In our present culture, and throughout history, there has been an immense emphasis on masculinity. This is only natural due to the male dominant culture that has been prevalent since the dawn of human civilization. This is also the case in Haggard’s She, and Achebe’s Things Fall Apart. Upon examining both Holly and Okonkwo, they both express raw masculinity, but the ways in which they display their masculinity as well as the role that masculinity has in their identities are vastly different. Okonkwo displays an heir of masculinity due to his own insecurities and unleashes his wrath on the people close to him, while Holly’s masculinity is unleashed during times of necessity and in hunting.
Throughout his life, Okonkwo was ashamed of his father, Unoka. Throughout his life, Unoka was a poor and lazy man and was unable to support his family, which in the society of the Umofia was viewed as one of the most shameful things a man can do. Growing up Okoknow was embarrassed and vowed to be the polar opposite of his father. He was scared that he too would one day become the man (or lack of a man) that his father was (Achebe 15). This motivated him to become one of the greatest wrestlers and warriors that the Umofia had ever had. He epitomised masculinity, which was valued at a premium in his society. He was a self-made man who was prosperous and well respected throughout the nine villages. This respect gave him the title of emissary of war. His entire life and accomplishments were earned due to the fact that, “his whole life was dominated by fear, the fear of failure and of weakness” (Achebe 13). Nyame argues: “Okanakwo’s masculinity becomes a defensive resource and his adherence to a masculine philosophy will henceforth bring order to his...
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...n which they display there masculinity as well as the role that masculinity has in their identities is vastly different. Okonkwo exhibits an heir of masculinity in order to mask his own insecurities that he has about the failures of his father and the fear of became the same man that his father was. Masculinity ruled his life and anyone in his clan or household that he viewed to be weak or any man that he regarded to be feminine suffered the full wrath of his irate alpha male outbursts. The difference between Holly and Okonkwo is that while Okonkwo displays his masculinity to mask his insecurities and maintain order, Holly only expresses his masculinity when he is trapped in a life or death situation or when he is hunting. The only people who Holly harms are those who are an immediate threat to his life, whereas with Okonkwo, nobody is safe from his angry outburst.
Throughout the novel, Oknonkwo does many things to prove his masculine quality. Many of these things are debatable as to whether they affirm Okonkwo's masculinity or if they bring out his true weakness and lead to his destruction. (Goldman 2)
Okonkwo is on two ends of a stick. Sometimes he can be shown to be a caring, sympathetic character, but others he is shown as a ruthless person that is very unsympathetic person. Okonkwo is a man of action that would rather solve things with his fists rather than talking it out. He is a great wrestler hailing from the Umuofia clan that has thrown Amalinze the Cat. Okonkwo is also a very good farmer, where he has been able to grow two barns worth of yams. He is someone that doesn’t know how to control themselves when they get angry as he will then resort to violence. Okonkwo’s family relationships make him a sympathetic character because of his caregiving nature and hospitality and he is shown to be an unsympathetic character because of his
Okonkwo’s beliefs are mainly related to masculinity. Throughout the story, it's clear to see that Okonkwo is very attached the idea of masculinity and power.
Okonkwo’s fear of unmanliness is kindled by his father, who was a lazy, unaccomplished man. Okonkwo strives to have a high status from a young age and eventually achieves it. He has a large family, many yams and is well known throughout the village for his valor. He raises his family by his mentality of manliness and is ...
This quotation from chapter five demonstrates how Okonkwo thinks he’s better than the female gender. In this quote Okonkwo shooting a female because she made him feel inferior. Okonkwo does not tolerate this and uses violence as a defence mechanism. This trait is demonstrated by Okonkwo shooting at
In these few chapters that we read, we have already learned a lot about Okonkwo, his life, and how he shows sympathy to some, but to others he is heartless. Okonkwo is other wise known as an unsympathetic person. Okonkwo is a clan leader of umuofia who holds many titles and is well known among his people. Okonkwo's daily life consists of tending to the three yam farms he has produced and to make numerous offerings to numerous gods and to help himself and his family. Okonkwo's personality is hard driven, since his father did not provide for him and his family Okonkwo had to start man hood early and this led him to be very successful in his adulthood, Okonkwo is an unsympathetic character who only shows sympathy rarely because he believes it's a sign of weakness Okonkwo's family relationships make him a sympathetic character because when his children show signs of manliness or do their jobs right he shows sympathy towards them. He is an unsympathetic character because whenever he get a little mad he has to take his anger out on something and that is usually vented by beating his wife's.
Okonkwo is “a man of action, a man of war” (7) and a member of high status in the Igbo village. He holds the prominent position of village clansman due to the fact that he had “shown incredible prowess in two intertribal wars” (5). Okonkwo’s hard work had made him a “wealthy farmer” (5) and a recognized individual amongst the nine villages of Umuofia and beyond. Okonkwo’s tragic flaw isn’t that he was afraid of work, but rather his fear of weakness and failure which stems from his father’s, Unoka, unproductive life and disgraceful death. “Perhaps down in his heart Okonkwo was not a cruel man. But his whole life was dominated by fear, the fear of failure and weakness….It was not external but lay deep within himself. It was the fear of himself, lest he should be found to resemble his father.” Okonkwo’s father was a lazy, carefree man whom had a reputation of being “poor and his wife and children had just barely enough to eat... they swore never to lend him any more money because he never paid back.” (5) Unoka had never taught Okonkwo what was right and wrong, and as a result Okonkwo had to interpret how to be a “good man”. Okonkwo’s self-interpretation leads him to conclude that a “good man” was someone who was the exact opposite of his father and therefore anything that his father did was weak and unnecessary.
When the structure of Umuofia began to change, Okonkwo found himself incapable of adapting like the rest of the villagers. He was determined to live a life that could not survive the changing world, and his dreams crumbled. Throughout the novel, Achebe demonstrates that the lack of being able to adapt to change will leave you lost in society. Since his childhood, Okonkwo has always been ashamed of his father, Unoka. Unoka was rarely able to feed his children, which made Okonkwo scared and embarrassed.
This is because he doesn’t perceive his son as being masculine and tries to toughen him up by beating him whenever he shows feminine emotions, such as crying. The author thought that these tropes were important because masculinity is paramount in many African cultures, especially the patriarchal ones like Okonkwo’s. Therefore, he crafted scenes that highlighted that ideal, such as the one in which Okonkwo “cut down” Ikemefuna, his adopted son; and made himself show no weakness in front of the other men. He did this because he wanted to prove that he was strong and could be ruthless, which are traits that are culturally associated with masculinity.
While everyone was working on their farm, Unoka did nothing but drink, dance, and just plainly prayed to the gods. Okonkwo was ashamed of him and did everything possible to never end up like his father. When the narrator stated, “With father like Unoka, Okonkwo did not have the start in life which many young men had…But he threw himself into it like one possessed. And indeed he was possessed by the fear of his father’s contemptible life and shameful death” (pg. 18). The shame of a father like Unoka drove Okonkwo into the passion of being nothing but successful in his life. Everything about Okonkwo had to be acknowledged and respected whether be his family or the people in the village. The true hatred of his father derived his power when the author stated, “Okonkwo was ruled by one passion- to hate everything that his father Unoka had loved. One of those things was gentleness and another was idleness” (pg.13). Also, another statement that represents the flaw in Okonkwo is the way he is when it comes to his father, not defeating him or fighting for the father that raised him even thought they were poor, the gesture of lowing your head to the outer of your father’s name in disgrace when the narrator stated, “ … ‘Ask my dead father of he ever had a fowl when he was alive’ Everybody laughed heartily except Okonkwo, who laughed uneasily
...ung lazy and reliant on the whites. When Okonkwo's own son joins the church he must have felt a great sadness that his son was weak in mind, and would become softened by the white culture. Feminine versus masculine traits is the controversy in this instance. Okonkwo has built his whole life on the masculinity of the tribe. The masculinity is what helps the tribe survive.
For example, Nwoye suppresses the fact that he would rather listen to his mother’s stories than Okonkwo’s because he needs to uphold society’s expectation that males would prefer to listen to something more “masculine”. In fact, Igbo society is so gendered that even the crops that are grown are associated with being male or female. Okonkwo is a character who is ruled by fear, which stems from his desire to be perceived as masculine. This need to be perceived as masculine leads Okonkwo to do what he wants regardless of how his actions will affect the clan. At times, Okonkwo goes directly against the will of others, which for him, proved to be consequential.
The Things Fall Apart by Chinua Achebe is a straight to the point story, embedded with interesting elements that capture readers’ attention. In my view, when I read the story, I found many interesting things about the theme of the book. But The Masculinity Okonkwo was what captures my attention. The story opens up to a Traditional Igbo lifestyle, a theme which is highly stylized from its ritual to the actions performed for certain ceremonies. Most of the action Igbo tribe has been an attempt to show respect to the gods, for example, when ikemefuna became sick and his stomach swelled up their traditions says that he take them to the evil forest and kill him. The story also seems to focus on gender, family, respect and reputation, and religion. In fact, Gender which in Igbo tradition, sets standards and roles between Igbo women and men. Women in Igbo Culture are the weaker sex, but are endowed with qualities that make them worthy of worship, like the ability to bear children. Men in Igbo Culture are the stronger sex, which gives them the ability to provide for their family and has prowess on the battlefield. In Igbo culture, building a nice and respectable family is important and titles in their culture gives them respect and builds reputation in the ‘‘Umuofia’’ village playing a big role in Igbo tradition. Nothing plays a bigger role in Igbo tradition than religion, the ‘‘Umuofia’’ village worship the goddess of the earth are always careful to avoid committing sins of their goddess with a fear of vengeance that might wipe out an entire generation. In the story, the men of the Umuofia village seem to care a lot about masculinity, when Okonkwo is hosting a party he takes it very seriously and ...
Okonkwo sees his father’s gentleness as a feminine trait. He works hard to be as masculine as possible so that he will be the opposite of his father and overcome the shame his father brought to his family. Okonkwo deals with this struggle throughout the entire book, hiding the intense fear of weakness behind a masculine façade (Nnoromele 149). In order to appear masculine, he is often violent. In his desire to be judged by his own worth and not by the worth of his effeminate father, Okonkwo participates in the killing of a boy he sees as a son, even though his friends and other respected tribe members advise him against it. (Hoegberg 71). Even after the killing of Ikamefuna, Okonkwo hides his feelings of sadness because the emotions are feminine to him. He goes so far as to ask himself, “when did you become a shivering old woman” (Achebe 65), while he is inwardly grieving. The dramatic irony of the secret fears that Okonkwo has will open the reader’s eyes to how important gender identity is to him. This theme is also presented among Okonkwo’s children. He sees his oldest son, Nwoye, as feminine because he does not like to work as hard as his father (Stratton 29). When Nwoye eventually joins the Christian church, Okonkwo sees him as even more feminine. On the other hand, Okonkwo’s
]k Adegbite O. came to a similar conclusion about Okonkwo’s views on masculinity and femininity when he makes the remark in his essay that, “Okonkwo is of the opinion that traditional men have lost their place in society and cannot be termed ‘worthy’ anymore as Western culture has softened their resolve; men have been turned to weaklings by colonisation and the white man’s religion” (Tobalase, “Masculinity and Cultural Conflict in Chinua Achebe’s Things Fall Apart”).