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Victorian period discuss
Life as a Victorian woman
Life as a Victorian woman
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In the late 19th century, the “new woman” era originated. These new woman were seen as independent, intellectual, sexual, and free. This was a huge change from before this time. Compared to the new woman, in the Victorian era, the Victorian’s were more seen as pure, innocent, and sweet. This type of woman was depicted as strong, heroic, and steadfast in relationships. The transition of Victorian woman to the new woman era moved toward taking on some of the traditional roles of a man, rather than those that were said to be just “a woman’s job”. As this gained traction this led many men to fear what else that could possibly come from this, the society become shook. The society was seen as a double standard back in the Victorian era, where men …show more content…
In the Victorian culture, it is said that gender roles for women were considered to be pure, sweet, innocent, and having all characteristics of that a mother or a wife would have.
In this novel, Mina and Lucy, both are represented as pure and most definitely reliant on their partners. In the beginning, Lucy Westerna seemed to portray the perfect Victorian woman as Van Helsing says:
She is one of God's women, fashioned by his own hand to show us men and other women that there is a heaven where we can enter, and what its light can be here on earth. So true, so sweet, so noble, so little an egoist
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Before her transition, when Harker went missing, trapped in Dracula’s castle, Mina wrote in her Journal about her deep concern for where Harker had disappeared to. Here, she displays how a perfect wife should be. She writes in her journal, “No news from Jonathon. I am getting quite uneasy about him, though why I should I do not know; but I do wish that he would write, if it were only a single line” (81). Mina worries for Harker and cares deeply about his safety as she remains faithful to him throughout the whole time he is away. When Harker finally returns to her, she continues to be loyal and be by his side. One example of Mina’s traits as a “new woman” is the fact she has a job as a schoolteacher, which shows her intellectual abilities and at times can show determination and independence. When Helsing asks Mina to see Harker’s diary to discuss the events leading up to Lucy’s death, it seems that it is more difficult to read than it is for Mina. As Helsing starts to read it he says:
And will you not so much honour me and so help me as to read it for me? Alas! I know not the shorthand.’ By this time my little joke was over, and I was almost ashamed; so I took the typewritten copy from my workbasket and handed it to him.”
As a matter of a fact, when Lucy dies, the men feel great distress and have nowhere else to turn but to Mina. In order not to show weakness in front of the other men, the Englishmen each individually “express [their] feelings on the tender or emotional side,” and confess their anguish for Lucy’s passing (Stoker). To the men, Lucy was only a companion whom they barely knew, but to Mina, Lucy was a lifelong friend. Mina’s loss of Lucy was profound, however, she held her emotions in check and through strength and perseverance she never shed a tear. Moreover, Mina is often portrayed as stronger physically than Jonathan when Dracula emits his wrath upon them. Even though Mina is the one suffering, Jonathan cannot physically handle Dracula’s wrath as he turns “white as death, and shook and shivered,” even though he has yet to sacrifice anything and Mina has sacrificed almost everything and continues to persevere (Stoker). Jonathan’s signs of aging signify that even though Jonathan is a man and supposed to be strong, the stress and anguish derived from the events lately has taken a physical toll on him. However, Mina is the one directly affected by Dracula and aside from the effects of Dracula’s hypnotic spell, Mina was portrayed as happy and youthful. Last but not least, Catherine Eckel, a member of the National Science Foundation and Virginia Polytechnic Institute and State University, conducted a study involving
Mina clearly demonstrates her awareness and knowledge of the New Woman movement; whereby she exhibits her familiarity of the debate by referring to the term “New Woman” twice in her journal entries. Grant Allen’s “purity school” New Woman consisted of female characters that expressed particular interest in social problems while still maintaining their propriety. This sense of knowledge is exhibited when Mina attempts to reassure the oversensitive Lucy as they stopped for a “severe tea” (Stoker 141): “I believe we should have shocked the ‘New Woman’ with our appetites. Men are more tolerant, bless them!” (Stoker 141). The New Woman was a common subject of controversy in journalism and fiction (Senf 34). Mina’s preliminary reference merely characterized her as a well-informed young woman of the 1890s. Mina remains neutral and simply suggests her familiarization with the New Woman’s assertion on greater freedom and physical activity. Bicycle riding, badminton playing and bloomer wearing women may have shocked certain conservative people of the 1890s, but they were not enough to worry Stoker’s heroine (Senf 34). Nor was it a shock to her that the New Woman was often characterized as a professional woman who was capable of financially supporting herself. After all, Mina easily fell under this category of the New Woman; her career was not an archetypal Victorian housewife. She was often “overwhelmed with work […] [because] the life of an assistant schoolmistress [was] sometimes trying” (Stoker 83). Mina is able to support herself and by using her note-taking talents she is also able to support her husband too, outside of her domestic role. This notion was revolutionary at the time. Gail Cunningham notes that while independence and in...
Upon hearing the term, “The Victorian Woman,” it is likely that one’s mind conjures up an image of a good and virtuous woman whose life revolved around the domestic sphere of the home and family, and who demonstrated a complete devotion to impeccable etiquette as well as to a strong moral system. It is certainly true that during Victorian England the ideal female was invested in her role as a wife and a mother, and demonstrated moral stability and asexuality with an influence that acted as her family’s shield to the intrusions of industrial life. Yet despite the prevalence of such upstanding women in society, needless to say not all women lived up to such a high level of moral aptitude. Thus, we must beg the question, what became of the women who fell far short from such a standard? What became of the women who fell from this pedestal of the ideal Victorian woman, and by way of drunkenness, criminality, or misconduct became the negation of this Victorian ideal of femininity?
Further characteristic of Bram Stoker’s Mina Harker befitting of her image as the traditional Victorian woman and Gothic damsel are her chastity and modestly. In contrast to her friend and confidante Lucy
...have a strong desire to maintain control within and outside of marriage, they also have the support of a male dominated society. Stoker displays this struggle in the main characters of Dracula. Lucy Westerna is the obtuse, innocent, fragile, yet sultry siren of male desire; her aggressive sexual power is threatening to the Victorian man, making her not quite pure enough of mind or strong enough of will to be saved. On the other hand, Mina Murray Harker is a clever, unadulterated, strong, yet motherly woman, the kind of woman all women should strive to be. Therefore she is deemed superlative and worthy of salvage.
In the 19th century Bram Stoker wrote the infamous novel, Dracula. This novel was composed in the style of letters, journal entries, newspaper articles and telegrams in order to convey to the reader a realistic story. The story of Dracula is about an ancient vampire who moves to London from his native country of Transylvania. In London, Dracula seduces and bites a young woman by the name of Lucy Westenra. When Lucy falls sick, no one knows how to help her because while Dracula has bitten her many times she has always been in a trance. Lucy?s friends decide to join together to combat what ever is ailing Lucy. In hopes of some help, Lucy?s friend Dr. Seward asks an old mentor of his by the name of Dr. Van Helsing to come to London and solve this puzzling illness. When Dr. Van Helsing arrives in London and sees Lucy he is the only one that knows almost immediately what has happened and what they are up against. The character of Dracula rarely appears in the story because this creates suspense and magnifies the fear of the unknown. The theme of good versus evil is developed throughout the book in many ways. One of the most important examples is Dracula and Mina. Dracula is the ultimate evil and Mina is full of goodness and purity. The Victorian view of women was not helpful to the characters in Dracula. For example, every time the male characters in the story decide not to tell Mina some particular type of information, things end up going terribly wrong. Even though Mina ends up being the key to destroying Dracula she is still a women and the Victorian view gets in the way.
Reagin, Nancy. “Historical Analysis: Women as ‘the Sex’ During the Victorian Era.” Victorian Women: The Gender of Oppression. Pace University, n.d. Web. 23 Feb. 2014.
...ughout the book, the reader can see a story of a new type of woman emerging in the 19th century. At the end of the story Van Helsing speaks of Mina and Jonathan’s newborn son and how he is going to be the new age man that will accept the new age woman and understand a woman who not only is motherly and loving, but also proud, strong, and independent. Mina now represents the new age woman just as much as she did the traditional woman in the beginning, and in the end the men fought to save her life. Stoker wrote Dracula to prove a point that the new age woman will eventually emerge as the leading type of woman and the traditional woman will be no more. Although Mina isn’t the drastic new woman that Lucy was, she shares many similar characteristics and is as strong and powerful as the new age woman, with the intelligence and motherly love that the traditional woman had.
In Bram Stoker's Dracula , Mina is intrigued by the idea of the "New Woman". This "New Woman" is not subject to men and the rules of society in Victorian England. This notion of the "new woman" is that she is more independent and isn't subject to the man but is instead an equal. Mina says "... I suppose the 'New Woman' won't condescend in future to accept. She will do the proposing herself." By this, she envisions women will forego tradition and take over some of the roles previously done only by men.
The 19th Century is an age that is known for the Industrial Revolution. What some people don’t realize is the effect that this revolution had on gender roles in not only the middle and upper classes (Radek.) It started off at its worst, men were considered powerful, active, and brave; where as women were in no comparison said to be weak, passive, and timid (Radek.) Now we know this not to be true, however, back in the day people only went by what would allow ...
During the Victorian Era, society had idealized expectations that all members of their culture were supposedly striving to accomplish. These conditions were partially a result of the development of middle class practices during the “industrial revolution… [which moved] men outside the home… [into] the harsh business and industrial world, [while] women were left in the relatively unvarying and sheltered environments of their homes” (Brannon 161). This division of genders created the ‘Doctrine of Two Spheres’ where men were active in the public Sphere of Influence, and women were limited to the domestic private Sphere of Influence. Both genders endured considerable pressure to conform to the idealized status of becoming either a masculine ‘English Gentleman’ or a feminine ‘True Woman’. The characteristics required women to be “passive, dependent, pure, refined, and delicate; [while] men were active, independent, coarse …strong [and intelligent]” (Brannon 162). Many children's novels utilized these gendere...
“Men inhabit the public sphere, and women, the private” (231) . With that in mind the men and women of the Victorian Era lived in two different worlds. “…Males were active and independent, whereas females were passive and were dependent on males…”(231) Women were to be skilled in the home and men were to be out at work. Men in the public’s eye were to be strong, independent, dominant, and in control (232) . As the reader will observe Mr. James Windibank fits that description perfectly. Women at home were to be quiet, subordinate, and over all viewed as weak by men (233).
The Victorian era, spurred a momentary sequence of both women and men in search of a prosperous relationship regulated by the demanding etiquettes of the Victorian Society. If these desired qualities were not in possession, a man or woman could be labeled as ‘unsuitable’ in the positions of a husband or a wife. Women suffered mostly throughout the Victorian Era as rights were ceased and the rules and guidelines of society were placed. The Victorian Era caused the rights of women to escalate when the Vision of the “Ideal Woman” was introduced amongst society; producing segregation between men and women to last for years to come.
The Victorian era established strict guidelines and definitions for the ladies and gentleman. Noble birth typically defined one as a "lady" or a "gentleman," but for women in this time period, socioeconomic rank and titles held no prestige or special privileges in a male-dominated society. Commonly, women in this era generally tried to gain more influence and respect but to no avail as their male counterparts controlled the ideals and practices of society. Women were subject to these ideals and practices without any legal or social rights or privileges. In the literary titles by Frances Power Cobbe, Sarah Stickney Ellis, Charlotte Bronte, Anne Bronte, John Henry Cardinal Newman, Sir Henry Newbolt, and Caroline Norton, the positions, opinions, and lifestyles of men and women during the Victorian era were clearly defined. Men in the Victorian era were raised to be intellectually and physically sound in order to be skillful in the workplace and the military while women were typically restricted to fulfilling roles within the home. As the female desire for equal rights and representation under the law mounted, an international vigor for female equality would produce a call for equality.
In today’s society the public tends to socialize gender to an extent. As soon as people are informed the sex of a baby, they automatically go out and buy blue clothes for boys and pink clothes for girls. We think of baby dolls for girls, and trucks for boys. What if it went further than that? During the Victorian era, being born a girl meant much more than little dolls and pink, it meant a lifetime of servitude. Being born into a family where one was raised under harsh conditions, then getting married off to be husband’s housewife, not just a wife. During the Victorian era, if one was born a woman she was automatically subject to a lifetime of servitude, and it took strong feminist views to deviate from the social norms. Most women tolerated the social norms and their “duties” of subordination, while others deviated and had their own ideas of what a society should represent.