“The past cannot be changed. The future is yet in your power” (Unknown). In Things Fall Apart by Chinua Achebe, a novel, Okonkwo lets his past determine his future and control his life. Okonkwo tries to avoid being like his father and therefore it rules his life and does not let him enjoy life. Okonkwo’s motivations and development of his character and his society all suggest that he is a Byronic hero. Okonkwo's social dominance is shown when he thinks he rules his wives because of their gender. In the handout “Byronic Hero” it states “Social and Sexual Dominance” (Byronic Hero) as a characteristic of a byronic hero. In the novel Things Fall Apart it states “...ran madly into his room for the loaded gun, ran out again and aimed it at her… He pressed the trigger… He threw down the gun and jumped into the barn, and there lay the woman, very much shaken and frightened but quite unhurt” (page 33). This quotation from chapter five demonstrates how Okonkwo thinks he’s better than the female gender. In this quote Okonkwo shooting a female because she made him feel inferior. Okonkwo does not tolerate this and uses violence as a defence mechanism. This trait is demonstrated by Okonkwo shooting at …show more content…
In the article it states “He is usually isolated from society as a wanderer or is in exile of some kind” (Characteristics). In the novel it states “The only course open to Okonkwo and was to flee from the clan… He could return in seven years” (page 110). This quotation from chapter thirteen demonstrates Okonkwo being an exile when he is literally exiled. Okonkwo falls under the category of exile because he did something very wrong and commit a crime against earth goddess therefore was exiled. this trait is demonstrated by Okonkwo acting against what is allowed and his society. His act against the earth goddess caused him to be an exile figuratively and literally. In conclusion Okonkwo is shown as an exile when he is
Throughout the novel, Oknonkwo does many things to prove his masculine quality. Many of these things are debatable as to whether they affirm Okonkwo's masculinity or if they bring out his true weakness and lead to his destruction. (Goldman 2)
Within the Obi tribe, Okonkwo is an important man, who has risen from nothing to a man of great wealth and social status. Okonkwo is obsessed with masculinity, and he has a very narrow view of “manliness”. Okonkwo's relationship with his dead father is the root of his violent and ambitious conduct. He wants to rise above his father's legacy of laziness, which he views as weak and therefore feminine. This drive and fierce pride made him a great man, but they are also the source of all of his faults.
When the missionaries arrive in Umuofia, Okonkwo’s conflict between fighting back and adjust to the changing society becomes even more extreme. Throughout the book, when Okonkwo feels like he has power, he desires more control and leadership over his community. For instance, Achebe writes, “Even in his first year in exile he had begun to plan for his return. The first thing he would do would be to rebuild his compound on a more magnificent scale. He would build a bigger barn than he had had before and he would build huts for two new wives. Then he would show his wealth by initiating his sons into the ozo society. Only the really great man in the clan were able to do this. Okonkwo saw clearly the high esteem in which he would ...
Okonkwo, the main character of the book, was born the son of Unoka, who was a loafer. Unoka was too lazy to go out and plant crops on new, fertile land, and preferred to stay at home playing his flute, drinking palm wine, and making merry with the neighbors. Because of this, his father never had enough money, and his family went hungry. He borrowed much money in order to maintain this lifestyle. Okonkwo perceived this as an imbalance toward the female side in his father's character: staying at home and not using one's strength to provide for the family is what the women do. In reaction, Okonkwo completely rejected his father, and therefore the feminine side of himself. He became a star wrestler and warrior in his tribe and began providing for his family at a very young age, while at the same time starting new farms and beginning to amass wealth. He is very successful, and soon becomes one of the leaders of his tribe and has many wives and children. His big ambition is to become one of the powerful elders of the tribe, for what could be more manly than that?
“No matter how prosperous a man was, if he was unable to rule his women and his children (and especially his women) he was not really a man.” (53) This quote demonstrates one of the traits of masculinity that Okonkwo values, which is the ability to control his family. Okonkwo is the man of the household. He provides them food from his crops and a roof over their heads, and by his beliefs of masculinity he therefore holds all the power in his family. He wants to maintain the role of the man or authority figure of the household and whenever any of his wives try to talk back to him or argue, he would beat them. There was an example of this control in the novel with Okonkwo’s wives, Ekwefi and Ojiugo. Ekwefi was Okonkwo’s second wife, and in the novel, he beaten her in a fit of anger because he thought she had killed a banana tree.
In Things Fall Apart, during Okonkwo 's seven years exile, he went back to his motherland. "It 's true that a child belongs to its father. But when a father beats his child, it seeks sympathy in its mother 's hut. A man belongs o his fatherland when things are good and life is sweet. But when there is sorrow and bitterness he finds refuge in his motherland." (Things Fall Apart 48) Okonkwo accidently killed a clan member, his personal rank changed from a respected warrior to an exile. And his societal conditions also changes, sine he is being punished, he cannot live in his own clan, he is forced to moved, a societal change occurred around
In Chinua Achebe’s novel Things Fall Apart, Okonkwo is a tragic hero. Aristotle’s Poetics defines a Tragic Hero as a good man of high status who displays a tragic flaw (“hamartia”) and experiences a dramatic reversal (“peripeteia”), as well as an intense moment of recognition (“anagnorisis”). Okonkwo is a leader and hardworking member of the Igbo community of Umuofia whose tragic flaw is his great fear of weakness and failure. Okonkwo’s fall from grace in the Igbo community and eventual suicide, makes Okonkwo a tragic hero by Aristotle’s definition.
You never know how much you care about your culture until people try to take it away from you. Okonkwo was a prideful jerk as moste would describe him, who was once exiled for seven years for his unlawful actions. When he finally returned to Umuofia, white men come trying to change things and take land. Okonkwo stepped up to help lead his clan but ended up with the same mistakes he used to make, which connects to violence. He then gives in to his biggest fear, weakness. When stress and trying to step up and change to somebody your not takes toll over you, sometimes one just can’t over turn it. This was his reaction to the cultural collision of the white men and Igbo people. This is important because that cultural collision impacted many people on both sides of the dispute. Okonkwo’s reaction to this collision showed how one can connect back to old habits and how cultural collisions mostly never end well no matter what. There will always be that person offended, killed, or even that person to take their own life because of
As a child Okonkwo was neglected by his father and even later in his life did not speak with him - until of course his father was on his deathbed - this made his made him very angry. Okonkwo always saw his father Unoka as lazy. Okonkwo worked hard to remove any trace of laziness from his personality. He is an extremely persistent man and a hard worker. He is given seed yams and even when heavy rainfall causes the yams to rot he does not give up and he continues to try. He shows emotion inwardly and is extremely temperamental. As shown by the following quote Okonkwo still favors boys over girls and men over women. This is because they do the “masculine” tasks. “...If Ezinma had been a boy I would have been happier. She has the right spirit”(Achebe, 66); Okonkwo kept saying that he wished Ezinma was a “boy” and that she “has the right spirit”, which shows that he likes her but will not show these emotions, this and many other choices Okonkwo makes are due cultural influences.
When fear is in the driver’s seat, many lash out. In Chinua Achebe’s novel Things Fall Apart, the protagonist, Okonkwo is fearful of change and being seen as unmanly. When these things are in question he physically harms his family and emotionally beats himself up. When change comes into his life he just thinks of the old ways. He is unwilling to change because in his mind the newer ways are womanly and cowardice. When his eldest son turns to the European Christians, this is the hardest blow to Okonkwo because this shows the people of the tribe that he cannot control his own family, which puts any of the possible positions into jeopardy. Interpretation of manliness and struggling to change are two major themes that relate to Okonkwo and the
In the novel Things Fall Apart, Okonkwo is portrayed as a respected and determined individual whose fatal flaw eventually works against him. Throughout the novel the readers are shown that Okonkwo has many of these Characteristics because he is obsessed with the idea of becoming just like his father. This becomes his flaw in the novel that puts him into exile and makes it hard for him to adjust to the changes that were made with in his village.
He pressed the trigger and there was a loud report accompanied by the wail of his wives and children.” (14) He shot at his wife Ekwefi, similar to when he killed Ikemefuna because he had no problem with almost killing another member of his family. Achebe’s tone shows how fast everything in that scene happened, and how Okonkwo was so quick to act before he thought about what he was doing. This contributes to the fact that Okonkwo feels as if violence is the only manly way to fix things, even when it comes to
The cracks within Okonkwo's character are not so much external as internal, manifestations of those aspects of his being that have been his greatest strengths: acting without thinking; never showing any emotion besides anger; inflexibility; fear of being perceived as weak and, therefore, womanly. Slowly, these characteristics that have served Okonkwo so well in the past, begin to alter the direction of his life. The first such incident occurs when Okonkwo accidentally breaks the W...
For example, Nwoye suppresses the fact that he would rather listen to his mother’s stories than Okonkwo’s because he needs to uphold society’s expectation that males would prefer to listen to something more “masculine”. In fact, Igbo society is so gendered that even the crops that are grown are associated with being male or female. Okonkwo is a character who is ruled by fear, which stems from his desire to be perceived as masculine. This need to be perceived as masculine leads Okonkwo to do what he wants regardless of how his actions will affect the clan. At times, Okonkwo goes directly against the will of others, which for him, proved to be consequential.
Okonkwo sees his father’s gentleness as a feminine trait. He works hard to be as masculine as possible so that he will be the opposite of his father and overcome the shame his father brought to his family. Okonkwo deals with this struggle throughout the entire book, hiding the intense fear of weakness behind a masculine façade (Nnoromele 149). In order to appear masculine, he is often violent. In his desire to be judged by his own worth and not by the worth of his effeminate father, Okonkwo participates in the killing of a boy he sees as a son, even though his friends and other respected tribe members advise him against it. (Hoegberg 71). Even after the killing of Ikamefuna, Okonkwo hides his feelings of sadness because the emotions are feminine to him. He goes so far as to ask himself, “when did you become a shivering old woman” (Achebe 65), while he is inwardly grieving. The dramatic irony of the secret fears that Okonkwo has will open the reader’s eyes to how important gender identity is to him. This theme is also presented among Okonkwo’s children. He sees his oldest son, Nwoye, as feminine because he does not like to work as hard as his father (Stratton 29). When Nwoye eventually joins the Christian church, Okonkwo sees him as even more feminine. On the other hand, Okonkwo’s