Chamber Orchestra did not have an official conductor, but they had special pianist Fazil Say (b. 1970) sometimes conduct them. Both concerts were based off the classical era because of its stylistic features. Many composers emerged during the eighteenth century.
Being the son of a professional violinist enabled Vivaldi to meet and learn from outstanding musicians and composers. As a result, alo...
A sinfonia (Italian for symphony) broadly refers to a number of instrumental works from the Baroque period, including symphonies, sonatas, canzonas, concerti, and Italian opera overtures. Even J.S. Bach titles his “three-part” inventions for harpsichord “Sinfonia”. Torelli’s Sinfonia in D (G.8) is a four-movement “concerto” for trumpet, strings and harpsichord continuo. Unlike a concerto grosso, where a main theme is presented and then reappears in fragments, the main themes of Sinfonia in D are developed rather freely. The second movement (Adagio) is a very short, slow, interlude without trumpet that introduces the third movement (Allegro). Hence, the program shows these two movements as “adagio-allegro” joined together.
There are two pieces in our Renaissance Era musical feature this evening, the first by Pierre Phalèse called Passamezzo d'Italye - Reprise – Gaillarde. Phalèse began as a bookseller in 1545 and not long after he set up a publishing house. By 1575 he had around 189 music books. Much of his work was devoted to sacred music but there was a small amount of Flemish songs and instrumental works. Phalèse borrowed work from many composers and did not hesitate to include other composer’s music in his works. The sec...
The Los Angeles Philharmonic Classical Music Concert Report. I attended the Los Angeles Philharmonic classical music concert at the Walt Disney Concert Hall on Friday 29 November 2013. The classical concert started at 8:00pm to the enjoyment of the huge audience that had been waiting for this amazing music extravaganza. Classical music concerts always offer magnificent entertainment and the audience in this concert was expectant to derive such entertainment or more. In attendance were Christian Zacharias, who was the conductor, and Martin Chalifour, who was the LA Phil commanding Principal Concertmaster and Bach violin player.
The Four Seasons composed by Vivaldi was one of the earliest examples of program music and was also the most famous of all his concertos. Vivaldi wanted to depict the various seasons in the four concerti in Italian. When you listen to the Four Season, you feel as though he has created a whole another atmosphere with its own feelings. He seems to have used only the four major instruments that are usually present in an orchestra, which are the violin, viola, cello and bass, to depict this atmosphere effortlessly.
On Sunday, April 19 2015 at 2:00 pm in Carnegie hall, the American Symphony Orchestra performed five pieces by various composers. The pieces performed at the American Symphony Orchestra include Alleluia, Dream-king and his love, Symphony NO.2, Music for Cello and Orchestra, and Cantares. Various well-known composers such as Randall Thompson, Horatio Parker, George Rochberg, Leon Kirchner, and Roberto Sierra composed the pieces included. All of which have an amazing skill and talent in composing music, which has been demonstrated by the American Symphony Orchestra.
Pogue, David and Scott Speak. Classical Music for Dummies. Foster City, California: IDG Worldwide, 1997. Print