Coming of Age
Coming-of-age stories commonly record the transitions—sometimes abrupt, or even violent—from youth to maturity, from innocence to experience of its protagonist, whether male or female. Greasy Lake by T.Coraghessan Boyle and Where Are You Going, Where Have You Been? by Joyce Carol Oates are great examples of traditional coming-of-age stories. The roots of the coming-of-age narrative theme are tracked in the male protagonist’s perspective for Boyle’s short story, while the Oates’ story captures the coming-of-age theme from Connie; a female protagonist’s perspective. In both short stories, the authors fulfill the expectations of a coming-of-age genre when they take us through the journey of rebellion and self realization, as the
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In the short story, Connie is a young, naïve, sassy, little girl who hates her mom and sister. According to Oates, “Connie wished her mother was dead” (324). Connie enjoys going out with her friends and going to a drive-in restaurant where the older kids hang out. Connie is innocent, but thinks about love and sex. She is desperate to appeal to boys and succeeds at it when a boy with shaggy black hair says to her, “Gonna get you, baby” (325). Her encounter with this boy will change her life forever, because he is the antagonist that influences Connie’s loss of innocence. On a Sunday afternoon, the boy, Arnold Friend, visits Connie and asks her to come for a ride, which she declines. But, Arnold Friend won’t take “no” for an answer and threatens to go in the house. For example when Connie says she will call the cops, Arnold says “Soon as you touch the phone I don’t need to keep my promise and come inside” …show more content…
Coraghessen Boyle and Where are you going, where have you been by Joyce Carol Oates both fulfill the expectations of the coming-of-age-genre when the authors take us through events that the protagonists experience—transforming them from youth to maturity. Greasy Lake by T. Coraghessen Boyle ends most positively because the male protagonist realizes he didn’t murder Bobbie, and he learns a life lesson; there are dangerous consequences for bad actions. Where are you going, where have you been by Joyce Carol Oates ends negatively because the female protagonist, Connie, is kidnapped by the antagonist, Arnold Friend. Connie’s fate was not “sealed” because she was female, but because as an individual she is a vulnerable, young and naïve. Her “fate” could have happened to anyone wather male or female, who is vulnerable and
Author Joyce Carol Oates writes about a girl named Connie during the early 1970s who has a hard time facing reality and womanhood in the short story “Where Are You Going, Where Have You Been?” This fifteen-year-old girl is stuck in childhood at the beginning of the story and by the end of the story she is forced into adulthood due to an experience that is almost unreal. It is hard for Connie to determine if the experience was fantasy or if it was reality. Fantasy versus reality is one of the main themes in this short story and is shown through many different elements. The elements that writer Joyce Carol Oates uses are characters and symbols to create the theme of the story “Where Are You Going, Where Have You Been?”
In “Where Are You Going, Where Have You Been” by Joyce Carol Oates, Connie is a normal teenage girl who is approached outside her home by a guy named Arnold Friend who threatens to harm her, and she obeys, if she does not get in the car with him. Connie is the main character in this story who teaches us that sometimes we might search for adult independence too early before we are actually ready to be independent and on our own. Connie is so focused on her appearance that she works hard to create a mature and attractive adult persona that will get her attention from guys. This search for independence conflicts with Connie’s relationship with her family and their protection of her. Connie’s insecurity and low self-esteem is triggered by her fear of intimacy. Connie confuses having the attention of men with actually having them pursue her in a sexual way.
“Where Are You Going, Where Have You Been?” by Joyce Carol Oates is a great Southern gothic because of how we, the audience, can relate to the main characters. We know people like Arnold Friend from the newspaper clippings and books about notorious serial killers like Charles Schmid, Ted Bundy, and Charles Manson. We could be an accomplice like Ellie Oscar as Milgram’s experiment, the Stanford Prison Experiment, and Susan Atkins shows us. Finally, we are Connie. Connie is a normal person, living a normal life, until it is ended by a cruel kidnapper which we know could be reality from the kidnapping stories of Elizabeth Smart, Anne Sluti, and Jaycee Dugard. Oates story is scary because it has the ability to be true and we, the audience, can identify with each character Arnold Friend, Ellie Oscar, and Connie.
During the teenage years they no longer want to be labeled the “child; matter of fact, they have a strong desire to rebel against the family norms and move quickly into adulthood. This transition and want for freedom can be a very powerful and frightening thing as there are evils in this world that cannot be explained. Most parents try to understand and give their teens certain freedoms, but at what expense? Joyce Oates gives us a chilly story about a teenager that wanted and craved this freedom of adulthood called “Where Are You Going, Where Have You Been?”. This is a haunting story of a young girl by the name of Connie who gives us a glimpse of teenager transitioning from childhood with the need for freedom and the consequences of her actions. Connie is described as a very attractive girl who did not like her role in the family unit. She was the daughter who could not compare to her older sister and she felt her Mom showed favoritism towards her sister. Connie is your average teen who loves music, going out with friends, and she likes the attention she receives from boys. During this time, Connie is also growing into her sexuality and is obsessing with her looks as she wants and likes to be noticed by the opposite sex. Her sexual persona and need to be free will be what is fatal to her character’s life and well-being.
Conclusion: The author Evan Hunter, of the story, “On The Sidewalk Bleeding” successfully demonstrates the theme of Coming of Age as he shifted his main character from an adolescent, idealistic view of the world to a more mature and realistic view. The character matured from making ignorant and selfish decisions to a more knowledgeable and selfless decisions. Andy came of age from a boy to a man, as he lay on the street bleeding to death. All in all these newly developed characteristics all prove the genre of coming of
In the story “Where are you going, Where have you been?” by Joyce Carol Oates, the main character, Connie, experiences life not having an actively participating mother or father. Most adolescents struggle with the transition from teen-age years to adulthood. For many, this is where the parents step in. Parents are meant to support and help an adolescent when needed, especially during this difficult transition; however, this is not always true. In Connie’s case, her parents allowed her to make the change alone and endure hard times. As a result, she lacked the values needed to survive. Such values are used to equip a young person for the real world and the tragedies that come with it. As seen in “Where are you going, Where have you been?”, Connie was a victim of poor guidance and empty judgment. The dysfunctional family’s behavior was reflected in Connie. Her mother envied her, and her father was not an active figure in her life. Connie 's
Joyce Carol Oates’s “Where Are You Going, Where Have You Been?” tells the tale of a fifteen year old girl named Connie living in the early 1960’s who is stalked and ultimately abducted by a man who calls himself Arnold Friend. The short story is based on a true event, but has been analyzed by many literary scholars and allegedly possesses numerous underlying themes. Two of the most popular interpretations of the story are that the entire scenario is only dreamt by Connie (Rubin, 58) and that the abductor is really the devil in disguise (Easterly, 537). But the truth is that sometimes people really can just be in the wrong place at the wrong time. Connie, a victim of terrifying circumstance will be forever changed by her interactions with Friend.
“He wagged a finger and laughed and said, “Gonna get you, baby.” The quote foreshadows future events in the story because of the fact that Arnold says, “Gonna get you, baby.” There’s no actual reasoning behind why he chooses her, but it states he might try something later on. Oates also uses small wording to kind of hint at the readers. “Her mind was filled was all filled with trash daydreams.” (Oates 1). This quote tends to shape the short story. This quote leads readers to the possibility that Connie’s experience with Arnold could have all been a foreshadowing to a trashy daydream. In the article “Oates’s Where Are You Going, Where Have You Been” by David K. Gratz, he also points out the quote. “Both Rubin and Winslow note that seems to be falling asleep just before he arrives, and Rubin points out the nightmare quality of her being unable to act in the end.” (Gratz). This article more or less solidifies the fact that Connie might of fell asleep and dreamed up the whole encounter. In all, Oates uses multiple accounts of foreshadowing to further the possibility of the encounter being all just a bad dream of
According to the Missouri Child Identification Program, over 2,000 children are reported missing every day and, 74% of them are female; Joyce Carol Oates does not shy away from this fact in the story ‘Where Are You Going, Where Have You Been?’. 15 year-old Connie suffers from being a teenager as she is rebellious, and wants to be independent. Connie simply abuses her mother’s trust in order to get out of her house and walk around a city filled with dangers like highways, and boys. One of these “boys” tracks Connie down, while she resides alone in her house, and takes advantage of that. Connie remains frightened as the man in the car strongly convinces her to go for a ride with him, and she does, leaving the reader with
Connie’s desire for attraction from an older man is altered when she realizes this man’s intentions are not respectable. When Arnold shows up at her house, she no longer felt desire but fear instead and immediately feels dizzy. Oates uses dizziness to portray Connie’s internal conflict. There’s the side of her that craves the attention of an older man but when she realizes this isn’t like her daydreams, she becomes alarmed and feels faint. The realization makes her more vulnerable and causes her to give in to the man’s demands. Throughout the entire text, there’s been confusion between fantasy vs. reality. Although Connie works hard to present the appearance of being a mature woman who is experienced with men, her encounter with Arnold reveals that this is only a performance. When confronted upfront, her mature, adult persona is diminished as calls for her mother’s help. Although Connie does experiment with sexuality, such as when she goes into the alley with Eddie, she is afraid of becoming an adult. When Arnold Friend figuratively takes her by force into adulthood, she resists and proves to herself that she is not ready for
A coming-of-age story that I've read is, "Romeo and Juliet". The problem Romeo and Juliet face throughout the play cause them to mature as the learn to deal with new challenges, which is exactly what a coming-of-age story is. Romeo and Juliet could be described as a coming-of-age story because both Romeo and Juliet are suffering internal battles for the sacrifices of love. Both Romeo and Juliet mature as they meet each other and have to face obstacles together. As a result, they are able to think for themselves and break away from their protective parents. Finding true love transforms both Romeo and Juliet into
Connie’s clothes and infatuation with her own beauty symbolize her lack of maturity or knowing her true self, which in the end enables her to be manipulated by Arnold Friend. Connie was enamored with her own beauty; in the beginning of the story Oates states that Connie “knew
Coming of age is a difficult stage of life that everyone experiences at one time or another, a large part of this is finding a new sense of self-identity. People define themselves by their relationships, their morals and beliefs, and mental state. The Vault of Dreamers by Caragh M. O'Brien is about a teen girl named Rosie being accepted into her dream arts school. This school is also a reality show that broadcasts and ranks students based on popularity. During the night the students are obligated to take sleeping pills but one night Rosie stays up and discovers that she and her fellow students are at danger while asleep. The Vault of Dreamers by Caragh M. O'Brien proves that one develops a new personal identity when there are at their weakest
In all honesty, I chose to read The Country Girls Trilogy by Edna O’Brien because it was the only text that I could get my hands on. After reading it though, I’m glad I had the luck of choosing it. I realized, while reading the trilogy, that throughout my course of study, I have not read very many female authors. I may have read a few short stories along the way, but most books that I have read for classes and for pleasure have been written by men. I saw the difference in writing styles as I read the first paragraph of the book and immediately liked the change of pace and detail-oriented style. I also found that I really connected with the main characters, Caithleen and Baba, whose real name is Bridget. I found it interesting that I invested such interest in two characters whose personalities are so different from my own. Caithleen was the narrator in the first two books, and I found that I connected with her most because of her details and innocence. The trilogy represents three phases of these women’s lives from their girlhood, to losing loves and the trials of marriage. Through it all, their interesting friendship changes according to the events in their lives until a sad and untimely end. I’m not sure that that I would want a friendship like Caithleen and Baba’s, but at least that had each other in the end, when the rest of the world seemed to have forgotten them. The excerpt in Colm Toibin’s anthology, The Penguin book of Irish Fiction, is from the first book in O’Brien’s trilogy called The Country Girls. For purposes of this paper, I will discuss the excerpt itself, and then the rest of the first book of O’Brien’s trilogy.
The genre of coming of age stories is about teenagers or children in general that have a certain trait or characteristic that authors like to add in to help the reader analyze the story, it helps to really understand the meaning behind what they're trying to say. In the following coming of age short stories the authors used symbolism and/or imagery to illustrate the development into adulthood.