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Essays on tragedy
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When one is recovering from a tragic or life changing crisis, he or she can find it difficult to fall back into the swing of things. Some are guided by society, while others encounter obstacles on the road to recovery. In the novel, Ordinary People, Judith Guest portrays the struggles one can face in his or her everyday life, while trying to mend from a horrific event. After Conrad, the main character, loses his brother to a boating accident, his guilty conscience begins to overcome him. Blaming himself for the death of Jordan, Conrad attempts to commit suicide. He then spends the next four months in a hospital, meeting many people who he shares this similar experience with, like Karen. Although he sees a doctor, Berger, and seems to be recovering, …show more content…
Guest utilizes the motifs of tragedy and guilt to express how negative influences impact Conrad’s emotional course taken to recovery. When Conrad learns of a tragic event, he becomes mentally trapped in the present. After reading in the paper about the suicide of one of Conrad’s friends, Karen, he is sent into a panic. With confusion and shock overwhelming him, he cannot comprehend his own thoughts. That night, Conrad “[…] awakens to fear again; his mouth dry. For terror-filled seconds he doesn’t know if it is happening all over again. Or worse, that time has tipped backward and it is happening still” (Guest 214). This exposes Conrad’s inner emotions and feelings towards the incident with Karen. He believed she was in a stable position and that her condition was improving. These thoughts overwhelm Conrad with doubt because now he, himself, is unsure if he has progressed at all. He feels as though time is turning back and ‘it’ is happening again. This is a setback for Conrad because he has lost the ability to recognize the strength within …show more content…
After Karen dies, something in Conrad’s mind sparks, and he begins to think a lot about Jordan. While visiting Dr. Berger, Conrad is a mess as they discuss his brother, and all he begs for is forgiveness. When Berger asks what for, Conrad cries“[f]or killing him, don’t you know that? For letting him drown” (Guest 223). Here, Conrad exposes his emotions towards the death of his brother. All this time, guilt has been Conrad’s shadow, and he has kept it to himself. He feels as if he could have done more to help save Buck and therefore, must take all the blame. Conrad cannot move past this until he is somehow punished, and until that happens, he will not make a full recovery. Conrad feels guilty for being unable to help Jordan, but he also feels guilty for another reason. While Conrad talks with his doctor about Buck, Berger addresses an important issue with Conrad. While he looks for someone to assign the blame to, Conrad becomes frustrated and Berger explains to him that blame is not the moral of the story. He tells it as “[n]o one needs [him] to be Buck. It’s okay to just be [himself]” (Guest 224). Conrad has been trying to fill Jordan’s shoes ever since he left. He wanted to take on the responsibility of being a perfect son for his parents. Conrad knew a big task like this requires lots of hard work, and eventually, he just could not handle all the pressure anymore.
There are many important themes and subjects addressed in the book. Most importantly is how Conrad deals with his emotions and comes to accept and forgive what has happened to him. And the author shows us that this can only be done by love, support, and trust. Conrad thinks by not expressing his emotions he is less vulnerable but instead he drifts farther apart from his family. The ordeal of attempted suicide and treatment has left him feeling insecure and vulnerable and he instinctively puts up shields. Trying to appear calm and determined on the outside, he is still very confused, angry and is afraid he slip away again only to kill himself. He still feels responsible for his brother's death due to the fact his mom doesn't want to forgive him and the only way to punish himself is to deny, suppress, and control his feelings lest they give him away. It is not until the very end when Conrad?s father, Calvin finally stops skirting around the subject but tells him that he loves him and that they finally develop a sense of trust and security in one another: -
Conrad's psychological problems generated from the facts that he repressed his feelings and that he looked to others for approval. He hid all his feeling and emotions and judged himself based on what others saw and thought. When Miss Melon, Conrad's English teacher, asked him, "Do you want an extension?" Conrad's immediate response was "NO"(18). He rejected her offer of assistance because he felt that help took away from his dignity and self pride. Conrad internalized what everyone else said and did and judged himself based on this. Conrad thought about himself: "All his fault. All connections with him result in failure. Loss. Evil… Everywhere he looks, there is competence and good health… He does not want to contaminate, does not wish to find further evidence of his lack of worth"(116). Conrad looked at everyone else and concluded that everyone else was "ordinary" and that he was a problem. He was afraid that since he was not "normal," ...
Ordinary People by Judith Guest is the story of a dysfunctional family who relate to one another through a series of extensive defense mechanisms, i.e. an unconscious process whereby reality is distorted to reduce or prevent anxiety. The book opens with seventeen year old Conrad, son of upper middle-class Beth and Calvin Jarrett, home after eight months in a psychiatric hospital, there because he had attempted suicide by slashing his wrists. His mother is a meticulously orderly person who, Jared, through projection, feels despises him. She does all the right things; attending to Jared's physical needs, keeping a spotless home, plays golf and bridge with other women in her social circle, but, in her own words "is an emotional cripple". Jared's father, raised in an orphanage, seems anxious to please everyone, a commonplace reaction of individuals who, as children, experienced parental indifference or inconsistency. Though a successful tax attorney, he is jumpy around Conrad, and, according to his wife, drinks too many martinis. Conrad seems consumed with despair. A return to normalcy, school and home-life, appear to be more than Conrad can handle. Chalk-faced, hair-hacked Conrad seems bent on perpetuating the family myth that all is well in the world. His family, after all, "are people of good taste. They do not discuss a problem in the face of the problem. And, besides, there is no problem." Yet, there is not one problem in this family but two - Conrad's suicide and the death by drowning of Conrad's older brother, Buck. Conrad eventually contacts a psychiatrist, Dr. Berger, because he feels the "air is full of flying glass" and wants to feel in control. Their initial ses...
Conrad gets so depressed that while his parents are away he tries to commit suicide. He doesn’t succeed because of his parents early coming. He is then sent to a hospital to heal the wounds and mental damages. After he gets out of the hospital is faced with the real world situations. When his mother and father are talking, his mother says, “He has escaped this time but even the smallest, most insignificant encounter is alive with complication and danger. He wishes himself, for a moment, back inside the hospital where things were predictable. Mercifully dull.”(Guest 114). Holden wishes that he had never gotten out of that hospital, he wishes that he wouldn’t have to deal with his mom and other people. The only person Conrad is really able to talk his feelings with is his therapist Dr. Berger. Berger is what Conrad would call a trustworthy man. In one of Conrad’s session Berger asks what the overall problem of Con’s life is, Con says, "There 's a guy in the closet. I don 't even know him, that 's the problem."(Guest 146). Conrad can 't go into the closet in order to figure out who he is running from. Berger is trying to get at the point of, how can there be a problem if there is
Conrad asked his therapist “So what should I do now?” The therapists responded with information and advice “Recognize her limitations” etc. These were educational comments about the mother’s probable narcissistic character disorder which were intended so Conrad might begin to understand his own conflicts about her love Conrad’s focus was initially external when he then questioned ” you mean why she can’t love me”. The therapist responded to an internal psychological explanation aided by educational comments about the mother’s personality limitations.
...o, while the novella’s archetypal structure glorifies Marlow’s domination of Kurtz. These two analyses taken together provide a much fuller and more comprehensive interpretation of the work. Conrad presents the idea that there is some darkness within each person. The darkness is is inherited and instinctual, but because it is natural does not make it right. He celebrates – and thereby almost advises – the turn from instinct. By telling Marlow’s tale, Joseph Conrad stresses to his audience the importance of self-knowledge and the unnecessity of instinct in civilization.
Conrad parents were well educated in that time, but they had to struggle and strived for rest of life because of participating with political group. Conrad’s father, Apollo Korzeniowski studied for six years at St. Petersburg University, which he left before earning a degree. Also he was a word translator and writer. Conrad’s mother, Eva Bobrowska was thirteen years younger than Apollo and the only surviving daughter in h...
Every aspect in Conrad?s book has a deep meaning, which can then be linked to the light and dark imagery. In the novel there are two rivers, the Thames and the Congo. The...
In Joseph Conrad’s short story, “Heart of Darkness,” the narrator has mixed emotions about the man Kurtz. The narrator spends a large portion of the story trying to find Kurtz. During this time the narrator builds a sense of respect and admiration for Kurtz; however when he finally finds Kurtz, he discovers that he is somewhat disgusted by Kurtz’s behavior. The narrators somewhat obsessive behavior regarding Kurtz is quickly changed into disappointment. The narrator sees that the man who Kurtz is, and the man he created Kurtz to be in his mind are two very different people. He finds that Kurtz is not a reasonable man of justice and reason, but an unstable man whose cruelty and deception is awful. In Joseph Conrad’s short story, “Heart of Darkness,”
In the opening scenes of the documentary film "Hearts of Darkness-A Filmmaker's Apocalypse," Eleanor Coppola describes her husband Francis's film, "Apocalypse Now," as being "loosely based" on Joseph Conrad's Heart of Darkness. Indeed, "loosely" is the word; the period, setting, and circumstances of the film are totally different from those of the novella. The question, therefore, is whether any of Conrad's classic story of savagery and madness is extant in its cinematic reworking. It is this question that I shall attempt to address in this brief monograph by looking more closely at various aspects of character, plot, and theme in each respective work.
His words are a trap that carries readers into the perception of the most complete darkness in a phonological cradle. The frame narration used by Conrad provides Marlow the chance to exit from the story and speak directly to his audience, and he often uses this occasion to remark, “No, it is impossible to convey the life-sensation of any given epoch of one’s existence,—that which makes its truth, its meaning—its subtle and penetrating essence. It is not possible to do that. We live, as we dream—alone” (Conrad, 130).
Ordinary people is a heart wrenching story of an ordinary family in grief and evidence of self-destruction. Judith Guest takes us through the path of death, alienation of affection and attempted suicide that threaten the existence of the ordinary people. Calvin and Beth Jarrett a well to do couple living in Lake Forest, Illinois are faced by two tragic accidents which occurred the previous year. Their younger son Conrad, the only witness to his older brother’s boat accident blames himself for the incident and tries to take his own life by slitting his wrists with a razor. The author is concerned to look at what happens to ordinary people when faced with extraordinary circumstances and how it affects their lives.
Ordinary People starts off already in a broken world. Buck has died, and Conrad has already attempted suicide, therefore, healing is a main focus throughout the book. Beth and Calvin’s marriage is also very rocky and they together are trying to see if things will work out by healing and saving their relationship. Judith Guest shows the journey through Conrad’s life and his progress to becoming completely healed. Beth and Calvin’s relationship is also monitored and in the end just goes downhill by Beth leaving.
Chinua Achebe views Conrad’s use of a “narrator behind a narrator” (342) as a failed attempt to draw a “cordon sanitaire” (342) between author and perspective which is an extremely interesting conclusion. Unfortunately Achebe’s criticism falls short of recognising the power of the implicit in Conrad’s text, focusing too heavily on the obvious effect and ignoring a more profound role of this narrative technique. The double narration of the story, along with having a protagonist narrator in the first...
* Conrad, Joseph. “Heart of Darkness” in The Norton Anthology of English Literature, M.H. Abrams, general editor. (London: W.W. Norton, 1962, 2000)