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Their eyes are watching god research essay
Notes on Harlem Renaissance
Analytical essay on their eyes were watching god
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The difficulties Hurston experienced during her travels throughout the South and the Caribbean—being a lone, black, woman on the road in the Jim Crow South, meeting the reluctance of some people to share stories, information, and customs while collecting folklore—are reasons that assimilation into these communities proved difficult. This placed her in the “twilight” of all the societies she chronicled, and this also positions her, significantly, as the prototypical migrant stranger. Because of her failure to adhere to northward moving patterns of migration, Hurston descended into relative obscurity before being rediscovered by Alice Walker in the late 1970s. Several factors led to this decline into obscurity. First, Richard Wright felt that her major work Their Eyes Were Watching God lacked any real themes and messages that shed light on the social, political, and economic status …show more content…
However, there are several other considerable forces which led to Hurston’s descent into obscurity. Hurston was accused in 1948 of molesting a ten-year-old boy, and was not acquitted of the crime until she presented her passport, which placed her in Honduras at the time the crime was allegedly committed. Nonetheless, it would be years before she escaped the negativity surrounding the event. All the while, Hurston battled the criticism of members of the Harlem Renaissance who claimed that Hurston’s work lacked any real political purpose. As Hazel Carby states, the “dominant way of reading the cultural production of what is called the Harlem Renaissance is that black intellectuals assertively established a folk heritage as
Power dynamics control the way that our lives work. In Their Eyes Were Watching God, Janie experiences marital relationships with power hungry men. As Janie moves from relationship she slowly gains more power and discovers the importance of the power she is receiving. Janie longs to be freed from her controlling partners as she learns of the benefits of freedom, like decision making. When Janie first grows up she begins to fantasize of what lies beyond her grandmother’s gate, specifically marriage. Janie’s lack of knowledge of marriages, cause her to struggle through her relationships with Logan, Jody, and Tea Cake, allowing Janie to have a self-revelation, [and discover marriage is not easy and the perfect fairytale she thinks it is].
Zora Neale Hurston grew up in Eatonville, Florida also known as “Negro Town” (Hurston, 1960, p.1). Not because of the town was full of blacks, but because the town charter, mayor, and council. Her home town was not the first Negro community, but the first to be incorporated. Around Zora becoming she experienced many hangings and riots. Not only did Zora experience t...
In Harlem Renaissance by Nathan Irvin Huggins, the author doesn’t answer just one general question, but instead questions the culture and identity crisis that enveloped this movement. He successfully brings
Hurston begins the essay in her birth town: Eatonville, Florida; an exclusively Negro town where whites were a rarity, only occasionally passing by as a tourist. Hurston, sitting on her porch imagines it to be a theatre as she narrates her perspective of the passing white people. She finds a thin line separating the spectator from the viewer. Exchanging stances at will and whim. Her front porch becomes a metaphor for a theater seat and the passers
Shortly after in 1935 the second book of the collection “Mules and Men.” “In writing Mules and Men, Hurston not only found a way to make a crucial bridge between her anthropological and literary ambitions but also created a lasting treasure of stories that captured the authentic voices of southern black storytellers in the late 1920’s.” (Magill). The book is broken into two parts. The first part is...
Hurston, Zora Neale. “How It Feels to Be Colored Me.” Writer’s Presence: A Pool of Readings. 5th ed. Ed. Robert Atawan and Donald McQuade. Boston:Bedford/St. Martin’s, 2006. 166-170. Print
In “Characteristics of Negro Expression”, Zora Neale Hurston discusses the different characteristics of African Americans and explains why they are such a complex race with intriguing qualities. Hurston talks about dancing, Negro folklore, and originality among many others. Hurston captures the complexity of African Americans by writing about all of the different characteristics that cause them to be unique, despite sometimes being mimicked by the whites. The “common folks” that she writes about are anything but common. The “common folks” had qualities that allowed them to be innovative with their music, art, and language. Hurston uses all of these different attributes to clearly set African Americans apart from whites. She shows how wonderful it was to be African American and how it could help African Americans advance as a race. However, unlike Hughes who wanted African Americans to be proud to be African American, I believe she wrote this with the intention of showing the whites how rich and beautiful the African American is culture truly is. Hurston saw how culturally diverse and rick their folk culture was and still continues to be till this day. Hurston demonstrates the richness of the folk culture through her section titled, “Negro Folklore.” She explains it not as something old, but as something that is ever changing. She says, “Negro folklore is not a thing of the past. It is still in the making. Its great variety shows the adaptability of the black man: nothing is too old or too new, domestic or foreign, high or low, for his use.” This was an excellent example of how she decided to demonstrate the richness of the African American culture to the white world. It is an attempt to show the whites that; although there folk culture may be stuck in the past African Americans are always adapting and their culture is always to be appreciated for it is one of a
To most people, the name Zora Neale Hurston is associated solely with Their Eyes Were Watching God, her most famous work. In some cases her name is synonymous with the Harlem Renaissance. However, very few people are informed about the aspects of Zora's life that influenced her writing of Their Eyes , nor do they know about how she arrived in New York to become one of the most famous Black female writers of her time. Robert Hemenway's Zora Neale Hurston: A Literary Biography and Valerie Boyd's Wrapped in Rainbows: The Life of Zora Neale Hurston both seek to educate people about the life of this writer and to give the reader information about her other literary works. Both authors also draw from other sources to tell the story of Zora's life, including interviews with friends and colleagues and Zora's own words.
A dialectic is the process of synthesizing truth by holding contradictory ideas in tension. Since Richard Wright’s short story “Long Black Song” and Zora Neale Hurston’s short story “Sweat” have opposing arguments they must engage in a dialectic. Both stories examine the oppression of the African American race, but they find different sources for its difficulties and demise. In “Long Black Song”, Silas, while expressing his frustration for the superiority of the white men, articulates that the black woman is the source of African American difficulties. In “Sweat”, Sykes’s encounter with death reveals that the African American man’s arrogance is the cause of the demise of the African American race. Wright’s short story “Long Black Song” and Hurston’s short story “Sweat” engage in a dialectic, in which “Sweat” repudiates “Long Black Song”, and produce the truth that one’s hubris that is the source of the difficulties of one’s race and the demise of oneself.
In Mary Helen Washington’s essay which denies Zora Neale Hurston’s efforts to create a liberated Janie, she focuses on Hurston’s failure to give Janie her own voice. Throughout the book Janie’s own “power of oral speech” is restrained by the men around her, such as Joe Starks. Janie becomes the object of conversation on the porch, which she wants to join but cannot take part in. After twenty years of oppression, Janie finally counterattacks Jody’s teasing by implying his lost of maleness in the presence of other men. Her first speech on behalf of herself and women, is ironically a “commentary on the limitations of a male-dominated society”. When Jody dies, interestingly, her first action is not to declare her freedom, but to appreciate her hair by looking in the mirror just like other men, who regard her as a “visual object”. Janie’s action of finding Hezihiah, who “is the best imitation of Joe” to manage the store further, demonstrates the dominating role Jody plays in her world and the agreement to the concept of the powerlessness of women. It seems like finally Janie has found he...
Crabtree, Claire. "The Confluence of Folklore, Feminism and Black Self-Determination in Zora Neale Hurston's 'Their Eyes Were Watching God'." The Southern Literary Journal 17.2 (Spring 1985): 54-66. Rpt. in Contemporary Literary Criticism. Ed. Roger Matuz and Cathy Falk. Vol. 61. Detroit: Gale Research, 1990. Literature Resources from Gale. Web. 14 Jan. 2014.
However, the anonymous voices echoed in Walker’s life and literature are not confined to her ancestral lands; they extend to include every culture known in America, the only land she had ever known. From birth to death, Walker never left America; the mostly white nation, whose culture is mainly derived from Europe. Walker received her education in white institutions and was taught by white teachers for a considerable part of her life. She was well versed in American, European; and world history, philosophy, and literature. She spoke English, French, and German. She read European and Russian world literature....
One traditional cause for racism is the ignorance of one to additional races. Must to the time people have the propensity to fear what they do not comprehend. If a person has not grown up near a specific race previously, then the chance of the person being a racist to that particular group critically increases. Not always, but this happen when they do not have a real experiences with at list one of them. . The purpose of this essay is the people know the idea of being black, and I will explain how racism did not stop the dreams of a black woman. What Zora Hurston was as a person?
Both Zora Neale Hurston and Langston Hughes were great writers but their attitudes towards their personal experience as an African American differed in many ways. These differences can be attributed to various reasons that range from gender to life experience but even though they had different perceptions regarding the African American experience, they both shared one common goal, racial equality through art. To accurately delve into the minds of the writers’ one must first consider authors background such as their childhood experience, education, as well their early adulthood to truly understand how it affected their writing in terms the similarities and differences of the voice and themes used with the works “How it Feels to be Colored Me” by Hurston and Hughes’ “The Negro Mother”. The importance of these factors directly correlate to how each author came to find their literary inspiration and voice that attributed to their works.
In conclusion, Hurston was a modernist writer who dealt with societal themes of racism, and social and racial identity. She steps away from the folk-oriented style of writing other African American authors, such as Langston Hughes, and she addresses modern topics and issues that relate to her people. She embraces pride in her color and who she is. She does not hate the label of “colored” that has been placed upon her. She embraces who she is and by example, she teaches others to love themselves and the color of their skin. She is very modern. She is everybody’s Zora.