Theme Of Gone Girl

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Gone Girl by Gillian Flynn is a semi-epistolary novel that takes place from the point of views of a husband and wife, Nick and Amy Dunne. The story about their marriage that readers are first given is one that is seemingly normal and loving, with stereotypical marriage drama. Amy met Nick in New York, quickly fell in love with him, and got happily married. Amy is a smart, beautiful, and wealthy wife who is lucky to have a doting husband. But when Nick and Amy lose their jobs in the same year, they move to Nick’s hometown, an insignificant town in Missouri. Soon after the move, Amy goes missing without a trace and her husband becomes the primary suspect. However, appearances are deceiving and the truth becomes unraveled as the novel progresses; In addition to the disturbing background story of the dolls, the dolls were a way for Amy to make Nick realize just how much control she has over him. In the Punch and Judy story, Punch kills his child, murders his wife Judy when she discovers the crime, and then kills anyone else he encounters while avoiding the law. However in Amy’s interpretation, the reversal of roles is evident. Amy, who would be Judy, is getting away with murder rather than Punch. This metaphor encapsulates the couple’s history and dynamic clearly. Nick has gotten away with many things throughout his life just because he’s a charming, good looking mama’s boy. While he didn’t physically abuse Amy, by dragging her to his dreadful hometown, distancing himself, and ultimately cheating her, Nick did as much harm to her than if he had harmed her physically. “It’s so very necessary. Nick must be taught a lesson. He’s never been taught a lesson” (235) and neither has someone else, Punch. The puppets show how manipulative Amy is. As Nick reads the letters Amy wrote, he says, “I was her puppet on a string” (230) and Amy “is the puppet master” (230). She knows all the right strings to pull to tip the scales in her

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